W. A. Mozart: Concerto No.25 in C Major K.503 - Kenneth Broberg

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  • Опубликовано: 11 окт 2024
  • Kenneth Broberg performs Mozart's Piano Concerto No.25 in C Major in the final round of the Sydney International Piano Competition of Australia 2016.
    I. Allegro Maestoso - 0:32
    II. Andante - 16:29
    III. Allegretto - 24:05
    July 19th at the Sydney Opera House.
    ©Sydney International Piano Competition of Australia

Комментарии • 110

  • @ronaldwilliams9266
    @ronaldwilliams9266 8 месяцев назад +3

    I agree that this concerto was played with beauty but also with sensitivity and skill. Thank God that he did not let his skill completely take over. How precious to let his individual instincts stand out.

  • @hepzibel
    @hepzibel 3 года назад +16

    Merlin's Beard! He actually worked "La Marseillaise" into his First Movement Cadenza! I LOVE IT!!!
    Quite apart from that, this is the most Stunning and Heartfelt performance of this wonderful concerto I have heard IN DECADES! BRAVO, Mr Broberg!!!

    • @XavFranz
      @XavFranz 2 года назад

      Very interesting cadenza! Nicely!

    • @fridericusrex9812
      @fridericusrex9812 2 года назад

      15:03 :)

    • @philzmusic8098
      @philzmusic8098 Год назад +1

      I've had that idea, too, on my own! Too bad about Mozart's childhood sweetie Marie Antoinette, though.

    • @marietheresechoueiry7847
      @marietheresechoueiry7847 7 месяцев назад +2

      IL n'a pas fait intégré "La Marseillaise" Rouget de L'Isle s'est inspiré de ce phrasé du concerto de de Mozart pour la composition de la Marseillaise. 😮

  • @aryeophir8699
    @aryeophir8699 5 лет назад +8

    SO ist es, wenn Musik zum Kunsterlebnis wird. Ein Dankbravo dem Pianisten!

  • @poetmale
    @poetmale Год назад +3

    Mozart must be smiling in his heaven. The right balance between orchester (to the point) and soloist (the small "rubati", sort of inventing the part as he goes along). The transparency of the
    orchestral voices (thanks to an outstanding conductor) and a soloist giving 110 %. A new high bar for the work!

  • @quaver1239
    @quaver1239 5 лет назад +12

    Delightful performance. Very talented young man. Thank you.

  • @herrbrucvald6376
    @herrbrucvald6376 5 лет назад +20

    Wow. Broberg brings exquisite detail to a ravishing iteration. I hear details in decorations
    and harmonies I never noticed as strongly before -- such as at 5:57, for one -- having heard many versions by famous pianists. Also, there's a lot of the majestic wisdom of the Magic Flute in this concerto, I now realize. Superb.

  • @georgiaguardian4696
    @georgiaguardian4696 4 года назад +10

    The Fazioli piano is suitable for almost all Mozart piano concertos!

  • @contagieux
    @contagieux 5 лет назад +27

    Love that he plays his own cadenza . Outstanding recording.

    • @lablous
      @lablous 5 лет назад

      Cadenza 1st or 3rd ? From himself creation ?

    • @ubuntuivan
      @ubuntuivan 4 года назад

      Cadenza 1 was nice...but bringing Tchaikovsky in there was funny and a little bootlegged...

    • @HR-yd5ib
      @HR-yd5ib 4 года назад

      @@ubuntuivan , are you telling me you appreciated the Marseillaise getting interjected? uuuugggh

    • @telephilia
      @telephilia 2 года назад

      Mozart did not write a cadenza for this work, I believe. In fact, he didn't write many cadenzas - not until Beethoven did written cadenzas become the norm. For a long time, cadenzas by the likes of near contemporary Hummel were the standard.

    • @johnhowe6812
      @johnhowe6812 2 года назад

      I totally agree. Love it!!

  • @livb6945
    @livb6945 3 года назад +7

    What a wonderful rendition!!! ❤️ ❤️ ❤️

  • @ЮрийЗаславский-ю5к
    @ЮрийЗаславский-ю5к 8 месяцев назад +1

    ❤звучание поразительно изящное франкоинтриоующее завораживающее и опьяняющее своей красотой

  • @Discovery_and_Change
    @Discovery_and_Change Месяц назад +1

    1st movement
    0:33 begins | 1:20 magical | 7:16 magical | 12:56 magical | 15:53 ending
    2nd movement
    16:29 begins | 19:31 moment | 21:21 *cough? | 22:27 moment
    *3rd movement
    24:05 begins | 25:53 gliding | 30:03 fast | 33:10 ending

  • @shin-i-chikozima
    @shin-i-chikozima Месяц назад

    His wonderful performance is beyond description

  • @davidrogoff8812
    @davidrogoff8812 5 лет назад +14

    Beautifully executed, with great musical sensitivity. And I loved his cadenza in the first movement. Bravo!

  • @ronaldopacifico9441
    @ronaldopacifico9441 4 года назад +5

    superb interpretation.

  • @acempdc
    @acempdc 4 года назад +10

    This is perfect! Most precisely played version on RUclips and I can imagine than any other! I suggest passages of the Uruguayan anthem instead of the Marseillese :) it is less known and more interesting. Congratulations to all the involved in this piece of perfection.

    • @HR-yd5ib
      @HR-yd5ib 4 года назад

      The best cadenza is the one not played.

    • @josephefasciani7343
      @josephefasciani7343 4 года назад

      @@HR-yd5ib
      At nearly 78 I'm pretty literate, but I cannot imagine what your cryptic remark implies. Can you explicate it in a hundred words or less?

    • @HR-yd5ib
      @HR-yd5ib 4 года назад

      @@josephefasciani7343 how about that: cadenzas = shite.

  • @JanosKmetyko
    @JanosKmetyko Год назад +2

    bravissimo.¨!!!!!!!

  • @יצחקבןיהוידע-ל3נ
    @יצחקבןיהוידע-ל3נ 5 лет назад +8

    פשוט משמח את הלב !!!!

  • @ernestomarzano
    @ernestomarzano 5 лет назад +8

    Bravo Kennet, sos un grande y me encanto la cadenza con la Marsellesa.

    • @ernestomarzano
      @ernestomarzano 3 года назад +1

      @@claykeanu6287 Clay Keanu, yo no se el suficiente ingles, como para comunicarme con vos. Pero te agradezco mucho tu intención. Debes ser un hombre muy bueno y sensible.

    • @ernestomarzano
      @ernestomarzano 3 года назад +1

      @Christopher Ben me encantaría seguir tu trabajo, pero tube que recurrir al diccionario, para saber el significado de la palabra "Seems". De todas maneras muchas gracias.

  • @goscott444
    @goscott444 5 лет назад +7

    _Shame on me, I did not know it was the French National Anthem in the 1st movement! GOD bless you Kenneth, excellent performance!_ 😎

    • @alvarito45
      @alvarito45 5 лет назад +3

      It's funny that Keneth had done that variations in his Cadenza so the french anthem sounds on it. No other pianist does it.

    • @HR-yd5ib
      @HR-yd5ib 4 года назад

      @@alvarito45 , I wonder why ... uuuggghh

    • @livb6945
      @livb6945 3 года назад +3

      The composer of the Marseillaise was in Vienna a few years before writing it. There are eight years between this composition and the French anthem, so it was indeed inspired by this piece. But then Mr Broberg did add a few notes 😊

    • @VicenteMReyes-vs9nh
      @VicenteMReyes-vs9nh 2 года назад

      How did you change the font?

  • @prototropo
    @prototropo Год назад +1

    The melodic figuration at 32:23 and again, elaborated, at 32:42 is an example of guileless genius. We were gifted through Mozart an intelligence of stunning generativity . He sometimes seems to splash off an extra melody in the way an unexpected rainstorm can exceed a levee's capacity and leave engineers scrambling to release the overflow!
    My favorite music theory professor once quipped that the sort of felicities other composers only wring with labor, Mozart blithely tossed over his shoulder. But for brilliance that nearly blinds the rest of history's intellectual progress, Mozart might have a match in the astonishing mathematician Leonhard Euler. Both children of the 18th-Century Enlightenment, Euler and Mozart are easily the savants of Modernity. In fact, Euler's intellectual curiosity was so prodigious he actually spent time ruminating on music theories, and wrote an essay called "Tentamen novae theoriae musicae," (Attempt at a New Theory of Music).

    • @howardchasnoff208
      @howardchasnoff208 Год назад +1

      My music professor always emphasizes that music is mathematical. He uses the scores to prove his point. There is balance and symmetry. The musical forms whether they be sonata allegro, rondo, dance forms etc all have a plan. the location of the golden mean and halfway point both have meaning. The composers adhered to the plan even though the form was not yet codified.
      Speaking of theory, Mozart was able to give us interesting chord progressions in his developments. ie. 1) Piano concerto 17 1st movement 2) Eb M divertimento for string trio 1st movement 2nd movement. Last movement.

    • @prototropo
      @prototropo Год назад

      @@howardchasnoff208 Thanks, Howard! Ill listen to those now.

  • @gonzalovaldivia3835
    @gonzalovaldivia3835 5 лет назад +6

    sensibilidad y limpieza. extraordinario

  • @binodsingh4929
    @binodsingh4929 3 года назад +2

    So. I won.t cry😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

  • @roseeusa1
    @roseeusa1 5 лет назад +6

    Bravo!

  • @chalignyparis2739
    @chalignyparis2739 6 лет назад +15

    Wonderful interpretation

    • @kennethdower7425
      @kennethdower7425 5 лет назад

      Music doesn't need to be "interpreted" because there's nothing to interpret.

    • @davidrogoff8812
      @davidrogoff8812 5 лет назад +1

      @@kennethdower7425 Not to argue the point, but if what you say is true, then all performances of the piece would sound the same.

    • @kennethdower7425
      @kennethdower7425 5 лет назад +1

      @@davidrogoff8812 Utter nonsense. People are not machines, so no performance, even by the same musician, will ever sound exactly the same. That has nothing to do with "interpretation", but the simple fact of multiple variables that will naturally occur from performance to performance. I get tired of explaining this to people that are ignorant of music and/or don't understand it's language, so I'll give you Stravinsky's words on the subject; if you think you know better than he then good luck to you: _"For, as I have already said, music should be transmitted and not interpreted, because interpretation reveals the personality of the interpreter rather than that of the author, and who can guarantee that such an executant will reflect the author's vision without distortion?"_

    • @davidrogoff8812
      @davidrogoff8812 5 лет назад +2

      @@kennethdower7425 You are rude. Your reply bespeaks low character.

    • @kennethdower7425
      @kennethdower7425 5 лет назад +1

      @@davidrogoff8812 No, I'm not being rude at all. Maybe you shouldn't have left me a curt dismissive "comment". With that manner of address, I have neither the time nor the inclination to be subtle. Now, you have the temerity to tell me I posess a "low character". That's hilarious, coming from one whose comportment is deplorable.

  • @claudioparrella183
    @claudioparrella183 Год назад

    lo abbiamo sentito al Van Cliburn ma stavolta è davvero sorprendente

  • @ivanigorpollick6690
    @ivanigorpollick6690 5 лет назад +2

    neautifully played,beautifull concerto

    • @timothythorne9464
      @timothythorne9464 4 года назад

      ivan igor Pollick it's truly amazing! It's unfortunate this sublime concerto isn't more frequently performed; I think it ranks second only to Beethoven's majestic Emperor Concerto in quality, for such works prior to the Romantic era. And there's echos of "La Marseillaise" throughout the first movement: it forms the base of the development section.

    • @gevorgavetyan6463
      @gevorgavetyan6463 4 года назад

      Отлично

    • @prager5046
      @prager5046 4 года назад

      @@timothythorne9464
      Are you a Japanese soldier who has been hiding in the jungle since the end of WW2?
      This concerto, for quite sometime. is being recognized as one of the greatest piano concerto ever composed... and it is quite frequently played, performed, and recorded. In my opinion, the K 503 is by far superior to any of Beethoven's piano concertos...i suggest you to look at Prestoclassical.com and found out how many versions this concerto has, or, i will do it for you:
      www.prestomusic.com/classical/search?search_query=mozart%20piano%20concerto%20k%20503

  • @cmw9876
    @cmw9876 5 лет назад +4

    I was also curious about the Fazioli piano. I have come to love Steinways but I really do like the sound of the Fazioli. Competition is a great thing. That said, Steinway does do a lot to support their users. A lovely sound from the Fazioli! Plenty of women in the orchestra - good. I hope they're not ring-ins from the conservatory up the road but musos with a real job.

    • @neilsvonzeppelin250
      @neilsvonzeppelin250 4 года назад +5

      Is it really possible to compare Fazioli & Steinway on the basis of this video ?

    • @seoulstn
      @seoulstn 3 года назад

      @@neilsvonzeppelin250 It is not a comparison; it's just an opinion...

  • @ВладимирДоценко-з8с

    Bravo!!!

  • @JanosKmetyko
    @JanosKmetyko Год назад +2

    beautiful.¨!!!!!!!

  • @mspg2
    @mspg2 Год назад +2

    Dazzling

  • @telephilia
    @telephilia 2 года назад

    La Marsellaise and the Beethoven 5th motif very strong here. Both came after this concerto - possibly inspired them???

  • @geiryvindeskeland5985
    @geiryvindeskeland5985 Год назад

    «Allegro maestoso» I look forward to hearing Lorenz Gadient/Wim Winters’ version. :)

  • @dtcnunes
    @dtcnunes 3 года назад +3

    It's me ... or around 15:05 ... we are listening to La Marseillaise?

    • @chairton
      @chairton 3 года назад

      it is

    • @diegoguerra6395
      @diegoguerra6395 3 года назад

      Six years before its creation; and, in minute 17:46, there is also the yet uncreated Argentine National Anthem (!!!)

  • @sandplus5048
    @sandplus5048 4 года назад +2

    Anyone knows who won this competition ?

  • @poznaniaklat6073
    @poznaniaklat6073 2 года назад +1

    geniusz

  • @claudioparrella183
    @claudioparrella183 Год назад

    la cadenza è molto bella. Di chi è?

  • @binodsingh4929
    @binodsingh4929 3 года назад

    We’re going to the fun fair today and then we.ll. Go on some. Rides

  • @daffyduck4195
    @daffyduck4195 Год назад

    I've noted Broberg w/ interest before, but not here. In this concerto he plays the notes but doesn't know what he is saying. Like a neophyte he just plays a bunch of notes. Also, its odd that he would add the "Marseilles" melody to the cadenza. This is one of my favorite Mozart concerto, esp. the recording by Brendel w/ the St.Martin In the Field Orchestra. That old LP recording has much more tension and excitement than this modern one. Brendel, the Austrian old hand, has a deep feel for Mozart's music, on almost every note, and he played in sync w/ the orchestra. This Sydney orchestra, however, while good in itself , is not perfectly in sync w/ the pianist (or is it the other way around?). Broberg doesn't attempt to even "talk" to the orchestra but plays aloofly on his own.

  • @ferube4171
    @ferube4171 5 лет назад +3

    with marsellesa

    • @lablous
      @lablous 5 лет назад

      Indeed. Nice detail, left hand

  • @MrMielten
    @MrMielten 3 года назад +1

    28:05

  • @pabloporrase
    @pabloporrase 5 лет назад +2

    Who wrote the cadenza?

    • @lablous
      @lablous 5 лет назад +1

      In addition, in the 2nd movement there is a passage on the left hand that refers to the Marseillaise, probably in reference to the recent, in those years, French Revolution

    • @teribroberg1719
      @teribroberg1719 5 лет назад +4

      The pianist wrote his own cadenza.

    • @timothythorne9464
      @timothythorne9464 4 года назад +1

      Mozart's own cadenzas have been lost for some of his later concerti. It's usually up to the performer to craft a fitting cadenza

    • @steveg5453
      @steveg5453 4 года назад +1

      @lablous the concerto dates from 1786. The French Revolution didn’t really kick off till 1789, and the Marseillaise was composed in 1792, the year after Mozart died.

  • @diegoguerra6395
    @diegoguerra6395 4 года назад

    17:45 hay compases reconocibles en el inicio del Himno Nacional Argentino.

  • @binodsingh4929
    @binodsingh4929 3 года назад

    33:00🎹🎹🎹🎹🎹🎹🎹🎹🎹🎹

  • @franciaparra214
    @franciaparra214 5 лет назад +5

    15:03

    • @juliakirsch1298
      @juliakirsch1298 5 лет назад +4

      yeah, haha, did he insert the French National Anthem (La Marseillaise) there? Was it part of his cadenza?

  • @livb6945
    @livb6945 3 года назад

    Kenneth Broberg - that's a very Swedish sounding name....

  • @edem904
    @edem904 5 лет назад +1

    8

  • @TrollMeister_
    @TrollMeister_ 3 года назад

    0:33

  • @binodsingh4929
    @binodsingh4929 2 года назад

    33:00👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🌹🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🌹🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻kennth thanks👏🏻🌹🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻💐🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

  • @tmdthehedgehogpoe930
    @tmdthehedgehogpoe930 6 лет назад +1

    This concerto is also known as the Cat Concerto!

    • @zinam5795
      @zinam5795 5 лет назад +1

      Who told you that ?! ..M.B.....Kochel ?....I 'm not sure....

    • @kennethdower7425
      @kennethdower7425 5 лет назад +3

      Yeah....except, it's *not.*

    • @ferube4171
      @ferube4171 5 лет назад +1

      marsellesa concert 15:03

    • @lablous
      @lablous 5 лет назад

      @@ferube4171 2nd mov, left handed

    • @lablous
      @lablous 5 лет назад

      @@zinam5795 Coincidentally, having coffee with Köchel yesterday, he told me that, even showed a coloured photo of the little kitten

  • @thethikboy
    @thethikboy 5 лет назад +2

    The title is wrong - it's not D major but C major, as you can tell from the notes. The piano performance is Mozart- perfect, articulated and phrased, but fluid. Not too excited about the orchestra. Too dry.

  • @VicenteMReyes-vs9nh
    @VicenteMReyes-vs9nh 2 года назад

    The more I look at Kenneth Broberg, the better and better he looks. He is Jewish isn't he?

    • @capullitodem1
      @capullitodem1 2 года назад

      You did not notice his back? He looks awful, is that better for you?

    • @VicenteMReyes-vs9nh
      @VicenteMReyes-vs9nh 2 года назад

      @@capullitodem1 What "back"? Nobody notices peoples' "backs". What is there to notice about peoples' backs?????

    • @165901943
      @165901943 2 года назад

      Moi j'adore ses chaussettes !!!!

  • @meteneptun
    @meteneptun 5 лет назад

    Für einen Satz, der mit "Allegro Maestoso" betitelt ist, ist diese Interpretation für mein Gefühl etwas zu dünn..

  • @easy1253
    @easy1253 2 года назад

    considerably inferior to the André Tchaikowsky recorded performance of this work

  • @HR-yd5ib
    @HR-yd5ib 4 года назад

    I wish they would leave out these dreadful cadenzas ... uggh.

  • @zamfully
    @zamfully 4 года назад

    Men just can’t play an instrument like a woman can.