Tony, great lesson! I have just started studying triad pairs but have focused on using only major triad pairs. This has really opened up this concept for me. Thanks.
Greetings AA, and thanks for what you do. I hereby allege that you are an artist. I've been working chord scale triad inversions of late, melodic minor in particular. So this is really cool.
you know what you can also do since most of this is derived from the Ab7b5 cord you can do the tri-tone D7b5 or A melodic minor and pair some of the Eb melodic triads with A melodic minor
Thanks a lot for your great lesson, I got a lot out of it, I was busy implementing these concepts over altered dominants like Dd and Eb triads over G7 and have been practicing these Melodic minor triads. It's great implying them over a static Ab7#11 like you do here. I once did a educational Video on Footprints with several of my playing concepts,I'll send you the link,your reaction would be very much appreciated,greetings Vic.
How about covering how to use the chords of the scale to create runs, not just pairs, but showing how the chords can walk inside, outside and back. Thanks
Is it possible for you to start a series for fretboard knowledge. I think if you are playing jazz, 60%-70% come down to your fretboard understanding and how effortless you are in moving things around. Kindly consider this. Thanks.
Tony, would you say that jazz improv is largely hitting chord tones (arpeggios), scale movement in step and skips, maybe some fourth stuff to sound modern, repeated notes, triad pairs, and chromatic approaches and enclosures? What have I forgotten?
Jazz is about trying to establish a non-dualistic state where the intellect and pure consciousness become one. Ultimately, the player's goal is to experience the music as an observer even when participating as a creator.
Your videos are a treat! Great to see some advanced, well informed, clear stuff.
Truly outstanding lesson, sir!I am a pianist but these concepts transfer to piano well. Thank you.
Tony, great lesson! I have just started studying triad pairs but have focused on using only major triad pairs. This has really opened up this concept for me. Thanks.
this is absolutely great. wish you had more videos on triad pairs. beautiful concept. i think it's what ive been missing
Incredible youtube gold. Thanks very much!
baggymangler Thanks for watching!
Great work Tony love your playing style.
Greetings AA, and thanks for what you do. I hereby allege that you are an artist. I've been working chord scale triad inversions of late, melodic minor in particular. So this is really cool.
Very clear and helpful lesson. Thanks Tony!
U are a great player. And the material you are teaching is really great.
Yes, I believe I should make that kind of lesson! Thanks for the suggestion!-Tone
This is gold. Really. Thank you!
you know what you can also do since most of this is derived from the Ab7b5 cord you can do the tri-tone D7b5 or A melodic minor and pair some of the Eb melodic triads with A melodic minor
Thanks a lot for your great lesson, I got a lot out of it, I was busy implementing these concepts over altered dominants like Dd and Eb triads over G7 and have been practicing these Melodic minor triads. It's great implying them over a static Ab7#11 like you do here. I once did a educational Video on Footprints with several of my playing concepts,I'll send you the link,your reaction would be very much appreciated,greetings Vic.
That was frigging cool!!
Bought book recently, started working on it.
Excellent!
How about covering how to use the chords of the scale to create runs, not just pairs, but showing how the chords can walk inside, outside and back. Thanks
Is it possible for you to start a series for fretboard knowledge. I think if you are playing jazz, 60%-70% come down to your fretboard understanding and how effortless you are in moving things around. Kindly consider this. Thanks.
Is the Book near completion.............i need it BAD.!!!!!
cool. thanks 4 the lesson
Any idea where I can find vids of Classic Jazz solo transcriptions but played really, really slowly? because they're always to fast for me.
Tony, would you say that jazz improv is largely hitting chord tones (arpeggios), scale movement in step and skips, maybe some fourth stuff to sound modern, repeated notes, triad pairs, and chromatic approaches and enclosures? What have I forgotten?
Jazz is about trying to establish a non-dualistic state where the intellect and pure consciousness become one. Ultimately, the player's goal is to experience the music as an observer even when participating
as a creator.
are you from boston?
This Tony Greaves guy is good.
nice!
Thanks brother!!!
yes sir!
nice but very complicated
too advanced for me :(
The only problem with this lesson is the shirt you are wearing!!!
Yeah, wrong spelling of socks.