We do not see the Osmose as a competitor. It's a great product too (also French 🇫🇷 ;-) and really complementary to the Erae with its expressive capacity. The playing techniques, the control possibilities are very different, and as Reyn is showing in this video, both instrument can really work well together in a live set! Osmose pushed well beyond what's possible with a regular Piano, with amazing sound presets and the builtin Haken sound engine. We believe we did the same with what's possible with Touchpads and Versatility of a controller.
I can only pray to have those, to be honest, Ableton 400 Eur, ERAE 840 Eur, Expressive E 1800 Eur. I agree, all these should be the basic tools for any contemporary composer, but not from my salary :-(
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How did he get his logo on the API section?! I'm so keen to figure that out
What's the stand the Erae is mounted on?
It's the Roland SPD-20. The backplate of the Erae has screw holes that fits with the same size.
A little surprised to see the competitor Expressive E in the same frame
We do not see the Osmose as a competitor. It's a great product too (also French 🇫🇷 ;-) and really complementary to the Erae with its expressive capacity.
The playing techniques, the control possibilities are very different, and as Reyn is showing in this video, both instrument can really work well together in a live set!
Osmose pushed well beyond what's possible with a regular Piano, with amazing sound presets and the builtin Haken sound engine.
We believe we did the same with what's possible with Touchpads and Versatility of a controller.
@Alexandre Panizzoli interesting perspective. Nothing wrong with friendly competition..... helps drive development further and faster
I can only pray to have those, to be honest, Ableton 400 Eur, ERAE 840 Eur, Expressive E 1800 Eur. I agree, all these should be the basic tools for any contemporary composer, but not from my salary :-(