I think that these are Clara's masterpiece, far better in substance than the A-minor concerto and more powerful in expression than the G-minor trio. The moment at 8:52 where she states her theme from Robert's op.5 impromptus as a countersubject to his own is poignant beyond words.
It is quite sad that Clara never really got herself to compose that much after Robert died. She was extremely talented and her skills evolved quite substantial as these variations prove. The canonic variation is amazing and if anybody recognized, she is quoting one of her own themes in the last variation as a countersubject to Roberts theme. I find that a very moving gesture, considering that he wrote a set of variations called 'Impromptus' op. 5 on that very theme of hers some twenty years earlier.
@@metodoinstinto I beg to differ. Especially compared to the Schumann-Variations of Brahms, this set has been very influential and is the very reason why Brahms developed his variations so far and soon away from the original theme. Clara's set is also written with a completely different intention and background, considering that she made this as a birthday gift for her husband. He don't need to be higher, bolder and wider - because they don't intend to. I find the delicacy of it so very compelling.
@@metodoinstinto Not every variation has to be Goldberg...simplicity should not equal being horrible. Although I appreciate that you did not use your personal dislike of a piece to negate the talent of the composer.
Clara Schumann's masterpiece, which is not well known to the public. The melody of the main theme borrowed from Schumann's music is so beautiful that it shows a great variation.
@Andrea Murrone I think this is far too simplistic. If you read their marriage diary and letters to one another it is clear that they were deeply in love. It just makes this piece (and indeed Brahms' own op.9 variations on the same theme) even more sublimely heartbreaking.
Très belle performance de Clara. Le thème mélancolique est joli et est repris avec des variations. On peut aussi écouter le morceau de Brahms sur le même thème proposé par robert Schumann.
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I think that these are Clara's masterpiece, far better in substance than the A-minor concerto and more powerful in expression than the G-minor trio. The moment at 8:52 where she states her theme from Robert's op.5 impromptus as a countersubject to his own is poignant beyond words.
It is quite sad that Clara never really got herself to compose that much after Robert died. She was extremely talented and her skills evolved quite substantial as these variations prove. The canonic variation is amazing and if anybody recognized, she is quoting one of her own themes in the last variation as a countersubject to Roberts theme. I find that a very moving gesture, considering that he wrote a set of variations called 'Impromptus' op. 5 on that very theme of hers some twenty years earlier.
I thought these variations were horrible. Way too basic and uninteresting. She probably wrote far better things than this.
@@metodoinstinto I beg to differ. Especially compared to the Schumann-Variations of Brahms, this set has been very influential and is the very reason why Brahms developed his variations so far and soon away from the original theme. Clara's set is also written with a completely different intention and background, considering that she made this as a birthday gift for her husband. He don't need to be higher, bolder and wider - because they don't intend to. I find the delicacy of it so very compelling.
@@metodoinstinto Not every variation has to be Goldberg...simplicity should not equal being horrible. Although I appreciate that you did not use your personal dislike of a piece to negate the talent of the composer.
pro trick : you can watch movies at Flixzone. Me and my gf have been using it for watching a lot of movies recently.
@Toby Ricardo definitely, have been using flixzone for since november myself :)
1:10 - var I
2:02 - var II
3:09 - var III
4:20 - var IV (bass melody)
5:12 - var V (octaves)
6:16 - var VI (canon)
7:23 - var VII (arpg.)
Clara Schumann's masterpiece, which is not well known to the public. The melody of the main theme borrowed from Schumann's music is so beautiful that it shows a great variation.
Anybody noticed that heart scheme at 8:41? Maybe she made that legato lines deliberately to show her love to Robert !
@Andrea Murrone I think this is far too simplistic. If you read their marriage diary and letters to one another it is clear that they were deeply in love. It just makes this piece (and indeed Brahms' own op.9 variations on the same theme) even more sublimely heartbreaking.
Well that escalated quickly :p @2:00 variation 2. I Ioved this piece!
Très belle performance de Clara. Le thème mélancolique est joli et est repris avec des variations. On peut aussi écouter le morceau de Brahms sur le même thème proposé par robert Schumann.
Amazing performance! And sheet music! Keep up the good work! :)
Clara Schumann wrote her piano variations on her husband’s theme in 1853, and gave the first performance herself on May 27, 1845?
Hahaha I think that should be 1854.
4:19
why does this variation sound similar to chopin's piano sonata no. 2 in B♭ minor, op. 35?
8’53”
1:10
This piece is really demanding to play
♒💏♉