She did an absolutely amazing spot on rendition of the song, I've got nothing but praise to give for her composure and professional piano playing, to see the amount of dislikes gobsmacks me. Would love to hear more from her!
I have no envy or admiration for somebody who simplifies a piece in playing it when plenty of pianists have played the piece at least with all the notes.
I usually don't admire her playing (despite always admiring her skill): but I must admit that she did an unconventional but admirably good job here. Brava!
Playing fast is fine as long as they can handle it. The problem in that she can't handle many parts in this crazy fast tempo. Her playing was marvelous during Rubinstein Competition but after she won, she started to play haphazardly.
@@alpinoalpini3849 Not really? If it takes fine ear to hear the difference between single and double notes, you hardly have what it takes to be a dilettante, much less a connoisseur.
@ I was talking about the fact that many of the double notes in the S. 138 were simplified to single notes, which is why she is able to play it so fast. I guess I could've clarified that, but that's what I meant.
This is partially because her right hand isn't shown much. When you actually get a clear shot, you can see her fourth finger not moving, since she's avoiding playing notes to make the piece easier to play.
the point is to go fast as u can? fuck yeah im gonna dislike, this song is beautiful, i don’t like when people play have extreme talent play it like they’re rushing through the song instead put emotion into it
I heard a fair amount of so-called emotion even though she played it fast. This is just her own interpretation style which people may or may not be used to hearing. Yeah sure, there are better, more beautiful recordings out there, but that doesn't automatically make this a bad performance. You do not have to hate something in order to like another.
Uh, guys? Isn't a wonder that this pianist plays it faster than almost anyone, faster than Kissin and Pogorelich? You can clearly, CLEARLY hear that it's a simplified performance. Leslie Howard talked in his notes, (specifically regarding the 1826 version, though it applies to the 1852 version): "Incidentally, this piece is often taken at far too fast a tempo in the hope that the listener will not hear that the difficulties have been diluted by a simplification of the inner voice in the right hand-even in some of the most celebrated performances." In one of (the suspiciously few shots of her hand), at 1:47, you can see she's not actually using her fourth finger, which considerably removes the difficulty of the right hand and independence of the fourth and fifth finger. This is something even Ashkenazy did. If you want to hear the real thing, (if somewhat too flat), hear Xu, Qi's rendition, which is almost as fast, but he actually plays all the notes.
May not be a 'by the book' interpretation but still the most interesting rendition on YT.... She's like argerich and lang lang, not afraid to veer off the beaten path and really let herself go (and has the technique to do it)... Love her!
Yeah she played much faster than yuncham Lim but she played far worse because she missed a lot of notes and her playing is not clear and her tempo was irregular
I heard her playing on rachmaninoff concerto last month. She is a splendid pianist indeed but I felt some impatience-like. But great skills and emotions.
There was probably impatience in the way she learned the piece by instead of taking the time to learn all the notes in the right hand, she simplified the part.
Too fast and messy detail as a result. She is a class player who doesn't need to play this fast to be admired. If she kept it at a sensible tempo (still fast but it is marked allegretto) she could have a heavenly performance - moments of this were amazing but all spoiled by messy passage work when she rushes.
@@Medtszkowski I prefer Andre Laplante's version, and Yunchin Lim's, over hers, by a long shot. They don't rush in areas, like she does, for one thing, and I feel there playing is under control as well. Please check out there performances on RUclips. I will be curious what you think.
That is really the way "Feux Follets" should be played! She is fantastic in contrast to Sarah Ott who doesn' t own a world class technic! Katja instead is the prodigy child! A similar level like Kissin or Richter is displayed by this rendition! Bravo!
Bullshit. Th e piece should be played with all the written notes. I haven't heard a version by Richter, but I know Kissin didn't compromise the piece by playing it like she did.
it's exactly the opposite of what you said. Have you seen the sheetmusic and tempo marks? This etude should be way played slower than this. And even if you want to rush it for sake of doing something different, than you should at least play it cleanly.
...When you still have time to fix your hair while playing feux follets ... :-D ... But really it is not the best interpretation I have heard , I d'ont like it when Pianist swallow half of the notes for speed.
@@Manx123 oh You little Little tiny boy, So You have no man desiree at all, poor Little girl jaja, another useless boy, don't worry, maybe You Will find your place as a TROLL on RUclips! Jeje
Явная попытка сыграть быстрее всех в мире. В двойных нотах слышны только верхние голоса, второй палец не играет практически. Бешеный темп, много педали и пальцы играют очень хаотично. Я в таком темпе этот этюд ещё не слышал. Это не комплемент. Даже Валя Лисица не позволяет себе такой неаккуратности. Двойные ноты нужно всегда много учить или будет звучать, вот как здесь. Ну хорошо ещё, что не совсем голая играет, а то ведь...
Wow! She gets so much criticism, that’s just disgusting. She plays an amazing performance, and gets so much criticism, I honestly have no idea what’s wrong with some of these people.
I mean tbh, some people genuinely dislike her for her rushed interpretations in quite a lot of pieces, her liebestraum is absolutely beautiful for this etude though I'd prefer kissin
i mean i dont really like this performance either. listen to kissen who also plays it extremely fast. he gets way more musicality out of this piece and way more subtlety. i dont think that explained criticism is „disgusting“. the achievement of playing this piece is still great, but the criticism is valid (imo)
Its disgusting... its whats wrong with classical music in general. The only thing where youre either the best (and prbb still receive criticism) or just one below and get absolutely shit on for your 30+ years of hard work. This shouldnt be a thing. Yall compare to much with great ones but never compare with theirselves. The amount of backseating going on in classical music is insane. You might as well not start playing it because doesnt matter how much you play youre just going to get flamed for your hard work.
@@ulysse__ I'm a professional pianist and teacher and yours is perhaps the stupidest comment I've ever read on RUclips... and boy that covers a LOT of ground!
@@ulysse__ 1.) "Impressionism" is a musical style which makes use of certain harmonic devices, alternate scales and pedal effects, and began to be developed principally by French composers from around 1890 lasting until about 1925. It is NOT accomplished by leaving out notes deliberately or otherwise. Feux Follets was written by Franz Liszt (who died in 1886 and was not a French composer) in 1851 and has nothing whatever to do with Impressionism; 2.) you don't "hit all the notes" you play them, an extremely difficult task in this case, and one which KB in no way accomplishes here. Question my qualifications if you like, but in my opinion you couldn't find your own ass using both hands and a flashlight. In addition to being a musical ignoramus, I suspect your admiration for Ms Buniatishvili has more to do with her tits than any skill of hers on the piano. However if you would care to hear this piece performed properly you might try listening to Richter or Lugansky.
She's not really playing all the double notes. It's way too fast, much faster than Liszt ever intended for sure. You wouldn't know it's marked "allegretto," would you?
If a piece in 2/4 is marked Allegretto and has a bunch of 32nd notes, that's going to require a different tempo than another 2/4 Allegretto piece with only 16th notes. Many people are too dense to understand this.
@@davidhughes3260 That's the opposite. Allegretto's meaning won't change because of the content. Allegretto gives an approximate range of beat per minute, which does not depend on the content but the bar signature. The bar signature will tell what is the main beating, eg., 2/4 will give 2 1/4th per bar, and the beating is per 1/4th; it is not the same as 4/8 for instance. Read music theory and wikipedia.
@@Numberonesorabjifan Fuck off. If the next time you have a surgery, they totally fuck you up, you can't complain because you probably couldn't have done a better job.
Trop rapide;je préfère et de loin la version de Claudio Arrau,qui nous fait entendre l'architecture de l'étude sur un tempo un peu plus lent. C'est d'ailleurs ce que j'apprécie dans toutes ses interprétations de Liszt enregistrées chez Philips.
@@MegaTamer111 Rousseau has not played Transcendental Etudes by Liszt, most certainly not this one. I do not believe stating Rousseau's skill to be above her's is a fair judgement.
You are both dumbasses. This is a concert etude, so it practices technique, but also has to have value as art. In this case, she fucked up by deliberately simplifying the piece, omitting many, many notes.
She is more an entertainer than a musician. The tempo is interesting, but the music and the readiness are not here. I have absolutely no desire to listen to it again.
"Asian" Bullshit, she's no more Asian than Stalin was, and there are plenty of Asians who actually play the piece properly instead of a simplified version. Oh wait, you said Asain. I'm assuming they actually play the piece properly.
@@marcosviniciosribeirocompo1137 I praise Arrau for many things but his Mazeppa and his Feux follets are not good, too far from the mindset of the pieces; Mazeppa is too diluted; Lazare Berman however does a more faithful rendition; it's a poem about torture and courage, it's not beautiful and delicate but brutal and violent, as written by Liszt; Feux follets are to be played fast; Arrau brings beautiful sounds but it's way too slow and not in the mindset of the piece. I do not love his Harmonies du soir less than any other, even thought it could be more fluid; but that's his musical personality. In the end, I think the artist you are commenting deserve more respect, even though I also understand one may dislike what she does.
My favorite part is when she causally fixes her hair like she's just reading a book or something 😳
This is literally what Liszt would do with his fabulous Loreal Pantene hair
@@RaquelleDeVil XD
1:39!
Csak, az igazàn nagyok sajàtja, hogy előadàsàt èlvezve, eszedbe sem jut, mekkora tehetsèg, mennyi gyakorlàs kell ahhoz, amit làtsz-hallasz.
She did an absolutely amazing spot on rendition of the song, I've got nothing but praise to give for her composure and professional piano playing, to see the amount of dislikes gobsmacks me. Would love to hear more from her!
@@AlexAlcyone what then is the appropriate character of the piece? Her interpretation sounds wonderful to me.
Trifonov is the master of this piece
@@adamcolbertmusic the character is whatever comes to mind whenever you hear “will o the wisp”
@@theowinckel BS. Trifonov did not understand this piece.
Fuck off, no she didn't. You can clearly hear how she simplified the right hand, just avoiding playing notes otherwise played by her fourth finger.
Weird feux, but ok
You don't get my like ugly bastard.
“Weird (fuu) but okay” is basically what you said
Totally weird as feux
@@l.1244 lmao what
@Theo BOU EID Yeah it's really far from the pronouciation of "Flex" in French since the x is silent
strange way to display in order to provoke envy or admiration, but still somewhat acceptable
Display by playing? Or posting it?
"Weird flex but ok" but verbose
I have no envy or admiration for somebody who simplifies a piece in playing it when plenty of pianists have played the piece at least with all the notes.
I usually don't admire her playing (despite always admiring her skill): but I must admit that she did an unconventional but admirably good job here. Brava!
Have you heard Kissin's interpretation of this etude?
@@Trooman20 yes, really excellent. Flawless.
@@republiccooper agreed
@@Trooman20 trooman detected, opinion accepted
@@irene3906 yoooo sup
Final boss in piano
The final boss in piano is the transcendental etude no 4 after paganini by Liszt. This is easy in comparison to that piece...
Nah more like the amadee mereaux etude no 45
Th3legends_Clan wtf no this is hardest mazeppa is second hardest
Khatia? Final boss in piano? Not even close.
@@chiragraju821 The hardest piece Liszt wrote according to some musicians is his transcription of Beethoven's 9th Symphony.
Playing fast is fine as long as they can handle it. The problem in that she can't handle many parts in this crazy fast tempo. Her playing was marvelous during Rubinstein Competition but after she won, she started to play haphazardly.
Like which parts? She seems find in that regard. My complains is she just doesn't play dozens of notes to make it easier on the right hand.
@@alpinoalpini3849 Not really? If it takes fine ear to hear the difference between single and double notes, you hardly have what it takes to be a dilettante, much less a connoisseur.
She is flexing on us.WE NEED TO GO PRACTICE
She makes this look like a piece of cake.....HOW?
*P R A C T I C E*
Playing a simplified version: that's how.
@@Manx123 Everyone plays this version. Yes there is the s.137 version which is harder, but everyone learns this version.
@ I was talking about the fact that many of the double notes in the S. 138 were simplified to single notes, which is why she is able to play it so fast.
I guess I could've clarified that, but that's what I meant.
weird flex but ok
She reminds me of Rubinstein when she plays. His hands seem to remain still on the piano, but music flows magically
Rubinstein wouldn't have played a compromised version of the piece with a simplified right hand.
I handle that piece I faster than
I handle that piece I faster than
Wait wait I can't even see her fingers. It's to much to handle
The bitrate on the video can't support her skill.
Thats why pause button invented nerd
This is partially because her right hand isn't shown much. When you actually get a clear shot, you can see her fourth finger not moving, since she's avoiding playing notes to make the piece easier to play.
@@Manx123ah... That's why she can play so fast... I wondered how it was possible 😢
People rarely complain when a song is played slowly but as soon as it's just a bit too fast it's like "NOPE! DISLIKE DISLIKE OMG WHAT A DISASTER!!!"
the point is to go fast as u can? fuck yeah im gonna dislike, this song is beautiful, i don’t like when people play have extreme talent play it like they’re rushing through the song instead put emotion into it
I heard a fair amount of so-called emotion even though she played it fast. This is just her own interpretation style which people may or may not be used to hearing. Yeah sure, there are better, more beautiful recordings out there, but that doesn't automatically make this a bad performance. You do not have to hate something in order to like another.
Why the hell both are saying that it's a song. Obviously, you guys aren't musicians.
Thinh Phan The song is that speed. Do you think anyone will play that piece while bobbing their head up and down? Definitely not.
IT’S AN EFFING PIECE FFS
Uh, guys? Isn't a wonder that this pianist plays it faster than almost anyone, faster than Kissin and Pogorelich? You can clearly, CLEARLY hear that it's a simplified performance. Leslie Howard talked in his notes, (specifically regarding the 1826 version, though it applies to the 1852 version): "Incidentally, this piece is often taken at far too fast a tempo in the hope that the listener will not hear that the difficulties have been diluted by a simplification of the inner voice in the right hand-even in some of the most celebrated performances."
In one of (the suspiciously few shots of her hand), at 1:47, you can see she's not actually using her fourth finger, which considerably removes the difficulty of the right hand and independence of the fourth and fifth finger.
This is something even Ashkenazy did. If you want to hear the real thing, (if somewhat too flat), hear Xu, Qi's rendition, which is almost as fast, but he actually plays all the notes.
It feels very rushed but technique is amazing
Technique is sub-par, which is why she simplified the piece to play it at this tempo.
While she plays the whole song, *i cAnT EvEN rEMemBEr tHe sOng NaME!*
Feux follet
@@lawrencewei3583 folllets*
@@ripinpepperonies9754 follets*
@@arnavanand8037 follllllllllllllllllllets
@@stefanhorlitz 😂😂 had me like that too
May not be a 'by the book' interpretation but still the most interesting rendition on YT.... She's like argerich and lang lang, not afraid to veer off the beaten path and really let herself go (and has the technique to do it)... Love her!
Hardly off the beaten path. Plenty of pianists have played it like this, simplifying the right hand to make it easier to play.
Friedheim is way more interesting.
can i know the concert where and when？
1:37
she touches her hair..wow
You horny?
Fuck you
0:19
You missed this one smh
I just admired her performance. plz Do not attack me.
I'm music lover
Its fucking show. I would prefer a nice playing. She has not a good school. Very unclear and fast.
I thought Yunchan Lim played fast enough untill I met Khatia.
That speed is surpassing human possibilities
Yeah she played much faster than yuncham Lim but she played far worse because she missed a lot of notes and her playing is not clear and her tempo was irregular
And she played a simplified version
@@constructionfly3077 based and redpilled
Реально звучат только 30% фактуры, что примерно соответствует количеству винного материала в грузинских винных напитках.
fun interpretation; love it. 1:21 and alike phrase 1:23 strangely missing top notes... don't know this edition.
I'm convinced Liszt just composed his etudes to annoy every future pianist and show off.
no liszt saw visions in his music, demons and angels. That is why it is what it is.
If you really think that, you are an ignoramus.
@@Manx123 oh yes, I seriously think that and it wasn't a joke 🙃
@@RonaiHenrik I didn't take it as a joke. I assumed you were serious, which was why I called you an ignoramus.
@@Manx123 yes I realized :) it was a half-joke
I heard her playing on rachmaninoff concerto last month. She is a splendid pianist indeed but I felt some impatience-like. But great skills and emotions.
There was probably impatience in the way she learned the piece by instead of taking the time to learn all the notes in the right hand, she simplified the part.
I find her sense of rhythm disturbingly, what, undisciplined maybe.
It is called STUDY and not a SONG. Songs just studies are different kinds of music pieces
Too fast and messy detail as a result. She is a class player who doesn't need to play this fast to be admired. If she kept it at a sensible tempo (still fast but it is marked allegretto) she could have a heavenly performance - moments of this were amazing but all spoiled by messy passage work when she rushes.
She’s from outer space ❤
One of the most depurated techniques I've ever seen
Her Liszt is always rushed!
@@Medtszkowski I beg to differ with you on that. That's your opinion, and your entitled to it.
@@Medtszkowski I prefer Andre Laplante's version, and Yunchin Lim's, over hers, by a long shot. They don't rush in areas, like she does, for one thing, and I feel there playing is under control as well. Please check out there performances on RUclips. I will be curious what you think.
Idk, I think that's generally a bullshit comment, but especially when she plays a simplified version of the right hand.
@@Manx123 That's your opinion, and you're entitled to it. Think what you want.
Her technique is absolutely ungodly, watching stuff like this makes me want to quit practicing for good 😅
Bullshit. Somebody with an ungodly technique would actually have played all the notes.
She's so calm lol
That is really the way "Feux Follets" should be played! She is fantastic in contrast to Sarah Ott who doesn' t own a world class technic! Katja instead is the prodigy child! A similar level like Kissin or Richter is displayed by this rendition! Bravo!
Bullshit. Th e piece should be played with all the written notes. I haven't heard a version by Richter, but I know Kissin didn't compromise the piece by playing it like she did.
Or just go to yunchan lim lol
You can't even hear the actual melody in this performance.
it's exactly the opposite of what you said. Have you seen the sheetmusic and tempo marks? This etude should be way played slower than this. And even if you want to rush it for sake of doing something different, than you should at least play it cleanly.
Asian parents demonstrating how you gotta play
Did she just flexed on my face when she put her hair on place?
...When you still have time to fix your hair while playing feux follets ... :-D ... But really it is not the best interpretation I have heard , I d'ont like it when Pianist swallow half of the notes for speed.
Amazing Performance!
My Favorite Part... is Her!!! She's as BEAUTIFUL as TALENTED!
I agree: I rate her a 6 on both counts, a 6 for talent because she was playing a simplified version of the piece.
@@Manx123 it doesn't matter. You are Nothing, So your comment it's useless!
@@Desireyso58 So is this garbage performance.
@@Manx123 oh You little Little tiny boy, So You have no man desiree at all, poor Little girl jaja, another useless boy, don't worry, maybe You Will find your place as a TROLL on RUclips! Jeje
@@Desireyso58 Okay, now make your English much less broken.
Явная попытка сыграть быстрее всех в мире. В двойных нотах слышны только верхние голоса, второй палец не играет практически. Бешеный темп, много педали и пальцы играют очень хаотично. Я в таком темпе этот этюд ещё не слышал. Это не комплемент. Даже Валя Лисица не позволяет себе такой неаккуратности. Двойные ноты нужно всегда много учить или будет звучать, вот как здесь. Ну хорошо ещё, что не совсем голая играет, а то ведь...
Its so fast its crazy
360p we meet again
@@dadaketgasparge explain please I don't get the joke
@@lczq6737 the video quality is low. 360p
Wow! She gets so much criticism, that’s just disgusting. She plays an amazing performance, and gets so much criticism, I honestly have no idea what’s wrong with some of these people.
I mean tbh, some people genuinely dislike her for her rushed interpretations in quite a lot of pieces, her liebestraum is absolutely beautiful for this etude though I'd prefer kissin
i mean i dont really like this performance either. listen to kissen who also plays it extremely fast. he gets way more musicality out of this piece and way more subtlety. i dont think that explained criticism is „disgusting“. the achievement of playing this piece is still great, but the criticism is valid (imo)
It's not disgusting, if it's criticism then it's criticism for a reason.
Because there are dozens of pianists who actually play all the notes instead of her that misses dozens to simplify the piece. Fuck her for doing that.
Its disgusting... its whats wrong with classical music in general. The only thing where youre either the best (and prbb still receive criticism) or just one below and get absolutely shit on for your 30+ years of hard work. This shouldnt be a thing. Yall compare to much with great ones but never compare with theirselves. The amount of backseating going on in classical music is insane. You might as well not start playing it because doesnt matter how much you play youre just going to get flamed for your hard work.
good job girl from georgia you can see in her face her playing style coming from her heart not from her fingers!
Actually from her brain
This song is so fucking funny. DU DU DU DUDUDU
Still not even close to kissin's clarity
She is not obliged to sound like Kissin!
@@ripinpepperonies9754: No, but she is, or at least should be, obligated to play most of the right notes - a feat she does NOT manage here!
gtimny she kind of does...
@@ulysse__ I'm a professional pianist and teacher and yours is perhaps the stupidest comment I've ever read on RUclips... and boy that covers a LOT of ground!
@@ulysse__ 1.) "Impressionism" is a musical style which makes use of certain harmonic devices, alternate scales and pedal effects, and began to be developed principally by French composers from around 1890 lasting until about 1925. It is NOT accomplished by leaving out notes deliberately or otherwise. Feux Follets was written by Franz Liszt (who died in 1886 and was not a French composer) in 1851 and has nothing whatever to do with Impressionism; 2.) you don't "hit all the notes" you play them, an extremely difficult task in this case, and one which KB in no way accomplishes here. Question my qualifications if you like, but in my opinion you couldn't find your own ass using both hands and a flashlight. In addition to being a musical ignoramus, I suspect your admiration for Ms Buniatishvili has more to do with her tits than any skill of hers on the piano. However if you would care to hear this piece performed properly you might try listening to Richter or Lugansky.
Feminine yet powerful 🙏🏾❤️😫
Liszt accidental etudes
Ahahah
STOLEN STOLEN STOLEN
I don't get it.
She's not really playing all the double notes. It's way too fast, much faster than Liszt ever intended for sure. You wouldn't know it's marked "allegretto," would you?
Every concertizing pianist feels they must play this etude at breakneck speed because that's what everyone else does. Groupthink at its worst.
Allegretto for the 4th (quater) ! and it's 2/4, so no it's not too fast.
@@MathieuPrevot Allegretto is a character and a feeling, not "quarter note equals x" on a metronome.
If a piece in 2/4 is marked Allegretto and has a bunch of 32nd notes, that's going to require a different tempo than another 2/4 Allegretto piece with only 16th notes. Many people are too dense to understand this.
@@davidhughes3260 That's the opposite. Allegretto's meaning won't change because of the content. Allegretto gives an approximate range of beat per minute, which does not depend on the content but the bar signature. The bar signature will tell what is the main beating, eg., 2/4 will give 2 1/4th per bar, and the beating is per 1/4th; it is not the same as 4/8 for instance. Read music theory and wikipedia.
rips into the music with such ease, wow. The pianist of the decade if not the century.
Fuck off. Plenty of pianists could play it with even more ease it they just avoided playing dozens of notes to make it easier, like she does.
She definitely tried to rush certain passages to sound more virtuosic, but still very impressive. She needs to practice with a metronome more.
Not that impressive, when the piece is made far, far easier in avoiding many, many notes that would have otherwise been played with the fourth finger.
1:39
Too fast, and thereby sloppy
You're a dumbass
🤓☝️let's hear you play it then ☝️🤓
@@Numberonesorabjifan Fuck off. If the next time you have a surgery, they totally fuck you up, you can't complain because you probably couldn't have done a better job.
@@Numberonesorabjifan "hurr durr, you can't criticize unless you can do better"
i wonder if that has ever been used in defense in a malpractice suit 🫠
Trop rapide;je préfère et de loin la version de Claudio Arrau,qui nous fait entendre l'architecture de l'étude sur un tempo un peu plus lent.
C'est d'ailleurs ce que j'apprécie dans toutes ses interprétations de Liszt enregistrées chez Philips.
I find this a bit unsteady and in places undifferentiated. It nust charm the ear like a Mendelssohn fairie scherzo. Joege Bolet has spoiled me.
Too many notes wrong but i have felling
I love this interpretation
You love crap, an interpretation which simplifies the piece so she can play it this fast.
Unclear, but great!
Her fingers are glitching.
NO ONE CAN DO THAT
Ever heard of Rousseau?
Aaron Singleton go look Kristina Miller
We live in the matrix.
GameBros Ⓡ LMAO YOU’RE COMPARING A ESTABLISHED CONCERT PIANIST TO A RUclips CHANNEL.
@@MegaTamer111 Rousseau has not played Transcendental Etudes by Liszt, most certainly not this one. I do not believe stating Rousseau's skill to be above her's is a fair judgement.
Twoset violin already reacted to this
Where?
Where? x2
In the video “best piano performances in history”
@@victoriafang3914 Wow, they don't know shit then, since this isn't the greatest anything, clearly missing dozens of notes in the right hand.
When you listen to some properly played performances of this piece, this sound so bad!
ok then
**dies a little*
Let the notes breathe Jesus Christ xD
Is it just me or does she seem... angry?
Does it get better than this? Khatia playing arguably the most difficult piece on piano 😊😊
Yes, pianists who actually play all the notes, unlike she who plays a simplified version.
A bit too rush… Kissin is much better (though he is also fast)
Its so fast its crasy its not fasbo
Doesn’t sound the best but I don’t that was what Liszt was going for here
Its an etude, its focus is for practicing technique rather than sounding the best.
You are both dumbasses. This is a concert etude, so it practices technique, but also has to have value as art. In this case, she fucked up by deliberately simplifying the piece, omitting many, many notes.
@@Alexytb11 Yeah, that's a horseshit rationalization, lol
That reminds me of a tetris :))
こんな魅力的なご婦人にこんな見事に弾かれてしまうと極東の下手くそピアニストなぞ人生自体を諦めねばならぬな
daje qartveli to,yvelaze rtuls ro asrulebs tan, :X
Piano Boss level: 1000
Bullshit, since she deliberately played a simplified version.
She is more an entertainer than a musician. The tempo is interesting, but the music and the readiness are not here. I have absolutely no desire to listen to it again.
:)
Botched but cute
Maybe, I could learn this, but I’ve only been playing piano for a bit less than a year.
No
@@thunderfox9358 I’m actually writing a set of poems and musical pieces to go with them.
No
Maybe if you have tiny hands and liszts blood in you
@@aidanm.1683 Well, I’m not going to learn this yet, but I have finished my composition and poem.
@@JoyAndWhimsy17 yea but dont plan for things 10 years ahead lol
fastest Feux Follets 鬼火
Sure, though she attained that speed by simplifying the piece.
Katsaris is a bit faster, and there is prolly someone else with a more impressive speed.
@@Manx123yeah agree she missed a lot of notes and didn’t play clear
She should cure her nerves
sehr ungenau und zu schnell WARUM?????
C'est trop rapide
she needs to see a doctor to treat hysterics
Of course other than Liszt, the only person who can play this is Asain
"Asian"
Bullshit, she's no more Asian than Stalin was, and there are plenty of Asians who actually play the piece properly instead of a simplified version.
Oh wait, you said Asain. I'm assuming they actually play the piece properly.
out of tempo , sorry girl you are not allowed to do that to a Liszt's STUDY
Hmm, I think it's alright with this piece, assuming she plays with the right dynamics and all the notes. She fucked up the last part big time.
It's all about being sexy!
Please, take lessons with ARRAU !!!!!!!!!!! Even beyond his grave !!!!!!!!
Why ?
@@MathieuPrevotVery fast ! I wanna hear the music !... just my opinion !
@@marcosviniciosribeirocompo1137 I praise Arrau for many things but his Mazeppa and his Feux follets are not good, too far from the mindset of the pieces; Mazeppa is too diluted; Lazare Berman however does a more faithful rendition; it's a poem about torture and courage, it's not beautiful and delicate but brutal and violent, as written by Liszt; Feux follets are to be played fast; Arrau brings beautiful sounds but it's way too slow and not in the mindset of the piece. I do not love his Harmonies du soir less than any other, even thought it could be more fluid; but that's his musical personality.
In the end, I think the artist you are commenting deserve more respect, even though I also understand one may dislike what she does.
@@MathieuPrevot I dislike what she does because she clearly took the half-assed approach to playing this piece.
Sloppy
Fast while keeping the melody!
Too bad she fucked up the accompaniment of the left hand.
Its hrad mor 418 s liszt