English lyric translation Title: "vivid" feat. Megurine Luka & Hatsune Miku Lyrics: Utsu-P Composition: Yuyoyuppe & Utsu-P Arrangement: Yuyoyuppe & Utsu-P Translated based on translation from user 初音ミクfrom bilibili 0:26 You're still alone on the end of the city drawing the sky of the earth of the Ptolemaic theory The amazing scenery that shouldn't exist are saying more honestly than any reality [What if the world could be like this] You laughed with a lonely face 0:59 By the picture that no one understands When the loneliness and cold came those stars that were visible only to two of us It was spinning around two of us vividly 1:37 Those little Depression that hurt your mental For you it is too tender to draw on the earth Every time there are more colours in the palette The colour of distortion also becomes brighter Every time the size of the canvas increases the more I felt my weakness 2:23 In the helpless emptiness Only the sky in the picture remains as usual Holding the picture that no one understands When tears of anger fells those stars that were visible only to two of us Are spinning around us vividly NOTE- I have made this translation from the translation on Bilibili by the user 初音ミク and used google translate as the bone structure. please comment if you spotted any mistakes. Thank you.
Wow, the lyrics are amazing, it's Leia-Palette -ish, Yuppe style, but the description on the video says UtsuP made it. The music though, a good combination of Yuppe and UtsuP, I felt more Yuppe's influence, because this sounds kinda softer and melodic than "dull", so basically just perfect for me.
Evidently, this song is way more Yuyoyuppe-style, whereas Dull was more Utsu-P style. One of the most telling elements of that for me is how it plays with time signature. It's all over the place! Here's a breakdown: 0:00 (Intro) - Mostly 7/8, however, they put an extra beat (making a bar of 4/4) on the bar at 0:06, which has the effect of shifting the downbeat. This is a *very* Yuyoyuppe trick, and you can see it all over his last album *Draw.* It comes up a couple more times here too, I'll point them out! Whenever I reference a shift, it's a bar of 4/4. (ERRATA: There's not actually a shift here.) 0:17 - Another shift. You can see here how it allows an interesting transition between rhythms within the same meter; each third of this intro feels distinct, playing around the bar in different ways that are all justified, and in turn justify, the use of a shifting measure. 0:26 - One last shift leading into the verse! 0:27 (Verse) - The last shift leads into a more straightforward 7/8 groove for the verse. No shifts here, leading the pre-chorus to feel slightly tenuous; as you've come to expect them by now. 0:59 - A very sneaky shift!! You can miss this one if you're not keeping track. This leads into-- 1:00 (Refrain) - --a section in 6/8, which is a far more common time signature. Straightening out like this lends to the soaring, cathartic nature of this refrain. It's clarity, in a song filled with uncertainty. 1:31 (Post-Chorus) - Right back into the 7/8, no shift until the one present in the way this riff is written at 1:36. It's interesting; usually, these little transitionary licks are part of a 4/4 measure, but the way Yuyoyuppe writes them, they're a rhythmic tool in his kit, disguised as a standard metalcore trope. 1:36 (Verse 2) - Nothing to write home about here! More topsy-turvy 7/8 goodness. 2:11 (Break) - This part oscillates between a bar of 6/8, and a bar of _5_/8, actually, leading to an overall feel of 11/8, if you'd rather phrase it that way. After the bar of 5 at 2:23, it moves to 6/8 and stays there through... 2:38 (Refrain 2) - ...the second refrain! No shift used here at all; we're still speaking the same rhythmic tongue through the chorus as in the break. Despite nothing else changing from the last chorus to this one, except the first stanza and a punctuated beginning, that smoother transition lends part of that sense of calm and introspection to this refrain, making it feel more conclusive. Maybe that's just me. :) 3:07 (Outro) - This is probably the strongest case for Yuyoyuppe's mastery over rhythm. This is the same riff as we saw used exclusively in 7/8 through this track, but now, *modulated to 6/8.* Through the use of clever phrasing and composition, it barely has to be *any* different to fit into a whole eighth note *less* time. The way it reframes the starting motif is _profound,_ and yet you can _completely miss it_ if you don't know to look for it! That's what I love about his composition style, and what makes it stand out to me so strongly. He uses these techniques so seamlessly that you'd never think to even _question_ it. Where many metal tracks that use alternate time signatures and other rhythmic trickery _very_ overtly, more to flex (which, to be fair, I approve!) Yuyoyuppe uses it to support his musical narrative, to form the canvas on which he creates his masterpieces; this time, with Utsu-P's driving riffs and guitar tone in tow. This is a really special track, and I'm so happy it exists. I'm hoping we see a split album from them in the near future; but at any rate, Dull and Vivid will be in my heart for ages to come. :) \m/
@@mikufan0187 stop ✋ 😑 your doing free advertising on someone's else's work without their permission if you do tell me but otherwise probably not and that's shity of you
@@rebeccaroughton9267 it was this one and Hyper reality show, though if I recall correctly vivid was one of the ones that rotated throughout the tour while HRS was set in stone
Hey, ready to have your heart broken? The first verse references the subject of the song painting the Ptolemaic Earth. Ptolemy was a Roman astronomer who produced some of the most influential works of his time, and developed the Ptolemaic system, a model of the solar system which is geocentric -- meaning the sun revolves around the Earth, not the other way around. So the chorus then: "When we held each other, lonely and peacefully, close to the art that no one can comprehend; *The stars that only the two of us could see revolved vividly around us.*" The singer was the subject's world, around which everything else revolved.
Way to end this damned year Thanks for entertaining us in our hard, janky, wacky times, this is what we need, a song that ROCKS!! Not gonna lie, I immediately fell in love as soon as I hear it.
Yuyoyuppe and UtsuP's music have always comforted me in weird ways throughout the years, and after hearing their collabs, I'm reminded once again why they are two of my favorite vocaloid artists. I hope they never stop making magic like this.
I was listening this well getting ready and kept wondering "I can't tell if this is a Yuyoyuppe or Utsu-P song". Turns out it's both. Now that's a great collab that brings the best of both artists styles and music 👏
I may just be overthinking things. Or stating the indirectly obvious. *_"Akin to a purposefully shattered painting, it's a manifestation of elegant chaos that has never ceased to fill me with awe since 2 years ago"_* (gushing & rambling) The MV's elements, from the art to the music and the overall mood, suit each other *so well.* This collab between Yuyoyuppe and UtsuP has some more Yuppe into it, as opposed to dull with its imposing angst and UtsuP-style badassery, instead coming off as an intense choral duet where it is difficult to distinguish between Luka and Miku as they sing. Such is a song with no clear distinction of identity, *a "vivid" duet of color and sound mixing together* , an underlying elegance amidst all the destruction.
@@gr4jk0w This was before the title got translated so I couldn't read the kanji. Either that or it's because I'm on mobile so the kanji didn't get translated.
Amazing! Loving the collab! Luka sounds great and I like how both songs show the style of both producers. This is the most awaited sequel. Next one's hopefully Utsu and Okame, that would be the combination of my dreams lol
Romaji (Latin letters) lyrics, for those who can't read Kanji+Kana letters. Here goes : ずっと街の外れて君はひとりきりで Zutto machi no hazurete kimi wa hitori kiri de 天動説の地球の空を描いていた Tendou setsu no chikyū no sora wo egaiteita ヘンテコでありえない景色は Henteko de arienai keshiki wa どんな現実よりも素直で Donna genjitsu yori mo sunao de 「こんな世界だったら良いのにね」と (Konna sekai dattara ii no ni ne ) to 寂しい顔で笑ってくれた Sabishii kao de waratte kureta 誰にも理解らないその絵のそばで Dare ni mo wakaranai sono e no soba de 寂しく安らかに寄り添うった時 Sabishiku yasurakani yorisoutta toki ふたりに見えていた星たちだけが Futari ni mieteita hoshi tachi dake ga ふたりを中心に鮮やかに回っていた Futari wo chūshin ni azayaka ni mawatteita 些細な憂いで心をすり減らす君は Sasai na urei de kokoro wo suri herasu kimi wa この地球で絵を描くには優しすぎた Kono chikyū de e wo kaku ni wa yasashi sugita パレットに色が増えるたびに Paretto ni iro ga fueru tabi ni 膿の色も鮮やかになり Umi no iro mo azayaka ni nari キャンバスのサイズが広がるたびに Kyanbasu (Canvas) no saizu (size) ga hiro ga ru tabi ni 自分の手が短く感じていた Jibun no te ga mijikaku kanjiteita どうにもならなかった虚しさと Dou ni mo nara nakatta munashisa to 絵の空だけがあの時のまま E no sora dake ga ano toki no mama 誰にも理解らない絵をひとり抱いて Dare ni mo wakaranai e wo hitori da ite 気が触れるまで涙した時 Ki ga fureru made namidashita toki ふたりに見えていた星たちだけが Futari ni mieteita hoshi tachi dake ga ふたりを中心に鮮やかに回っていた Futari wo chūshin ni azayaka ni mawatteita
It’s unreal this is at Miku Expo. Most excited for this on the setlist
I still can’t believe it! The set list definitely feels quite random but I’m so glad this song is there
my wife is too
I cried tonight at Miku Expo
I’m excited gonna see her tomorrow in Toronto 😭😭
I basically went to Miku Expo for this song. Was so hype.
The way I got so excited when I heard this start playing at Miku Expo
I just noticed that “dull” comes close to Utsu-P’s style while this being the same but with Yuyoyuppe’s.
Wow you're right! 😲
omg you’re right, it’s kinda cool
no wonder i like dull more
The order of their names also implies which style leans to which.
@@andrew9371 Strange, it's the other way around for me
最初からの演出が神すぎて曲入ってこない…
私は爪の長さが気になって曲が入ってこない
English lyric translation
Title: "vivid" feat. Megurine Luka & Hatsune Miku
Lyrics: Utsu-P
Composition: Yuyoyuppe & Utsu-P
Arrangement: Yuyoyuppe & Utsu-P
Translated based on translation from user 初音ミクfrom bilibili
0:26
You're still alone on the end of the city
drawing the sky of the earth of the Ptolemaic theory
The amazing scenery that shouldn't exist
are saying more honestly than any reality
[What if the world could be like this]
You laughed with a lonely face
0:59
By the picture that no one understands
When the loneliness and cold came
those stars that were visible only to two of us
It was spinning around two of us vividly
1:37
Those little Depression
that hurt your mental
For you it is too tender to draw on the earth
Every time there are more colours in the palette
The colour of distortion also becomes brighter
Every time the size of the canvas increases
the more I felt my weakness
2:23
In the helpless emptiness
Only the sky in the picture remains as usual
Holding the picture that no one understands
When tears of anger fells
those stars that were visible only to two of us
Are spinning around us vividly
NOTE- I have made this translation from the translation on Bilibili by the user 初音ミク and used google translate as the bone structure. please comment if you spotted any mistakes. Thank you.
Wow, the lyrics are amazing, it's Leia-Palette -ish, Yuppe style, but the description on the video says UtsuP made it.
The music though, a good combination of Yuppe and UtsuP, I felt more Yuppe's influence, because this sounds kinda softer and melodic than "dull", so basically just perfect for me.
I like how the title "vivid" is the antonym for "dull"
Dull = Utsu-P
Vivid = Yuyoyuppe
And that Dull is better.
@@Vulioll dull goes harder, vivid sound more beautiful as all Metalcore should sound like
@@Vulioll No lol the two songs are amazing
なるほど、最初から神ですね
やっと日本人だ！本当神曲ですね
日本人だ！神曲ですね(˘ω˘ )
日本人いた....
神曲ですね
ほんとですね！
I made a sad song with Hatsune miku. It's called 'not so well' maybe you would like to check it out
(｡◕‿‿◕｡)
ruclips.net/video/5H-5Zwhy1Uc/видео.html
vividってタイトルのわりに絵の具を混ぜてるけど、この女の子たちが他の色と混ざれないvividってことかな？混ざった絵の具を見て泣いてるし
天才……？？？
私は世論とこの子たちが同じ色になれないって意味だと思た
Shut up
YuyoyUtsuPpe is my favourite vocaloid producer
Definitely didn’t know them by name but I got Palette vibes so I knew it was the same producer and I’m so happy that’s the case.
I made a sad song with Hatsune miku. It's called 'not so well' maybe you would like to check it out
(｡◕‿‿◕｡)
ruclips.net/video/5H-5Zwhy1Uc/видео.html
I dont know if you were making a joke or if they go by that too, but the proper romanization from their name in the title is Yuyoyuppe
@Ubhumma the combined the names
Evidently, this song is way more Yuyoyuppe-style, whereas Dull was more Utsu-P style. One of the most telling elements of that for me is how it plays with time signature. It's all over the place! Here's a breakdown:
0:00 (Intro) - Mostly 7/8, however, they put an extra beat (making a bar of 4/4) on the bar at 0:06, which has the effect of shifting the downbeat. This is a *very* Yuyoyuppe trick, and you can see it all over his last album *Draw.* It comes up a couple more times here too, I'll point them out! Whenever I reference a shift, it's a bar of 4/4. (ERRATA: There's not actually a shift here.)
0:17 - Another shift. You can see here how it allows an interesting transition between rhythms within the same meter; each third of this intro feels distinct, playing around the bar in different ways that are all justified, and in turn justify, the use of a shifting measure.
0:26 - One last shift leading into the verse!
0:27 (Verse) - The last shift leads into a more straightforward 7/8 groove for the verse. No shifts here, leading the pre-chorus to feel slightly tenuous; as you've come to expect them by now.
0:59 - A very sneaky shift!! You can miss this one if you're not keeping track. This leads into--
1:00 (Refrain) - --a section in 6/8, which is a far more common time signature. Straightening out like this lends to the soaring, cathartic nature of this refrain. It's clarity, in a song filled with uncertainty.
1:31 (Post-Chorus) - Right back into the 7/8, no shift until the one present in the way this riff is written at 1:36. It's interesting; usually, these little transitionary licks are part of a 4/4 measure, but the way Yuyoyuppe writes them, they're a rhythmic tool in his kit, disguised as a standard metalcore trope.
1:36 (Verse 2) - Nothing to write home about here! More topsy-turvy 7/8 goodness.
2:11 (Break) - This part oscillates between a bar of 6/8, and a bar of _5_/8, actually, leading to an overall feel of 11/8, if you'd rather phrase it that way. After the bar of 5 at 2:23, it moves to 6/8 and stays there through...
2:38 (Refrain 2) - ...the second refrain! No shift used here at all; we're still speaking the same rhythmic tongue through the chorus as in the break. Despite nothing else changing from the last chorus to this one, except the first stanza and a punctuated beginning, that smoother transition lends part of that sense of calm and introspection to this refrain, making it feel more conclusive. Maybe that's just me. :)
3:07 (Outro) - This is probably the strongest case for Yuyoyuppe's mastery over rhythm. This is the same riff as we saw used exclusively in 7/8 through this track, but now, *modulated to 6/8.* Through the use of clever phrasing and composition, it barely has to be *any* different to fit into a whole eighth note *less* time. The way it reframes the starting motif is _profound,_ and yet you can _completely miss it_ if you don't know to look for it!
That's what I love about his composition style, and what makes it stand out to me so strongly. He uses these techniques so seamlessly that you'd never think to even _question_ it. Where many metal tracks that use alternate time signatures and other rhythmic trickery _very_ overtly, more to flex (which, to be fair, I approve!) Yuyoyuppe uses it to support his musical narrative, to form the canvas on which he creates his masterpieces; this time, with Utsu-P's driving riffs and guitar tone in tow.
This is a really special track, and I'm so happy it exists. I'm hoping we see a split album from them in the near future; but at any rate, Dull and Vivid will be in my heart for ages to come. :) \m/
hot digity dog!
thats alot
i just appriciate the time signatures
thank you SO MUCH for this analysis!!!!! now i can 1) prove to my friends that i have good taste and 2) transcribe this if i want to with your help
♥ buen análisis ♥
🤘
Thank you.
もうこの、ゆよゆっぺさんの流れるような曲調と鬱Pさんの激しい曲の組み合わせが最高やぁ…
最近なかなかルカミク曲なくてルカミクに飢えてたんだけど最高では？
So many producers released a new song in the last couple of hours it's insane
Really? Is there anything worth noticing?
@@hariyantotri888 Kira’s new song for Miku Expo called Highlight ft Miku just came out too! It’s on the Hatsune Miku official channel :)
@@hariyantotri888 How about Rabuka? by Hiragi Kirai (ラブカ？ - 柊キライ)
It's because of Vocaloid Collection event (^^)/
I can name Circus, Kira, Hachioji, Nyannyannya, and Hiiragi Kirai from the top of my head
Gotta get ready for work but some things take priority.
I snuck off from my job to listen to this
@@IronAlchemist6 same! 😂 snuck into the restrooms
Can I have the link for your pfp pls :D
I made a sad song with Hatsune miku. It's called 'not so well' maybe you would like to check it out
(｡◕‿‿◕｡)
ruclips.net/video/5H-5Zwhy1Uc/видео.html
@@mikufan0187 stop ✋ 😑 your doing free advertising on someone's else's work without their permission if you do tell me but otherwise probably not and that's shity of you
えっ"…?!やばくね!?最高…
イラスト(?)ばりくそ好み…()
This was absolute hype at miku expo I would give anything to relive that moment.
congrats on miku expo!!!!!
congrats on miku expo again!!
They never know whatya jamming to behind zoom.
glad theres two songs of yours at miku expo
Which two??
@@rebeccaroughton9267 it was this one and Hyper reality show, though if I recall correctly vivid was one of the ones that rotated throughout the tour while HRS was set in stone
@cinnab00ns This played at every show, I think? Idk I went to portland. I'm pretty sure it played there.
アートがめっちゃカッコいい🤭🤭
神と神がコラボしてる…！
圧倒的見つけちゃった感。
１００コメ目はもらったぜ
Hey, ready to have your heart broken?
The first verse references the subject of the song painting the Ptolemaic Earth. Ptolemy was a Roman astronomer who produced some of the most influential works of his time, and developed the Ptolemaic system, a model of the solar system which is geocentric -- meaning the sun revolves around the Earth, not the other way around.
So the chorus then:
"When we held each other, lonely and peacefully, close to the art that no one can comprehend; *The stars that only the two of us could see revolved vividly around us.*"
The singer was the subject's world, around which everything else revolved.
1人の部屋でイヤフォン着けてボリュームを少しあげて目を瞑って聴いてると、自分の余計な物が全部洗い流されてこの音楽が染み渡ってくる感覚…ネ申
I
I legit love this so much I could put it as my alarm but I do not wish for a heart attack help
don't, you will hate your "favorite" song if you set is as an alarm
@@gary7846 you got a point there
(Seeing an UtsuP upload just an hour ago) : ??!
(Seeing that it's actually a holy flipping UtsuP/Yuppe collab):
*?????!!!!!!!!????!!???!uwu*
OH MY GOD TWO GODS,,
you don't understand how excited i got when this played in miku expo, hope we can get more utsu-p songs in future concerts!!
やっぱり、ゆよゆっぺさんと鬱さんは私の神様です。
もっともっと曲楽しみにしております。
神が神曲あげてるだけで草
Solid 7/8. Astonishing work!
Only linglings will understand this joke
Yuppe REALLY loves his 7/8s and 5/4s and don't forget the classic 6/8s!
Lol ❤
It definitely sounds like Yuppe's tuning from the 7/8 era to me
@@u_vocarockov That had always been his favorite tuning
>Heard Intro
"Hmm. Reminds me of Leia a little bit"
>Yuyoyuppe x Utsu-P
"Ah, there it is.."
このお二人が組むって神では…？(ありがとうございます)
やっべぇコラボだしやっべぇ曲だなおいおい鬼リピ確定だわこんなん
最高の組み合わせ！！！
Hope Yuyoyuppe never stop to make songs
Literal eargasm
これが神か。
ゆよゆっぺさんと鬱Pさんのコラボはしんどい
Way to end this damned year
Thanks for entertaining us in our hard, janky, wacky times, this is what we need, a song that ROCKS!!
Not gonna lie, I immediately fell in love as soon as I hear it.
神すか
Yuyoyuppe and UtsuP's music have always comforted me in weird ways throughout the years, and after hearing their collabs, I'm reminded once again why they are two of my favorite vocaloid artists. I hope they never stop making magic like this.
Yes finally I've been waiting for this song since dull was released! It sounds really good as expected. Time to play it on loop!
この曲聴き逃してて今さら発見したがラウド・メタルコア系ボカロP二大巨頭とか最高すぎる
ルカ✖︎ミクしか出せない良さがある
Goood morniiiiing! Or i guess it would be evening over there.
My evolution to being an Utsu-P fan is complete.
めっちゃかっこいい！
リズム取るの難しいと感じるの僕だけですか？w
この爽快感
たまんねぇぜ
i will never be the same since hearing this with my own ears at miku expo the other night i am a changed man. sigh
伝説を作る予感がする
個性の殴り合い感がすごい
0:58サビとかイラストとかすごい好みです！
ゆよゆっぺさんと鬱Pって俺得コンビなんだが、、
The collab nobody knew how bad they wanted. So unexpected, such a pleasant surprise, such a masterfully crafted piece of music
Idk, I *always* knew I wanted this.
後で見るリストを整理してたらこんな神曲に出会ってしまった.....神すぎる
イラストの時点でもう神
leia を思い出す世界観でした
鬱くしい、素敵です…
こんな俺得でしかないコラボがあったなんて……
Dying Message Part2感あって最高
ルカ姉がパレット持ってるのにエモみを感じる
サムネに誘われオススメから来ました!
何この神曲...大好きです😇
Niigo needs to cover this and Palette so bad. It’s so Ena-coded, y’all don’t understand. 😭
fr
すげぇコラボだし日本語見当たらんしなんかすげぇ
せっかく日本語のコメントなのに語彙力サハラにぶん投げてて好きだぞ
I was listening this well getting ready and kept wondering "I can't tell if this is a Yuyoyuppe or Utsu-P song". Turns out it's both. Now that's a great collab that brings the best of both artists styles and music 👏
重低音ガチ勢コンビ・・・
I feel like the time wind back to 2012, the first time I introduced to Yuyoyuppe works, and later Utsu's
絵を描くことしかできなかった自分を責めるのはやめようと思いました
十分、立派だぜ
this is like anime opening levels of good!
it was some years ago when i got 1 of your songs on my playlist but now its more like 25songs lol
開幕から鳥肌凄かった…
As someone who loves both Yuyoyu and Utsu I love Dull and Vivid equally and I think these two collabing is a wonderful thing!
I may just be overthinking things. Or stating the indirectly obvious.
*_"Akin to a purposefully shattered painting, it's a manifestation of elegant chaos that has never ceased to fill me with awe since 2 years ago"_*
(gushing & rambling)
The MV's elements, from the art to the music and the overall mood, suit each other *so well.* This collab between Yuyoyuppe and UtsuP has some more Yuppe into it, as opposed to dull with its imposing angst and UtsuP-style badassery, instead coming off as an intense choral duet where it is difficult to distinguish between Luka and Miku as they sing. Such is a song with no clear distinction of identity, *a "vivid" duet of color and sound mixing together* , an underlying elegance amidst all the destruction.
Yuyoyuppe's style really pops out in this one. y'all are a killer duo.
I was like "Huh. This reminds me of Yuyoyuppe's songs somewhat."
Then I read the description. This is why you read, kids.
Nice ability isn't it?
the title literally says yuyoyuppe x utsup
@@gr4jk0w This was before the title got translated so I couldn't read the kanji. Either that or it's because I'm on mobile so the kanji didn't get translated.
@@keigh11 afaik the title isnt translated
I made a sad song with Hatsune miku. It's called 'not so well' maybe you would like to check it out
(｡◕‿‿◕｡)
ruclips.net/video/5H-5Zwhy1Uc/видео.html
鬱Pとゆよゆっぺさん！？！？神じゃん！！！とか思って聞いたらものごっつハードな変拍子でとりあえず好みすぎましたありがとうございます
wow
Utup × yuyoyuupe...GOD...
Are you Japanese ?
@@蛭川友恵 YES
@@Remurin0412 Ok.
このやりとり草
I made a sad song with Hatsune miku. It's called 'not so well' maybe you would like to check it out
(｡◕‿‿◕｡)
ruclips.net/video/5H-5Zwhy1Uc/видео.html
鬱p×ゆよゆっぺ
最強ですね。
え？え？え？
ゆっぺさんと鬱Pのコラボ？？私は死にますか？？なにこの神コラボ好き
ルカ＆ミクは神
すこっ夢のコラボやん
Mhm yup I love it already
Its like a throwback to Palette💗
日本人消えたのか…早めに聴けたぜ嬉しい…神やん…もう
ここにおるよー
いたぁびっくりするほど日本人がいないw
おるでーーー😆
鬱Pはつべでは海外の方に大人気ですので
変拍子の鬱P、、、、、
いい、、、、、
なんだ....この神コラボは........
なにこの俺得な2人！？！！！もっと早く気づけよ俺.........!!!!
神曲を見つけてしまった…！
いいな、美しい。
Luka !❤️
めちゃくちゃイイコラボ
Amazing! Loving the collab! Luka sounds great and I like how both songs show the style of both producers. This is the most awaited sequel. Next one's hopefully Utsu and Okame, that would be the combination of my dreams lol
神過ぎてやばい
truly a painting without a canvas
初っ端かららしさ全開で良き
絵がかわいいいいい
最初のデスボ(？)最高でした……
ゆよゆっぺ×鬱P?神やん
Yuyoyuppe and utsu collab?!?! I can die happy now
Romaji (Latin letters) lyrics, for those who can't read Kanji+Kana letters.
Here goes :
ずっと街の外れて君はひとりきりで
Zutto machi no hazurete kimi wa hitori kiri de
天動説の地球の空を描いていた
Tendou setsu no chikyū no sora wo egaiteita
ヘンテコでありえない景色は
Henteko de arienai keshiki wa
どんな現実よりも素直で
Donna genjitsu yori mo sunao de
「こんな世界だったら良いのにね」と
(Konna sekai dattara ii no ni ne ) to
寂しい顔で笑ってくれた
Sabishii kao de waratte kureta
誰にも理解らないその絵のそばで
Dare ni mo wakaranai sono e no soba de
寂しく安らかに寄り添うった時
Sabishiku yasurakani yorisoutta toki
ふたりに見えていた星たちだけが
Futari ni mieteita hoshi tachi dake ga
ふたりを中心に鮮やかに回っていた
Futari wo chūshin ni azayaka ni mawatteita
些細な憂いで心をすり減らす君は
Sasai na urei de kokoro wo suri herasu kimi wa
この地球で絵を描くには優しすぎた
Kono chikyū de e wo kaku ni wa yasashi sugita
パレットに色が増えるたびに
Paretto ni iro ga fueru tabi ni
膿の色も鮮やかになり
Umi no iro mo azayaka ni nari
キャンバスのサイズが広がるたびに
Kyanbasu (Canvas) no saizu (size) ga hiro ga ru tabi ni
自分の手が短く感じていた
Jibun no te ga mijikaku kanjiteita
どうにもならなかった虚しさと
Dou ni mo nara nakatta munashisa to
絵の空だけがあの時のまま
E no sora dake ga ano toki no mama
誰にも理解らない絵をひとり抱いて
Dare ni mo wakaranai e wo hitori da ite
気が触れるまで涙した時
Ki ga fureru made namidashita toki
ふたりに見えていた星たちだけが
Futari ni mieteita hoshi tachi dake ga
ふたりを中心に鮮やかに回っていた
Futari wo chūshin ni azayaka ni mawatteita
これは…やばい…好きです
Ngl, this is dope
サムネからもう好き