i think the two things that make this stand out is being stationary on a tripod and the extensive audio work you did to bring it all to life! its awesome!
Just shows that tool is a tool and that talent and knowledge work with any tool - super 8, 16, 35, digital. Superb cuts, framing, lens choice, obviously shot by someone who knows what he's doing.
Wow! This is an art masterpiece. Thosa rapid montage sequences, in contrast with slow pace music and revealing story in small bits.. I am really impressed! Congratulations for your effort and passion🎉 thank you for such an artpiece
This looks very good. Subject matter is one that hits close to home for a lot of people. Great to see such beautiful cinematography on Super-8mm FILM !
Awesome! Great philosophical theme! I admire the patience to get these shots at golden hour, to get that red-golden halation glow and of course the great shots that use mechanical stabilization. Super nice steadycam-ish and hyperlapse shots! 2:09 - doesn't look like Super 8, but it might be just grain management in post. Fantastic choice of music. I love well written and well performed orchestral pieces. Wishing you all the success you deserve.
Thanks so much! Glad to hear you enjoyed it. The shot at 2:09 was done on my Nizo Professional, but unfortunately there was a mechanical issue for that roll where the camera motor wouldn’t run at a consistent speed, resulting in a pretty severe flicker as each frame was exposed for differing times. I ended up keeping this shot but had to apply a de-flicker in post to salvage it so it does look a little off compared to the rest. Thankfully the camera has been fixed so hopefully no more flicker issues in the future!
Incredible work! Incredible pacing, framing, color grading, sound design, editing, the whole thing! Love the narration and the build-up, very emotional stuff! Congrats! Does the Beaulieu have interchangeable lenses? How did you get the aereal shot? Were you in a helicopter? So many questions, sorry hahahaha :)
Thank you Pietro! Really appreciate the kind words. The Beaulieu does allow for interchangeable C-mount lenses, and yes I was in a helicopter for that aerial shot!
Hi Zach, I've watched this video 5 times it's really great. How much do you shoot with a tripod? Like the shot of the woman when she says "I've had a rough twenty years" is that a tripod, do you just set it up and wait for something to happen? Also is the boom up shot at 1:40 handheld? It looks really good. How much prep do you have to do regarding lighting? Do you test different locations at different times of day to assess sunlight? Do you have any advice for colour grading? I understand if you don't want to answer all or any questions. Great video, would love to watch the full film.
@@Kourosh.Keshmiri Thanks for watching Kourosh and for your questions! I’d say about 80% of the shots are done with a tripod. In the case of the silhouette of the woman, that was just a scene I stumbled upon when looking for shots as the sun was setting so I quickly set up my tripod and camera while she stood there. For every moment like that I’m able to capture, there’s at least 10 that get away so it really can be a game of patience and luck. The boom shot at 1:40 was done using a motorized slider to keep a consistent speed and steady path. I am always keeping in mind lighting and time of day when setting up most shots, while some shots are just pure luck and done in the moment. Many of the locations are quite familiar to me so I have an idea of when to look for something particular and the right look I’m going for. It can be a combination of the time of day, time of year, crowds, etc. all playing a factor. My best advice for color grading is to hire a professional! Hah maybe not the most realistic in each case for everyone, but for me I know it is not my strongest skill. Having worked professionally in post-production for over 12 years now I have worked with some great colorists and was lucky to get some help from a former co-worker and very talented colorist named Mickey Micklos. For a DIY approach to color on super 8 film my advice would be to get an HDR Log scan in ProRes 4444 or DPX in order to have the most information to work with. Start with a good base grade of global adjustments and work your way from there on any local adjustments, power windows, masks, etc. Hope this is helpful!
@@nvi_ Thank you! I knew from the start that super 8 was the right look for what I was going for with this project, it's been a lot of fun capturing everything on these old cameras.
Wow! I love the filming, the editing and the way it avoids showing talking heads in this teaser. The movie would surely be great with a completely digital workflow. But the emotions that the - well shot, well scanned and well color graded - Super 8 footage triggers in connection with the voices/sound are incredible. There are just so many great shots condensed in those 3 minutes... Question: Which of the camera/lenses used have given you the images that you like most in terms of overall sharpness? (Some of the footage even reminds me of 16 mm films.) // Did you apply sharpening plus grain removal in post?
Thank you very much Chris! The Beaulieu 4008 ZMII with the Schneider-Kreuznach Optivaron 6-66mm f/1.8 is my day-to-day camera and gives me the best results in my opinion. I typically use the Nizo and Nikon for more specific purposes. I did apply sharpening to some of the wide shots, but tried to keep it minimal and only where needed. There is no grain reduction/removal on any of the footage, while a couple of the shots needed a de-flicker applied due to a camera malfunction on one of my rolls.
This is such an incredible piece of work man!!! Wow!!! The music is so touching and fits perfectly. What was the song at 1:57? I need it in my playlist so bad haha Thank you!!
Don't ask for the camera as it's just the ususal mix of Beaulieu, Nizo and Nikon. Don't ask for the stock because it's the usual mix of Kodak Vison. Ask who set up the shots, who worked on the narrative, who did the grade. You can use any Super 8 camera for a well done project.
Thanks Gregory! This was primarily shot on Beaulieu 4008 ZMII cameras as well as some sequences shot with a Nizo Professional and Nikon R10 using a mixture of Kodak Vision 3 50D, 200T, and 500T film.
Beaulieu 4008 ZMII with the Schneider-Kreuznach Optivaron 6-66mm f/1.8 and a custom made 3mm wide-angle lens, Nizo Professional with its built-in Schneider Macro Variogon 7-80mm f/1.8 and the Schneider UWL III ultra-wide adapter, and the Nikon R10 with its built-in Cine Nikkor 7-70mm f/1.4.
This was all shot using Kodak 50D, 200T, and 500T Vision 3 negative stock. I didn't use any Ektachrome for this project. I think the super 8 negative stocks have gotten that reputation online because so few films on RUclips/social media apply a proper color grade to their flat scans. The negative stocks are gorgeous and have so much to offer when put through a proper workflow!
i think the two things that make this stand out is being stationary on a tripod and the extensive audio work you did to bring it all to life! its awesome!
Thank you!
Beautiful work.
Simply beautiful. The story made me cry, but let’s keep that between us.
Wow is all I can say! The whole piece is so uplifting; the film, the story, the music. It's so very human and that's the highest level art can reach.
@@scottclark1455 Thanks very much Scott, I appreciate the kind feedback!
Just shows that tool is a tool and that talent and knowledge work with any tool - super 8, 16, 35, digital. Superb cuts, framing, lens choice, obviously shot by someone who knows what he's doing.
Thank you very much for the kind words Vladimir.
Zach! What a great Super 8 project. Our magazine will publish an article about it! It's the Super 8 film of the year!
very good composition
Wow. 😮 This is the highest quality Super8 footage I’ve ever seen. Huge congrats. 👌🙌
Thank you so much!
Wow! This is an art masterpiece. Thosa rapid montage sequences, in contrast with slow pace music and revealing story in small bits.. I am really impressed! Congratulations for your effort and passion🎉 thank you for such an artpiece
Thank you very much!
🎉goooood
Spectacularly well made.
Thank you Shaffer!
This trailer feels like Zach Moore shows the beauty of the microcosm with Super 8 like Ron Fricke showed that of the macrocosm with 70 mm. Superb !
Ron Fricke is my biggest inspiration in terms of cinematography and technique, so that is a huge compliment! Thank you!
Amazing. Look forward to watching the complete documentary.
Just....Beautiful!
This is incredible. What a masterpiece. So humane and unifying!
Thank you so much for the kind words Natalie!
This has to be the nicest super 8 footage I have ever seen. I can't wait to see the whole thing!
Thank you very much! It's a beautiful format with plenty of potential!
This looks very good. Subject matter is one that hits close to home for a lot of people. Great to see such beautiful cinematography on Super-8mm FILM !
Beautiful! Congratulations Zach! I wish to watch full film. All the best!❤
This looks like an incredible achievement. I'm anxiously awaiting this.
Awesome! Great philosophical theme! I admire the patience to get these shots at golden hour, to get that red-golden halation glow and of course the great shots that use mechanical stabilization. Super nice steadycam-ish and hyperlapse shots! 2:09 - doesn't look like Super 8, but it might be just grain management in post. Fantastic choice of music. I love well written and well performed orchestral pieces. Wishing you all the success you deserve.
Thanks so much! Glad to hear you enjoyed it. The shot at 2:09 was done on my Nizo Professional, but unfortunately there was a mechanical issue for that roll where the camera motor wouldn’t run at a consistent speed, resulting in a pretty severe flicker as each frame was exposed for differing times. I ended up keeping this shot but had to apply a de-flicker in post to salvage it so it does look a little off compared to the rest. Thankfully the camera has been fixed so hopefully no more flicker issues in the future!
Not only a super touching piece but also love your cinematography and eye for moments. Keep on shooting 🙏
Wow that was great. Beautiful footage and high quality Super 8 and loved the sound track. Congratulations well done.
Thank you!
I can't believe this is super 8. Insanely good. Spectacular. Best super 8 video I've seen in my life!!
Thank you for the kind words Bartek! 🙏
@@zachmmoore can't wait for the whole thing, I mean it!! ❤
So beautiful!!!!!!
Beautiful. I was floored by just the trailer and delighted when I realized there was a full documentary coming. Can't wait to see it.
Thank you! I'll be sure to share updates as the full film takes shape.
Wow. Looks insanely beautiful.
amazing.. wow
Excellent all around! Perfect use of the format.
This hits deep really...
You have taken Super8 to the next level. Stunning.
Really appreciate that! Love the look that super 8 provides.
So beautiful. Great work 👏👏👏
Thank you!
Such a well done short film. Love it
Glad you enjoyed it, thank you Saar!
Great stuff - hope to see the feature one day.
Thanks Ryan, I'll be sure to share an update when the feature is ready!
life vibe, love it
Beautifully crafted Zach! Thanks for sharing!
Thank you Tim, nice meeting you the other day!
Incredible work! Incredible pacing, framing, color grading, sound design, editing, the whole thing! Love the narration and the build-up, very emotional stuff! Congrats! Does the Beaulieu have interchangeable lenses? How did you get the aereal shot? Were you in a helicopter? So many questions, sorry hahahaha :)
Thank you Pietro! Really appreciate the kind words. The Beaulieu does allow for interchangeable C-mount lenses, and yes I was in a helicopter for that aerial shot!
This looks incredible. Would love to know how you shot some of those time lapse sequences on Super 8 film. Looking forward to seeing the full work!
Thanks! The timelapse sequences were shot with a Nizo Professional using the built-in interval timer and variable shutter.
Beautiful
Amazing work! Some of the best S8 footage I’ve ever seen. Truly mind blowing stuff, please keep em coming!
Thank you very much! More to come as the film takes shape.
Hi Zach,
I've watched this video 5 times it's really great. How much do you shoot with a tripod? Like the shot of the woman when she says "I've had a rough twenty years" is that a tripod, do you just set it up and wait for something to happen? Also is the boom up shot at 1:40 handheld? It looks really good. How much prep do you have to do regarding lighting? Do you test different locations at different times of day to assess sunlight? Do you have any advice for colour grading?
I understand if you don't want to answer all or any questions. Great video, would love to watch the full film.
@@Kourosh.Keshmiri Thanks for watching Kourosh and for your questions! I’d say about 80% of the shots are done with a tripod. In the case of the silhouette of the woman, that was just a scene I stumbled upon when looking for shots as the sun was setting so I quickly set up my tripod and camera while she stood there. For every moment like that I’m able to capture, there’s at least 10 that get away so it really can be a game of patience and luck. The boom shot at 1:40 was done using a motorized slider to keep a consistent speed and steady path. I am always keeping in mind lighting and time of day when setting up most shots, while some shots are just pure luck and done in the moment. Many of the locations are quite familiar to me so I have an idea of when to look for something particular and the right look I’m going for. It can be a combination of the time of day, time of year, crowds, etc. all playing a factor. My best advice for color grading is to hire a professional! Hah maybe not the most realistic in each case for everyone, but for me I know it is not my strongest skill. Having worked professionally in post-production for over 12 years now I have worked with some great colorists and was lucky to get some help from a former co-worker and very talented colorist named Mickey Micklos. For a DIY approach to color on super 8 film my advice would be to get an HDR Log scan in ProRes 4444 or DPX in order to have the most information to work with. Start with a good base grade of global adjustments and work your way from there on any local adjustments, power windows, masks, etc. Hope this is helpful!
@@zachmmoore Thanks so much I appreciate it.
Surprised to not find this question in the comments: who did the processing/scanning?
Processing was done by Metropolis Post and scanning by Gamma Ray Digital.
Well done!
this is absolutely beautiful. thank you.
i'd like to add, i don't think this movie would hit this hard if it were to be shot digitally. fantastic choice.
@@nvi_ Thank you! I knew from the start that super 8 was the right look for what I was going for with this project, it's been a lot of fun capturing everything on these old cameras.
Beautiful work! Can't wait to see the full piece. Lots of work put in here.
Thanks a lot! Shooting this on super 8 really made me slow down and be more deliberate with my choices so I'm glad the work is paying off!
This is just incredible. Thanks for sharing!!!
Thanks for watching!
Wow.
Looks so good!!!
Thank you!
Wow! I love the filming, the editing and the way it avoids showing talking heads in this teaser. The movie would surely be great with a completely digital workflow. But the emotions that the - well shot, well scanned and well color graded - Super 8 footage triggers in connection with the voices/sound are incredible. There are just so many great shots condensed in those 3 minutes...
Question: Which of the camera/lenses used have given you the images that you like most in terms of overall sharpness? (Some of the footage even reminds me of 16 mm films.) // Did you apply sharpening plus grain removal in post?
Thank you very much Chris! The Beaulieu 4008 ZMII with the Schneider-Kreuznach Optivaron 6-66mm f/1.8 is my day-to-day camera and gives me the best results in my opinion. I typically use the Nizo and Nikon for more specific purposes. I did apply sharpening to some of the wide shots, but tried to keep it minimal and only where needed. There is no grain reduction/removal on any of the footage, while a couple of the shots needed a de-flicker applied due to a camera malfunction on one of my rolls.
@@zachmmoore Thank you very much for your reply. I really appreciate it.
cant wait!
amazing work !
Nice work 🎥
this is beautiful! thank you 🫡
Thank YOU for watching!
This is such an incredible piece of work man!!! Wow!!! The music is so touching and fits perfectly. What was the song at 1:57? I need it in my playlist so bad haha Thank you!!
Thanks a lot! The song is the Adagio movement from Rachmaninoff's Symphony no. 2, Op. 27.
Precioso video que has hecho. Uno que inspira. Enhorabuena por la filmacion y edicion. Saludos desde Malmö, Suecia
Muchas gracias por mirar, te lo agradezco!
Looks killer!!
This is amazing! Is that first shot from Tudor City Bridge in Manhattan?
Yep that's the spot!
Beautiful cinematography, editing and sound!! Am curious what stock & camera were used.
Don't ask for the camera as it's just the ususal mix of Beaulieu, Nizo and Nikon. Don't ask for the stock because it's the usual mix of Kodak Vison. Ask who set up the shots, who worked on the narrative, who did the grade. You can use any Super 8 camera for a well done project.
Thanks Gregory! This was primarily shot on Beaulieu 4008 ZMII cameras as well as some sequences shot with a Nizo Professional and Nikon R10 using a mixture of Kodak Vision 3 50D, 200T, and 500T film.
What camera and lens combo were you using? The 50D looked so sharp!
Beaulieu 4008 ZMII with the Schneider-Kreuznach Optivaron 6-66mm f/1.8 and a custom made 3mm wide-angle lens, Nizo Professional with its built-in Schneider Macro Variogon 7-80mm f/1.8 and the Schneider UWL III ultra-wide adapter, and the Nikon R10 with its built-in Cine Nikkor 7-70mm f/1.4.
¡Excelente!
Holy smokes.
Damn
Looks like you are using the Super 8 ektachrome stock - colors are good, don't shoot Kodak vision negative, the colors do not compare
This was all shot using Kodak 50D, 200T, and 500T Vision 3 negative stock. I didn't use any Ektachrome for this project. I think the super 8 negative stocks have gotten that reputation online because so few films on RUclips/social media apply a proper color grade to their flat scans. The negative stocks are gorgeous and have so much to offer when put through a proper workflow!
Interestingly digital sensor technology made film better.
Thankfully our telecine options have advanced significantly with some amazing scanning capability available to consumers these days!
what kind of film is this ektachrome?
This is using Kodak 50D, 200T, and 500T Vision 3 negative film stocks.
@zachmmoore wow ! looks great what camera ?
@@fredkaper8402 Beaulieu 4008 ZMII, Nizo Professional, and Nikon R10.