Dark Transmission Thank you. In fact, that mood was born as I had no other choice than to re-record the tracks in a weird way due to an unexpected issue :) But in the end, I like the result, too :)
jrcenina85 sorry mate, I don’t seem to control and track this and moreover I am too extremely irrational for passing the info on. There is a total mess in my projects from the technical perspective. There are just hundreds of chops, tracks and fx per track. Just placing things to different locations really and searching for satisfying results.
jrcenina85 One thing I would suggest for sure is finding a balance between the live jam recording phase and ableton+mode phase. Because I most of the times end up post-editing and multitracking too much and as a result I get too squarish works. With no natural live flow in them. So for me it is tricky not to use ableton’s endless possibilities. This is where I might support the saying that restrictions are better than no limits. Yes, everyone may be lucky getting perfect results out of pure live hardware jams, OR via only ableton with no external gear and controllers. But with non-professional experience I believe those are pure coincidences. What I would advise is having something to PLAY on, as well as not ignore the daw afterwards. What is your personal balance here and your approach and inspiration - comes out only after some time and experience.
Unfortunately that would be unreal here :) Supported by Octatrack, Minilogue, TD-3, and of course Ableton. In case you need this info, I could point the time frames where only the DFAM is playing :)
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DAWM !!! Those Bass Plunges , such indulgent sounds ,, AMAZING 🤯🤯
Jaf.
very nice
Duuuude... This is great!
You have a great chemistry with the DFAM! I love the tracks you make with it... 👍
Scott Barter thanks! positive feedback regarding full tracks is much more valuable than re jams :)
sick!
Strange how people have the same ideas with gear. I started off with a Minilogue and then DFAM and Mother. Another track with a great vibe dude!
Thanks dude :) Was thinking of the subharmonicon to pair with the dfams though too expensive for me for now.
Awesome!! Great Vibe!!
Arul Amirtharaj thank you :)
@@EY-zz7xj Hearing again and again... I love the beat so much !!
Great stuff.
thanks)
Good work bruv. Moody track. I like it
Dark Transmission Thank you. In fact, that mood was born as I had no other choice than to re-record the tracks in a weird way due to an unexpected issue :) But in the end, I like the result, too :)
Sounds great
Jochen Kerschenlohr THX!
You sure work that dfam brother.
Thx) Trying my best mate ;)
🙌
You should make a tutorial for how you produced something like this. I’ll pay you 😺
jrcenina85 sorry mate, I don’t seem to control and track this and moreover I am too extremely irrational for passing the info on. There is a total mess in my projects from the technical perspective. There are just hundreds of chops, tracks and fx per track. Just placing things to different locations really and searching for satisfying results.
@@EY-zz7xj this response is actually valuable. Seems the best route is to just dive in
jrcenina85 One thing I would suggest for sure is finding a balance between the live jam recording phase and ableton+mode phase. Because I most of the times end up post-editing and multitracking too much and as a result I get too squarish works. With no natural live flow in them. So for me it is tricky not to use ableton’s endless possibilities. This is where I might support the saying that restrictions are better than no limits. Yes, everyone may be lucky getting perfect results out of pure live hardware jams, OR via only ableton with no external gear and controllers. But with non-professional experience I believe those are pure coincidences. What I would advise is having something to PLAY on, as well as not ignore the daw afterwards. What is your personal balance here and your approach and inspiration - comes out only after some time and experience.
You should work at Moog....
this is nice ! THe drums beats come from the octa ?
Seramsed thanks! partially made in octa and then completed in Ableton.
dfam Only？ from japan
Unfortunately that would be unreal here :) Supported by Octatrack, Minilogue, TD-3, and of course Ableton. In case you need this info, I could point the time frames where only the DFAM is playing :)
After listening this track, it's started raining right in the room....wtf?
markshwedow Those are psilicybes mate :)