Alan Silvestri - Contact Theme [Extended by Gilles Nuytens]
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- Опубликовано: 29 сен 2024
- Alan Silvestri - Contact Theme [Extended by Gilles Nuytens]
This is an extended version of the theme of the movie « Contact » (1997) composed by Alan Silvestri. This is the original music, extended by myself from the original soundtrack. A bit long, maybe, but I can hardly resolve myself to remove good parts just to make it shorter, so here it is.
More extended mixes: • Soundtracks Edits by G...
Legal notes: To the rights owners of the original music I based this edit on, this is just an artistic work and a fan edit. If you don't like it or want it removed, please ask before doing anything harmful. Remember that we are humans, not machines. All rights remain to Alan Silvestri.
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Watch it when I was a child and rewatch week ago. When I was a child, I saw film about dream and science, now I got that it films about faith.
Faith is a science in itself :)
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Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
CS
Beautiful
Thank you for reciting Carl Sagan’s beautiful and touching quote in here. I love to read them over and over while listening to this music piece. 🙏
I love watching this movie, its about more than silly aliens.
Wonderful film; it captures the hope, fears, doubts, and courage of humanity.
First time I saw that movie and the device being destroyed almost brought me to tears.
Yes sure... Williams and Zimmer are the greatest. No doubt.
But this... this has a special magic that rivals... well... it's magical!
Alan Silvestri and James Horner (who wrote field of dreams). I prize these guys right there at the top. But yea, they are all good. This particular soundtrack is absolutely stunning. Totally agree with you, magical in every way.
@@tA_aT287 Definitely. Horners done many 'quite clever' movie scores!
@@tA_aT287ennio morricone stays above all of them. He is definitely the greatest of all times
In nearly any other year this would be the best score.
But 1997 had to go off and give us:
Titanic (James Horner)
Gatraca (Michael Nyman)
Kundun (Philip Glass)
Lolita (Ennio Morricone)
Amastad (John Williams)
Contact (Alan Silvestri)
Starship Troopers (Basil Poledouris)
L.A. Confidential (Jerry Goldsmith)
The Fifth Element (Eric Serra)
Conspiracy Theory (Carter Burwell)
The Lost World (John Williams)
Face/Off (John Powell)
Air Force One (Jerry Goldsmith)
Tomorrow Never Dies (David Arnold)
The Game (Howard Shore)
As Good As It Gets (Hans Zimmer)
Alien Resurrection (John Frizzell)
Men In Black (Danny Elfman)
Con Air (Mark Mancina & Trevor Rabin)
The Postman (James Newton Howard)
The Peacemaker (Hans Zimmer)
The Devil's Own (James Horner)
Seven Years In Tibet (John Williams)
The Edge (Jerry Goldsmith)
Rosewood (John Williams)
Relic (John Debney)
The Saint (Greame Revell)
G.I. Jane (Trevor Jones)
The Devil's Advocate (James Newton Howard)
Mimic (Marco Beltrami)
I Know What You Did Last Summer (John Debney)
Event Horizion (Michael Kamen)
Good Will Hunting (Danny Elfman)
Murder At 1600 (Christopger Young)
Anaconda (Randy Edelman)
Shadow Conspiracy (Bruce Broughton)
The 90's didn't play.
thats a good playlist
From your wonderful list follows I watched more movies in '97 alone than I have from 2000 until now.
Stunning music, I watched the movie again the other evening and was reminded how beautiful the score was for the film.
W-o-w !
Woah
Small Moves, Ellie.
Small Moves...
Beautiful production, Gilles
A brilliant comment from a brilliant scientist!
I audited an astronomy class in college and one night after class we went to use the university’s telescope.
The Professor said “If you aren’t totally overwhelmed by what you saw tonight you should drop this class!
я этот комментарий вижу не впервые....
верую в Высший Разум и во Внеземные Цивилизации, которые нас землян посещали. ЭТО ВАМ НА РУССКОМ!!!!!!!
This film, and it's classical score, got me through some very tough times, and kept me positive and, I started to realise, like the film points out, the importance of faith.
Love it. The soundtrack for this movie is wonderful. I was hoping to find an extended theme.
Love the movie. Love the soundtrack. Love this extended opening theme.
имеющие уши слышать да услышат...
Une version fort intéressante de cette partition qui colle à merveille à l'esprit de ce film. Félicitations.
The orchestration is perfectly made by
William Ross .
Thank you, such a haunting theme. Does anyone know where the theme is from, or what provided its inspiration? It sounds so familiar but I cant put my finger on it.
Hello. You can try to ask the question to Alan Silvestri directly here:
facebook.com/alansilvestrimusic/
Though, I did try myself (not about this) but he never replied.
@@GillesNuytensAh thanks Gilles, I'll try, but how do I frame the question to get an answer? Does the theme also ring some bells for you?
@petervogt8309 I'm afraid I can't answer this question. Most of the composers (and not only composers actually) I have been trying to reach out in the past years never replied me. It's very lucky when you get an answer. Getting an answer is most likely the exception to say the truth. But if you don't try, for sure you won't get one. Maybe the theme sounds familiar because I have seen the film 25 years ago and only rediscovered its music lately, other than that I don't know.
как-то так...
@@GillesNuytens Yes you're right of course. Still, I keep coming back to the question of what provided the inspiration for this meme theme. And why it is so intriguing. The triplets in 4/4 beat almost sound like a syncopation, and the way the melody makes these large jumps - it's a brilliant piece of composition by Alan Silvestri.
❤👍🏻
Thanks Uploader... & YT.
💛💛💛
всё что нужно это признать позитивных инопланетян. Да палеоконтакт был. это вам на русском языке
Alan Silvestri......the man, the legend.
Алан Сильвестри это композитор
да будет у вас ответ да или нет (0 или 1), а всё что кроме, то от лукавого...
Děkuji
joJOjo
ฟังมาจาก witcast
✨ you IS
👏🏻
The best MST3K line, "we waited 2 hours to find out it was her dad?" lol (Great movie from the book.)
They didn’t got the point either…
4:28