@@allwinds3786 as we can see on some videos he uses a baroque trumpet with holes. I don't know the fabricant and the mouthpiece he uses. I don't know better baroque trumpet player for the moment
@@allwinds3786 thank for the recommandation ! I must admit he is good, but it is still a musical bad choice to use natural trumpet without any artifice. The result is better for the audience with holes because it becomes more accurate. Historically it's interesting and we see that the level of natural trumpet players continues to rise. Maybe one day I will be convinced, I'm still not. I don't see any default in the sound of a trumpet with holes, which enables to play accurate and to trill with more combinations (and only with the lips). We don't know how they did at this time, we doesn't have any recording. Did they play with this particular pitch and peoples said "it's accurate" or "it's not but it's fine" ? On the fabrication of the instrument, we do today some copies, but do we use the same techniques ? We know that a coarse hammering can change the definition of harmonics and help adapt the pitch... The possible future evolutions are : - evolution of fabrication which enables to play accurate - evolution of playing style which enable to play accurate - historical proofs that we play today with natural trumpets as they did before (or better) and no need to change anything ... but it won't become magically adapted to modern hearing. That's why I prefer use holes for now
Angels dancing!
The painting is by Giuseppe Angeli
Venetian, 1712 - 1798
Elijah Taken Up in a Chariot of Fire
c. 1740/1755
oil on canvas
@Eden Peter Oh my, what randomness is this?
So peaceful and graceful
Good stuff.
Very good soud musicalité
harmonisch, anmutig, virtuos, denkwürdig,
3:42
5:09 - фа третьей октавы
Just for the record. The beautiful slow movement is 06:11 long.
After listening to the concerto, it seems to me that you have reversed your description of the movements.
Hep, you are right, titles are corrected now.
Painting please?
Giuseppe Angeli
Venetian, 1712 - 1798
Elijah Taken Up in a Chariot of Fire
c. 1740/1755
oil on canvas
Who's the performers
Niklas Eklund (it's written in the description)
@@eniotnayssaneb3442 I realized it as soon as I read more carefully thank you, I don't suppose you know what equipment he used?
@@allwinds3786 as we can see on some videos he uses a baroque trumpet with holes. I don't know the fabricant and the mouthpiece he uses. I don't know better baroque trumpet player for the moment
@@eniotnayssaneb3442 check out Julian Zimmerman, I think he's the best historical baroque trumpet player now.
@@allwinds3786 thank for the recommandation ! I must admit he is good, but it is still a musical bad choice to use natural trumpet without any artifice. The result is better for the audience with holes because it becomes more accurate.
Historically it's interesting and we see that the level of natural trumpet players continues to rise. Maybe one day I will be convinced, I'm still not.
I don't see any default in the sound of a trumpet with holes, which enables to play accurate and to trill with more combinations (and only with the lips).
We don't know how they did at this time, we doesn't have any recording. Did they play with this particular pitch and peoples said "it's accurate" or "it's not but it's fine" ?
On the fabrication of the instrument, we do today some copies, but do we use the same techniques ? We know that a coarse hammering can change the definition of harmonics and help adapt the pitch...
The possible future evolutions are :
- evolution of fabrication which enables to play accurate
- evolution of playing style which enable to play accurate
- historical proofs that we play today with natural trumpets as they did before (or better) and no need to change anything ... but it won't become magically adapted to modern hearing.
That's why I prefer use holes for now
I like FJ’s music very much, but really think his younger brother was superior in all area’s. This is good