Marillion - My Studio Set Up - Mark Kelly - Keyboards
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- Опубликовано: 16 май 2021
- Marillion's keyboard player Mark Kelly talks through his studio set up at the Racket Club and tells us how everything works when he takes it out on the road.
► UK TOUR DATES - NOVEMBER 2021◀
Links for Tickets are here - www.marillion.com/tour/index.htm
Sun 14 - Hull City Hall
Mon 15 - Edinburgh Usher Hall
Wed 17 - Cardiff St David's Hall
Thu 18 - Manchester Bridgewater Hall
Sat 20 - Cambridge Corn Exchange
Sun 21 - Birmingham Symphony Hall
Tue 23 - Liverpool Philharmonic
Wed 24 - Bath Forum
Fri 26 - London Eventim Apollo Hammersmith
Sat 27 - London Eventim Apollo Hammersmith - LIVE STREAM
► MY STUDIO SET UP SERIES◀
IAN MOSLEY - DRUMS - • Marillion - My Studio ...
STEVE HOGARTH - VOCALS - • Marillion - My Studio ...
PETE TREWAVAS - BASS - • Marillion - My Studio ...
COMING SOON - Steve Rothery
► MEET THE BAND SERIES◀
Meet IAN MOSLEY, Marillion's drummer - • Marillion - Meet The B...
Meet PETE TREWAVAS, Marillion's bass player - • Marillion - Meet The B...
Meet MARK KELLY, Marillion's keyboard player - • Marillion - Meet The B...
Meet STEVE HOGARTH, Marillion's lead singer and lyricist - • Marillion - Meet The B...
Meet STEVE ROTHERY Marillion's guitarist - • Marillion - Meet The B...
► THE SPACE - MARILLION'S OFFICIAL VIDEO ON DEMAND CHANNEL◀
www.marillion.video
SPECIAL INTRODUCTION offer for RUclips viewers - watch Brave Live 2013 The Encores for free and get 25% off an annual subscription-
CLICK HERE - bit.ly/thespace_yt_a
Set List - Rich / The Damage / Trap The Spark / Warm Wet Circles / Drilling Holes / Out of this World / Seasons End / The Space
► OFFICIAL MARILLION WEBSITE◀
www.marillion.com
► OFFICIAL MARILLION ONLINE STORE◀
www.marillion.com/shop/ 
Видеоклипы
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Marks sound and playing is major part of what made me interested in Marillion's music when i started listening to them in 1986/1987, his playing on the 80's records are just amazing and to jump to the latest studio album(their all great though) Fear as an example, just listen to the song "Leavers" you have a good example on how his playing makes this record amazing, actually on the whole album Mark's playing just shines through in a remarkable way. Of course it is a band effort, their all great musician but i can't imagine Marillion without Mark's contribution to the great music, i can't wait for the new album
Really enjoyed this! Hope we get more from the rest of the band members :)
I must say, I'm really impressed with how you've embraced RUclips lately - really quality content, that I think a lot of us appreciates!
Agree - have learned so much about the band from 2021's RUclips videos!
Thanks Magnus ... there will be a lot more content coming on our RUclips channel! And yes, each of the band have filmed a 'My Studio Set Up' video. We are hoping to upload something every Monday, so stay tuned!
@@marillionofficial You guys are the best!
Agree, totally!
Mark please, can you talk about your past gear? And, did you used a minimoog for the Punch and Judy iintro? Thanxs and blessing for you all from Argentina
As a keyboard player, that is just starting a early Marillion tribute band, this is right up my street, after watching lots of hours on how you created different sounds on different synths, keep up the good work Mark, it would be nice to see how you play different songs, and the way you layer the patches
I bumped into Mark at High Voltage Festival.
What a lovely, humble bloke.
Posed for a photo which I treasure to this day.
Very cool. One of the last true band keyboardists. Not many left. Thanks for this Mark. Would love a Part II. I like the techie stuff and "how'd they do that" kinds of things.
As a keys guy myself, this was fantastic to see!
It also explains why I can't quite get the sounds for Marbles as I don't have a Korg!
Thanks Mad Jack!!
Extraordinary to me. Different from my 70s set up. Fascinating
Thanks Mark ... nice to hear your deep voice ... excellent stuff ... you guys really care about us ... 👌
Thanks Mark! Great insight. 🎵🎵🎵
Fascinating...thanks Mark.
Great vid. Thank you Mark.
This is fantastic! Really gives a great deeper insight into the mechanics of Mark.
This is very interesting to see how it's all put together, thanks Mark!
Great to see behind the keys. Quite inspiring when delivered by Mark in his straightforward and understated way.
Great vid. It was his style and keyboard sound that was a major influence to want to learn to play and how it all works.
Excelente y admirable tecladista como todos los integrantes de MARILLION
Clicked the like button straight away. Will watch tonight at home. Some 'me' time to look forward to 😁
Very thanks for showing.
Nice to see, that we do some in the same way.
I love the music from Marillion, thanks for all..
Thanks Mark 👍🏻 really interesting
My favorite keyboardist from my favorite band!
Great video! 🎹
MARILLION NO 1 in the charts hopefully
really enjoyed this, very interesting
Bravo Mark, le tue musiche e i tuoi arrangiamenti sono veramente belli e ricercati, sarebbe bello se tu usassi di più il Mellotron! Ciao e un saluto 👋, salutami anche gli altri 4.
Excellent video! As far as I'm concerned, it's Mark who keeps all the parts connected and that, since Marillion's Day 1. Great job.
What a brilliant insight to the workings of the band. Looking forward to seeing similar from the other guys.
Stay tuned! Four more videos coming up over the next few weeks!
"Ah, I see you have the machine that goes 'ping'..."
And the most expensive machine
Well Done LOL ...
Very interesting. I hope you continue to propose such informative videos about the technicalities behind the show...
Stay tuned ... the whole band have contributed to the 'My Studio Set Up' series
Thanks Mark
Bravo maestro
Thanks for the explanations. I'm a little clearer now!
This tech has come so far. In my days of doing original material I'd work with my keyboardist and help set up all the patch changes. We had a midi device controlleer that you'd simply scroll song by song and it would control all the various keyboards patches
As it would be too difficult and slow to do live. I also created all the samples. Very difficult in the 80's when creating loop points was done manually block by block, trial and error with no visual help. Tedious as hell. Old prophet 2000.
Very interesting.
I remember when vector synths came out and they were all the rage - right before recording Brave apparently, because Mark goes crazy with the effect on the album. Also interesting to hear him discuss striking the right balance when played live...RAH is the greatest example.
Thanks Mark. Fun to watch. Main Stage and Logic are great. But, hey, twiddling knobs on analog synths - nothing beats that surely!!?
It is all very technical to me. Nevertheless, I do enjoy watching these videos. Love Marillion. Take care Mark and I am always finding a better way. Thanks for all you chaps do for your fans.
Love ya Mark. Would've been great to actually hear some of the sounds from each keyboard/device. For instance the unique sound from the Korg you referenced for Neverland and Ocean Cloud. That would be cool to hear.
I sold my Karma and bought the new Kronos but I still miss it. Your absolutely correct, there are certain sounds in the Karma that can’t be reproduced.
Pianotek is cool- bought that some time ago, the first plugin that really felt like a real piano to me, and it doesn't take a ton of memory to do it.
Brilliant. Really interesting and brings you ever closer to me, a fan. Thanks Mark.
Now who down voted?..... Is you a steps fan or somethin?
MFFM
Marillion Forever Forever Marillion
💙
"Sounds that are really hard to reproduce in any other way."
Are you saying that keyboard plays sounds that can't be made?
Was saying the Karma was used on the recordings, it was easiest to just keep the board rather than try to attempt to reproduce some of its sounds with others.
@@evankeal 😂
🎹#marillion🎹
🤯
Great to see Mark talking about his setup. Korg and Roland working together. Really interesting. I know you’re using Logic and probably MainStage. But… do you use Kontakt for samples?
Mark can you talk about the gear you used in the past?, and did you use a minimoog in the Punch and Judy intro? Thanxs a lot and blessings from Argentina
Mark ... what soft synths are you using? some of us want to geek out on that!
Is there a set of sounds that could work - not exactly but near enough - to cover a wide range of possible songs on nights with a bunch of encores or where H rips up the setlist?
It seems to me that playing the keyboards in Marillion is like to be a musician playing live while, at the same time, a fighter jet pilot in a dog fight! Eow!
Agreed! "I can't get too involved in the music: I have to trigger the next patch!"
Nice and interesting. But let me recap. 1. The band jams. 2. The jams are turned into songs. 3. The songs are recorded. And then 4. From the recording, the band rehearses the songs to play live, and Mark builds the 'patches' for the live shows.
Is that how if works? If yes, I guess that assembling the patches within the software must be a time-consuming job. Will be glad to get your feedback.
It seems like a lot of the show is riding on Mark. Too bad he can't get a technician to do some of that stuff so he can enjoy the shows more.
My missis fancies you : (
Howdy. I am a keyboard player and looking to figure out what keyboard and sound you use for playing the bell-like synth lead that comes in prior to the guitar lead for the Easter (Somewhere in London) video. Do you mind sharing that info with me? I have only recently discovered the music of Marillion, and I REALLY enjoy your playing. Thank you :)
Just a truly honest and wise suggestion, shouldn't we have the 6th member joining in on the "don't forget to subscribe" ending sentence ?????
I think Mark is one of the most subtle keyboard players in rock, somebody who has somehow managed to just create the right textures that aren't just traditional instruments, but also usually don't get overbearing (like, say, Tony Banks after some point!). The only thing that bugs me at times is the over-reverbed piano sound as on White Paper or the remake of Hollow Man. Just sounds too new age and aseptically cold for my liking.
Is that the Nord Electro 5?
I'm not a musician so all this is way beyond me...still very interesting though. Mark should be a music teacher. Keyboard Theory 101 w/ Prof. Kelly
Could you not just sample the sounds from the Karma? What's going to happen when that fails?
Some patches are so layered and rich that to sample them, you would have to sample every note of the sound to make it comparably playable on another synth. So it's easier to just bring the original synth.
Even if you sample every note it's not good enough, because you may get a slightly different sound (not just a different volume) according to how hard you hit the key, and sometimes by how hard you press on the key after you hit it too (aftertouch modulation). Also, the transition from one note to another can change the sound according to which note you transitioned from (portamento). You cannot copy those functions with sampling, it's not dynamic enough.
@@smgutteridge exactly!
What? Not a single word about the VSTs and other sound sources?! 🤷🏼♂️
I’ll do that next time
@@MarkKellysMarathon Hi Mark thanks for this nice little tour. I'd love to learn how you get these very subtle magical arpeggiator sounds on some of the Marbles album songs out of that Karma... I recently bought one from a guy in New Jersey and now I'm stuck with the factory settings and the Karma button 😂
Thank you, I look forward to that. 🙂
Well, it's certainly not Rick Wakeman's world anymore is it?
P S isnt it expenzive having keyboards in IRAQ
5:00: The thing is, Mark looks like he's eternally stuck in his early 40s. Only the hands seem to age.
Channel doesn't bother interacting with people's coments much. Pass