Ivo Pogorelich - Chopin 24 Preludes - Belgrade LIVE 1988
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- Опубликовано: 8 июн 2014
- 00:00 No. 01 Agitato
00:40 No. 02 Lento
02:41 No. 03 Vivace
03:32 No. 04 Largo
05:51 No. 05 Allegro molto
06:20 No. 06 Lento assai
08:42 No. 07 Andantino
09:47 No. 08 Molto agitato
11:48 No. 09 Largo
13:18 No. 10 Allegro molto
13:48 No. 11 Vivace
14:26 No. 12 Presto
15:26 No. 13 Lento
19:52 No. 14 Allegro
20:14 No. 15 Sostenuto
26:55 No. 16 Presto con fuoco
27:53 No. 17 Allegretto
31:06 No. 18 Allegro molto
31:53 No. 19 Vivace
32:52 No. 20 Largo
34:36 No. 21 Cantabile
37:20 No. 22 Molto agitato
37:59 No. 23 MOderato
38:44 No. 24 Allegro appassionato 
Видеоклипы
The security of the technique and the great energy make Ivo Pogorelić one of the greatest artists of our time.

holy shit that prelude 12
partly because, he sounds and plays like no one else, and also, he's playing is ......brilliant - he brings something fresh, and intricate to the music he plays .....a rare gift
Genius, probing, unsettling, revelatory like none other!
One of the greatest ever!
jim kost "Probing"...great word to describe Pogo, here & in his Brahms Intermezzi. Horowitz, too, and Gould (his Brahms) were "probing" as well. Richter was a technical stormy wonder but so far as I know he only "probed" those first few minutes of Rach 2 Concerto....a rendition that still haunts me even after decades
Just a Genius can understand to the other Genius - with this idea have many today's "pianists" nothing to do...
A superb performance. Pogorelich is a total original. He brings out the darker undercurrents in these preludes better than anyone I can think of. An unsettling dark performance not for people who like their Chopin to correspond to their comfort zone.
oh get over yourself... this is Pogorelich at his most conventional probably
Personally I don't think Chopin himself aimed for anyone's comfort zone. But no one managed to go beyond it with such finesse and appeal.
Grazie per aver postato questo gioiello.
Beautifully put. Thank you.
one for the great modern pianists - brilliant
this is it.one of the best interpretations of history. muses, melody, harmony, structure.
Unbelievable! Stunning, moving, superb playing, way more than DG take! Thanks!!!!
Stunning, electrifying!
the best modern classical pianist of world. there is no such great pianists like vladimir sofronitsky now, only pogorelich.
Esecuzione 'matta e disperatissima'. Grande ivo. ❤
Prekrasno izvodjenje ! Istancano i nadahnuto. Naprosto pleni.
Musica universalis
Music of the Spheres
So beautifully unbending, severe, relentless, implacable, inexorable.
Вот это да! Романтик, но не сентиментальный. Глубоко, загадочно, он не из этого мира.Понравилось, не то слово!
se tutti i bravissimi pianisti fossero così singolari, avremmo ancora tanto da ascoltare. invece...
Belgrade Live (28th of March) 1989.
Let music flow through us, let us not impose ourselves on it, let us just serve the purpose of setting it free in all its beauty and splendour
you are so right...freedom and beauty...that is ivo, chopin, music
Magnificent. Thank you so much Filip Kamedonski .
super performance. bravissimo.
Chopin por Pogorelich: un abordaje personalísimo, profundo y, sin dudas, luminoso. Muy bello.
Thanks Perfect
КРАСИВО ИЗПЪЛНЕНИЕ!!!!!!!!!!!!
Pianisti! Silenzio tutti please! Imparare.
what is this...who is ivo...defies words...mathematical perfection...finest sound...master of master pieces... circular...perfect form...perfect melodies...perfect structure...complex genius
He is an angel of the musical pentagram. Only the angels walk alone because they are not protected by other angels.
@@akanatsouli yes... he is an angel... invisible saint... tempted by human errors.. evils... but he is pure, one of the purest person and artist ever.. he walks with us... his loving public audiences
You forget the word "avatar". Avatars are those celestial beings who appear or manifest to humanity to bring forth a new message of great spiritual value and importance.
Such is Pogorelich a musical avatar of our age and civilization.
Some Avatars are Cosmic, who only come close to humanity once or twice in the life and duration of our planet. They can ONLY come as close as the Mental Sphere / PLANE, of our planet and require advanced humans like Jesus The Christ, to step down their Message for we humans to receive. This is simply one simple explanation of the concept of Avatar.
I would suggest that Pogorelich is a musical artist avatar who presents deeper and more profound interpretations of classical compositions than has heretofore been presented for human consumption.
The next great Cosmic Avatar of Synthesis has been Prophecied to come close to our humanity hundreds, if not some thousands of years, into the future.
A great messiah human will receive HIS COSMIC AVATAR MESSAGE OF THE UNITY, THE ONENESS OF HUMANITY.
There are also lesser Avatars, such as Solar, Planetary and of course, human avatars.
Take heed, for the Return of THE CHRIST will require much preparation of our humanity, to receive HIS MESSAGE OF REDEMTION AND SALVATION.
I discovered Chopin in my childhood with perhaps Rubinstein. Ivo's Chopin is mind-blowing, something very different from authentic interpretation.
My two favorites.
I think at 8:42 ( few seconds later)
we can assign the prize for coughing pooper of the year!
27:53 -- SWOON!
It is 1989 ..
Even in this horrible recording with a pathetically sub-par piano, the genius of Pogorelich shines through. The greatest pianist of his generation by far. He will go down in history with the greats of the keyboard.
Beryl Green
vergeet youri Egorov niet
eh oui ! la piètre qualité de l'enregistrement doit terriblement nuire à la performance d'Ivo P.
Beryl Green -- Exactly! BRAVO from Acapulco!
A CD ?
" Eccentricità in Arte non è sempre una forma di Bellezza". Chi lo disse?
26:54
Love Pogo....BUT HERE....in No. 17 he Missed His Shot: Rubenstein (of all) HAMMERED those left-hand Bells at the end....Great Experience....Surprised Pogo missed that........
I completely disagree. He is quite passionate in Number 17. This is my favorite of all. I guess to each his own. He interprets it beautifully
I've never heard such banging in my life! The prelude in g-sharp minor, in particular, was a travesty!
+karlakor A trifle "bottom heavy," "blocky" and unvoiced to be sure, but he achieved a true PRESTO unlike most who settle for a timid allegro-moderato at best. Have you ever tried to play the G#-Minor? It is one of the most difficult pieces in the literature -- one a level with the Etudes Opus 10,#2, #7, and Opus 25, #6 -- also in G#-Minor. On the opposite end of the scale would be Livia Rev who plays the Preludes with great delicacy and attention to detail, but little fire, and at very modest tempi. I frankly can enjoy BOTH approaches. The Preludes are such magnificent little gems, they can withstand almost any treatment, except INEPTITUDE, and still stand up very well for themselves. If all pianists played alike, there would be no point to every going to concerts or lisetening to new recordings, would there? ;-) That said, I will admit to you there is MUCH I don't like about this performance.
Russian school !
Людмила, да, русская школа, корни из Санкт-Петербурга, хотя официально учился в Московской консерватории.
@@user-nc4nb9qo9y Марина, ничего не знаю об этом периоде его жизни. Не могли бы Вы рассказать ?
@@user-vo1gx6xm8r Иво Погорелич говорил об этом в интервью:
"Господин Погорелич, Вы выпускник Московской консерватории. Почему Вы не возвращались после того, как покинули Россию?
Иво Погорелич: Дело в том, что в мое время Московская консерватория представляла из себя ни что иное, как мясорубку для талантов. Власть КГБ, коррумпированные профессора. Я числился у двух выпускников Нейгауза. Когда-то мой первый педагог в Москве Евгений Михайлович Тимакин сказал, что музыканту надобно посещать концерты не только для того, чтобы слушать, как надо играть, но также и для того, чтобы слушать, как не надо играть. Так вот мое время в консерватории я могу описать как время, когда в течение пяти лет я слушал, как не надо играть. Я принадлежу западно-русской пианистической школе с корнями в Санкт-Петербурге."
@@user-nc4nb9qo9y Спасибо !
Вобрал все лучшее. Долгой творческой жизни и вдохновения
A super-brilliant technique, a probing intellect and an imagination so overpoweringly vivid it often borders on the grotesque mar this extraordinary performance because in general the "fast" preludes are TOO fast, while the "slow" ones become ponderous to the point of tediousness. Also highly exaggerated dynamics -- mostly on the FORTE end of the scale -- makes many of these gems sound bombastic and overblown instead of passionate and powerful. While never boring, this reading lacks the ELEGANCE endemic to Chopin's character and style. In attempting to demonstrate the composer's wild side, much of this comes off sounding downright SAVAGE.
Assez d'accord. Sans doute parce que je l'ai trop dans l'oreille, je préfère toujours la version du jeune Pollini, suffisamment "sauvage", chantante, et nettement plus élégante
Pour l'élégance suprême écoutez Jeanne-Marie Darré
I'd forgotten that Pogorelich's playing could be so ugly this early in his career. So much banging and whacking here; just awful. At this point, though, he could still play brilliantly, sometimes. His 1990 Carnegie Hall recital was thrilling and memorable.
It’s the quality of the recording and the positioning of the microphone in an echoing environment. You can hear these same preludes with the right sound m his official recording.