I used to work for Audio Note, let me answer some of your points: Binding posts - These are one piece so the banana plug is directly connected to the output and not a shell which merely touches the threads. Top cover screws - I believe thats EU standards and it also helps stop the chassis bending in transit - heavy transformers! The amp does sound better with the lid off as the case doesn't interfere then with the transformers magnetic fields. All the solder joints ae silver solder, all connectors are silver plated I've heard lots of Audio Note gear and build my own and if you can afford the transformer C-core upgrade then do it - its the last amplifier you'll ever buy! Edit: I'll pass this video on to Audio Note, I'm sure they'll be fine with it! :o)
I have the Soro SE Phono Signature. I absolutely love it. I have it in black, and agree that it’s much better than the silver. It’s not quite so tall as the this, giving it more rectangular (and, to me, more pleasing proportions). As for sound, it’s astounding. It gives similar magical levels of soundstage, naturalness, musicality, and warmth and smoothness without being smeary or hazy. The 6L6s give it a bit more weight than I hear with 300b amps. So it’s definitely worth a try for anyone who loves a 300b but considers them just a bit too delicate. (Not to mention tube rolling is much cheaper with 6L6s). It also puts out 18 watts, which can make it a better choice for certain rooms and speakers. The phono stage is also sublime. A moving coil + a quality, well-matched SUT + an Audio Note tube phono stage is just perfection. I hope you’ll get a chance to review the Soro. There aren’t many single-ended 6L6 amps reviewed, and I think for many people it could be the perfect amp.
I personally love how it looks, but more importantly, Audio Note is one of those brands I’ll never forget how pleasurable and engaging the sound was. If I could afford it, I’d likely go with a full AN system. Thanks, Jay. Fantastic video 🔊😊🎶
The ability of tube amplifiers to deliver wide voltage swings (electromotive force) is one key to tube amp magic. This is why they sound much larger than their wattage rating suggest and control speaker loads well. Not the best at running sine waves and load resistors, but best on variable impedance loudspeaker loads when making music. Bob Carver is using near 700 volts B+.
absolute work of art. old school hand crafted, built like a Rolls Royce. i can see why they are revered in UK and Japan. i had one of their pre-amps. pure heaven.
20k for a single link in the chain seems absurd considering the level of audio quality available at much lower price points these days. I would argue this is true regardless of how much or how little 20k is to someone. I've had a to each his own philosophy historically, but I'm becoming more conscientious of the consequences of decadence. I don't think it's an exaggeration to say it's the root problem of western decline.
When you see what care and attention to detail to every component, they design and build all their components and you actually listen to music like Jay has, then you get it. It's expensive but it's not out of this world expensive for the sake of it. Everything that goes into an Audionote has been developed through real-world listening. Thats why they blow you away when you actually listen to music via audionote. I was sceptical but not any longer. They are up there with the absolute best there is, and we are talking Shindo class.
@@Jayiyagi Do you like the Steam punk design asthenic amplifier look? Well to me it looks ridiculous and this Audio Note has the opposite look. Just 4 knobs no unnecessary embellishments - Great Job.
I used to be a sceptic until I heard an Audionote system. It kind of wrecks you for anything else really. I'm working towards an Audionote system as a result. The silver upgrade on the Tonmeister is next level. It's important to understand where this superb amplifier sits in the Audionote universe. Its Level Three designation means in overall design terms is that the Meishu utilizes a pure Class A, zero negative feedback, directly-heated, single-ended-triode output stage, with valve rectification. The "Silver" designation in the Meishu's name means upgrades to the standard version's circuitry with Audio Note (UK) silver internal wiring, Audio Note (UK) copper foil signal capacitors, Audio Note (UK) tantalum film resistors, and hand wound with Audio Note (UK)manufactured silver wire, HiB C-core output transformers. Also note the "Tonmeister" designation is the newly redesigned Meishu's name. The new Meishu utilizes the Tonmeister Voicing Strategy The new Meishu also utilizes a new input and driver stage that is very similar to that found in the top-of-the line 211 triode based Jinro, Tomei, and Ongaku integrated amplifiers, with a "… 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. Jay, have you tried this Amplifier with a pair of Audionote speakers, like the AN-J or AN-E both have lots of possibilities and have really high efficiencyKiller combination. I like the Audionote range planning. You kind of decide what level product to go with and match it to the same level product or higher, its that simple, if you want all or most Audionote products in your system. Level 4 and level 5 OMG, it's something else that ongaku i heard left me speechless; my jaw was on the floor but even the level 2 cobra is a great sounding amplifier. BTW the Tonmeister price performance at 19k USD is, in my view, much better than you'd get from say, a top end Mackintosh integrated, which frankly is not in the same league IMO. Oh, and the black finish is way nicer than the silver. Nice to see you looking at this quality of gear though. Have a look at EAR Yoshino really great sounding and aesthetically beautiful too. Keep up the great work👏🏾👏🏾
This was an absolutely brilliant review, it was just so real and captivating - honestly glued to it from the first moment to the last - epic work man! 👏 👍
the amount of R&D they put into their components sets them apart within the electronics industry. all in the service of their passion in music reproduction the aesthetic is 'understatement' also kind of the opposite of the industry in general
I also find it very refreshing that they put the effort into the internals, and not into the looks. To me the looks state that there's no need to show off, plain simplicity is enough as the emphasis is on the sound, the gear does not want any unnecessary attraction.
I built a a Stereo 2A3 Amplifier. The output transformers are Audio Note. All I can state is that Audio Note Output Transformers are super high quality, and the sonics are so rare, most people have never had the opportunity to experience such performance. The aesthetics of Audio Note is not anything special. But in the performance area, Audio Note is beyond audible belief.
There is a pretty nasty story behind Audio Note UK, it is well documented if you search the web (Audio Asylum). Audio Note UK ripped off the designs and name of the late Hiroyasu Kondo the mythical japanese audio designer and creator of the Ongaku amp. Audio Note UK was the distributor for Kondo Audio Note Japan. After reading the bitter story of how Audio Note UK got hold of Kondo's designs and name I lost all my faith in Audio Note UK. The company to look after is really Kondo Audio Note japan, still alive and kicking.
I had the Audio Note Meishu with phono built in about 20 years ago. Used along with Audio Note Type E speakers. I think the combination really excelled with vocals, probably due to the owner of Audio Note, Peter Quortrup being an opera lover. They would come right out into the room and was also very musical. Wished I still had them.
I have owned various Audio Note gear from affordable to expensive inclusive of 300b, 2A3 and 6L6 output tubes. All the gear is very musical and the less expensive gear is very satisfying. When I first heard the original M2 preamplifier I stayed up all night listening to it, for instance. The companion P2 amplifier drove my Quad ESL 57s superbly. I have not owned this particular amplifier you reviewed but it strikes me as a very practical avenue to the Audio Note experience and I’ve always admired it. When I visited Peter Qvortrup and we went to his office this was the amplifier he was using, which speaks to his personal likes and believe me he is very well informed. The looks have never bothered me, it simply is what it is, I’m a bit surprised at your reaction but you were just being honest. It is a challenge to review such a component and I think you did a good job.
The EL84 OTO se signature integrated amp from AN is half the price and sounds amazing! It’s a 10 watts class A single ended amp that I uses with Zu DW6 or Snell type E iii or JM labs focal electra 1027e or marginally LRS+ with a T9X sub. I can’t compare it to the one you just reviewed.
Thanks very much for your review on Wellsinton R800i so I bought it a year ago without trying it (I live in Thailand so no chance for that.) The amp sounds just as your review. I recently upgraded only my cartridge tags from C****** gold plated brass ones to Gold Note pure silver ones. I could imagine how the sound would change if I can upgrade all the internal wires, all capacitors, all RCA jacks, all biding posts in my R800i amp (not to mention the difference of pure 300B and 300Bs push 805) and that would be the Audio Note 300B Tonmeister. This review all make sense. I will definitely buy this amp as soon as got enough money.
Nice review that describes the attributes fairly accurately, I’ve heard the forbearer many years ago when it was offered as a kit, I’m sure the quality of the internal parts has improved dramatically but the inherent pros and cons will carry through. For tube amps especially single ended it’s all about the OPTs. I’m willing to bet that when you craft all your own parts the synergy is beyond reproach
I would like to see a follow up on this amp vs the Silver Signature Tonmeister and the AN-E speakers in your room, how you hear the changes from this more basic model. And maybe also adding a AN DAC to it...
I listened to AutoBahn (by Kraftwerk) on CD through this Amp (with 300B stock valves) + AZ2 speakers the other day at AudioCounsel...The sound was extraordinary. BTW, my AudioNote system budget extended to the OTO Signature Amp + AZ2s + CD player which is on order...arriving soon.
I used to run Kinki Studio separates feeding Tekton DI but since switched to all tube chain (Abbas Audio DAC, Audio Note M5 pre-amp, Bob Carver Cherry 180) driving Marten Design Bird 2 speakers. I would run all AN gear if I could afford it. The gear probably doesn't measure well but the sound is on another level.
@@markpreston3406 If I was a millionaire I would just buy one and build my own speakers. I got an Audiolab 6000A to make my home built speakers sound good. Bass is good.
@@markpreston3406 The AN E are a great match for this amp for sure , there’s a synergy with AN that if you can you have from source to speaker it gives you the honey
I agree with you about the aesthetics. I can't understand why anyone would hide tubes inside a box, and that front panel is ugly. I trust your opinion about the sound.
Still would like Jay to review the Mastersound 845 Evolution integrated, though they slso have 300B units, compared to the Audio Note. The most musical I have ever heard and now in production over 20 years.
Honest review, I have to agreed most Audio Note fan only pay attention to the sound and it delivered amazingly. I personally like Audio Note but can’t afford the price tag but if you have the budget & don’t mind the look, it is one of the best 300b SE amp. I heard them many times in high ended audio shows & never disappoint. Great review 👍
Jay Great video. I have the 3.1x balanced DAC in black and it looks elegant. I of course have the cover off to see the amazing "guts" of the DAC. It also sounds amazing, better than my Mola Mola.
What? A 3.1x balanced sounds better then a Mola Mola? I guess it would be true but it's just that with all the rave reviews the Mola Mola has it's still shocking. Why don't you sell both and move up to a DAC 5 Signature? There's a service tech on the east coast that's worth talking to. Be patient and get one used and have it upgraded to the newest standard if it isn't already. They're coming out with an R2R board at some point. I don't know what the hold up is. Probably because they're finding that each iteration is giving significant improvement which would mean that when they finally release it, it will be even better.
@@bunsw2070 Why shocking? The 3.1x balanced Dac cost more than the Mola Mola (not that cost has really anything to do with it) I had sold the Mola Mola a while ago to buy a used 3.1x (with cash left over!) The Mola was great, but just like w/ the AN amps, the tone and especially the bass much improved.
Great amp first to say Autonote amps are hand made it's the highest craftsmanship. It's like a Bugatti Veyron..❤ Autonote has very gorgeous tube amps you can see the tubes and all this console is good for say a audio rack or shelf. Home theater etc. With all those screws it could be to keep the cover save from vibration and using for travel or music sets... It top engineering they use real silver I there components.. there's channels called av show reports and av showerooms and av reviews this sight some years ago toured Autonote factory and talked with the owner.. they have lots of different amps . I'd cry in joy if I had this amp thanks for the video...
I have at home pass int25, audion set with border patrol upgrade and take meishu tonmeister silver to demo with guarneri homage. The tonmeister is different level of experience, by far the best amp i ever heard at my place.
I actually found most modern amps are over designed in terms of looks. There's no need to 2 inch thick faceplate that's carved out of solid aluminum. All gaudy looking. The Audio Note harks back to industrial design of the old days. Simple and functional. Yes, they could add a few aesthetic touches to match the price tag. I don't have a problem with it. I wish they make everything rack mountable though because I always prefer the pro gear look, especially with handles.
I kinda like how it looks?? Reminds me of medical lab equipment, looks simple clean and reliable. Rather than looking like some cheesy guy's money flex. I'm good with it.
What an awesome review. 🎉. I enjoyed your passion for the sound and musicality of this piece. But it is the visual discontinuity in the front, Is ugly. I would want to look at that thing all day. But because the sound is sublime, I could forgo the aesthetics. I can’t believe a tube based amp can have such great bass. It goes against conventional logic. The holographic imaging and instrument tonality says it all. I wonder what the silver wire upgrade offers? Probably more clarity. Great review 😊!!! Thanks for the passion and enthusiasm. 🎉
Hi Jayi, I really don't mind the looks at all. Its the lack of remote that gets under my skin, for that kind of money I would like just a volume control at the most.
🟦..... Something I very much like that was not mentioned are the porcelain tube sockets, I'm not a fan of phenolic or other resin sockets, I believe porcelain to be a superior insulator.
There is Audio Note Japan that makes the Kondo Ongaku and Audio Note UK. I don’t think the companies are not associated and have different product lines.
Audio note UK used to be the importer for audio note Japan. There was a falling out, and audio note UK was accused of ripping off the Japanese company. The Japanese company was the original audio note, made by Kondo.
heheh.. Man Calls the Q Acoustic ' insensitive " ,,haha =) I love it! Makes me think it's a rude .. in your face sound. =) .. Yah.. I agree .. Audio Note has something extremely comforting to listen to. It's rather difficult to put any words to ... but it's obvious when we listen. Nice review - captures the almost ' speechless ' response I can relate to when I hear the systems also. .. Great work!
That's the pragmatic attitude right there! There's only a handful such audiophile brands - most are way overpriced, period. I'd feel way sillier buying something overpriced that doesn't even sound great, and yet, going to audio shows, demos, visiting audiophile acquaintances, that's what 99% of the gear out there is: overpriced. There are always exceptions - those won't usually stay fairly priced for a very long time, but they're out there.
Listen to it from the back if that's what floats your boat, I have never heard anyone else drip on so much about removing screws to exchange a faulty valve.
At 13:30 when you started the section on performance, you said "totally contrary to the first impressions that I first had with build quality and aesthetics" ... Prior to this point you loved the build quality, apart from the high number of cabinet screws... (Which I feel are necessary for a unit of this weight) just noticed it that's all, and wondered if some people might think there is an issue, whereas really I feel you loved the build quality:) nice review, I often find audio note products sound superb but look somewhat slab like :) it's all about the music x
The sound you describe brings to mind my Leben integrated. Not the most technical, but musical as hell. Perhaps the Leben is the poor man’s AN, I don’t know.
@@bertroost1675 I have the 300xs … it’s a special amp, going into my DeVores. I read the 300F is more sought after b/c of the output tube type. I’m very satisfied with mine, bought it new, my last amp. Hope you get one someday.
@@bdmcn To be honest I have enough tube amps. I traded my Almarro 6c33c, Line Magnetic KT88 and Raphaelite 300B amps to a guy. He has a couple old Altec mono blocks I want.
$19K and unbalanced?True high end from it's ugliness to the screw covers.TrueHigh End is supposed to piss you off (so your buddies know it must sound good)
I remember buying a second hand Audio Note Meishu with phono stage about 20 years ago. Paid £1200 and used it with my Audio Note type E speakers. It was very nice indeed but not for all music. It exceeded in voice which suited me because I liked female vocal. I wished I’d kept it now due to what it’s worth today but because I’m an audiophile I sold it all to move on and buy other gear.
I don't mind a minimal look, but I think it's not minimal enough. The Cobra, Jinro etc has the tubes on show and they look great. The Oto, I Zero, Tonmiester etc hide the tubes and then you're left to focus on the chassis styling, which doesn't feel particularly considered. I'm not wishing for luxury like McIntosh, I'm just looking for something more minimal like the chassis on Yamaha etc. For example why doesn't the chassis match the face plate? Why not all aluminium?
Shielding. Cost. Robustness. Adaptability. Most of Audio Note's chassis are made like this. Even the mega dollar gear like the M9 preamplifier or the top DACs. There are RUclips videos of factory tours. If you knew what an M9 Phono Signature cost I'll bet you'd have a heart attack, though I've heard people say it's the best phono preamplifier they've ever heard. It's a line stage and phono in one. They're phono only preamps are called RIAA. I'd called the RIAA the Phono, what they call the Line, the Line, and what they call the Phono, the Preamp, but then I don't own the company. I'm not certain if there are different naming traditions or rules in the UK or Europe.
@@bunsw2070I’ve watched those videos and know what they cost. I know that the chassis is the same for the level 1 and the level 5 amps. But I do just think it could be visually designed to be more refined. changing the faceplate but not having a matching body seems like a lack of consideration to me. If aesthetics don’t matter then why bother changing the faceplate at all? I have an AN amp and they feel solid and heavy and the dials feel really great as Jay says. I love my AN amp also despite that it looks like it is a budget amp (agin not talking about features or flashy design, just that the design they have does look cheap, the aluminium looks plastic-y etc).
Jay, Sensitivity issues aside, do you think the Audio Note would be an amazing pairing with the TADs you reviewed? Seem a perfect sonic pairing based on your description.
Dear Jay, I'm a musician, performer, composer and producer from Spain. I'd like to make you a quick question, Nowadays musicians have a wide variety of options when it comes to record our music, But at the end all ends up to the final satge witch is the mastering of your recorded music. I've been always trying to record my music the best I can up to the mastering stage wich I usually do at Abbey Road Studios in London. My question is, what kind of material would you recommend to actually capture what the musician wants to show to their audience. What devices , speakers etc,,,, you think would be more accurate in order to satisfy the musisian and the listener?? Thank you, And congratulations for your channel
Hey, I have been a master engineer in studios before and so I understand your predicament but my journey has led me to understand that it’s not about total accuracy of your gear that makes your work translate better. It’s familiarity For example, some speakers from Yamaha or Jbl have been never accurate speakers but you could always find them in other studios and so engineers were familiar with them if they ever had to work out of different locations or send it for opinions, editorial, advice, sample etc. same thing with editing video; I used to use a very old 1080p monitor and only about 2 years ago did I change my monitor to 4K oled and what ppl don’t realize but I certainly do is that my colors suffered until I got used to the new one. It wasn’t because the new monitor wasn’t more accurate (it was because I familiarized myself for years using my old monitor’s color and how that translates to many other devices like phones, tablets, tvs etc) each device will have different coloration but I generalize so it will look descent on most of them. This was awfully a long winded way of me saying; get something you like, know it inside out and how it translates to other sound systems.
Jay!?, you still have those Kendall’s in house?? I’m just thinking at 96db, and those 8 Watts, and the KLH’s lower frequency range… from what you said about them, I would think that this would be a great pairing, regardless of the difference in price range!! Let me know if you paired them up!!
Great reviews. Thanks. Is the unit you have the regular version or the silver version ? $19'000 would seem like the silver version. Thanks for clarification
I really buy into what amplifiers like this bring to the table. There is a magic at times thats hard to describe BUT is the amplifier actually telling you the truth. I had an experience a while ago with a DAC where the sound was absolutely gorgeous and very much as you describe. A musicianfriend had a listen and he says beautiful but that doesn’t sound like John Mayers rig. The sound was so lifelike but incorrect. This AudioNote seems to do so many things well aside from aesthetics and price but is it whispering sweet nothings?
@@JayiyagiI am with you. Its an entertainment system and its an individuals choice on what they want to hear. I do feel however that accomplished musicians develop their own tone be it with their instrument choice or guitar rig etc. I don’t believe that a playback system should develop its own tone to the degree that some tube gear does though the presentation might be gorgeous. As far as studio sound thats maybe extreme and not a fair comparison here but I get your point. Thank you Jay.
I think it is important to mention UK audio note is different from than Japan audio note. UK Audio Note is essentially a clone of Japan. The guy released AN Japan did not trade mark the name, so this guy did it. Japan audio note is now know as Kondo audio note.
Try old Meishu, not Tonemeister, Especially Silver and top of the line Silver Signature models. For my taste they are even better than modern Tonemeister range. I personally have P3 Silver + Audio Note M2 Phono preamp. Wonderful combo
No matter how generous one is, its looks cannot be described as great, I don’t think. It looks quite pathetic to be honest. But if it sounds like there describes, I can look past it and stick it inside a ventilated cabinet.
Audio Note is an enigma to me. Never heard a bad sounding AN system at shows but still has me wondering how it would fare in a real world day to day setting with a wide variety of music compared to a more traditional setup. BTW Jay...completely off topic but where could I find a small paper lamp exactly like the one in the clip?
No MCUs, screens and SMPS etc will count for much. Serious HIFI used to be made like this. A bit surprised you didn't appreciate the external tape loop as you own a presumably 3 head reel to reel.
I prefer the real Audionote aka Kondo who brought out the original Ongaku way back when. The company, Audionote UK, is now run by former joint owner of Audio Innovations Peter Qvortrup
Haha the screws annoy me too. I've had them off on both my preamp and AN dac with the cover just sitting on top ready for any quick tube swap. I have them on isolation feet-but i haven't heard any issues with the tops resonating or anything personally...or maybe i just can't hear like that?
While I agree that the aesthetic is poor, one could appreciate that they put their money all into the electronics vs a pretty box. I like the look of exposed tubes. I suspect that AN decided to build this enclosure to enclose the tubes. They are microphonic. Particularly a 300B. And they'll pick up stray noise from EMI. They put them into a big metal case and tied it all together with a bunch of screws. Likely to shield the electronics from vibration and EMI. Form follows function. Easy to get behind that. A Gordon Murray T50 automobile is a thing of beauty, and costs a couple million. Not a single gram is wasted on anything not required. No traction control, stereo or bling. The thing is just the best most lightweight V12 sports car one could design. I think this amp is on the same track. I'm actually surprised they include the balance knob and the record knob. They are sort of from a bygone era. I see some big tube monoblocs in front. How does it compare to your other tube amps?
I remember your reference speakers are the maxima amator and you reviewed the decware zma on them. it was not a perfect match with the sonus faber. How does this amp sounds with them?
Has it occurred to you that what you're paying for is the stuff you need to get the sound you clearly appreciate? I'd much rather have a functional box, which is nonetheless elegant in my opinion, that sounds like this does, rather than an amp from a company that spent their budget on the looks. What you like is the sound, and Audio Notes's philosophy is to give you the means to listen to real music by concentrating on what is required to get that sound, and that is the quality of components. And they're pricey. It's the music, there is no "but".
Now, ....if everything goes right , i am looking for an upgrade for next year , and i already like audio note a lot ,....but that 8 watt r.m.s per channel .......
Yes, but you also kind of need the entire system to be Audio Note (including cables) to get the optimum benefit. That's one of the problem with reviewers is they place one component into their system and judge based on that. I mean, what else can you do? Review an entire Audio Note system and compare it how? Audio Note does everything the way it should be done but that clashes with the way the world does things. I don't know of any easy way around any of it. Thankfully they are thriving and growing like crazy. Their biggest problem is finding new employees.
*Thank you for stopping by. Are you an Audio Note fan or are you not? Lets discuss in the comments*
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0:00 Audio Note?
1:06 Audio Note Build Quality Review
7:11 Audio Note Interal Parts Review
13:16 Audio Note Sound Review
23:51 Enough Power?
25:00 Best Soundstage Ever!
26:32 Best Tubes For Audio Note
I used to work for Audio Note, let me answer some of your points:
Binding posts - These are one piece so the banana plug is directly connected to the output and not a shell which merely touches the threads.
Top cover screws - I believe thats EU standards and it also helps stop the chassis bending in transit - heavy transformers! The amp does sound better with the lid off as the case doesn't interfere then with the transformers magnetic fields.
All the solder joints ae silver solder, all connectors are silver plated
I've heard lots of Audio Note gear and build my own and if you can afford the transformer C-core upgrade then do it - its the last amplifier you'll ever buy!
Edit: I'll pass this video on to Audio Note, I'm sure they'll be fine with it! :o)
I have the Soro SE Phono Signature. I absolutely love it. I have it in black, and agree that it’s much better than the silver. It’s not quite so tall as the this, giving it more rectangular (and, to me, more pleasing proportions).
As for sound, it’s astounding. It gives similar magical levels of soundstage, naturalness, musicality, and warmth and smoothness without being smeary or hazy. The 6L6s give it a bit more weight than I hear with 300b amps. So it’s definitely worth a try for anyone who loves a 300b but considers them just a bit too delicate. (Not to mention tube rolling is much cheaper with 6L6s). It also puts out 18 watts, which can make it a better choice for certain rooms and speakers.
The phono stage is also sublime. A moving coil + a quality, well-matched SUT + an Audio Note tube phono stage is just perfection.
I hope you’ll get a chance to review the Soro. There aren’t many single-ended 6L6 amps reviewed, and I think for many people it could be the perfect amp.
I have the same amp and agree 100% with your assessment
I personally love how it looks, but more importantly, Audio Note is one of those brands I’ll never forget how pleasurable and engaging the sound was. If I could afford it, I’d likely go with a full AN system. Thanks, Jay. Fantastic video 🔊😊🎶
The ability of tube amplifiers to deliver wide voltage swings (electromotive force) is one key to tube amp magic. This is why they sound much larger than their wattage rating suggest and control speaker loads well. Not the best at running sine waves and load resistors, but best on variable impedance loudspeaker loads when making music. Bob Carver is using near 700 volts B+.
absolute work of art. old school hand crafted, built like a Rolls Royce. i can see why they are revered in UK and Japan. i had one of their pre-amps. pure heaven.
20k for a single link in the chain seems absurd considering the level of audio quality available at much lower price points these days. I would argue this is true regardless of how much or how little 20k is to someone. I've had a to each his own philosophy historically, but I'm becoming more conscientious of the consequences of decadence. I don't think it's an exaggeration to say it's the root problem of western decline.
Please provide some more detail.
Its an eye sore!
Audio Note shocks a lot of people. Mostly when they see the price.
Basic AN amp is £2.2k, not exactly ruinous in the hifi game..
Their capacitors and resistor prices ain't fuckin' around either..
Audio Note UK used to sell kits of almost all their gear I believe.
When you see what care and attention to detail to every component, they design and build all their components and you actually listen to music like Jay has, then you get it. It's expensive but it's not out of this world expensive for the sake of it. Everything that goes into an Audionote has been developed through real-world listening. Thats why they blow you away when you actually listen to music via audionote. I was sceptical but not any longer. They are up there with the absolute best there is, and we are talking Shindo class.
@@markpreston3406 just a preamp ? or an integrated amp ?
I love the purposeful, no frills, look of this amp.
Not sure no frill applies in the 19k price point…
@@Jayiyagi Do you like the Steam punk design asthenic amplifier look? Well to me it looks ridiculous and this Audio Note has the opposite look. Just 4 knobs no unnecessary embellishments - Great Job.
I’d always rather they put the money into the sound than the looks.
@@Jayiyagi Does that mean they should gold plate everything to look gaudy and ugly? No thanks.
@@Jayiyagi All that matters is how it sounds...Who cares how it looks. Only you would care about that. Get over yourself.
I used to be a sceptic until I heard an Audionote system. It kind of wrecks you for anything else really. I'm working towards an Audionote system as a result.
The silver upgrade on the Tonmeister is next level. It's important to understand where this superb amplifier sits in the Audionote universe. Its Level Three designation means in overall design terms is that the Meishu utilizes a pure Class A, zero negative feedback, directly-heated, single-ended-triode output stage, with valve rectification.
The "Silver" designation in the Meishu's name means upgrades to the standard version's circuitry with Audio Note (UK) silver internal wiring, Audio Note (UK) copper foil signal capacitors, Audio Note (UK) tantalum film resistors, and hand wound with Audio Note (UK)manufactured silver wire, HiB C-core output transformers.
Also note the "Tonmeister" designation is the newly redesigned Meishu's name. The new Meishu utilizes the Tonmeister Voicing Strategy
The new Meishu also utilizes a new input and driver stage that is very similar to that found in the top-of-the line 211 triode based Jinro, Tomei, and Ongaku integrated amplifiers, with a "… 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design.
Jay, have you tried this Amplifier with a pair of Audionote speakers, like the AN-J or AN-E both have lots of possibilities and have really high efficiencyKiller combination. I like the Audionote range planning. You kind of decide what level product to go with and match it to the same level product or higher, its that simple, if you want all or most Audionote products in your system. Level 4 and level 5 OMG, it's something else that ongaku i heard left me speechless; my jaw was on the floor but even the level 2 cobra is a great sounding amplifier.
BTW the Tonmeister price performance at 19k USD is, in my view, much better than you'd get from say, a top end Mackintosh integrated, which frankly is not in the same league IMO. Oh, and the black finish is way nicer than the silver.
Nice to see you looking at this quality of gear though. Have a look at EAR Yoshino really great sounding and aesthetically beautiful too. Keep up the great work👏🏾👏🏾
This thing looks beastly - I just picked up an INT-25 to demo and that was a bear to haul. I cannot imagine all the fun you had hauling that thing 😂
This was an absolutely brilliant review, it was just so real and captivating - honestly glued to it from the first moment to the last - epic work man! 👏 👍
the amount of R&D they put into their components sets them apart within the electronics industry.
all in the service of their passion in music reproduction
the aesthetic is 'understatement' also kind of the opposite of the industry in general
I also find it very refreshing that they put the effort into the internals, and not into the looks. To me the looks state that there's no need to show off, plain simplicity is enough as the emphasis is on the sound, the gear does not want any unnecessary attraction.
I love this guy’s listening room he makes the videos in. Awesome vibe going on.
I built a a Stereo 2A3 Amplifier. The output transformers are Audio Note. All I can state is that Audio Note Output Transformers are super high quality, and the sonics are so rare, most people have never had the opportunity to experience such performance. The aesthetics of Audio Note is not anything special. But in the performance area, Audio Note is beyond audible belief.
There is a pretty nasty story behind Audio Note UK, it is well documented if you search the web (Audio Asylum). Audio Note UK ripped off the designs and name of the late Hiroyasu Kondo the mythical japanese audio designer and creator of the Ongaku amp. Audio Note UK was the distributor for Kondo Audio Note Japan. After reading the bitter story of how Audio Note UK got hold of Kondo's designs and name I lost all my faith in Audio Note UK. The company to look after is really Kondo Audio Note japan, still alive and kicking.
I had the Audio Note Meishu with phono built in about 20 years ago. Used along with Audio Note Type E speakers. I think the combination really excelled with vocals, probably due to the owner of Audio Note, Peter Quortrup being an opera lover. They would come right out into the room and was also very musical. Wished I still had them.
I have owned various Audio Note gear from affordable to expensive inclusive of 300b, 2A3 and 6L6 output tubes. All the gear is very musical and the less expensive gear is very satisfying. When I first heard the original M2 preamplifier I stayed up all night listening to it, for instance. The companion P2 amplifier drove my Quad ESL 57s superbly. I have not owned this particular amplifier you reviewed but it strikes me as a very practical avenue to the Audio Note experience and I’ve always admired it. When I visited Peter Qvortrup and we went to his office this was the amplifier he was using, which speaks to his personal likes and believe me he is very well informed. The looks have never bothered me, it simply is what it is, I’m a bit surprised at your reaction but you were just being honest. It is a challenge to review such a component and I think you did a good job.
After your have sent this unit back, please get a Kondo Audio Note unit for comparison. I worked be very interested.
I think it looks awesome! So much high end just looks gaudy and blingy, this thing looks the business!
The EL84 OTO se signature integrated amp from AN is half the price and sounds amazing! It’s a 10 watts class A single ended amp that I uses with Zu DW6 or Snell type E iii or JM labs focal electra 1027e or marginally LRS+ with a T9X sub. I can’t compare it to the one you just reviewed.
Thanks very much for your review on Wellsinton R800i so I bought it a year ago without trying it (I live in Thailand so no chance for that.) The amp sounds just as your review. I recently upgraded only my cartridge tags from C****** gold plated brass ones to Gold Note pure silver ones. I could imagine how the sound would change if I can upgrade all the internal wires, all capacitors, all RCA jacks, all biding posts in my R800i amp (not to mention the difference of pure 300B and 300Bs push 805) and that would be the Audio Note 300B Tonmeister. This review all make sense. I will definitely buy this amp as soon as got enough money.
I gave Peter the idea and Darko build it. Tonmeister is a beast.
Nice review that describes the attributes fairly accurately, I’ve heard the forbearer many years ago when it was offered as a kit, I’m sure the quality of the internal parts has improved dramatically but the inherent pros and cons will carry through. For tube amps especially single ended it’s all about the OPTs. I’m willing to bet that when you craft all your own parts the synergy is beyond reproach
I would like to see a follow up on this amp vs the Silver Signature Tonmeister and the AN-E speakers in your room, how you hear the changes from this more basic model. And maybe also adding a AN DAC to it...
I listened to AutoBahn (by Kraftwerk) on CD through this Amp (with 300B stock valves) + AZ2 speakers the other day at AudioCounsel...The sound was extraordinary. BTW, my AudioNote system budget extended to the OTO Signature Amp + AZ2s + CD player which is on order...arriving soon.
I used to run Kinki Studio separates feeding Tekton DI but since switched to all tube chain (Abbas Audio DAC, Audio Note M5 pre-amp, Bob Carver Cherry 180) driving Marten Design Bird 2 speakers. I would run all AN gear if I could afford it. The gear probably doesn't measure well but the sound is on another level.
Nice review , this amp is amazing the music it produces is magic. If you hear this with AN/E SPE HE speakers your in audio heaven.
I'm sure some people get lucky but the heads know you gotta have AN speakers with an AN amp 🤝
@@markpreston3406 If I was a millionaire I would just buy one and build my own speakers. I got an Audiolab 6000A to make my home built speakers sound good. Bass is good.
@@markpreston3406 The AN E are a great match for this amp for sure , there’s a synergy with AN that if you can you have from source to speaker it gives you the honey
I agree with you about the aesthetics. I can't understand why anyone would hide tubes inside a box, and that front panel is ugly. I trust your opinion about the sound.
If you get the chance. Listen to Airtight models also. Much like Audionote. Beautifully smooth, warm & holographic.
When I was young, how components looked was important to me. Now, as long as it’s reliable and tidy, all I care about is how it sounds.
Translation: Audio Note equipment is stunning to look at.
Good attempt to explain hearing live instruments vs recorded. The brain is smarter than any playback system.
Thanks Jay...I'll take an audition for this stuff...with the parameters you've mentioned..very interesting
Still would like Jay to review the Mastersound 845 Evolution integrated, though they slso have 300B units, compared to the Audio Note. The most musical I have ever heard and now in production over 20 years.
Honest review, I have to agreed most Audio Note fan only pay attention to the sound and it delivered amazingly. I personally like Audio Note but can’t afford the price tag but if you have the budget & don’t mind the look, it is one of the best 300b SE amp. I heard them many times in high ended audio shows & never disappoint. Great review 👍
Jay
Great video. I have the 3.1x balanced DAC in black and it looks elegant. I of course have the cover off to see the amazing "guts" of the DAC. It also sounds amazing, better than my Mola Mola.
What? A 3.1x balanced sounds better then a Mola Mola? I guess it would be true but it's just that with all the rave reviews the Mola Mola has it's still shocking. Why don't you sell both and move up to a DAC 5 Signature? There's a service tech on the east coast that's worth talking to. Be patient and get one used and have it upgraded to the newest standard if it isn't already. They're coming out with an R2R board at some point. I don't know what the hold up is. Probably because they're finding that each iteration is giving significant improvement which would mean that when they finally release it, it will be even better.
@@bunsw2070 Why shocking? The 3.1x balanced Dac cost more than the Mola Mola (not that cost has really anything to do with it) I had sold the Mola Mola a while ago to buy a used 3.1x (with cash left over!) The Mola was great, but just like w/ the AN amps, the tone and especially the bass much improved.
Great amp first to say Autonote amps are hand made it's the highest craftsmanship. It's like a Bugatti Veyron..❤ Autonote has very gorgeous tube amps you can see the tubes and all this console is good for say a audio rack or shelf. Home theater etc. With all those screws it could be to keep the cover save from vibration and using for travel or music sets... It top engineering they use real silver I there components.. there's channels called av show reports and av showerooms and av reviews this sight some years ago toured Autonote factory and talked with the owner.. they have lots of different amps . I'd cry in joy if I had this amp thanks for the video...
I have at home pass int25, audion set with border patrol upgrade and take meishu tonmeister silver to demo with guarneri homage. The tonmeister is different level of experience, by far the best amp i ever heard at my place.
I actually found most modern amps are over designed in terms of looks. There's no need to 2 inch thick faceplate that's carved out of solid aluminum. All gaudy looking. The Audio Note harks back to industrial design of the old days. Simple and functional. Yes, they could add a few aesthetic touches to match the price tag. I don't have a problem with it. I wish they make everything rack mountable though because I always prefer the pro gear look, especially with handles.
I soldered 8 Audio Note resistors into the tube stage of my Schiit Freya+ Preamp.
…. It saved me $18,700! 🤓
It looks way cooler, TOO! 👍🏼
I kinda like how it looks?? Reminds me of medical lab equipment, looks simple clean and reliable. Rather than looking like some cheesy guy's money flex. I'm good with it.
I'm not sure I want medical lab equipment in my living room but each to their own
@@Jayiyagi Hahahaha lol EXACTLY !!! lol
I think your channel has improved more and more.
What an awesome review. 🎉. I enjoyed your passion for the sound and musicality of this piece. But it is the visual discontinuity in the front, Is ugly. I would want to look at that thing all day.
But because the sound is sublime, I could forgo the aesthetics.
I can’t believe a tube based amp can have such great bass. It goes against conventional logic.
The holographic imaging and instrument tonality says it all.
I wonder what the silver wire upgrade offers? Probably more clarity.
Great review 😊!!!
Thanks for the passion and enthusiasm. 🎉
Hi Jayi, I really don't mind the looks at all. Its the lack of remote that gets under my skin, for that kind of money I would like just a volume control at the most.
My Emerald Physics 3.4s OB 12" concentric driver had really good meatiness
Thanks Jay, great review! would love a review of the oto phono se sometime.
review wells audio stuff, if you could please and TAD
🟦..... Something I very much like that was not mentioned are the porcelain tube sockets, I'm not a fan of phenolic or other resin sockets, I believe porcelain to be a superior insulator.
Love these high end reviews! Please review Japanese tube amps like AIRTIGHT, SHINDO, and LEBEN. Would be great to hear your take on these.
There is Audio Note Japan that makes the Kondo Ongaku and Audio Note UK. I don’t think the companies are not associated and have different product lines.
yes they are different but also similar approaches
Audio note UK used to be the importer for audio note Japan. There was a falling out, and audio note UK was accused of ripping off the Japanese company. The Japanese company was the original audio note, made by Kondo.
heheh.. Man Calls the Q Acoustic ' insensitive " ,,haha =) I love it! Makes me think it's a rude .. in your face sound. =)
.. Yah.. I agree .. Audio Note has something extremely comforting to listen to. It's rather difficult to put any words to ... but it's obvious when we listen.
Nice review - captures the almost ' speechless ' response I can relate to when I hear the systems also. .. Great work!
Jay slays and I love it. You're not wrong here. AN has my interest, but no remote?
Go buy a Sony.
It’s about time that we start moving our ….. to turn the volume up or down. Tums and … size are to developped in my opinion !
@@bunsw2070 or virtually any sensible unit
Audio note stuff is way overpriced but it does sound amazing with the right speakers
definitely , over priced
I think Shindo is the one in the audio world that is WAY overpriced.
That's the pragmatic attitude right there! There's only a handful such audiophile brands - most are way overpriced, period. I'd feel way sillier buying something overpriced that doesn't even sound great, and yet, going to audio shows, demos, visiting audiophile acquaintances, that's what 99% of the gear out there is: overpriced. There are always exceptions - those won't usually stay fairly priced for a very long time, but they're out there.
It’s only overpriced if there’s something else out there that’s as good and cheaper. There isn’t.
Good pragmatic way to look at it.
Listen to it from the back if that's what floats your boat, I have never heard anyone else drip on so much about removing screws to exchange a faulty valve.
At 13:30 when you started the section on performance, you said "totally contrary to the first impressions that I first had with build quality and aesthetics" ... Prior to this point you loved the build quality, apart from the high number of cabinet screws... (Which I feel are necessary for a unit of this weight) just noticed it that's all, and wondered if some people might think there is an issue, whereas really I feel you loved the build quality:) nice review, I often find audio note products sound superb but look somewhat slab like :) it's all about the music x
The sound you describe brings to mind my Leben integrated. Not the most technical, but musical as hell. Perhaps the Leben is the poor man’s AN, I don’t know.
I want a Leben. I had a chance to buy the EL84 (model 300? something) for $1000 about 15 years ago and I turned it down. Regrets.
@@bertroost1675 I have the 300xs … it’s a special amp, going into my DeVores. I read the 300F is more sought after b/c of the output tube type. I’m very satisfied with mine, bought it new, my last amp. Hope you get one someday.
@@bdmcn To be honest I have enough tube amps. I traded my Almarro 6c33c, Line Magnetic KT88 and Raphaelite 300B amps to a guy. He has a couple old Altec mono blocks I want.
Leben is German…and means life (or as a verb: living).
@@bikemike1118 I believe Leben is a Japanese company
Great review Jay ! , Audio Note is the cure for audiophilia nervosa ! :DD
$19K and unbalanced?True high end from it's ugliness to the screw covers.TrueHigh End is supposed to piss you off (so your buddies know it must sound good)
I remember buying a second hand Audio Note Meishu with phono stage about 20 years ago. Paid £1200 and used it with my Audio Note type E speakers. It was very nice indeed but not for all music. It exceeded in voice which suited me because I liked female vocal. I wished I’d kept it now due to what it’s worth today but because I’m an audiophile I sold it all to move on and buy other gear.
Hate the looks of the front. Inside is beautiful though. I'll never be able to afford it anyway, but I'd love to hear one.
The kid gets it ✨
I'd be really curious on where ANK products stand compared to AN; ANK have a few 300B models, like the interstage monoblock power amplifiers.
Excellent review Jay!
...as most of your reviews...
My respect
How does it compare with your Korean experience with crying as your were listening. How does this compare.
Great stuff & Beautiful sounding; yet, out of my range.
Quite like the minimalist look without the red font part. But prefer to see thr damn tubes (ie Allnic)
I don't mind a minimal look, but I think it's not minimal enough. The Cobra, Jinro etc has the tubes on show and they look great. The Oto, I Zero, Tonmiester etc hide the tubes and then you're left to focus on the chassis styling, which doesn't feel particularly considered. I'm not wishing for luxury like McIntosh, I'm just looking for something more minimal like the chassis on Yamaha etc. For example why doesn't the chassis match the face plate? Why not all aluminium?
Shielding. Cost. Robustness. Adaptability. Most of Audio Note's chassis are made like this. Even the mega dollar gear like the M9 preamplifier or the top DACs. There are RUclips videos of factory tours. If you knew what an M9 Phono Signature cost I'll bet you'd have a heart attack, though I've heard people say it's the best phono preamplifier they've ever heard. It's a line stage and phono in one. They're phono only preamps are called RIAA. I'd called the RIAA the Phono, what they call the Line, the Line, and what they call the Phono, the Preamp, but then I don't own the company. I'm not certain if there are different naming traditions or rules in the UK or Europe.
@@bunsw2070I’ve watched those videos and know what they cost. I know that the chassis is the same for the level 1 and the level 5 amps. But I do just think it could be visually designed to be more refined. changing the faceplate but not having a matching body seems like a lack of consideration to me. If aesthetics don’t matter then why bother changing the faceplate at all? I have an AN amp and they feel solid and heavy and the dials feel really great as Jay says. I love my AN amp also despite that it looks like it is a budget amp (agin not talking about features or flashy design, just that the design they have does look cheap, the aluminium looks plastic-y etc).
The anti-design seems to reflect the often quite conscious contrarianism of AN’s founder.
Jay, Sensitivity issues aside, do you think the Audio Note would be an amazing pairing with the TADs you reviewed? Seem a perfect sonic pairing based on your description.
Dear Jay, I'm a musician, performer, composer and producer from Spain. I'd like to make you a quick question, Nowadays musicians have a wide variety of options when it comes to record our music, But at the end all ends up to the final satge witch is the mastering of your recorded music. I've been always trying to record my music the best I can up to the mastering stage wich I usually do at Abbey Road Studios in London. My question is, what kind of material would you recommend to actually capture what the musician wants to show to their audience. What devices , speakers etc,,,, you think would be more accurate in order to satisfy the musisian and the listener?? Thank you, And congratulations for your channel
Hey, I have been a master engineer in studios before and so I understand your predicament but my journey has led me to understand that it’s not about total accuracy of your gear that makes your work translate better. It’s familiarity
For example, some speakers from Yamaha or Jbl have been never accurate speakers but you could always find them in other studios and so engineers were familiar with them if they ever had to work out of different locations or send it for opinions, editorial, advice, sample etc.
same thing with editing video; I used to use a very old 1080p monitor and only about 2 years ago did I change my monitor to 4K oled and what ppl don’t realize but I certainly do is that my colors suffered until I got used to the new one. It wasn’t because the new monitor wasn’t more accurate (it was because I familiarized myself for years using my old monitor’s color and how that translates to many other devices like phones, tablets, tvs etc) each device will have different coloration but I generalize so it will look descent on most of them.
This was awfully a long winded way of me saying; get something you like, know it inside out and how it translates to other sound systems.
My PrimaLuna Evo 300i is a very good looking Amp and a quarter the price.
Jay!?, you still have those Kendall’s in house?? I’m just thinking at 96db, and those 8 Watts, and the KLH’s lower frequency range… from what you said about them, I would think that this would be a great pairing, regardless of the difference in price range!! Let me know if you paired them up!!
Yes great pairing
There very musical
How about a comparison to the new Western Electric 91E? At $15k USD (last time I looked), and 300B’s, it certainly is in the same wheelhouse.
Great reviews. Thanks. Is the unit you have the regular version or the silver version ? $19'000 would seem like the silver version. Thanks for clarification
Audionote + Triangle Comète 40th anniversary ; I will check P1 pre-amp....pricy but quality seems to be here...
Asthetic is great. Focus is on sound, not bling
Not even asking for bling. Get it out of the shoebox first
I really buy into what amplifiers like this bring to the table. There is a magic at times thats hard to describe BUT is the amplifier actually telling you the truth. I had an experience a while ago with a DAC where the sound was absolutely gorgeous and very much as you describe. A musicianfriend had a listen and he says beautiful but that doesn’t sound like John Mayers rig. The sound was so lifelike but incorrect. This AudioNote seems to do so many things well aside from aesthetics and price but is it whispering sweet nothings?
Truth is overrated. You are building an entertainment system, not a studio. If you enjoy the sound, then that's what matters.
@@JayiyagiI am with you. Its an entertainment system and its an individuals choice on what they want to hear. I do feel however that accomplished musicians develop their own tone be it with their instrument choice or guitar rig etc. I don’t believe that a playback system should develop its own tone to the degree that some tube gear does though the presentation might be gorgeous. As far as studio sound thats maybe extreme and not a fair comparison here but I get your point. Thank you Jay.
I think it is important to mention UK audio note is different from than Japan audio note. UK Audio Note is essentially a clone of Japan. The guy released AN Japan did not trade mark the name, so this guy did it.
Japan audio note is now know as Kondo audio note.
Much better amplifier is from Audiomat. Their tube integrated amps are jewels re construction and quality and the sound is unparalleled.
Have you compared them? If so where?
Try old Meishu, not Tonemeister, Especially Silver and top of the line Silver Signature models. For my taste they are even better than modern Tonemeister range. I personally have P3 Silver + Audio Note M2 Phono preamp. Wonderful combo
Oh my goodness Jay. Is it a North american thing? The looks are great. I like them.
could be. Many here including myself just can't deal with that look. It looks very DIY to me.
@@Jayiyagi audio note is not known for their nice packaging/aesthetic
@@Jayiyagi buy with your ears :)
No matter how generous one is, its looks cannot be described as great, I don’t think. It looks quite pathetic to be honest. But if it sounds like there describes, I can look past it and stick it inside a ventilated cabinet.
@@Simplyveej yea is hard to change the tube, i would skip it lol
Audio Note is an enigma to me. Never heard a bad sounding AN system at shows but still has me wondering how it would fare in a real world day to day setting with a wide variety of music compared to a more traditional setup.
BTW Jay...completely off topic but where could I find a small paper lamp exactly like the one in the clip?
No MCUs, screens and SMPS etc will count for much. Serious HIFI used to be made like this. A bit surprised you didn't appreciate the external tape loop as you own a presumably 3 head reel to reel.
I prefer the real Audionote aka Kondo who brought out the original Ongaku way back when. The company, Audionote UK, is now run by former joint owner of Audio Innovations Peter Qvortrup
It’s full of audiophillia …but we’d all like one!
Great review/ rant .
👍☕️🍕
Jay, will you be reviewing Audio Note in the future? Such as the cheaper Cobra, Otto and Soro models.
I think if I paid $19000 for an amp, I wouldn't want to open the cover unless I really really have to, hence the 72890739827398237 screws ;)
It’s a tube unit. You have to open it soon or later even if you don’t roll tubes
Haha the screws annoy me too. I've had them off on both my preamp and AN dac with the cover just sitting on top ready for any quick tube swap. I have them on isolation feet-but i haven't heard any issues with the tops resonating or anything personally...or maybe i just can't hear like that?
While I agree that the aesthetic is poor, one could appreciate that they put their money all into the electronics vs a pretty box.
I like the look of exposed tubes. I suspect that AN decided to build this enclosure to enclose the tubes. They are microphonic. Particularly a 300B. And they'll pick up stray noise from EMI. They put them into a big metal case and tied it all together with a bunch of screws. Likely to shield the electronics from vibration and EMI. Form follows function. Easy to get behind that.
A Gordon Murray T50 automobile is a thing of beauty, and costs a couple million. Not a single gram is wasted on anything not required. No traction control, stereo or bling. The thing is just the best most lightweight V12 sports car one could design. I think this amp is on the same track. I'm actually surprised they include the balance knob and the record knob. They are sort of from a bygone era.
I see some big tube monoblocs in front. How does it compare to your other tube amps?
Tap the case, it rings like crazy so not sure about vibration. Gordon Murray T50 looks nice though.
I remember your reference speakers are the maxima amator and you reviewed the decware zma on them. it was not a perfect match with the sonus faber. How does this amp sounds with them?
Midrange heaven
It’s really too bad that there is no remote control. In my situation I absolutely need one
Hmmm Humphrey part the Rolls here I need to get an amplifier for the mansion.
Comparison with the Jinro , would be very interesting
Maybe it has the texture , tone , of the toonmeister, but with more cojones in the bass .
I love the look
a black unit would be nice
Yes... I agree.... maybe a brushed back metal look would improve it.....
I wish I could hear that ting
Has it occurred to you that what you're paying for is the stuff you need to get the sound you clearly appreciate? I'd much rather have a functional box, which is nonetheless elegant in my opinion, that sounds like this does, rather than an amp from a company that spent their budget on the looks. What you like is the sound, and Audio Notes's philosophy is to give you the means to listen to real music by concentrating on what is required to get that sound, and that is the quality of components. And they're pricey.
It's the music, there is no "but".
Now, ....if everything goes right , i am looking for an upgrade for next year , and i already like audio note a lot ,....but that 8 watt r.m.s per channel .......
"Once you hear audio note, you don't go back."
Is that the saying?
Yes, but you also kind of need the entire system to be Audio Note (including cables) to get the optimum benefit. That's one of the problem with reviewers is they place one component into their system and judge based on that. I mean, what else can you do? Review an entire Audio Note system and compare it how? Audio Note does everything the way it should be done but that clashes with the way the world does things. I don't know of any easy way around any of it. Thankfully they are thriving and growing like crazy. Their biggest problem is finding new employees.
Their biggest problem is the mediocre quality (especially for the cheeky price tags).
Anyone know the deal with audio note uk v Japan?
U fail to answer the most obvious question many would ask, how does it compre with u Sarah decware 300b tube integrated