This goes to show how impeccable Mariah's breathing support, especially in this song. The second verse has almost one uninterrupted line and Natalie had to take some breath from an already slower arrangement.
Mariah has never sung that line on the second verse live on entirely one breath though. Only on studio was she able to do it because it was all cut and pieced together.
I love how it starts okay, but at precisely 1:56 everything from her voice to the music becomes Epic! Like it was building up to that moment. 2:54 I love her smile there
I'm the biggest Mariah lamb and it's nowhere the same lol. The only similarity is the " come back, come back" backing she does. Mariah definitely doesn't the same breakdown or anything similar in the original version nor has she done it live.
Marvin Lee Lol, no. It’s Natalie Weiss, she could very well do the octave jump if she wanted. Unlike Mariah who has always lipsynched that part in live performances.
It’s amazing Mariah has so much melisma in her music. And you really appreciate it when others do covers of her music. This young lady has a great voice but she’s missing a lot of the melismatic things
No do not try to defend Natalie she may be a good singer but she’s just not a Mariah and she sang her song and didn’t do it any justice at all. If she could hit a C5 even though in the original key Mariah is belting E5 and up, Natalie wouldnt have had to change the key to a lower one in the first place. This video was horrific, sorry not sorry. Glad Natalie improved though.
Knight Enchanter the C5 long note is only at the end. The climax has multiple Eb5s phrasing along with register switching. Not saying Natalie couldn’t do those but it’s more than a C5
I love it when a Broadway singer is able to not sound like a Broadway singer when singing not-Broadway songs.
right
i realize that the octave jump was such an important factor in WBT omg
And yet Mariah made it last minute
@@JTScott1988 not all climaxes are made equally
Lots of Mimi's songs sound not as interesting without the octave jumps.
The arrangement could’ve been better but my god, her voice is absolutely stunning
Play this at 1.25x speed
Thank you
Thanks!
@@Pkjopjpo-zm7dy hi
Bem melhor
And 1 octave higher for the last chorus
This goes to show how impeccable Mariah's breathing support, especially in this song. The second verse has almost one uninterrupted line and Natalie had to take some breath from an already slower arrangement.
Legitttt
fully agree - but doesn’t a slower arrangement call for a breath..?
Mariah has never sung that line on the second verse live on entirely one breath though. Only on studio was she able to do it because it was all cut and pieced together.
I love how it starts okay, but at precisely 1:56 everything from her voice to the music becomes Epic! Like it was building up to that moment.
2:54 I love her smile there
Finally someone can do this song justice without tarnishing it
can't stop playing that WE BELONG , WE BELONGGGGGG breakdown by the backing singers.
you should listen to the original song. Mariah does the same thing but does all the harmonies herself... You have to listen carefully though.
Wow you must have really good ears i have listened to the song 5 times in a row and still can't hear it. Mariah is THE BEST at backing vocals ♥♥♥
I'm the biggest Mariah lamb and it's nowhere the same lol. The only similarity is the " come back, come back" backing she does. Mariah definitely doesn't the same breakdown or anything similar in the original version nor has she done it live.
Me too, I’m here just for the we belong part
She has a gorgeous backup singers, props to them too!
Epic voice but what did the arranger do with the ending????
+David Dodero i know right haha. He broadwayed it i guess
She probably found Mariah's octave jump hard to do so they just had to do a lil key change instead lol
Marvin Lee please
@@Ace-ki3rr as if.
Marvin Lee Lol, no. It’s Natalie Weiss, she could very well do the octave jump if she wanted. Unlike Mariah who has always lipsynched that part in live performances.
This just proves why Mariah is the greatest vocalist of all time not even a vocal coach can do justice to her music
great. mariah carey is amazing
best singer out of all of the boradway singer that sang mariah song ..........
omg I really love this version!!😍
It’s amazing Mariah has so much melisma in her music. And you really appreciate it when others do covers of her music. This young lady has a great voice but she’s missing a lot of the melismatic things
She said in an interview she grew up imitating Mariah and Whitney
♥♥♥ I love all your mariah cover's
Amazing cover!!!
I didn't like the end
Tens across the board!!!!👌👌
Stunning
Wow I love this version. Mariah would love it too I'm sure =)
I could listen to her all night
was there a change of key at the last chorus? climax? after the "we belong, we belong..." part?
yes there was a change of key. The octave jump was probably too tough, a key change would've been way easier
ImBenGee
She starts in a higher key than the original so octave leap would have made it ridiculously high
Too slow! It was stressing me out but I still like it
Play it 1.25x speed
Really good!
Her voice ❤️❤️❤️❤️❤️
so good!
Very nice
Disappointed with the ending how was she not able to hit the high note
It's a frigging C5. Natalia belts out resonant C5s in her sleep. It's like speaking for her. The song was juat arranged like that.
No do not try to defend Natalie she may be a good singer but she’s just not a Mariah and she sang her song and didn’t do it any justice at all. If she could hit a C5 even though in the original key Mariah is belting E5 and up, Natalie wouldnt have had to change the key to a lower one in the first place. This video was horrific, sorry not sorry. Glad Natalie improved though.
@@tonigulledge6212 she is star vocalist
@@tonigulledge6212 bro this is higher than the original lmao
Knight Enchanter the C5 long note is only at the end. The climax has multiple Eb5s phrasing along with register switching. Not saying Natalie couldn’t do those but it’s more than a C5
i was so ready for the climax but didn’t happen lol
Why there not hight note
Oh shiiiiiittttt
wow
After the background vocalists did their thing she brought the key down from Mariah’s original
i want to sing in a broadway too
I’m quite confused by the arrangement.
Was this in a higher key?
Would have been difficult if it was in song's original tempo.
Eeeeeeh the ending .... the slowness was giving me anxiety
Actually...this was not good...but that's one step up from pretty bad
I dont like the climax.. whyyyy 😥😣
Lost its pace, rhythm, shine, and dramatic effect.
Such a sabotaging rendition, this is not R&B
You can't sing WBT like this.
Honestly I don't like the arransement definitely
Acoustic was trash. She needed better support
Boring!
The arrangement messed up but her voice was really good.
BORING PERFORMARCE