0:00 J.S. Bach - Prelude in C 2:33 J.S. Bach - 2-Part Invention No. 4 in D Minor 3:58 Handel - Fantasia in D Minor 5:15 Rosetti - Allegretto 6:57 Kuhlau - Sonatina in F, Op 88 No. 4 (Allegro Molto)
Thankyou so much for sharing 🙏. Yours is the best available video with all requisite dynamics clearly demonstrated. Thanks again. Really helpful for my exam.
Could you explain the theory behind the mordant and the trill in the bach 2 part invention pls. Some recordings have mordants being played as trills . And the trill carrying on for the tied bars as well.
i just wanted to confir, this falls under the classical and jazz section right? (got a lil confused bcz i see modern pieces like thinking out loud and coldplay
In piece no.5 Kuhlau: Allegro Molto (1st Movt from Sonatina in F, Op. 88 no. 4) , In bar 27 and 29 , the first note is tied to a staccato. How are we supposed to play it? Should the staccato note be striked again?
@@livialai that’s what everyone are saying … but why in the first place a note is tied to a staccato ? Instead we can put the note and a rest if we don’t want the second note to be played. When a slur connects a note to a staccato … shouldn’t the staccato be played as semi staccato
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
0:00 J.S. Bach - Prelude in C
2:33 J.S. Bach - 2-Part Invention No. 4 in D Minor
3:58 Handel - Fantasia in D Minor
5:15 Rosetti - Allegretto
6:57 Kuhlau - Sonatina in F, Op 88 No. 4 (Allegro Molto)
6:57 - Allegro Molto
8:33 - Grisaille
16:02 - malaga
17:27 - Ice Dance
26:37 - Coldplay
28:26 - Ed Sheeran Thinking Out Loud
31:53 - Don't get around much anymore
34:52 - Exercise 1c
35:38 - Exercise 2c
36:00 - exercise 2d
36:13 - exercise 3c
34:51 Exercise 1C
35:38 Exercise 2C
30:24 Spanish Polylogarhythms
26:36 Clocks
18:52 Ajeeb Dastan Hai Yeh
34:54 Exercise 1C
35:19 Exercise 1D
35:41 Exercise 2C
36:02 Exercise 2D
36:18 Exercise 3C
36:37 Exercise 3D
Thankyou so much for sharing 🙏. Yours is the best available video with all requisite dynamics clearly demonstrated. Thanks again. Really helpful for my exam.
21:30 Chocolat: Main Title Theme
34:52
Could you explain the theory behind the mordant and the trill in the bach 2 part invention pls. Some recordings have mordants being played as trills . And the trill carrying on for the tied bars as well.
Check out this link: www.iment.com/maida/familytree/henry/music/bachnotation.htm
i just wanted to confir, this falls under the classical and jazz section right? (got a lil confused bcz i see modern pieces like thinking out loud and coldplay
Correct 👍🏼
@@livialai alr thank you!
In piece no.5 Kuhlau: Allegro Molto (1st Movt from Sonatina in F, Op. 88 no. 4) , In bar 27 and 29 , the first note is tied to a staccato. How are we supposed to play it? Should the staccato note be striked again?
Don’t replay the note, but come off it in a staccato manner so it’s detached from the next notes
In the recording, the second staccato note was not played. I hope this helps;)
@@livialai yes it was not played… but is that the right interpretation.. why is a note tied to a staccato in the first place
Just make sure you lift it more abruptly when you see the staccato note:)
@@livialai that’s what everyone are saying … but why in the first place a note is tied to a staccato ? Instead we can put the note and a rest if we don’t want the second note to be played. When a slur connects a note to a staccato … shouldn’t the staccato be played as semi staccato