I'm so glad you posted the score video, because I saw the live performance and had to know what in the world was happening. I've never heard the technique at the beginning before, its so hauntingly beautiful. It sounded like reversed singing at times. Very hypnotic
Another beautiful piece, there are so many emotional and inventive moments. The way you presented the word “decisively” starting in measure 221 fits the text so well, it’s inspired. Thank you for posting these pieces with your score.
Wonderful piece and a beautiful rendition! I'm just curious, however - why the odd high-voice section? Did the commissioning choir really had no altos?
![Max Vinetz - "HAUTEPÂTE" (2024), for octet (Aspen Contemporary Ensemble) [Score Follow]](http://i.ytimg.com/vi/Ts7DczgVdoQ/mqdefault.jpg)
![Max Vinetz - "HAUTEPÂTE" (2024), for octet (Aspen Contemporary Ensemble) [Score Follow]](/img/tr.png)
![Max Vinetz - "flash flood fiction" (2021/2024), for chamber choir [Stare at the Sun]](http://i.ytimg.com/vi/NXc623PInIY/mqdefault.jpg)
![Max Vinetz - "marginal at best" (2018), for chamber choir [Score Follow]](/img/1.gif)
Bravo!
Absolutely love this piece, phenomenal performance :)!!!
I'm so glad you posted the score video, because I saw the live performance and had to know what in the world was happening. I've never heard the technique at the beginning before, its so hauntingly beautiful. It sounded like reversed singing at times. Very hypnotic
Another beautiful piece, there are so many emotional and inventive moments. The way you presented the word “decisively” starting in measure 221 fits the text so well, it’s inspired. Thank you for posting these pieces with your score.
Stunning
based
Wonderful piece and a beautiful rendition! I'm just curious, however - why the odd high-voice section? Did the commissioning choir really had no altos?