ANTONY GASANI EPISODE: On this week's episode I feature Antony Gasani,a fellow guitarist and music producer as he discusses hiw work with Charles Charamba and other projects. DISCLAIMER: I know my video quality and editing are not perfect yet, but please forgive me; I am working to improve.In Zimbabwe, if you wait until you have the right equipment, you will never start, so I had to start despite only having my phone as both a camera and an editing suite; thank God for modern apps that allow us to do so on our phones.But this is not an excuse; I am working to improve those areas. 'ARTIST TO ARTIST MONOCAST PODCAST STYLE': Every time I post an episode, a few viewers insist that I conduct the podcast like a traditional TV interview.I believe it will take away the program's uniqueness.I am an arts industry insider discussing art with another arts insider, hence the title 'Artist to Artist'.So the format of the program is for me and the guest(s) to have an informal discussion, rather than an interview in which I ask questions and extract information.I cannot extract information that I already know, but I can discuss the subject and share my thoughts. This is also consistent with the innovative nature of the podcast era, in which nearly every podcast has its own way of doing things. TYPES OF PODCAST FORMATS: According to www.brafton.com, there are eight different podcast formats in use today, which include: 1: Interview Podcasts, 2:Conversational Podcasts, 3: Monologue Podcasts, 4. Storytelling/Investigative PodCasts, 5. Roundtable Podcasts, 6. Theatrical Podcasts, 7. Repurposed content podcasts, 8:Hybrid Podcasts. The podcast format I use differs from the interview podcast format, which is typically conducted by a non-expert journalist questioning an expert about their industry; instead, it is a conversation between two professionals in the field, which is why the program is titled "Artist To Artist MonoCast." I use the conversational podcasting style, which involves a spontaneous discussion. These conversations are more fluid and resemble a natural dialogue between those featured on the podcast. As Alexander Santo noted, "This type of podcast requires a strong rapport among the hosts. If they are not well-acquainted or harmonious, the audience will notice." In contrast, an interview involves the interviewer posing questions, listening, and gathering information, whereas a discussion allows both parties to converse actively. In this scenario, neither party dominates the dialogue; they both contribute because they share knowledge of the subject being explored. Therefore, to summarize, these are discussions, not interviews. WHY POPULAR ARTISTS ARE NOT FEATURED: Additionally, there have been requests for the inclusion of famous singers. However, I choose not to feature them, as this program focuses on individuals who work behind the scenes, unlike prominent band leaders and vocalists who are typically the subjects of all other interviews. My aim is to spotlight those often overlooked by podcasters and interviewers due to their lower profile, even though they possess tremendously valuable insights. COMMENTS AND CORRECTIONS: Although I welcome tips and advice, I am not pleased with the tone used by some followers.It is clear that some of the comments are meant to discourage the effort.If you have any suggestions, there is no need to be rude or dismissive. CONCLUSION Ultimately, Artist To Artist MonoCast is not about pursuing high numbers, or chasing controversies for increased views; my priority is to preserve the history of Zimbabwean music and impart knowledge to future generations.
Great episode, learning a lot about our favourite music from our days. This podcast has made me appreciate more the breadth of the work done by every band member to create the final sound. Keep on creating more content mukoma 👏🏾👏🏾👏🏾. Would you please bring on Zacharia Zacharia, would want to hear more about Khiama and the evolution of Mberikwazvo and sungura in general from his perspective.
Gasani ndakafamba naye Zengeza 2 when I was working ma Batanai Supermarket.Yoo 2005 -2007 .Mari yaindinzvenga but I really wanted to work naGasani even today if we met tozvitanga am so glad Mono thank you
This is great stuff. I know all those guitar lines from Charles Charamba's music but I didn't know who played them. Program iri kubatsira ngaiende mberi.
Woow Thank you again mdara, Kare taingoziva ma band owners,now takuziva these legends is as well ,it's interesting especially when you also play. Tafara kuona mkoma ava,Vanobata gospel lead zvinonwisa mvura
Probably the best episode so far! Mr Gasani is so passionate about his craft and mese masangana ne passion dzenyu and it made the conversation even more interesting. Gitare ravaGasani made the Fishers of Men enjoyable especially kuma live shows. Glad to know he’s still going. Thank you mukoma Mono. Hanzi “mairidza zviri sweet” 😂😂 and it’s true mukoma Mono mamwe ma lines enyu soo ummm anorova panhongonya 😂
Mkoma Mono makarongeka!!! Your interviewing skills and practicality is so amazing!!! This monocast is one of its kind. Kudos to you for bringing out these hidden gems. Special mention to the likes of Sir Alick Macheso who popularized band members and their abilities!!!!
Haaa Mono huchi usanyeperwe ndapotsa ndachema panzi makandi dzidzisa gitare musingazvive haa guys life so ma1 emagine to nature life yemunhu usina kana ideajus becoz of mabasa ako be blessed mdara Clive to me ua jus a blessing to our mother land
Watching this interview l felt like l was watching two eagles flying side by side in the skies having an insightful conversation at a very high altitude. Mutual respect. Thank you so much. .
Good show as always mukoma , well informative , ndadzoka futi mukoma Lucky mumiriki ndapota!! Kindly invite him, exciting guitar lines from his time with System tazvida and Aleck macheso , special mention his guitar lines on song upenyu hwemunhu.
Very important point raised there .don't play the guitar as per the music of college notes but from the soul. Tough recording studios created true artists and timeless music a point tou have raised before. All in all a captivating monoversation. I think magitare ndeemarombe comes from the education system in our republic, cramming. Go gospel you're accepted. Maybe a topic for another show ," why is gospel music more accepted than circular music ?"
This is awesome stuff please bring Isaac Chirwa he has been mentioned in so many episodes kuti he played a key role in shaping a lot of musicians. I hope he will agree .
@ some of us heard about them and they influenced a lot but we know next to nothing about these fabled Gramma records producers. It would good to hear their side of things regarding to Zim music
Thank you for your observation; this is the format that I use,we have a discussion in which we both contribute.Other followers preferred traditional terrestrial television, in which I simply asked a question and remained silent.I am glad you understand the formula.
ANTONY GASANI EPISODE:
On this week's episode I feature Antony Gasani,a fellow guitarist and music producer as he discusses hiw work with Charles Charamba and other projects.
DISCLAIMER:
I know my video quality and editing are not perfect yet, but please forgive me; I am working to improve.In Zimbabwe, if you wait until you have the right equipment, you will never start, so I had to start despite only having my phone as both a camera and an editing suite; thank God for modern apps that allow us to do so on our phones.But this is not an excuse; I am working to improve those areas.
'ARTIST TO ARTIST MONOCAST PODCAST STYLE':
Every time I post an episode, a few viewers insist that I conduct the podcast like a traditional TV interview.I believe it will take away the program's uniqueness.I am an arts industry insider discussing art with another arts insider, hence the title 'Artist to Artist'.So the format of the program is for me and the guest(s) to have an informal discussion, rather than an interview in which I ask questions and extract information.I cannot extract information that I already know, but I can discuss the subject and share my thoughts. This is also consistent with the innovative nature of the podcast era, in which nearly every podcast has its own way of doing things.
TYPES OF PODCAST FORMATS:
According to www.brafton.com, there are eight different podcast formats in use today, which include:
1: Interview Podcasts,
2:Conversational Podcasts,
3: Monologue Podcasts,
4. Storytelling/Investigative PodCasts,
5. Roundtable Podcasts,
6. Theatrical Podcasts,
7. Repurposed content podcasts,
8:Hybrid Podcasts.
The podcast format I use differs from the interview podcast format, which is typically conducted by a non-expert journalist questioning an expert about their industry; instead, it is a conversation between two professionals in the field, which is why the program is titled "Artist To Artist MonoCast."
I use the conversational podcasting style, which involves a spontaneous discussion. These conversations are more fluid and resemble a natural dialogue between those featured on the podcast. As Alexander Santo noted, "This type of podcast requires a strong rapport among the hosts. If they are not well-acquainted or harmonious, the audience will notice."
In contrast, an interview involves the interviewer posing questions, listening, and gathering information, whereas a discussion allows both parties to converse actively. In this scenario, neither party dominates the dialogue; they both contribute because they share knowledge of the subject being explored. Therefore, to summarize, these are discussions, not interviews.
WHY POPULAR ARTISTS ARE NOT FEATURED:
Additionally, there have been requests for the inclusion of famous singers. However, I choose not to feature them, as this program focuses on individuals who work behind the scenes, unlike prominent band leaders and vocalists who are typically the subjects of all other interviews. My aim is to spotlight those often overlooked by podcasters and interviewers due to their lower profile, even though they possess tremendously valuable insights.
COMMENTS AND CORRECTIONS:
Although I welcome tips and advice, I am not pleased with the tone used by some followers.It is clear that some of the comments are meant to discourage the effort.If you have any suggestions, there is no need to be rude or dismissive.
CONCLUSION
Ultimately, Artist To Artist MonoCast is not about pursuing high numbers, or chasing controversies for increased views; my priority is to preserve the history of Zimbabwean music and impart knowledge to future generations.
I must confess this is one of the most enriching & inspiring conversations! Mono... Mono... you are getting deep into the unchattered tderritories!
Im loving this series , as an aspiring music producer I've learnt a lot just from watching your videos
Aiwa apa pane zvibaba apa. Ndatenda zvangu.
Aiwa we are learning Sir Mono ,from your teachings,,we are improving our bands,"Music" each time we listen to you ❤❤
Very interesting interview keep it up mukoma
Lovely, congratulations to you Mono Mukundu for you program. Go ahead and be blessed. Watching from Mozambique
Bless God's favourite yeah zviri kuita zvichiita
Chitown musha mukuru 🔥🔥🔥🔥
Thank you Mr Mono , munhu unotofa usingazive these legends, but with this program we are learning a lot shame
Thank you so much looking forward to more producer interviews
Kwandiri ‘Mweya Wangu Rumbidza’ iyoyo is the best guitar line you’ve ever come up with. It’s genius. Kana neni it inspired me. 🙌🏾🙌🏾
This was great. Hoping one day you will get the gentleman who played bass lines for Dembo, Shephard Akim
Great episode, learning a lot about our favourite music from our days. This podcast has made me appreciate more the breadth of the work done by every band member to create the final sound. Keep on creating more content mukoma 👏🏾👏🏾👏🏾.
Would you please bring on Zacharia Zacharia, would want to hear more about Khiama and the evolution of Mberikwazvo and sungura in general from his perspective.
Gasani ndakafamba naye Zengeza 2 when I was working ma Batanai Supermarket.Yoo 2005 -2007 .Mari yaindinzvenga but I really wanted to work naGasani even today if we met tozvitanga am so glad Mono thank you
This is great stuff. I know all those guitar lines from Charles Charamba's music but I didn't know who played them. Program iri kubatsira ngaiende mberi.
Am grateful to God kuti we are living in Mono's time we are learning a lot. Its like am in a masterclass.
Thanks, we are learning together.
Very true l remember Gasani achitiudza kuti Mono chimdara pa lead guitar
Brother Gasani remains my hero, inspiration and friend. Keep it up Bro. Antony until you reach the higher heights!
Very Very insightful Mono i had never seen this guy before but i can recall all the Charamba guitar lines he played 😂😂😂 tiri kuprimary chaiko 😂😂
God bless you Mdara Mono ❤️❤️❤️
Woow Thank you again mdara,
Kare taingoziva ma band owners,now takuziva these legends is as well ,it's interesting especially when you also play.
Tafara kuona mkoma ava,Vanobata gospel lead zvinonwisa mvura
Tinotenda
Thank you Mr Mono zvinofadza kunzwa kubva kwakatangira munhu kusvika paari nhasi
Probably the best episode so far! Mr Gasani is so passionate about his craft and mese masangana ne passion dzenyu and it made the conversation even more interesting. Gitare ravaGasani made the Fishers of Men enjoyable especially kuma live shows. Glad to know he’s still going. Thank you mukoma Mono.
Hanzi “mairidza zviri sweet” 😂😂 and it’s true mukoma Mono mamwe ma lines enyu soo ummm anorova panhongonya 😂
Haaa Antony is loaded vakomana.Thank you Dr Mono you deserve the title mdhara
Haa this episode ma1 ndapa kutenda hangu handina kna neremuromo
Two of my favourite guitarists in one room ❤
Mkoma Mono makarongeka!!! Your interviewing skills and practicality is so amazing!!! This monocast is one of its kind. Kudos to you for bringing out these hidden gems. Special mention to the likes of Sir Alick Macheso who popularized band members and their abilities!!!!
Muface uyu anoziwa mavolcals mhani❤
Very detailed interesting and technical guest . Gitare renyu neFishers of men rakatirera , thank you .
This is the best Artist to Artist session so far. Can we please have part 2, you guys were awesome!
Muri.ma legends for you .All intruments shud be played from the heart.Might be simple but a great sound
Thanx a lot
Ini ndine chikumbiro Sir Mono. Imbotsvagai Mdara Shangwa we Bass coz he is one of the many unsung bass guitar heroes.
True,kana achids hapana problem.Vamwe varikuramba
This is very helpful
Haaa Mono huchi usanyeperwe ndapotsa ndachema panzi makandi dzidzisa gitare musingazvive haa guys life so ma1 emagine to nature life yemunhu usina kana ideajus becoz of mabasa ako be blessed mdara Clive to me ua jus a blessing to our mother land
I need another episode this was really nice ndimi ma legends angu respect
Mind blowing conversation.You are talented jentrumen!
Watching this interview l felt like l was watching two eagles flying side by side in the skies having an insightful conversation at a very high altitude. Mutual respect. Thank you so much. .
Thanx a lot
Very good and enlightening programme. Thanks brother Mukundu!
24:53 This guy has a very valid point. We need a character shift as Zimbabweans and start to believe in our own brethren
Longtime Gasani my man
Nguva yazoita shoma Mkoma! Haa taida part 2 mhani
Educative, loved how yu stirred the man to offload his heart
Thanks mono I also have courage to do things in life. Cz of your interview. It inspires
Haaa u are a treasure mdhara,💯
Thank you Mono and your Quest Antony 😊
I like your chemistry 👍🏿👍🏿👍🏿
Thanks
Thank you mdara Mono keep it up, takutoziva zvakawanda through your Podcast.
Takamirira yaTendai Manatsa futi
Kkkk it's "haaa mdra makukanganwa, maidai" for me
now this is good, shld hve been longer\
Beautiful and insightful
Can you please interview Anthony Bizek
Mukoma mono you are blessing 🙌 to this generation . This programs it's so helpful kwatiri as youngsters .this is mind blowing .
Thanx a lot
Akada kufanana naChigutiro naPastor Prince of the Ndofamba and Driver fame.
Much respect, you are a genius for sure!!
Good show as always mukoma , well informative , ndadzoka futi mukoma Lucky mumiriki ndapota!! Kindly invite him, exciting guitar lines from his time with System tazvida and Aleck macheso , special mention his guitar lines on song upenyu hwemunhu.
Thanx,pass me the number if you have it
@Monomukundu +26377 341 1578
Iyi interview irikuda part 2 iyi. Lot's of information for aspiring musicians and producers.
Very important point raised there .don't play the guitar as per the music of college notes but from the soul. Tough recording studios created true artists and timeless music a point tou have raised before. All in all a captivating monoversation. I think magitare ndeemarombe comes from the education system in our republic, cramming. Go gospel you're accepted. Maybe a topic for another show ," why is gospel music more accepted than circular music ?"
Mdara Mono 🎉 uyo Mukuru uyo anofadza wamunaye 🎉 Thank You Happy New Year 🎊
Mono aka kainterview kaita kapfupi wena
Part 2 please our legend. Please interview Sir Alick Macheso
Malegends!!!
This is awesome stuff please bring Isaac Chirwa he has been mentioned in so many episodes kuti he played a key role in shaping a lot of musicians. I hope he will agree .
Tinashe Akatendeka is one of the best albums of all time
We have many heroes in Zimbabwe.
Lead guitarists are very intelligent....
🔥🔥🔥🔥
Wow ❤️
This is wonderful
I know this guy but didn’t know kuti he’s the man behind all good stuff
Good content bro
Gasani my number 1 producer
Magwenyambira
Very informative
Good stuff
Mono u still looking young
Thank you
Enjoy how you chose an unexplored route, diversity kuvanhu 👏
Thank you so much
Haaa Mukoma Gasani pane Album ravakasota sooo Haaaa rine song inonzi Nharembozha haaaaaa ndopandakaziva kuti vane Tarenda
13:01 😂😂 the humour
mdhara gasani anotaura maiwe....today you met your match mkoma Mono😂😂😂😂
first here
Thanx
Panoda part 2 apa brothers
Please Mono do a series on these legendary producers like Bothwell Nyamhondera etc
Great idea
@ some of us heard about them and they influenced a lot but we know next to nothing about these fabled Gramma records producers. It would good to hear their side of things regarding to Zim music
Mono you changed the gospel music guitar ,it was very smooth, lovely and sound.
Thanks
I know that first Studio 2005 kkkkkk
Mono Mono
This show got ka tht becoz u were all puting points n a discussion than vamwe vanenge vakangomirara kubvunzwa
Thank you for your observation; this is the format that I use,we have a discussion in which we both contribute.Other followers preferred traditional terrestrial television, in which I simply asked a question and remained silent.I am glad you understand the formula.
With Ivy Clive you were the real beast.
Thanx
You know, I thought kuti most of the initial projects a Charles Charamba akaridzwa lead guitar na Tamuka Marodza?
I guess I was wrong then😊
Tamuka akazouya later
PHD
This one wanted 3hrs he had a lot to say
Handina chimwe chandinngaita kunze kwekuuchira nekufara kuziva mabasa makuru
Tinotenda
My apologies Antony Gasani I wasn't familiar with your game.
Ko why yapera? 😢😢😢
Kkk
Interesting, informative, helpful, and knowledgeable 🎉
Thanx @@robertchayambuka6345