I cannot thank you enough.. this is so concise yet comprehensive, vital, and your voice and presentation is equally a work of great elegance. Thank you.
The most wonderfully unbiased and nonetheless gentle presentation of ART itself of all AGES! Thank you, Jill, as I always come back to re-watch all the three parts to get inspired and motivated!
Great work Jill, this brush stroke history is really adding to my painting knowledge. There is much to learn from these master's strokes, very well described by you.
All three parts are so well done! I never thought I would ever sort out the various nicknames given to artistic periods and styles. But you really did sort them out and not try to intimidate us! So give three cheers and one cheer more for the mighty Poyerd of Art World!
Your videos are stunningly edited and so easy to watch and when the video is over I find myself wanting more and luckily you have a backlog of more great videos. Thank you for sharing on RUclips.
I’ve never taken a thorough look at most of the great masters in one sitting. I’m finally getting a feel as to what moves me most. Von Gogh, Monet, Rembrandt, Titian, and Renoir. Havnt seen the third part yet but it Really helps me understand myself and my art style.
Amazing! I never had a lecture or watched a video or read a book that captured so much information in a easy and interesting way to absorb as this content does, I always learn so much with your videos. Thank you so much for sharing, much appreciated. Best
Materials and technique is often overlooked topic in many art history courses. It is critical to understanding the development of art since the 15th century. Thanks
It will seem silly, but when I watch these videos and hear their voice off while viewing the works of art, I get so excited that I cry like when you hear a good musical masterpiece.
I learned so much about art history from the perspective of techniques in your informative videos, than in 2 years I took in my studies of art and art history at a college of Art in Toronto. Thank you for such a well explained and beautifully displayed documentary. Yours truly, Alfredo.
absolutely fascinating, as you mentioned earlier, very few if not any videos mention this subjet. Thank you so much, very helpful for painters like myself.
His work (especially his later work) is so wonderful. It's also interesting because he's one of those artists that when you see the span of his artwork you can see the slow development and change in style.
I'm pretty good at portraits but I never had the formal accademic trainging others have and to a non maliciouse point I envy them...but watching all 3 parts of these videos were so enlightingin and educational, the whole timeline was a great touch. Thanks Jill...great work.
I think this is very good offering to look at brush strokes. If you do more of this kind of work please add the women that made their "mark" too. But I really like how you've produced this. I like your voice and enthusiasm.
Thank you, TheStone264. Actually, I plan to someday make a video specifically on female artists in history. It's been on my heart to do this for a while - just backed up with projects right now.
great explanation on the development of brushstrokes. Perhaps you could also find out about the influences of the canvas size throughout the times. Differences on portrait and landscape...
nice presentation - very fluid and professional - i thought it worth mentioning that Seurat et.al. were quite consciously inspired by the halftones of the offset press - another example of technology influencing art of the day
Absolutely. I'm glad you mentioned that. I couldn't list everything due to my time constraints unfortunately, but that is very true and something interesting for viewers to know.
Excellent videos and am very grateful. An addition to this might be the reason or explanation for the inovations that compelled the artists to seek new directions of expression through the medium of paint and what painting would someday come to represent in the broader cultural context? Thanks again.
Another brilliant, inspiring, educational, insightful video by a master. I sure wish I could walk through the Louvre or NY Met museum with you, Jill. I am learning soooo much from you and your wonderful, top drawer videos and I would encourage anyone watching Jill's RUclips videos to take her courses (which are ridiculously affordable) on www.udemy.com . You will get way more than what you pay for them - I have and am!!! Thank you again!!!
Thank you so much, Thom. And my apologies for the delayed response. For some reason I was never notified about a whole set of comments! Regarding the museums, that's so kind. it's one of my hopes that after people watch my videos, their next visit to an art museum will be a more personal experience for them - that they'll see into the works and understand what's behind them. I suppose its like being an online docent!
Yes, I suppose I should have added subtitles for that clip in the video. I was just using Courbet's painting as an example of realism. The painting on the right is painted by Sisley (The Lock of Saint-Mammès). I didn't mean to imply that Manet painted them.
Absolutely! Louis, I had to include that both because it was a great commentary and also because I thought it was so funny that he used that phrase. Glad someone else enjoyed that aspect of it as well.
@@JillPoyerdFineArt Well I hope painting never goes out of style. I plan to paint soon - again. Never did it professionally, but I really love the painterly styles. I'm good at copying - like a photograph style, but I hate that. I want to develop a painterly type style, so it doesn't look like a photo!
@@winterdesert1 I don't think it will ever go out of style, personally. I think humans have a natural need to express themselves kinetically - with their hands and such. It's kind of in our nature. You know, copying is considered quite a skill, but I know what you mean. I find that there are some tricks to help you loosen up, depending on the medium. For example, I find that painting with a palette knife for parts of a painting helps me apply the paint more expressively. You will likely find your own tricks with time.
Oh gosh, I didn't realize how that spot could communicate poorly. Yes, that is The Meeting by Courbet. I have the painting credits listed at the very end of episode three. I see there that I forgot to give credit to the painting on the right! Darn. That is a portion of The Lock of Saint-Mammes by Alfred Sisley. Amazing how you can miss things in production. Glad you saw this, Carol.
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I cannot thank you enough.. this is so concise yet comprehensive, vital, and your voice and presentation is equally a work of great elegance. Thank you.
You're very welcome, bluesque
I am in the right place of RUclips.
Another fine study produced by Jill Poyerd. To any student of the arts, these videos are immensely informative, as well as entertaining.
Thank you so much!
This is one of the most informative videos about oil painting that I have ever seen so far.
Enjoying this series so much. Brush strokes are surely the meat and potatoes of painting!
The most wonderfully unbiased and nonetheless gentle presentation of ART itself of all AGES! Thank you, Jill, as I always come back to re-watch all the three parts to get inspired and motivated!
Thank you so much for that, Bobby. That means a lot. I love to know viewers get inspired by my work.
informative for artist and art historians. Material often left out of the "develop your own style" approach at student level.
Thank you, Jan. I actually feel very strongly about encouraging artists to discover their personal style, so I especially appreciate that comment.
How can we know where we’re going without knowing where we’ve been and how we got here?
Such a calming harmoneous experience to stumble upon your beautiful videos and low-paced calming voice!
Thank you so much, Yokky
@@JillPoyerdFineArt Pleasure! Keep it up, I'm sure many of us new-comers will be life-long subscribers. Peace and love!
Great work Jill, this brush stroke history is really adding to my painting knowledge. There is much to learn from these master's strokes, very well described by you.
Thank you, Armando. It was a wonderful series to create...so interesting.
All three parts are so well done! I never thought I would ever sort out the various nicknames given to artistic periods and styles. But you really did sort them out and not try to intimidate us! So give three cheers and one cheer more for the mighty Poyerd of Art World!
Your videos are stunningly edited and so easy to watch and when the video is over I find myself wanting more and luckily you have a backlog of more great videos. Thank you for sharing on RUclips.
Thank you so much - That's so appreciated, Erin.
I looove watching these informative art essays from you
Thank you! I'm glad you're enjoying them, Carol.
I ve just learnt more in half an hour than in 5 years of art school!
I’ve never taken a thorough look at most of the great masters in one sitting. I’m finally getting a feel as to what moves me most. Von Gogh, Monet, Rembrandt, Titian, and Renoir. Havnt seen the third part yet but it Really helps me understand myself and my art style.
I'm so pleased that it's been so helpful for you. And of course, to be the best artist we can be, we really have to be moved - so very important.
Very nice series! I like how you keep referencing the timeline to tie to the movement or innovation. Nice flow with just the key information, thanks!
Yes, I thought that would be helpful to viewers. I’m glad you thought so and enjoyed the series!
Amazing! I never had a lecture or watched a video or read a book that captured so much information in a easy and interesting way to absorb as this content does, I always learn so much with your videos. Thank you so much for sharing, much appreciated. Best
What a kind comment, Cristiano. You're very welcome.
Rich and vibrant. Great way to show the history of painting!
Thank you!
This series is fantastic! I'm learning so much, and the narration is perfect. Thank you for these!
You're very welcome, Michelle!
Thank you so much for this beautiful presentation. You have included all the key elements of Impressionism in one short video.
You're very welcome, and I appreciate that particular comment. I did try hard to give a well rounded but brief explanation.
Materials and technique is often overlooked topic in many art history courses. It is critical to understanding the development of art since the 15th century. Thanks
Well said, Richard.
Brilliant! Thank you so much for this 2 part series. SO much great information here. I for one really appreciate it.
You're very welcome, William. I'm so glad it's been helpful!
Atonishing video:clear, exact and beauty. A brushstroke of color for the eyes.
Thank you so much...
I could listen to you all day long! Thank you!
I'm glad you enjoyed it!
Not enough videoed like this out there. Bravo.
Thank you!
Excellent, enlightening. A soothingly absorbing narration as well.
I'm so glad you enjoyed it, Steve
Very informative and excellent visuals.
Really informative video, thanks. Out of all these artists Van Gogh still really takes my breath away. His brushwork is so visually pleasing.
He really is amazing, isn't he? What a master.
I love this series so much, it's extremely informative and well presented.
Honestly this is the best information I have ever seen on the internet. The BEST. Thank you.
Thank you so very much...That really means a lot
You're voice is mesmerizing. Excellent content and well produced. Thank you.
That's appreciated, G8rrett - thank you
Thank you . very interesting and informatic.
Thanks Jill ~ reviewing all the parts 🎨✍️👌
Wonderful, Silvano!
I just say "Perfect!" before clicking the Part 3
I enjoy the process or the way paintings are made ... beautiful❤️😍
❤️ Jill
Thank you
Much obliged
Sent before finishing whole film
Excellent analysis and informative details. Very nice realisation too. Thanks
I'm so glad you enjoyed it, Alain.
Toulouse-Lautrec has my favorite brushstrokes
Bob Ross, we want Bob Ross!!!!!
Now, that will be the icing on the cake of this fine series. Thanks in advance.
This is such a great series! Grateful to have stumbled across these videos.
I needed this... beautifully done.
It will seem silly, but when I watch these videos and hear their voice off while viewing the works of art, I get so excited that I cry like when you hear a good musical masterpiece.
Not silly at all, nicasso. I'm actually quite flattered.
jill ..you are more than amazing .. please more videos
Very kind, rafat - thank you! Oh, I have plans for many more....
This is very good news indeed!!! :))))))))))
Thank you!
The best videos there are on art history, you are so good at this, thank you!!
Jill this video was a stroke of genius...Thumbs Up
'stroke'...
Thank you, timluns (and Milz)
Amazing descriptions and explanations. Thank you for this video
Glad you enjoyed it, Yasmin
I learned so much about art history from the perspective of techniques in your informative videos, than in 2 years I took in my studies of art and art history at a college of Art in Toronto. Thank you for such a well explained and beautifully displayed documentary. Yours truly, Alfredo.
absolutely fascinating, as you mentioned earlier, very few if not any videos mention this subjet. Thank you so much, very helpful for painters like myself.
I'm so glad it was helpful, Anne.
Excellent series
Fantastic source of knowledge, thank you!!!
Glad it was helpful, Daria!
This is incredible.
Simply gorgeous! !!!!!!
Thank you!
Ive been looking up impressionism, but never heard of Corot until now, his work looks inspiring
His work (especially his later work) is so wonderful. It's also interesting because he's one of those artists that when you see the span of his artwork you can see the slow development and change in style.
Great video, a good reference for me.
Outstanding. Thank you so much for your videos.
You're so welcome, Ed.
These videos are really great thanks!
You're welcome, Justin
Thanks for these videos.
You're very welcome, Parth
Thank you, I have learned so much.
Great job on this video! Thanks!
Glad you liked it!
I'm pretty good at portraits but I never had the formal accademic trainging others have and to a non maliciouse point I envy them...but watching all 3 parts of these videos were so enlightingin and educational, the whole timeline was a great touch. Thanks Jill...great work.
Thank you - Glad you enjoyed it!
I took school for design and I didn't understand painting until now. Thank you so much
That's so nice to hear - thank you, materwarrior.
I think this is very good offering to look at brush strokes. If you do more of this kind of work please add the women that made their "mark" too. But I really like how you've produced this. I like your voice and enthusiasm.
Thank you, TheStone264. Actually, I plan to someday make a video specifically on female artists in history. It's been on my heart to do this for a while - just backed up with projects right now.
Great work Jill keep it up👍
Thank you, Kshitij
Thank you, so much studying and information.
You're very welcome.
great explanation on the development of brushstrokes. Perhaps you could also find out about the influences of the canvas size throughout the times. Differences on portrait and landscape...
Excelent quality!
Wonderful! Thank you!
Awesome video!
Thank you, Angel
Wonderful video. Thanks! I really enjoy it and the musics beautiful too :)
Thank you. Yes, much of the music was by the same artist - very talented. I list it in the video description.
beautiful
Thank you!
Great video once again, thank you.
You're very welcome - glad you've been enjoying them
Excellent!!!
Thank you!!!!
You're very welcome
Great work
Very good video. Congrats!
Thank you
So beautiful
nice presentation - very fluid and professional - i thought it worth mentioning that Seurat et.al. were quite consciously inspired by the halftones of the offset press - another example of technology influencing art of the day
Absolutely. I'm glad you mentioned that. I couldn't list everything due to my time constraints unfortunately, but that is very true and something interesting for viewers to know.
Thank you, such a nice video, teaches a lot!
I'm glad it was helpful, Arden...
Lovely
Thank you !
Glad you enjoyed it, Loana
Very good for beginners
Very informative, merci beaucoup.
Fasinating
Ww
Awesome, I loved this video 👍👍👍
This is a great video.
Thank you
@@JillPoyerdFineArt You are welcome.
Excellent videos and am very grateful. An addition to this might be the reason or explanation for the inovations that compelled the artists to seek new directions of expression through the medium of paint and what painting would someday come to represent in the broader cultural context? Thanks again.
Oooo...interesting angle. Perhaps I'll add the idea to my list.
Wonderful study into brush strokes. I feel like I learned so much. But that voice though. ❤️❤️
Funny - The vast majority of viewers really enjoy my voice. But, of course, nothing is ever 100%. Glad you enjoyed the material at least.
You misunderstood me. I liked the material very much but fell deeply in love with your voice though!!😀
Oh, I did mis-read that. Thank you for the compliment!
Thank you🥰
FASCINATING
amazing!
Another brilliant, inspiring, educational, insightful video by a master. I sure wish I could walk through the Louvre or NY Met museum with you, Jill. I am learning soooo much from you and your wonderful, top drawer videos and I would encourage anyone watching Jill's RUclips videos to take her courses (which are ridiculously affordable) on www.udemy.com . You will get way more than what you pay for them - I have and am!!! Thank you again!!!
Thank you so much, Thom. And my apologies for the delayed response. For some reason I was never notified about a whole set of comments! Regarding the museums, that's so kind. it's one of my hopes that after people watch my videos, their next visit to an art museum will be a more personal experience for them - that they'll see into the works and understand what's behind them. I suppose its like being an online docent!
The best!
Thank you!
This is so marvelous--I can't believe this is real. How can this be?
That's so kind...thank you for that.
The left painting at 1:49, is not Manet, but Gustave Courbet , and called- The Meeting ,or "Bonjour, Monsieur Courbet"
Yes, I suppose I should have added subtitles for that clip in the video. I was just using Courbet's painting as an example of realism. The painting on the right is painted by Sisley (The Lock of Saint-Mammès). I didn't mean to imply that Manet painted them.
Love this
Great vid
I thought I was watching how the art fell from universally beautiful to a face that only a mother could love.
THANKS!!!!!!!!!!
You're very welcome
Van Goh was the king of home made slang using "kills it" 100 yrs before the youth of today.
Absolutely! Louis, I had to include that both because it was a great commentary and also because I thought it was so funny that he used that phrase. Glad someone else enjoyed that aspect of it as well.
Wow. It's like painters have tried every possible style...so what is left?
I wish I knew, aftrn walk. Boy, I wish I knew...
@@JillPoyerdFineArt Well I hope painting never goes out of style. I plan to paint soon - again. Never did it professionally, but I really love the painterly styles. I'm good at copying - like a photograph style, but I hate that. I want to develop a painterly type style, so it doesn't look like a photo!
@@winterdesert1 I don't think it will ever go out of style, personally. I think humans have a natural need to express themselves kinetically - with their hands and such. It's kind of in our nature. You know, copying is considered quite a skill, but I know what you mean. I find that there are some tricks to help you loosen up, depending on the medium. For example, I find that painting with a palette knife for parts of a painting helps me apply the paint more expressively. You will likely find your own tricks with time.
Painting on the left @1:50 is Gustave Courbet, in case anyone was wondering.
Oh gosh, I didn't realize how that spot could communicate poorly. Yes, that is The Meeting by Courbet. I have the painting credits listed at the very end of episode three. I see there that I forgot to give credit to the painting on the right! Darn. That is a portion of The Lock of Saint-Mammes by Alfred Sisley. Amazing how you can miss things in production. Glad you saw this, Carol.
I had to laugh because I sometimes confuse Corot's and Courbet's names (never their art, but they had similar names and were contemporaries).
Yes, I can see that happening - lol
Great