Arnold Schoenberg: Erwartung op. 17 (Excerpts)
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- Опубликовано: 13 дек 2006
- De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com.
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I had to do this for school. -_-
me too, it sucks
@Mikey Kluft same
Yes
Was it a chore?
Me too...i study to music school
I went to school (Watford) with Oliver Knusson, (1962) same class, taught him how to ride a bike, Oliver used to play the piano at morning assembly, a musical genius...
It is incredible, not to say that it is a shame, that this production combined with Die glückliche Hand and Von Heute auf Morgen never has been issued on dvd. Really unbelievable!!!
A remarkable work. One of the great pieces of lyric theater. I have a great recording of Jessye Norman singing this. Hair-raising!!
Way ahead of his time. Avant Garde before Bjork, Diamanda, Klaus, or Yoko were even born. lol.
anybody know where i can find an english translation of the lyrics?
Credits to the Residentie- Orkest under Oliver Knussen....
have you got the lyrics translated? Or can you say me how to find them?
from CJS for Texas Tech MUHL3303: composed 1909 premiered 1924
0:42
@singdoch
Isoldé Elchlepp (see: 0:35)
mine too! xD
But Schoenberg is credited with being the first composer to explore atonality extensively .... I didn't know was an obscure fact anywhere
He thought that word was illogical. And, Charles Ives, Scriabine .?
Both R. Strauss and R. Wagner wrote completely atonal music but never actually used it. They saw no vitality in it and wrote much the way Schoenberg did in his early days. Schoenberg was not only the first composer to actually take the step into complete atonality publicly, but was also the inventor of Serial ism, a pantonality as Schoenberg preferred to call it.
That is very interesting information!
@beckywixon94 mine tooo, lol
People credit these artists as being completely original with their styles......the atonality. Arnold used the atonal method light years before them. :)
what?
I would assume that this is very difficult to sing. This woman does a great job. A little bit lighter voice than I have previously heard do this.
это ж сколько нужно терпения и фанатизма, чтобы выучить и петь весь этот бред.
Можно поступить проще, музыка пусть играет фоном, а певец как чувствует так и поет и не обязательно попадать в какие-то ноты - сплошной импровизон на каждом спектакле
saaame