Group Portraits with Various Skin Tones
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- Опубликовано: 12 сен 2024
- Is it the lighting or metering? yes and no. Making group portraits with various skin tones does not need to be overly complicated.
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📱 SOCIAL:
👓 DANIEL: / danielnortonphotographer
/ danielnorton
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👓 DANIELS GEAR
📸 CAMERA
Nikon Z6II: bit.ly/33bZWrP
Nikon Z6: bit.ly/ONESLOTJR
Nikon Z 24-70 f4 Lens: bit.ly/nIk24704
Nikon Z 85mm 1.8: bit.ly/3zX0zBc
Nikon NIKKOR Z 50mm f/1.8 S Lens: bit.ly/3tsMPwM
⚡️ LIGHTING - FLASH
Profoto Air Remote Nikon: bit.ly/PFAIRNK
Profoto B1x: bit.ly/ProB1X
Profoto B10: bit.ly/3zWTG2M
Profoto A10: bit.ly/3zWgLCV
Chimera Super pro X Lightbank, XS, Shallow, Silver - bit.ly/CMSPSXS
Chimera Pro II Softbox: bit.ly/CHiP2S
Profoto 1x1.3’RFI Softbox: bit.ly/PFRFI113
Profoto 3’ Octa Softbox: bit.ly/PFRFIO3
Profoto 1x3 Strip OCF Softbox: bit.ly/pf1x3ocf
Profoto 2x3 Softbox: bit.ly/3GuhMEN
Profoto Magnum Reflector: bit.ly/PMgnR
Profoto Beauty Dish (silver): bit.ly/3I4J3hh
Grid for Profoto Beauty Dish: bit.ly/33e5q5l
💡 LIGHTING - CONSTANT
Dedolight 200w HMI kit: bit.ly/3FvuAcB
Dedolight Turbo Series DLED7 90W Bi-Color Focusing LED: bit.ly/3fpOPxM
Dedolight Iris: bit.ly/3I3TC45
Dedolight 150 tungsten kit with projector: bit.ly/3K9sse5
Dedolight Projection Attachment: bit.ly/3Fx46HA
Dedolight 400 HMI Kit: bit.ly/31XcQsO
Savage Rainbow Ringlight: bit.ly/SARRL
Nanlight Pavotube 6C: bit.ly/3mRCDdc
🪜 STUDIO GRIP AND SUPPORT
Manfrotto 055 Tripod: bit.ly/2PDOkqr
Manfrotto Hydrostatic Ball Head: bit.ly/MHSBH
V Flat: bit.ly/3Kc6bfJ
Halo Compact Reflector: bit.ly/3riwpoj
Matthews C- Stand: bit.ly/MTCstandC
Magic Finger: bit.ly/magfinger
Large Manfrotto Stand: bit.ly/3rfWQuN
Duvetyne: bit.ly/TheDuve
👨🏻💻 TETHERING
MacBook Pro: bit.ly/321OHS4
Tether Tools USB-C to USB-C: bit.ly/3rhV4t4
🎥 VIDEO PRODUCTION
Nikon Z6: bit.ly/ONESLOTJR
Nikon Z 24-70 f4 Lens: bit.ly/nIk24704
Nikon Z50 Mirrorless Camera with NIKKOR Z DX 16-50mm f/3.5-6.3 VR Lens: bit.ly/3Fuwo5J
Rode Microphones Wireless GO II Compact Microphone System with 2x Transmitters and 1x Receiver: bit.ly/3KnPBtB
Apple iPad Pro 12.9" M1 Chip, Wi-Fi, 256GB, Space Gray, Mid 2021: bit.ly/33c1sKt
Atomos Ninja V recorder: bit.ly/3ttLPc2
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#dnphoto #philosphy #danielnortonphotographer
Would love a video on setting a profile. Especially from a good teacher!
I second this!
I'm a black guy who has been shooting 50 years, and you've been shooting nearly as long I think. Remember Kodachrome II? That was a very contrasty film, yet we saw gloriously beautiful bright-sun Kodachrome work of dark-skins and bright surfaces in National Geographic. Lots of photographers were able to correctly expose with detail in wedding shots of dark tuxedos and white lace wedding gowns. Yes, it was a matter of flattening the contrast of the light. I also tried to move darker subjects closer to the light source. In my Canon cameras, I've used the Canon Picture Profile Editor to load a custom profile with a flatter tonal curve into the camera (like using a film with a flatter tonal curve).
Custom profile w a flatter tonal curve.. I’m gonna give this a try.. thank you!
I would also like a video on making a flat profile.
An incident/flash meter would be helpful in this situation too! Thanks Daniel and have a good weekend! 😎👍🇨🇦
Love ya Daniel!!!!!!!!! You’re the greatest!!!!!
Thanks Daniel another great explanation and thanks for sharing yet more of your skills and knowledge with us.
Thanks (as always) for the explanation. This was the situation I had in Vegas, on the street, at night in 2019. Random couple asked for a photo. The photos were so terrible, I've avoided this since then. Now I can 'experiment' and not feel bad as at least I have a formula I understand.
Thanks, Daniel. Solid advice, as always. :)
This weekend I shot a wedding with the problem discussed in this clip. A bridegroom in a black suit with a darker skin tone and a pale bride in white. I shot it as flat I could and with some tweaks in CaptureOne I got a descent result. 😅
I have often seen photographers on RUclips bring an image into Lightroom and pull the contrast slider right down then work on the image from there. Interesting approach to editing but they generally come up with a good looking result.
If my understanding is correct, then don't camera picture profiles (standard, neutral etc) only apply to the JPEG and not the RAW image? Was your suggestion perhaps intended towards when you preview the image on the camera screen, which is typically the jpeg with the profile applied? Or does the profile in some way influence how the metering is interpreted?
If you were photographing multiple subjects, some with pale Caucasian skin, and some with dark African-American skin, would the optimal lighting strategy be to evenly light the group, or to add more light to the African American subjects, either by feathering the light towards them (if using 1 light) or by using 2 lights, with more illumination on them?
Daniel, when you say a flat profile, do you mean shooting in RAW or using a Picture Control (Nikon) like "Flat" or "Portrait"? What about skin colours when some people are very pink / red and others are yellow (makeup)?
I have the same question. I figured shooting camera RAW already did that for us🤔