Thank you very much for the videos! Im new to eurorack, just go the Falistri and will watch these a few times to try and wrap my head around it. Cheers!
Hello. Thank you for your explanations. I Bought a Fallistri, because the Make Noise Maths was unavailable when i ordered my modular. An intersting module, but difficult (even i know the modulars since decades...) With this video i discovered functions that did not appears into the manual, and i presume they are more over. With your video you gave me an idea. The Moog Subharmonicon is too expensive for my an the time, but with a second hand Mother 32, easy to find, i could have a Moog to obtain the true sound given by the legendary filter. Il have enough oscillators to complete the only one on the Moog 32. NEKO
Aright how is the falistri just straight linear wave pitch.the reason was the joranalogue pitch intune was to change the shape to tune as well. It was kind of odd for me to hear just a Distortion waveshape with change in tune.and plus is this thing analog?
There are a few subjects that I think are getting mixed together here. Changing the length of the rise and fall changes the length of one cycle of the waveform from Falistri, DUSG, and others. The length of one rise/fall cycle = pitch. Dedicated VCO modules have a "pitch" knob that changes the length of that cycle; modules designed to be envelopes have rise and fall times to change that length. So two different user interfaces to get at the same thing. With some modules, such as the DUSG, Maths, etc., changing the shape of the rise and fall also changes the length. This is explained briefly in the videos and in detail in my Patreon posts. That's why changing their shapes change pitch. Falistri takes more of a VCO approach where the waveshaping takes place after the core rise and fall. Falistri is indeed analog.
I think I meant by when playing the triangle I get normal pitch control but when Saw tooth it get all out tune.how is the serge one? I have the joranolge one.
Ah! Yes, the Serge does track, once you've re-tuned it after changing its shape. Here's the video I made on it: ruclips.net/video/gJ39Lsj_-4M/видео.html
It can be done, but it's not dead-easy. You would need to use the End of Rise to invert the signal, and then the End of Fall to invert it back. That would give you a saw at twice the frequency of the triangle. (Let me poke around and think about for another couple of minutes and see if I can come up with a simplified solution...)
Yes - I had to look again to remind myself, but the End of Rise signal goes low at End of Fall. So, use something like a Frap 321 to invert it & offset it by 5v (so you now have a bipolar square wave that goes low at End of Rise and high at End of Fall), and run it into one side of the four-quadrant multiplier in Falistri. Then run the triangle wave into the other input, and you should have your saw. There may be a slight glitch at the turnaround - just as there is in saw-core oscillators trying to create triangle waves - but you'll be 99% of the way there.
Can you do comparing of the serge and this of the track I know the joralague contour is worst but has good Slew of tracking of pitch by using a seq wave.
On the DUSG I had (built by someone else), I could get it to track closely for about 2 octaves or less; it could probably be calibrated to do better. On the Falistri, I can get it to track 4 or 5 octaves without a problem (they claim 8 octaves or more), as long as I restrict myself to a triangle wave.
Great tutorial series, thx!
Thank you very much for the videos! Im new to eurorack, just go the Falistri and will watch these a few times to try and wrap my head around it. Cheers!
Hello. Thank you for your explanations. I Bought a Fallistri, because the Make Noise Maths was unavailable when i ordered my modular.
An intersting module, but difficult (even i know the modulars since decades...) With this video i discovered functions that did not appears into the manual, and i presume they are more over.
With your video you gave me an idea. The Moog Subharmonicon is too expensive for my an the time, but with a second hand Mother 32, easy to find, i could have a Moog to obtain the true sound given by the legendary filter. Il have enough oscillators to complete the only one on the Moog 32.
NEKO
Aright how is the falistri just straight linear wave pitch.the reason was the joranalogue pitch intune was to change the shape to tune as well. It was kind of odd for me to hear just a Distortion waveshape with change in tune.and plus is this thing analog?
There are a few subjects that I think are getting mixed together here.
Changing the length of the rise and fall changes the length of one cycle of the waveform from Falistri, DUSG, and others. The length of one rise/fall cycle = pitch. Dedicated VCO modules have a "pitch" knob that changes the length of that cycle; modules designed to be envelopes have rise and fall times to change that length. So two different user interfaces to get at the same thing.
With some modules, such as the DUSG, Maths, etc., changing the shape of the rise and fall also changes the length. This is explained briefly in the videos and in detail in my Patreon posts. That's why changing their shapes change pitch. Falistri takes more of a VCO approach where the waveshaping takes place after the core rise and fall.
Falistri is indeed analog.
I think I meant by when playing the triangle I get normal pitch control but when Saw tooth it get all out tune.how is the serge one? I have the joranolge one.
Ah! Yes, the Serge does track, once you've re-tuned it after changing its shape. Here's the video I made on it: ruclips.net/video/gJ39Lsj_-4M/видео.html
What is the best Eurorack to change the linear triangle to a linear Sawtooth For pitch control.
It can be done, but it's not dead-easy. You would need to use the End of Rise to invert the signal, and then the End of Fall to invert it back. That would give you a saw at twice the frequency of the triangle. (Let me poke around and think about for another couple of minutes and see if I can come up with a simplified solution...)
Yes - I had to look again to remind myself, but the End of Rise signal goes low at End of Fall. So, use something like a Frap 321 to invert it & offset it by 5v (so you now have a bipolar square wave that goes low at End of Rise and high at End of Fall), and run it into one side of the four-quadrant multiplier in Falistri. Then run the triangle wave into the other input, and you should have your saw. There may be a slight glitch at the turnaround - just as there is in saw-core oscillators trying to create triangle waves - but you'll be 99% of the way there.
Can you do comparing of the serge and this of the track I know the joralague contour is worst but has good Slew of tracking of pitch by using a seq wave.
On the DUSG I had (built by someone else), I could get it to track closely for about 2 octaves or less; it could probably be calibrated to do better. On the Falistri, I can get it to track 4 or 5 octaves without a problem (they claim 8 octaves or more), as long as I restrict myself to a triangle wave.