Sri " Dassetta Resumbles as " Cchemmunkudi Mama" in FastTrack in Swara Presstharam in Visstharam!". Beautifully! Singing " Anna". Iam a Great Fan of him from my Childhood " Since Now.
searching and waiting for this BEAUTIFUL. thodi rendered by KJ Y AT MADRAS MUSIC ACADEMY-MUSIC FESTIVAL SEASON IN EARLY 1985 LOT OF THANKS FOR UPLOADING THIS DIVINE SONG
Lovely... Sarasija naabha muraare; Thodi; Chaapu; Keerthanam; Saanskrit. Swati Thirunal Krithi P sarasijanAbha murArE pAhi satatam shamalAdri kulisha shaurE AP dara cakradAmbuja dhara bhUmi ramAkAnta saridIsha krtAvAsa samudita paritOSa C2 suramuni bhayahara shONa pallavAdhara parama krpA rasa paripUrNa tarApAnga muravArida samIra mOhana maNI bhUSa harihaya mukha vibudhAnata pada yuga C2 kana kOpamitacEla kauravAkula pANDu tanaya tApamOcana tArAdipavadana manasija janaka shrI madhuvana krta khEla vanajAruNa caraNa vAsudEva dEvEsha C3 kamanIyatara rUpa kalyANa guna pUrNa samarAgada dAnava samudAyaAhikha kEndra gama pATava nirjita gandha sAmaja rAja vimala kunda radana vEdAntAgama vEdya Meaning :- Oh SARASIJANABHA! The vanquisher of the demon MURA, protect me. You are KULISA-battle axe to the mountain of sins. SAURE! please protect me always. You adore SANKHA-a conch, CAKRA-a discus, GADA-a mace and AMBUJA-lotus, in your hands. Oh the consort of BHUDEVI and RAMADEVI! You dwell amidst the Ocean and bestow joy on your devotees. You allay the fear of celestials and sages.Your lips are soft and red. Your gaze is brimming with supreme and infinite kindness. You are to MURA what the winds are to clouds. You are adorned with resplendent ornaments. Your feet are the joy of INDRA and others. Your garments shine like gold; you relieved the miseries of PANDAVAs who were troubled by KAURAVAs. You have a visage like the lord of stars- the Moon. Oh the progenitor of Cupid! you amused yourself in the MADHUVANA. Your feet are like the red roses. Son of VASUDEVA! You are the supreme among the celestials. Your form is exquisitely beautiful. You are the repository of all the auspicious qualities. You are to the onrushing army of demons, what GARUDA is to the serpent. Your gait excels that of the elephant in rut. Your teeth are like the spotless jasmine buds. You are perceived only through VEDANTA and AGAMAs. Raga Thodi 8th mela Alias: todi Arohanam: S R1 G2 M1 P D1 N2 S Avarohanam: S N2 D1 P M1 G2 R1 S A regal raga that one very often hears in kutcheris is Todi. Todi is the pride of our system of music, the imposing gamakas, stunning brighas all dazzle with all their glory in Thodi. When delivered well, a Thodi piece can lift any concert to sublime heights. The notes present in this raga are Sadja, Suddha Rishabha, Sadharana Gandhara, Suddha Madhyama, Pancama, Suddha Dhaivata, and Kaisiki Nishada. Todi evokes karuna and bhakthi rasa-s. The melakarta name for this scale is Hanumathodi. Bhairavi Thaat in Hindustani is the Carnatic Thodi scale. Carnatic compositions abound in this fertile raga and Thyagaraja’s contribution to this raga is invaluable. Thyagaraja’s ‘Kaddanuvariki’, ‘Koluvamaragadha’, ‘Raju Vedala’, and ‘Dasarathi’, among others are glorious compositions while Dikshitar’s ‘Sri Krishnam Bhaja’, ‘Dakshayani’ and ‘Kamalambike’ are pillars of strength. Shyama Sastri uses the pleading quality in this raga to his advantage in compositions like ‘Raave himagiri’ and ‘Ninne Nammi’. Sarasija naabha muraare by Swati Thirunal Tamil compositions in this raga include ‘Karthikeya’ and ‘Thamadam en swami’ of Papanasam Sivan, timeless in their passionate lyrical appeal. Ragam-Tanam-Pallavi can be sung in Thodi with great aplomb owing to the numerous possibilities its notes hold. In film music, Thodi has been used sparingly. Its complexities have been handled only by the best musical minds and to keep the character of such a raga intact is indeed a daunting task
Hanumatodi/Todi's ( its 'Janatodi' in Dikshitar school of Music) equivalent in Hindustani is called as Bhairavi-Thaat.( of course, the Todi-Thatt of Hindustani Music is entirely different, which is actually the ' SubhaPanthuvaraali'/45th Melakarta in carnatic music ). Todi is the shuddha madhyamam equivalent of Bhavapriya which is the 44th melakarta scale. A peculiarity of this ragam is that it is sung in all lower notes. The recently listened Todi, the 8th melakarta ragam is the monumental kriti of Pallavi Gopala Ayyar, .....'Amba Nadu Vinnapamu Vini', sung by the great maestro Guru Musiri Subramania Iyer. Here the Dasettan's rendition of Maharaja Swathi Thirunal kriti - 'sarasijanaabha muraare paahi satatam shamalaadri kulisha shaure' just by a humming....thats is enough to get the flavor of Todi almost like a brief regaalapanam! His bhava-laden renditions with the perfect diction of Anupallavi and Charanam is so amazing ...., excellent niraval with "muravaarida sameera mohana mani-bhusha / Charanam 1 n then the beautifully proliferated kalpanasworms linking the phrases matching the rhythmic thala cycle. Very good rendition! Best wishes
Hi. S. R. You might have heard many a "thodi" from Dr. Yesu Das sir. In one of his " thaye yashoda " Dr. would have applied one Two in one principle. Swara niraval goes " ni da ma " to creative effect "nee dhaamma thaye. " (meaningful -- you are, for the benefit of everyone). This I enjoyed to enjoy to share among music 🎶 lovers. Thank you all concerned. E. and O. E.
![NLE Choppa - Or What ft. 41 (Orchestra Mix) [Official Music Video]](http://i.ytimg.com/vi/biOFASEgSOM/mqdefault.jpg)
Sri " Dassetta Resumbles as " Cchemmunkudi Mama" in FastTrack in Swara Presstharam in Visstharam!". Beautifully! Singing " Anna". Iam a Great Fan of him from my Childhood " Since Now.
searching and waiting for this BEAUTIFUL. thodi rendered by KJ Y AT MADRAS MUSIC ACADEMY-MUSIC FESTIVAL SEASON IN EARLY 1985 LOT OF THANKS FOR UPLOADING THIS DIVINE SONG
insanely awesome! !!!!😍
Lovely... Sarasija naabha muraare; Thodi; Chaapu; Keerthanam; Saanskrit. Swati Thirunal Krithi
P sarasijanAbha murArE pAhi satatam shamalAdri kulisha shaurE
AP dara cakradAmbuja dhara bhUmi ramAkAnta saridIsha krtAvAsa samudita paritOSa
C2 suramuni bhayahara shONa pallavAdhara parama krpA rasa paripUrNa tarApAnga
muravArida samIra mOhana maNI bhUSa harihaya mukha vibudhAnata pada yuga
C2 kana kOpamitacEla kauravAkula pANDu tanaya tApamOcana tArAdipavadana
manasija janaka shrI madhuvana krta khEla vanajAruNa caraNa vAsudEva dEvEsha
C3 kamanIyatara rUpa kalyANa guna pUrNa samarAgada dAnava samudAyaAhikha kEndra
gama pATava nirjita gandha sAmaja rAja vimala kunda radana vEdAntAgama vEdya
Meaning :- Oh SARASIJANABHA! The vanquisher of the demon MURA, protect me. You are KULISA-battle axe to the mountain of sins. SAURE! please protect me always.
You adore SANKHA-a conch, CAKRA-a discus, GADA-a mace and AMBUJA-lotus, in your hands. Oh the consort of BHUDEVI and RAMADEVI! You dwell amidst the Ocean and bestow joy on your devotees.
You allay the fear of celestials and sages.Your lips are soft and red. Your gaze is brimming with supreme and infinite kindness. You are to MURA what the winds are to clouds. You are adorned with resplendent ornaments. Your feet are the joy of INDRA and others.
Your garments shine like gold; you relieved the miseries of PANDAVAs who were troubled by KAURAVAs. You have a visage like the lord of stars- the Moon. Oh the progenitor of Cupid! you amused yourself in the MADHUVANA. Your feet are like the red roses. Son of VASUDEVA! You are the supreme among the celestials.
Your form is exquisitely beautiful. You are the repository of all the auspicious qualities. You are to the onrushing army of demons, what GARUDA is to the serpent. Your gait excels that of the elephant in rut. Your teeth are like the spotless jasmine buds. You are perceived only through VEDANTA and AGAMAs.
Raga Thodi 8th mela Alias: todi
Arohanam: S R1 G2 M1 P D1 N2 S Avarohanam: S N2 D1 P M1 G2 R1 S
A regal raga that one very often hears in kutcheris is Todi. Todi is the pride of our system of music, the imposing gamakas, stunning brighas all dazzle with all their glory in Thodi. When delivered well, a Thodi piece can lift any concert to sublime heights. The notes present in this raga are Sadja, Suddha Rishabha, Sadharana Gandhara, Suddha Madhyama, Pancama, Suddha Dhaivata, and Kaisiki Nishada. Todi evokes karuna and bhakthi rasa-s. The melakarta name for this scale is Hanumathodi. Bhairavi Thaat in Hindustani is the Carnatic Thodi scale.
Carnatic compositions abound in this fertile raga and Thyagaraja’s contribution to this raga is invaluable. Thyagaraja’s ‘Kaddanuvariki’, ‘Koluvamaragadha’, ‘Raju Vedala’, and ‘Dasarathi’, among others are glorious compositions while Dikshitar’s ‘Sri Krishnam Bhaja’, ‘Dakshayani’ and ‘Kamalambike’ are pillars of strength. Shyama Sastri uses the pleading quality in this raga to his advantage in compositions like ‘Raave himagiri’ and ‘Ninne Nammi’. Sarasija naabha muraare by Swati Thirunal Tamil compositions in this raga include ‘Karthikeya’ and ‘Thamadam en swami’ of Papanasam Sivan, timeless in their passionate lyrical appeal. Ragam-Tanam-Pallavi can be sung in Thodi with great aplomb owing to the numerous possibilities its notes hold.
In film music, Thodi has been used sparingly. Its complexities have been handled only by the best musical minds and to keep the character of such a raga intact is indeed a daunting task
Hanumatodi/Todi's ( its 'Janatodi' in Dikshitar school of Music) equivalent in Hindustani is called as Bhairavi-Thaat.( of course, the Todi-Thatt of Hindustani Music is entirely different, which is actually the ' SubhaPanthuvaraali'/45th Melakarta in carnatic music ). Todi is the shuddha madhyamam equivalent of Bhavapriya which is the 44th melakarta scale. A peculiarity of this ragam is that it is sung in all lower notes. The recently listened Todi, the 8th melakarta ragam is the monumental kriti of Pallavi Gopala Ayyar, .....'Amba Nadu Vinnapamu Vini', sung by the great maestro Guru Musiri Subramania Iyer.
Here the Dasettan's rendition of Maharaja Swathi Thirunal kriti - 'sarasijanaabha muraare paahi satatam shamalaadri kulisha shaure' just by a humming....thats is enough to get the flavor of Todi almost like a brief regaalapanam! His bhava-laden renditions with the perfect diction of Anupallavi and Charanam is so amazing ...., excellent niraval with "muravaarida sameera mohana mani-bhusha / Charanam 1 n then the beautifully proliferated kalpanasworms linking the phrases matching the rhythmic thala cycle. Very good rendition! Best wishes
Hi. S. R. You might have heard many a "thodi" from Dr. Yesu Das sir. In one of his " thaye yashoda " Dr. would have applied one Two in one principle. Swara niraval goes " ni da ma " to creative effect "nee dhaamma thaye. " (meaningful -- you are, for the benefit of everyone). This I enjoyed to enjoy to share among music 🎶 lovers. Thank you all concerned. E. and O. E.
Soulful
Great
Wow Excellent
സൂപ്പർ
മുരവാരിധ സമീറ
Any clue who the accompanists are?
Raga --- Todi
Lyrics --- see Descrip[tion