Back in the 70s I had a beautiful Rauschpfeife that I think was made by Korber of Germany. It was a really nice, loud pipe that I used to play with a small foam mute, which allowed it to blend in with my other reeds much better, and also seemed to help its intonation a bit. (With the mute in place it did not tend to go sharp in the upper notes.) Most of my other reed instruments (several crumhorns, a tenor cornemuse, a shawm, etc) were made by Moeck, also in Germany. I had a renaissance bass rackett, by Everett, a luthier, from Ottawa, Canada, also a Breton bombarde (small shawm) that was a folk instrument of unknown make, also a very nice set of Gaita Gallega (single drone indoor(?) bagpipes) from Casa Gonzalez in Spain. I found a very fine set of antique Highland pipes by David Glen, Edinburgh, that I had rebuilt by a Toronto outfit called McNeill's. They were quite nice, but took an awful lot of wind; so eventually I sold them to a Scotsman who needed them a lot more than I did. I'm sure he still has them, and will pass them on to his grandchildren. They were over 100 years old back in the 70s, when I found them in an old steamer trunk in a junk shop in Toronto, with their engraved sterling silver bands and real ivory trim. Amazingly, there were no cracks in that set! I remember it was fun to flip through a sample book of hundreds of tartans to chose what to dress them in. I don't remember what pattern I used, but it had a lot of blue, green and grey, and was in muted colors. Anyway, it's been literally decades since I owned any reed instruments; I do still have several very beautiful gemshorns which I built out of exotic black serrated Grant's gazelle horns. I made approximately 75 gemshorns - some in the mid 70s and second batch in the mid 90s, all of which I either sold or traded to music shops in exchange for other instruments. I kept my 3 favorites, which I still have; two gazelle and one steer; they are my only woodwinds now; everything else is guitars, guitars, guitars... ;) Thanks for reading!
1ter aber mach bitte mal ein video zum auf bau und NICHT wie jeder andere zum ton. ich will sehen wie das ding aufgebaut ist und nicht 20 wie das klinkt ich weis doch wie das klinkt sorry aber es ist einfach nur nerfig das jeder der ein video zu z.b rausch-pfeifen macht nur so macht:so sied das Instrument(nur von ausen) aus.und so klinkt das:und dan ende und es wirt nie in das techische oder in den genauen aufbau ein gegangen
Back in the 70s I had a beautiful Rauschpfeife that I think was made by Korber of Germany. It was a really nice, loud pipe that I used to play with a small foam mute, which allowed it to blend in with my other reeds much better, and also seemed to help its intonation a bit. (With the mute in place it did not tend to go sharp in the upper notes.) Most of my other reed instruments (several crumhorns, a tenor cornemuse, a shawm, etc) were made by Moeck, also in Germany. I had a renaissance bass rackett, by Everett, a luthier, from Ottawa, Canada, also a Breton bombarde (small shawm) that was a folk instrument of unknown make, also a very nice set of Gaita Gallega (single drone indoor(?) bagpipes) from Casa Gonzalez in Spain. I found a very fine set of antique Highland pipes by David Glen, Edinburgh, that I had rebuilt by a Toronto outfit called McNeill's. They were quite nice, but took an awful lot of wind; so eventually I sold them to a Scotsman who needed them a lot more than I did. I'm sure he still has them, and will pass them on to his grandchildren. They were over 100 years old back in the 70s, when I found them in an old steamer trunk in a junk shop in Toronto, with their engraved sterling silver bands and real ivory trim. Amazingly, there were no cracks in that set! I remember it was fun to flip through a sample book of hundreds of tartans to chose what to dress them in. I don't remember what pattern I used, but it had a lot of blue, green and grey, and was in muted colors. Anyway, it's been literally decades since I owned any reed instruments; I do still have several very beautiful gemshorns which I built out of exotic black serrated Grant's gazelle horns. I made approximately 75 gemshorns - some in the mid 70s and second batch in the mid 90s, all of which I either sold or traded to music shops in exchange for other instruments. I kept my 3 favorites, which I still have; two gazelle and one steer; they are my only woodwinds now; everything else is guitars, guitars, guitars... ;) Thanks for reading!
Sehr gute Videos, ich bin ganz am Anfang, Dudelsack zu lernen. Deine Videos sind eine große Hilfe! 👌🏼
Dankeschön, ich freue mich wenn es dir gefällt.Bei Fragen einfach melden😊
Als Neudeutschlerner war dies ein sehr lehrreiches Video. Die Rauschpfeife ist ohne Zweifel eines meiner liebsten Musikinstrumente. Tolles Video Akki!
Dankeschön Nushnum😉
1ter aber mach bitte mal ein video zum auf bau und NICHT wie jeder andere zum ton.
ich will sehen wie das ding aufgebaut ist und nicht 20 wie das klinkt ich weis doch wie das klinkt sorry aber es ist einfach nur nerfig das jeder der ein video zu z.b rausch-pfeifen macht nur so macht:so sied das Instrument(nur von ausen) aus.und so klinkt das:und dan ende und es wirt nie in das techische oder in den genauen aufbau ein gegangen
Erstmal danke für den Hinweis, ich werde mich mal kümmern und informieren wie ich es umsetzen kann.
Es grüßt dich Der Spielmann Akki 👍
@@akkiswerkstatt1150 ok danke weil ich möchte mir Mal eine schallmei (Rauschpfeife) bauen