@@aliceIMF For this, anything on snare that's not 2&4. The "drum & bass" part of the snare part that he's holding down with one hand, playing open and not buzzing as if it's easy.
@@aliceIMF when you play notes, near your snare shot or basically every kind of sound, you're creating some feedback, space filled with mid-high frequencies. To put it simply you're playing your ghost notes lower in volume in half or more till you'll hear only delicate click and even more of kind of rustle, especially when compared to max volume peak levels during same track.
@@noone-jw4gm gawddammit, no one!!!! i kinda sorta understood the basic concept behind your answer from some months ago. (my mom was a music major who had her master's and was the music superintendent for our school district when i was growing. i also played piano - and read music - when i was growing up.) but now you've gone and gotten all hyper-technical and detailed and confused tf outta me! ... gtfoh with your sound, rational, and accurate music theory-based explanations, no one!!! LMAO! what instrument do you play, no one?
carlton white I’m not sure if he played for Gretchen, though I wouldn’t rule it out. I’ve mostly seen her playing with Kendrick Scott and Mark Guiliana. I know Colenburg’s played with Q-Tip (on ‘The Renaissance’), Common, Glasper Trio (before the experiment), and HEAVy
![Robert Glasper Experiment - No One Like You [Marseille Jazz des Cinq Continents]](http://i.ytimg.com/vi/jhhCvzO6yWs/mqdefault.jpg)
![Robert Glasper Experiment - No One Like You [Marseille Jazz des Cinq Continents]](/img/tr.png)
Mark Colenburg has an amazing amount of control over his ghost notes
what does that mean? what are ghost notes?
@@aliceIMF For this, anything on snare that's not 2&4. The "drum & bass" part of the snare part that he's holding down with one hand, playing open and not buzzing as if it's easy.
@@aliceIMF when you play notes, near your snare shot or basically every kind of sound, you're creating some feedback, space filled with mid-high frequencies. To put it simply you're playing your ghost notes lower in volume in half or more till you'll hear only delicate click and even more of kind of rustle, especially when compared to max volume peak levels during same track.
@@noone-jw4gm gawddammit, no one!!!! i kinda sorta understood the basic concept behind your answer from some months ago. (my mom was a music major who had her master's and was the music superintendent for our school district when i was growing. i also played piano - and read music - when i was growing up.) but now you've gone and gotten all hyper-technical and detailed and confused tf outta me! ... gtfoh with your sound, rational, and accurate music theory-based explanations, no one!!! LMAO!
what instrument do you play, no one?
Mark Colenburg is a machine. Thanks for posting man!
LORD, THANK you for Mark Colenburg's hands
Mark is a beast!!!
Mark Colenburg is amazing.
holy fuck.........colenburg is a machine
lotsofgreendrums, you are absolutely correct, Colenburg was hanging with the Soulquarians!!!!
Damn right, give Chris Daddy Dave and Thomas Pridgen some competition. Go Mark, didn't he play for Gretchen Parlato?
carlton white I’m not sure if he played for Gretchen, though I wouldn’t rule it out. I’ve mostly seen her playing with Kendrick Scott and Mark Guiliana. I know Colenburg’s played with Q-Tip (on ‘The Renaissance’), Common, Glasper Trio (before the experiment), and HEAVy
Who is the singers name please?
Marina Bambino His name is Casey Benjamin
@@lotsofgreendrums Hi! Yes! Thank You! I Appreciate it. I Googled & found him.
This damn singer really brings the whole band down in my opinion.. like, does actually anybody like it?
yeah the vocoder sounds horrible… only time a vocoder ever sounded good to me was Stanley Clarke’s “To Be Alive”
🤔