So far ahead of it's time. I was 10 years old when this dropped. I'm 48 years old now, and nothing comes close to replicating this sound. Timeless genius. Chicago househead for life.
Remembered the Herb Kent Show, which was only one hour, played this for the first time. It blew my mind! Wayyy ahead of it’s time! His show featured Kraftwerk’s “Numbers” and Art of Noise’s “Moments In Love” and Yellow Magic Orchestra’s “Firecracker” also ahead of the times!
I thank everyone for wishing me a Happy Birthday. I realize that in growing older at 53, the blessings you have in friends and everyone you have experiences with that the Gifts we we shared good or bad is a gift. God bless you all. House heads unite. God bless.
i have to thank KMJM St. Louis and WBMX Chicago for exposing me to this track in '87. i didn't know it was 5 years old when i heard it. i may be one of a few djs in my area with the balls to play this as this is truly early house.
Brilliant EBM music (electronic body music) from Germany. What a fantastic sound. Try also The Confetti's -"The sound of C". Actually new beat song. John carpenter - "The End". Greetings from Belgium
😂The song was written in 1979...The concept of electronic music, and even more so, the body, did not exist Back then it was something at the intersection of industrial avant-garde and "kraftwerk" music.😂😂
@clintdadj You are right my brother! We were bumping this in Chi-town back in the early 80's! Kraftwerk, B-52s, Frankie GTH, and others. But as soon as this came on, people went nuts!
This cut was/is sooo heavy back in the day i would do an injustice if i try to begin to describe it.. kinda hard to find becasue the street name we called it was IP IP.. I rem the dancefloors flood'n when this hit was play'd it even made the bathrooms clear just so you could get a chance to dance off it.. this coulpled with kraftkerk numbers tore the roof off the MF!!! thanks for posting it!!!!!
This group was pioneers in the industrial genre of music which people now call electronic and techno. This group was years ahead of the game.... R.I.P. Beate Bartel(founder and producer for this group)
I think all forms of music continuously borrow elements from other genres. I watched a live 70's progressive rock concert on youtube. The band experimented with 90's techno sounds, Rave beats and something which sounded a bit like acid tweeking. I wish I had favorite that clip, as i don't recall the band. Nonetheless, Detroit perfected the parts they adopted. Kraftwerk were an electronic band but were NOT funk. Soul Sonic Force, Fearless4 & other funk bands lifted their melodies. That's true.
Yes, there are some Detroit techno elements, but the effects also remind me of George Clinton's Atomic Dog and Sexual Harrassment's I Need a Freak which are both Electronic Funk of the1981 period.
I don't think Chrislo took any inspirations from a (back then) very provincial and unknown club scene in Detroit, neither from George Clinton and other US (electro) funk acts from back in the days. This was never his type of music and lifestyle. Liaisons Dangereuses was a purely euro-centric experimental project under the genre label "Neue Deutsche Welle". It was this kind of music (alongside with Disco, Funk, Electro etc) that shaped the Detroit and Chicago house scene, not vice versa. This resulted in influencial productions like 'Sharevari' by A Number Of Names from 1981
Sorry, it most definitely was NDW. WAS. The Term "Neue Deutsche Welle" was coined by Sounds magazine and applied to all german post-punk. Most of it great stuff. With commercialisation the label was used by the majors for all their conventional rock and pop stuff, as long as it was sung in German. This way "NDW" meant no longer innovation but simple, trashy popsongs for the younger mainstream audience. Actually quite the opposite of what it was before. Today, "NDW" indeed stands for this second phase of exploitation bands. But in 1980-82, Liasons Dangereux, DAF, Krupps, Der Plan and all the others were called "NDW". (I was there. I had a band. "NDW" ;)
@@tomfabris8370 true .... But a lot of those german pop rock bands at this time, sounded like they where influenced by punk. And some where even playing punk some years before. Some of them where unthinkable without the punk motto: "Here is a guitar, here are some cords, now fund a band". But tit was different with band like Liason Dangereuse, they where so far ahead of their time.
There were a dozen killer tracks entitled 'Jack' something in the beginning. So, Detroit may have mastered Jack sh!t after all. As they say, why reinvent the wheel? House music in general fused together a lot of electronic elements from many sources and created a unique formula of techno over a few years in the late 80's and early 90's. Okay, so let's not simply brand Detroit as originators. I'm just grateful Energy Flash by Beltram & acid house were created during the so called "Detroit" scene.
So far ahead of it's time. I was 10 years old when this dropped. I'm 48 years old now, and nothing comes close to replicating this sound. Timeless genius. Chicago househead for life.
Remembered the Herb Kent Show, which was only one hour, played this for the first time. It blew my mind! Wayyy ahead of it’s time!
His show featured Kraftwerk’s “Numbers” and Art of Noise’s “Moments In Love” and Yellow Magic Orchestra’s “Firecracker” also ahead of the times!
I thank everyone for wishing me a Happy Birthday. I realize that in growing older at 53, the blessings you have in friends and everyone you have experiences with that the Gifts we we shared good or bad is a gift. God bless you all. House heads unite. God bless.
this fuckin song was made in 1979 and released on the album in 1981!! think about how far ahead of the curve that song/group was. Simply amazing!!
PFANTASTIK.....STILL HAVE THEIR ALBUM CD AND OTHER RARE 12"
VINYL MIX......THIS IS THEIR BEST TRACK
The roots of Chicago House and Detroit Techno.
This was another "Chicago street hit." When this came on in the club, shit got real...
i have to thank KMJM St. Louis and WBMX Chicago for exposing me to this track in '87. i didn't know it was 5 years old when i heard it. i may be one of a few djs in my area with the balls to play this as this is truly early house.
..."Brutal, Brutal!!!!!"... 😂😂😂😂😂 love it!!
Danced to this song at Medusas and Smart Bar in the 80's.
man i've been looking for this for ever damn this is the shit most underated house jam of all time
This song gave me goosebumps
when I was 16... nowadays musics just boring ..
vamos vicente a ver si hacemos algo bien ahora!!
brutaaaal, brutaaal!
te adoro krishna!
Brilliant EBM music (electronic body music) from Germany.
What a fantastic sound. Try also The Confetti's -"The sound of C". Actually new beat song. John carpenter - "The End".
Greetings from Belgium
😂The song was written in 1979...The concept of electronic music, and even more so, the body, did not exist Back then it was something at the intersection of industrial avant-garde and "kraftwerk" music.😂😂
@ciscomgreene Chicago wasn't the only place to bump this! Detroit was bumping this way before Derrick May was known by the moniker MayDay!
amazing and avantgadistic..!
gorgeous
@clintdadj You are right my brother! We were bumping this in Chi-town back in the early 80's! Kraftwerk, B-52s, Frankie GTH, and others. But as soon as this came on, people went nuts!
This cut was/is sooo heavy back in the day i would do an injustice if i try to begin to describe it.. kinda hard to find becasue the street name we called it was IP IP.. I rem the dancefloors flood'n when this hit was play'd it even made the bathrooms clear just so you could get a chance to dance off it.. this coulpled with kraftkerk numbers tore the roof off the MF!!! thanks for posting it!!!!!
LD are so unique and so avant-garde.
Brutal, Brutal!
LMAO'' There's a video of this!!!???? *DAM* to see this after all this time!! CLASSIC JAM!!!
THIS CUT IS MAD MAD MAD .PEACE.
Omg the live version is so better than the original !
this is that classic Chicago joint
Me encanta este video de los LIasons
Awesome! Thnx!
Big jam in the 80's chicago house scene
Great!
thanks to Derrick May who made me discover this wonderful band
Carl Craig first album (1990) produced by Derrick May
This group was pioneers in the industrial genre of music which people now call electronic and techno. This group was years ahead of the game.... R.I.P. Beate Bartel(founder and producer for this group)
+Index 12-9 Beate is alive and well.
Chrislo died in 2004.
@@mika040 And still today :)
🖤🖤🖤🖤
REVOLUTION!!!
30 years old, & it still pisses all over Factory boring Floor. x
Q buena rola! love it! ñ_ñ
that fuckin song was made in 1979 and released on the album in 1981!! think about how far ahead of the curve that song/group was.
The title means "maybe not" in French.
I getting chills just listening to it perform live raw! They was ahead of their time just like Kraftwerk!
You're super right, I think they were much more techno than the whole Detroit posse was.
we are still catching up
Yeah this was MY jam. I liked this one better than Los Ninos.
Did any ever go to Berlins or Janells, The Rainbow??? Larays....The club house?
I see what you're saying.. I'd say because the Detroit men are all but humble and usually claim to have invented the wheel
4:19 Chiquilin, chiquilin lol
Ça déménageait en discothèque, pogo
Hard
Brutal
13th and Central Park, Chi-town finest
you play this in the chi cats go off on the dancefloor
olé tus huevos Krishna! brrrutal..ostia!!
This guy was fine as f*ck
Right!!
Agreed!
Tell them! LD were innovators
makes ya wanna shake every part of your body.
Chiquilin :)
Ripped from a whole concert VHS, eBay it!
Yeah, we did...
2:13 .....
I think all forms of music continuously borrow elements from other genres. I watched a live 70's progressive rock concert on youtube. The band experimented with 90's techno sounds, Rave beats and something which sounded a bit like acid tweeking. I wish I had favorite that clip, as i don't recall the band. Nonetheless, Detroit perfected the parts they adopted. Kraftwerk were an electronic band but were NOT funk. Soul Sonic Force, Fearless4 & other funk bands lifted their melodies. That's true.
Yes, there are some Detroit techno elements, but the effects also remind me of George Clinton's Atomic Dog and Sexual Harrassment's I Need a Freak which are both Electronic Funk of the1981 period.
I don't think Chrislo took any inspirations from a (back then) very provincial and unknown club scene in Detroit, neither from George Clinton and other US (electro) funk acts from back in the days. This was never his type of music and lifestyle. Liaisons Dangereuses was a purely euro-centric experimental project under the genre label "Neue Deutsche Welle". It was this kind of music (alongside with Disco, Funk, Electro etc) that shaped the Detroit and Chicago house scene, not vice versa. This resulted in influencial productions like 'Sharevari' by A Number Of Names from 1981
Fé Show,comme dans une jungle
I don't understand why you have to slam Detroit to praise someone else.
@katzetnik135633 xD
"damon4130:
>>...check out some more "Neue Deutsche Welle" stuff. You won't be disappointed!
Some people may consider it NDW, I don't.
Sorry, it most definitely was NDW.
WAS. The Term "Neue Deutsche Welle" was coined by Sounds magazine and applied to all german post-punk. Most of it great stuff.
With commercialisation the label was used by the majors for all their conventional rock and pop stuff, as long as it was sung in German. This way "NDW" meant no longer innovation but simple, trashy popsongs for the younger mainstream audience. Actually quite the opposite of what it was before.
Today, "NDW" indeed stands for this second phase of exploitation bands. But in 1980-82, Liasons Dangereux, DAF, Krupps, Der Plan and all the others were called "NDW". (I was there. I had a band. "NDW" ;)
@@tomfabris8370
true ....
But a lot of those german pop rock bands at this time, sounded like they where influenced by punk. And some where even playing punk some years before. Some of them where unthinkable without the punk motto: "Here is a guitar, here are some cords, now fund a band".
But tit was different with band like Liason Dangereuse, they where so far ahead of their time.
No they didn't
jajajaja
un peu de ian curtis des joy division, extra
There were a dozen killer tracks entitled 'Jack' something in the beginning. So, Detroit may have mastered Jack sh!t after all. As they say, why reinvent the wheel? House music in general fused together a lot of electronic elements from many sources and created a unique formula of techno over a few years in the late 80's and early 90's. Okay, so let's not simply brand Detroit as originators. I'm just grateful Energy Flash by Beltram & acid house were created during the so called "Detroit" scene.
House was out inn the late 70s. I was listening to house music and going to parties in the early 80s
@@maxhaywood35 What are you talking about Willis? Name me a song you consider House from the seventies. The earliest form of House was around 1985.