sinto irmão que voce tenha ido embora....e eu não pude fazer nada....sentimentos eternos ...porque te conheci pessoalmente e pude ver o carinho com que vc trabalhava nas musicas dos Beatles....abração onde quer que vc esteja....
Marcus Rampazzo, da grande banda cover Beatles 4ever, que nos deixou em 2016, foi um dos melhores guitarristas do Brasil, aqui dando um show com "A Hard Day's Night" da "Rickenbaker 360 12 strings" reproduzindo inclusive a famosa e polêmica "PRIMEIRA NOTA" da abertura da música, que muito autores ainda hoje discutem qual é a verdadeira composição dela. Inclusive Randy Bachman, do excelente grupo canadense Bachman-Turner Overdrive, que tem a sua própria opinião sobre ela. Marcus se foi, mas o legado continua. Eu, que como fanático pelos Beatles o conheci pessoalmente inclusive perguntando por esta famosa "primeira nota", me recordo da sua maravilhosa resposta : "...qualquer que tenha sido verdadeiramente a nota, o que mais importa é que foram os Beatles que a inventaram". RIP, Marcus, and thanks for all... Paulo Sérgio Pecchio - bairro do Campo Belo - SP.
Bought a,re-issue of this model in 1988..wasn't too pleased with it..Started finding out few things wrong with it comped to my 66-67 DeLuxe 360/12...Sold it about 4 yrs later. Did get my money out of it, about $950 w/ case..
@@samburkes7552 i'm sorry for you ,but we all know that the original guitars made years back had a better sound, like the amplifiers; however even today's model, Rickenbacker 12string is the guitar that i like at most. Greetings from Italy, Patrick
SHOOOOOOOWWWW DE BOOOOLA!!!!!! MUito agradecida por compartilhar conosco Marcus!!! Esses detalhes são muito difíceis e eu particularmente tenho dificuldades com eles...hehehehhe!!!! Obrigada mesmo!!! Um grande abraço!!!!!!
The way he plays it at the end is correct. No one ever gets it right because it's not easy to hear. Slow the record down and you'll hear it. George even plays it on the BBC live recording just as this guy plays it at the very end.
the buzz is there .. but it's worth getting past it to watch & listen .. there's a million 'lessons' on RUclips about 'how to' with this .. Funny to find what is maybe the best version of 'it' from Brazil & with a buzz. Drop Pauls bass note & the slamming keyboards onto it & snap... Nice work Sir.
The guy is literally the best authority in Beatles/George Harrison music ever. George Harrison in 1987 actually heard a tape of Marcus playing and thought it was himself. Sadly he past away a few years ago.
Eu tentei fazer o 'dedilhado' do fim com um violão de nylon vagabundo quando tinha 10 anos de idade. Hoje, com 40, finalmente aprendi a tocar certo uma das mais belas musicas da história da música, com uma Gibson les paul standard. A Rickenbacker de 12 cordas deixo pra você.
Nada mal, com uma Gibson Les Paul, hein ! Eu já me dei por satisfeito com uma Fender Stratocaster Flame Top legítima da Califórnia... Paul Pecchio, bairro do Campo Belo, SP.
If you’re playing in a band and want to approximate the opening chord have the bass play a D, one guitar play an open D chord and other play that Fadd9. Sounds damn close to the record.
One question: the chat your friend had with Harrison concerning the opening chord, the fact that Harrison said F over G does not define the voicing of the chord, correct? I also believe the closing riff is played a little different, as you suggest (on 4 pairs of strings instead of 3) The opening G is played on the E unison strings (first pair, as you're doing it) and then the F on the D strings. That way we hear that suspension ringing longer and when the F is played on the D strings we hear the octave, which seems to be present on the recording. Now, was this corroborated by Harrison or just the quality of the chord itself?
Without hearing the piano in the intro, it will never sound completely right to the ear. The piano is HUGE in the intro chord. The piano is NOT in the final chord of the song, which is why that chord sounds different. It's great that he points out the correct way to play the closing riff (on 4 strings).
Years ago, figured this out by ear, even the opening chord..All that heard/ grooved on it said it was correct..especially the ending repeated warbling, arpeggiating Fadd9, Freg, repeat...Sounds great on a Rick 12-string, only!!
Excelente. Obrigado. Nem dá para perceber que é um cover! Sim ruido de fundo incomoda um pouco, mas em face do trabalho, esquece. Já agora, na primeira audição do Beatles na EMI/Parlophone alguém se queixou de um ruído como este. Será um requinte de realismo? ;-D
Revolution9 - Beatles fan club Pois é Marco! Mas ainda bem que não são a grande maioria... O que vale somos nós, os que sabemos da genialidade e da grandiosidade do Marcus! E também admiro muito você Marco, obrigada por tudo!
de onde será que o George tirava esses acordes??? enquanto a gente toca G,C, D o cara me vinha com uns acordes esdrúxulos altamente originais inspiração divina, genialidade? pacto com o demo?
At 1;37 George played an "Awkward" pattern. I first list the string, then the fretted position as follows: /4th@3rd / 3rd@2nd / 2nd@1st / 1st@3rd / 4th@3rd / 3rd@2nd / 4th@3rd / 1st open/ repeat to fade out. It's 'awkward' at first, but 'FUN' at the last! Enjoy Gb bg
The major difference is the 6th note, played on the 3rd string, second fret. Listen REAL close, and you will hear it. As I wrote, each note played is between each forward slash, and first calls out the string the note is played on, and then the fretted position. I can't post a TAB for you, so this is the best I can provide. Gb bg
The 6th note of the riff is a "C"...clear as day...have no idea what you are talking about. They way you describe it would then hit "A" on the G string twice in a row. If you want to hear him play it slowly listen here....www.dropbox.com/s/6dlhd88zrpix91z/HDN%20END%20RIFF.mp3?dl=0
not sure what kind it is but that is surely a old school reel to reel tape player which you knew but a lot of younger people born in the 80's or later don't have any clue what we are talking about. Teac and Akai made them and Realistic from Radio Shack made them,but that is the only brands I remember. My parents still have an Akai that still plays
Claire, no, that is a reissue double-bound 360/12..The mod 330 has small dot fingerboard inlays. These are DeLuxe crushed pearloid inlays, what 360's came with..I am a Rickenbacker aficionado, not to brag..
Hey Paulo who ever... George did not play a Rickenbacker Cal. made guitar John played that git George Played a Grietch same guitar Chet Atkins played..Mr Guitar..get your facts straight ..Paul played a Vox Beatle Bass. and the drums were of coruse Ludwigs..your talkin to a guy who grew up listening to the Beatles..stick you,r Rickenbacker were the sun don,t shine...
Boy, you really don't know how wrong you are about their guitars... George's Rickenbacker for a hard days night was this same Rickenbacker, a 360-12.... It's what makes the sound that makes the song and he used it when recording " Hard Day's Night", ""I Call Your Name" and other songs. Also played it live quite a bit..
Shirley, not correct. Harrison played Brooklyn NY-Made Gretsch 6-string guitars, and Santa Ana, Cal-Made Rickenbacker 12's. Johns little Rick 325 3/4-scale was also Cal-made. Do some self-investigating. Also, Paul's Hofner basses were German-made. The Gibsons they played were mfd. in Kalamazoo, Michigan!!
McCartney never played a Vox bass!! Vox amps, yes, but never Vox basses!.. He played Hofners and Rickenbacker basses..later in Wings, he played a very heavy Wal 5-string..
Marcus, o maior guitarrista do Brasil.
Nunca vou esquecer a sua amizade.
Saudades eternas.
Descanse em paz Marcus, obrigado pela sua dedicação e por dividir seu conhecimento e sua música conosco! R.I.P Marcus!
Primera persona que toca este tema con tal precisión y calidad ....mis oidos te lo agradecen ..saludos de ARICA-CHILE....
sinto irmão que voce tenha ido embora....e eu não pude fazer nada....sentimentos eternos ...porque te conheci pessoalmente e pude ver o carinho com que vc trabalhava nas musicas dos Beatles....abração onde quer que vc esteja....
Marcus Rampazzo, da grande banda cover Beatles 4ever, que nos deixou em 2016, foi um dos melhores guitarristas do Brasil, aqui dando um show com "A Hard Day's Night" da "Rickenbaker 360 12 strings" reproduzindo inclusive a famosa e polêmica "PRIMEIRA NOTA" da abertura da música, que muito autores ainda hoje discutem qual é a verdadeira composição dela. Inclusive Randy Bachman, do excelente grupo canadense Bachman-Turner Overdrive, que tem a sua própria opinião sobre ela.
Marcus se foi, mas o legado continua.
Eu, que como fanático pelos Beatles o conheci pessoalmente inclusive perguntando por esta famosa "primeira nota", me recordo da sua maravilhosa resposta : "...qualquer que tenha sido verdadeiramente a nota, o que mais importa é que foram os Beatles que a inventaram".
RIP, Marcus, and thanks for all...
Paulo Sérgio Pecchio - bairro do Campo Belo - SP.
How could anyone give this a thumbs down? This is great!!
Gracias, lo quiero su Rickenbacker.
That was AWESOME. EXCELLENT.! THANKS for the Post
sounded sooooo cool!!!
thank you.
I ultra love this 12 string......
Bought a,re-issue of this model in 1988..wasn't too pleased with it..Started finding out few things wrong with it comped to my 66-67 DeLuxe 360/12...Sold it about 4 yrs later. Did get my money out of it, about $950 w/ case..
@@samburkes7552 i'm sorry for you ,but we all know that the original guitars made years back had a better sound, like the amplifiers; however even today's model, Rickenbacker 12string is the guitar that i like at most. Greetings from Italy, Patrick
Well played
Nice, cool!
Nice job, thank you!
Good show. Wish I could play.
Beautifully played Sir.
SHOOOOOOOWWWW DE BOOOOLA!!!!!! MUito agradecida por compartilhar conosco Marcus!!! Esses detalhes são muito difíceis e eu particularmente tenho dificuldades com eles...hehehehhe!!!! Obrigada mesmo!!! Um grande abraço!!!!!!
Outstanding!
The ending riff is finally played correctly by someone! Cheers!
Not quite, see comment above. Gb bg
The way he plays it at the end is correct. No one ever gets it right because it's not easy to hear. Slow the record down and you'll hear it. George even plays it on the BBC live recording just as this guy plays it at the very end.
..I've always known it was done this way, on my Rick 12-string..F add 9, F reg...repeat, warbled.
@@samburkes7552 No the 5th note (F) is played on the 4th string, not the 1st string.
The opening is the hardest, it's a G over an F .
Obrigado pelas informações sobre os acordes, perfeito!
that is magic to my ears
Mr. Goodrow, you took the words out of mouth.
Awesome. Well done and excellent tutorial. Language absolutely no barrier. Keep on going at light speed dude.
Excelente Video
so good thanks.
CONGRATULATIONS YOU DOING SO GREAT MEN WOOW, REALLY YOU MADE ME CRAZY AND THE PEOPLE NEED A TUTORIAL BY YOU, GREETINGS FROM COSTA RICA 💪🏻💪🏻💪🏻💪🏻💪🏻💪🏻💪🏻
Mais uma vez, parabens Marcus !!!!!
adoramos coloquei pra familia assistir, o André manda um abraço ... Parabéns !!!!
the buzz is there .. but it's worth getting past it to watch & listen .. there's a million 'lessons' on RUclips about 'how to' with this .. Funny to find what is maybe the best version of 'it' from Brazil & with a buzz. Drop Pauls bass note & the slamming keyboards onto it & snap... Nice work Sir.
The guy is literally the best authority in Beatles/George Harrison music ever. George Harrison in 1987 actually heard a tape of Marcus playing and thought it was himself. Sadly he past away a few years ago.
Loved it!
Perfectamente bien tocada te felicito👏👏👏👏👏
Fantastic!
What the hell...!?!? but yeah,it was good to hear you play that song on that beautiful guitar!
Very nice that you titled the video in English
really good
você toca muito bem, parabéns
Very informative and quite accurate! Congrats!
boa Marcus, você é o cara a respeito de Beatles, sinto orgulho de ter sido seu aluno.
Abs
O Marcus é incrível! Isso, usei o verbo "é," e não era porque lendas não morrem.
OK, You are ABSOLUTELY right.
Muito obrigado Marcos!
He nailed it
Nicely played
DAMN you look alike George's master, Ravi Shankar
..Wow! He does!
SOLI DEO GLORIA
(To The Glory Of God Alone)
Father, Son & Holy Spirit
-Ronnie
Eu tentei fazer o 'dedilhado' do fim com um violão de nylon vagabundo quando tinha 10 anos de idade. Hoje, com 40, finalmente aprendi a tocar certo uma das mais belas musicas da história da música, com uma Gibson les paul standard. A Rickenbacker de 12 cordas deixo pra você.
Nada mal, com uma Gibson Les Paul, hein ! Eu já me dei por satisfeito com uma Fender Stratocaster Flame Top legítima da Califórnia...
Paul Pecchio, bairro do Campo Belo, SP.
Bravo, ma non senti il ronzio in sottofondo?
parabens marcus!
Great stuff-nothing like playing the guitar properly.
Right on...and on an offic. Rick 360/12c63, Double-Bound, FireGlo..!
Gurizada aonde compra uma dessas?😭
R.I.P Marcus.
You need to rectify the AC him, run the heater voltage through a full bridge rectifier to 12v DC.
Great！
SO cool...even though I have NO idea what you are saying !!
What'd he say ??
Bravo!
60 cycle hum holy crap!
Am I the only one hearing the horrendous B U Z Z ??? Man!
"No, I haven't had anything", as Ringo falls through the floor to meet the Lion, Ha!
That's not the main thing...
george scarlett What? I can’t hear you for the buzz noise.
Yes!
WHO CARES about the buzz ? You are obviously not a REAL guitar player. Ever plugged into a tube amp ? No...I am sure not.
If you’re playing in a band and want to approximate the opening chord have the bass play a D, one guitar play an open D chord and other play that Fadd9. Sounds damn close to the record.
Jas. Clary, you've got it!! Totally agree there..Kindof how Randy Bachman figured it out too!!
One question: the chat your friend had with Harrison concerning the opening chord, the fact that Harrison said F over G does not define the voicing of the chord, correct? I also believe the closing riff is played a little different, as you suggest (on 4 pairs of strings instead of 3) The opening G is played on the E unison strings (first pair, as you're doing it) and then the F on the D strings. That way we hear that suspension ringing longer and when the F is played on the D strings we hear the octave, which seems to be present on the recording. Now, was this corroborated by Harrison or just the quality of the chord itself?
Without hearing the piano in the intro, it will never sound completely right to the ear. The piano is HUGE in the intro chord. The piano is NOT in the final chord of the song, which is why that chord sounds different. It's great that he points out the correct way to play the closing riff (on 4 strings).
TheAerovons Also on the intro chord, John's playing a Dsus4, which also has a huge impact on the sound.
Years ago, figured this out by ear, even the opening chord..All that heard/ grooved on it said it was correct..especially the ending repeated warbling, arpeggiating Fadd9, Freg, repeat...Sounds great on a Rick 12-string, only!!
@@TheAerovonsHave to agree there. But without a piano in a cover band, you have to "make-shift"..!
yeah...what he said
JUST CAME HERE TO SEE WHAT ALL THE "BUZZ" WAS ABOUT AND I MUST SAY I WAS NOT DISAPPOINTED !
LMT5
Excelente. Obrigado. Nem dá para perceber que é um cover! Sim ruido de fundo incomoda um pouco, mas em face do trabalho, esquece. Já agora, na primeira audição do Beatles na EMI/Parlophone alguém se queixou de um ruído como este. Será um requinte de realismo? ;-D
gee whaT A gear guitar
O cara faz um trabalho sem igual e o pessoal reclama do zumbido do amplificador? Isso é sério?
Revolution9 - Beatles fan club Pois é Marco! Mas ainda bem que não são a grande maioria... O que vale somos nós, os que sabemos da genialidade e da grandiosidade do Marcus! E também admiro muito você Marco, obrigada por tudo!
@@nathaliaberri3231 obrigado Natália.
Sério isso🙄🤦🏻
de onde será que o George tirava esses acordes??? enquanto a gente toca G,C, D o cara me vinha com uns acordes esdrúxulos altamente originais inspiração divina, genialidade? pacto com o demo?
how did u switch chords so fast??
..Practice, practice!! Chords aren't that hard in this song, once you're familiar with it..
Que ruido ..!!!joder
At 1;37 George played an "Awkward" pattern. I first list the string, then the fretted position as follows: /4th@3rd / 3rd@2nd / 2nd@1st / 1st@3rd / 4th@3rd / 3rd@2nd / 4th@3rd / 1st open/ repeat to fade out. It's 'awkward' at first, but 'FUN' at the last! Enjoy Gb bg
What you wrote makes no sense . He is playing it correctly at the end of the song.
The major difference is the 6th note, played on the 3rd string, second fret. Listen REAL close, and you will hear it. As I wrote, each note played is between each forward slash, and first calls out the string the note is played on, and then the fretted position. I can't post a TAB for you, so this is the best I can provide. Gb bg
The 6th note of the riff is a "C"...clear as day...have no idea what you are talking about. They way you describe it would then hit "A" on the G string twice in a row.
If you want to hear him play it slowly listen here....www.dropbox.com/s/6dlhd88zrpix91z/HDN%20END%20RIFF.mp3?dl=0
you look like ravi shankar
Nice job! But try this for the opening cord ….. F,A,D,G,C,G…. I BELIEVE this is what he played.
thumb up for Coco Basile!
Amigo, tenho acaompanhado seus vídeos , só que tem um barulho estranho .
Is it true vintage ?
..I wonder. Does have that jangly, twinky, chimey Rickenbacker timbre!!
Is that a TEAC A-3340s in the background?
not sure what kind it is but that is surely a old school reel to reel tape player which you knew but a lot of younger people born in the 80's or later don't have any clue what we are talking about. Teac and Akai made them and Realistic from Radio Shack made them,but that is the only brands I remember. My parents still have an Akai that still plays
I had one, and they had the FASTEST rewind on the market, amazin'!
I'm fairly certain that it is. I have one in front of me and the only difference I can see is the head cover is a little different. Awesome 4 track.
..Sure looks like it..great reel to reel.
Could you run that by me one more time?
You need to squat that Bee.
It's a 330 twelve string, not a 360.
Claire, no, that is a reissue double-bound 360/12..The mod 330 has small dot fingerboard inlays. These are DeLuxe crushed pearloid inlays, what 360's came with..I am a Rickenbacker aficionado, not to brag..
O velho toca bem
that is not the 360 12 that guitar has 12 string while the one in this video has 6
@Susan Holiday Susan, most exacty..Love you for that astute observation!!
Kkkk
To much feedback😱
First of all he's playing to probably his bands cover of a hard days night so it's wrong cause it sounds wrong, close but no cigar
Yeah cos you could do so much better
Pretty close to right on, I'd say..a tad different in his C, B, C, C#, D ascension. Don't thing Harrison plays that.
too much talking
just play the fucking awesome guitar
Hey Paulo who ever... George did not play a Rickenbacker Cal. made guitar John played that git George Played a Grietch same guitar Chet Atkins played..Mr Guitar..get your facts straight ..Paul played a Vox Beatle Bass. and the drums were of coruse Ludwigs..your talkin to a guy who grew up listening to the Beatles..stick you,r Rickenbacker were the sun don,t shine...
Boy, you really don't know how wrong you are about their guitars... George's Rickenbacker for a hard days night was this same Rickenbacker, a 360-12.... It's what makes the sound that makes the song and he used it when recording " Hard Day's Night", ""I Call Your Name" and other songs. Also played it live quite a bit..
Shirley, not correct. Harrison played Brooklyn NY-Made Gretsch 6-string guitars, and Santa Ana, Cal-Made Rickenbacker 12's. Johns little Rick 325 3/4-scale was also Cal-made. Do some self-investigating. Also, Paul's Hofner basses were German-made. The Gibsons they played were mfd. in Kalamazoo, Michigan!!
McCartney never played a Vox bass!! Vox amps, yes, but never Vox basses!.. He played Hofners and Rickenbacker basses..later in Wings, he played a very heavy Wal 5-string..
i wonder...can he laugh in English?
dw1985 is it offensive to you that he doesn't speak English?
Wrong chords, sorry...