Amazing as always. I can imagine Aleph and Hiroko struggeling to navegate a gigantic underground maze I really want to see your take on 2D Makai. It's one of (if not) my favorite track in the game. It feels so peaceful despite being the first thing you listen when entering hell.
@@HitrisonMusic I just want to learn professional music production/theory and general music education since I'm self learnt and it isn't really working
@@RizaLazar Honestly, I'm not super-great with music theory or anything particularly analytical, and I know probably nothing about music education (and of course, remember that I'm not you, and what works for me as a very intuitive, non-analytical guy who probably has undiagnosed ADHD may not work 100% for you.). Despite playing in middle and high school band for 7 years plus guitar and piano lessons, I'm still the slowest sight-reader you've ever seen lol (I hated school). That said, the best way to learn theory outside of a school/university setting is to take piano lessons with a really good teacher (assuming you have access to a piano/keyboard, and if you don't they might still teach you theory). That helped me quite a bit. It's almost a requirement to know at least a little music theory to play piano well, and having a teacher correct and guide you and point out what your strengths and weakness are as a musician helps a lot. And be sure to be specific with your teacher about what you want to learn (eg deeper knowledge of theory, fundamentals, specific songs, artists, composers etc.). As for production, I've been doing this in some form or another since I was like 11 years old (I'll be 34 this month), and I feel it's mostly just been plugging away. A few recommendations, though: 1) Get a Tape Op subscription. They're free and it's an extremely valuable resource for recording/music production that has certainly helped me a lot ( tapeop.com/ ). I mean, really just in general try to absorb as much information as you can from as many sources as you can and... 2) ...make A LOT of stuff. All the stuff I've made public over the years is just the tip of the iceberg in terms of how much music/noise/other work I've actually made (my dropbox folder is huge lol). Experiment and make as much as you can, always trying out new ideas to see what works (Steve Albini said that on every project he works on he always tries at least one new thing he's never tried). 3) Always strive to make the thing you're working on now better than the last thing you did (whether you succeed or not isn't necessarily a problem, you just need the intent). and 4) don't compare the quality of what you do to the kinda-ok local bands/artists or the person down the street who happens to have a Focusrite Scarlett and an AT-2020, but always compare your work to your absolute favorites. You probably won't get to that level of quality for a long time but that's ok, it's always about moving forward and not stagnating. Ultimately, the work you do and reflect on will not only make you better but give you a stronger, more focused vision of what you want to do as an artist. Hopefully some of this is helpful. This may just be a lot of rambling lol.
This is groovy as hell. Well done.
Imagina another reality, where ShinMegami Tensei 2 got a 80's scy fi style movie.
This song would be the perfect opening.
Incredible job.
This is my personal favorite.
Thank you for such an amazing work ❤️🔥💪🏼
Glad you like it!
From the art it seems like the characters got busted and are now in the identification process
Interesting take on the theme. So far all of your remixes were hits, you earned yourself a new subscriber
Thanks so much!
he deserves all subs, his stuff is bangin
BANGERRRR
いいなぁ………
Amazing as always. I can imagine Aleph and Hiroko struggeling to navegate a gigantic underground maze
I really want to see your take on 2D Makai. It's one of (if not) my favorite track in the game. It feels so peaceful despite being the first thing you listen when entering hell.
Thanks! I may have to give that a shot.
Damn this is really cool
Capital DOPE
Teach me
I charge $200/hour. (In all seriousness, if you want to know anything specific, ask away)
@@HitrisonMusic I just want to learn professional music production/theory and general music education since I'm self learnt and it isn't really working
I know a Little music theory, chords,major and minor, I recreated the law theme
So I might say I'm intermediate
@@RizaLazar Honestly, I'm not super-great with music theory or anything particularly analytical, and I know probably nothing about music education (and of course, remember that I'm not you, and what works for me as a very intuitive, non-analytical guy who probably has undiagnosed ADHD may not work 100% for you.). Despite playing in middle and high school band for 7 years plus guitar and piano lessons, I'm still the slowest sight-reader you've ever seen lol (I hated school). That said, the best way to learn theory outside of a school/university setting is to take piano lessons with a really good teacher (assuming you have access to a piano/keyboard, and if you don't they might still teach you theory). That helped me quite a bit. It's almost a requirement to know at least a little music theory to play piano well, and having a teacher correct and guide you and point out what your strengths and weakness are as a musician helps a lot. And be sure to be specific with your teacher about what you want to learn (eg deeper knowledge of theory, fundamentals, specific songs, artists, composers etc.).
As for production, I've been doing this in some form or another since I was like 11 years old (I'll be 34 this month), and I feel it's mostly just been plugging away. A few recommendations, though: 1) Get a Tape Op subscription. They're free and it's an extremely valuable resource for recording/music production that has certainly helped me a lot ( tapeop.com/ ). I mean, really just in general try to absorb as much information as you can from as many sources as you can and... 2) ...make A LOT of stuff. All the stuff I've made public over the years is just the tip of the iceberg in terms of how much music/noise/other work I've actually made (my dropbox folder is huge lol). Experiment and make as much as you can, always trying out new ideas to see what works (Steve Albini said that on every project he works on he always tries at least one new thing he's never tried). 3) Always strive to make the thing you're working on now better than the last thing you did (whether you succeed or not isn't necessarily a problem, you just need the intent). and 4) don't compare the quality of what you do to the kinda-ok local bands/artists or the person down the street who happens to have a Focusrite Scarlett and an AT-2020, but always compare your work to your absolute favorites. You probably won't get to that level of quality for a long time but that's ok, it's always about moving forward and not stagnating. Ultimately, the work you do and reflect on will not only make you better but give you a stronger, more focused vision of what you want to do as an artist.
Hopefully some of this is helpful. This may just be a lot of rambling lol.
@@HitrisonMusic thanks alot I do alot of this