I am not a huge fan of skating but when I saw this program, I was stunned. I think skating is boring most of the time because skaters pick boring music in major chords and they're always safe and boring (redundant, I know). Mao picked such a dramatic piece and filled the room with her fire. She melds the rise and fall of the music perfectly with her artistic expression and her power moves. I really appreciate this piece. Signed, not an ice skating fan.
I see where you're coming from. I'm a figure skating fan DESPITE the music, not because of it; coaches usually choose the same 10 pieces of music, almost always with horrible cuts and terrible editing. That said, there are some skaters who bring music to life, and have the rare gift of making their performances memorable. Mao was the best of them IMHO.
This program is incomparable. It is deep music with courageous choreography and mind blowing skating by Mao.Technically only the judges knew why her score did not shoot up the roof but the overall affect in the eyes of skating fans is that it is impressive in a HUGE way.
I watch Yuna for her jumps. But Mao, I watch for the elegance, her triple axels, her spins, her spirals and her intense footwork sequences. Mao will forever be my favorite skater in the world.
Best skate of all time. This is a masterpiece. The drama and passion, perfection of execution, difficulty and uniqueness is unequaled by any other skater ever. This powerfully delivers the message to never give up but fight to the death through life's difficulties until you succeed and it inspired me unbelievabIy. I jumped out of my chair and watched in amazement the first time I saw this history making performance on TV, wondering who was this ninja, warrior queen. Now I am Mao Asada's biggest fan.
There are some wonderful skaters in the world. But there are not so many those who could touch my heart by the performance. Whenever I see Mao’s performance , tears form in my eyes. Incredible, graceful and soulful!! You are the queen in figure skating .
this deserved more than 140. technicly impressive and so strong in artistry! the components score is a shame!this choreohraphy is a dramatic masterpiece!
@@user-xk3jt6sr8t didn't people call it bribery back then. then why keep on complaining Sochi? This is much worse flagrant scandal here. Yuna fell twice.
I was there 10 Years ago watching my hero skating and now i'm here watching this video and i think that nobody will take her place in my heart As the best figure skater in the world . I hope she's fine and that she knows how important she was , she is for me :)
The problem here is that back in 2010 the IJS simply did not place that much importance on the triple axel in terms of point content. As is evident, this jump has only been landed by one other lady besides Mao Asada since the 2010 Olympics Games, which is a testament to its extreme difficulty --- even in comparison to a good triple lutz, which 80 % of the senior ladies can do successfully; only fewer than 1% of them can do the triple axel. Thus, I believe that the triple axel, if landed successfully, should garner at least a base point of 10 in the women's competition. :)
I don't think skaters will put the triple axel in unless Elizavetta and Mao start landing them consistently and winning because of it. Right now it's almost the Achilles heel of their programs because they focus so much on the one jump that the rest of the program falls flat if they miss it. For the others, it's a big risk to take and not worth it if you can win without it. I believe many of them train it though in case the time comes.
Mao Asada was a genius on the ice. Most skaters would have been overpowered by this music, with such "gravitas", but not Mao. An interpretive genius ...
i love this program and this performance i find her shining with confidence, there simply is no hesitation and she really shows great attack. love how she does every element so perfectly makes it look so easy and her one handed biellman spin was exquisite, and she really has some guts by doing not one but TWO 3A..
The judges were always tough on full rotation as this was the period that they added a technical expert to the judging panel. Watch Sarah Hughes during her gold and you can see some jumps in her double doubles that didn’t land with full rotation, ( still deserved gold). As a choreographed piece this was bold, brooding, dramatic, and completely unique. This was a Russian piece of art and the diva in Mao rose to the occasion with fierce mastery.
her technicality are really great like her biellman spiral. she's the most flexible among the competitors..congrats MaO i hope you will aim high next year and be the world's figure skating champion again!
Let's put on end to the meaningless augment, determining who is superior to its competitor. she is definitely one of the most talented players, who made history. A couple of days ago, when you cried just after long program, i did together cuz i could sense how massive pressure you had been carrying. Thanks, Asada Mao for such an excellent skating. 아사다 선수, 수고 했습니다. :)
I really love this program, the music is exquisite, the performance just perfection. A masterpiece from the most gifted skater....It's Art on ice!!!!!!!!!!
this show her vancouver score was way over-scored. but no one gave a damn coz yuna beat her. sp she never break 66 marks since 2007 outside home after growth spurt. lol she got what 74?. clean here 129? and 132 after 2 major mistake? Don't forget 09 teb! less mistake and she got 115! since when mao break 200 mark after 2 major mistake? just watch her gpf 2007 which is lot better she got 132! of course 2x UR and 1x 2- foot landing never caught. 138 with small mistake at 2014 world which is based on her infamous home record. Which shows 142 is already way too generous. If You judge 142 on 2010 scoring system, mao would be lucky break 135 mark.
***** you gotta be kidding.. Yuna was perfect, but Mao had some errors on this performance. FYI, she didn't take first place in Sochi FS because she had several URs and other errors.
girolle01 why is it Kim's fault? she had no chance in Sochi when they were rigging the scores any way they can just to keep Kim down even she skated clean. Kim's technicality should be higher than Adelina and the rest actually. She was the only one who skated flawlessly, meaning no errors in her performance. Mao, Caro and Adelina all had errors in their jumps. Just check the score sheets.
Sooner or later, many female skaters will carry out 3A or quads. Then Mao Asada will have true glory. Of course she was a top athlete, but it's not important only results but challenge and courage.
Daisuke Takahashi recently said in an interview Mao's step is so good and he respects her. We usually think Daisuke's step is the greatest, however, "Mediocrity knows nothing higher than itself, but talent instantly recognizes genius." Tara also loves her step sequence.
i could not help but cry during the step sequence... and then nearly smashed my laptop when the commentators mentioned kim. this is mao's program, for god's sake!!!! what is with american commentators!!
i cant believe..you are perfect mao...thank you all do for figure scating..when you stop skating i will stop watching figure skating...i will always love you..good luck sochi.....
I don't mind her not getting 150+ here. She should have beaten the WR in Sochi though, winning the free skate. That was the travesty of the ladies event.
In this peerless performance, the innocent princess transforms into a desperate, nimble angel firing wildly rotating lightning bolts from gyrating limbs during her dire step sequence (1). She is bewitching and beguiling in her cat-like agility, as she springs into the air with a twin attack of triple axels, and an exquisite flurry of spinning rotations that are synonymous with feline finesse. She strikes bizarre behind-the back, peek-a-boo and mask-like poses through black gloves with her arms and hands like figures out of Picasso’s modernist paintings: Les Demoiselles d’Avignon and Three Women. Her sultry spiral sequence begins with the prima ballerina performing a beautifully limber cross grab one-handed Biellman, followed by a nimble transition into a picturesque arabesque: with her legs stretched almost fully perpendicular to the ice, just as they are when she leans far back into a statuesque fan spiral. In this sequence, her black gloved hands reach desperately to the sky, as if to ask the Almighty why someone so young and vital must fight so hard to stay alive. As for spins, she drops into a crouching position, crosses one leg on her knee, fully extends her arms upward and locks her hands far above her head, before rising upright and extending her legs up 90 degrees to the ice in a rapidly revolving leg extension. During this spin, she places her black gloved hand just above her head, which is prostrate to the sky, like an ill-omened halo pronouncing her dark fate in life. Then, she wraps her head and leg sideways around her back in a doughnut, drops into a sit spin with her legs extended lower than parallel to the sitting position, before fully extending her head and right leg all the way up behind her back in a one-handed Bielmann. During this spin, she pulls her black gloved hand in flush against her chest, cups her finger tips upward and opens her mouth to the sky, as if entreating the Almighty for a drink from the River of Life. For me, these are the most dramatic, elegant and flexible spins and spirals I have ever seen. The poses she strikes are like great modernist art works. In my opinion, the heavy, plodding, desperate and dirge-like drone of Bells of Moscow (Prelude in C Sharp Minor) has a profoundly somber and masculine tone that contrasts sharply with Mao's highly feminine, ethereal and tender nature, thus offending the sensibilities of those accustomed to her Fantasie Impromptu, Czardas or Clare de Lune performances. It is such a sharp break that many of her fans can’t take it; it undermines her effervescent image, almost as if they are witnessing the Fall of Mankind (or in this case Eve not Adam) in the Garden of Eden. In addition, her heavy make-up, the black gloves and her blood red and black costume further enhances this sense of lost innocence, with her prodigal passion and dark abandon fully on display in her alluring poses and contortionism in the spins and step sequences. She stalks the rink stealthily like a wild cat on the prowl that hungers for life. Furthermore, the fact that her performance and skating seethes slowly like burning coal with no ultimate climax and release as in Sochi further frustrates the viewer’s expectations. The tension that builds is never really released; it seems to just grow heavier and heavier like Atlas bearing the whole weight of the world on his shoulders; until abruptly at the end the entire weight is dropped like a lead ball with the deep gong of the bell. Throughout the performance, a sense of apprehension mounts into smoldering anxiety that ends in interminable desperation, impeccably matching the sense of entrapment in the music. She powerfully portrays Rachmaninoff's inspiration for the composition- his nightmare of being buried alive at such a young age, as he gazes in horror into the depths of a coffin at a funeral and imagines himself the deceased desperately fighting for life as he pounds on the lid for release. Seen in this sense, the choker she wears around her neck displays entrapment. To me, her stunning costume and performance of the choreography is pure genius: a revolutionary artistic and dramatic “prelude,” no pun intended, to the tragic grandeur we see in Sochi. In other words, to experience the rich beauty of tragedy and redemption, there first needs to be a fall, and Bells for me is Mao’s first descent into tasting the fruits of the darker side of artistic expression. Besides, she is so very beautiful here: the quintessential Dark Angel. Her skating in Bells is a consummate Modern Art performance: her beautifully bizarre poses and movements combined with her desperate expressions are a moving representation of the Cubism found in Picasso's paintings. This performance is also one of the greatest examples I have seen of synchronicity, or a series of meaningful coincidences. Mao skated to Bells of Moscow on March 27, 2010: the eve of the anniversary for Rachmaninoff's death which was on March 28, 1943 and the composition is about a young person desperately seeking to escape death. Furthermore, Mao skated to Rachmaninoff's 2nd concerto on March 29, after breaking the record in the SP on March 27, 2014. These are also Mao's most resounding victories in the World Championships, and in my opinion her two greatest overall performances (SP and LP). 1. Sincere thanks to the posting by evw34287 who gave me the idea for this imagery. They wrote, " image of angry angel throwing lightning here and there." at this website.
Ted Jackson This comment deserves a lot of appreciation. Thank you so much for sharing this essay. I thought this was one of Mao's worse programs because the tone of the music is so heavy and does not match up to her soft and souffle-like personality and image. Your interpretation of this program made me realize a lot of things such as Mao's amazingly unconventional artistry on Bells of Moscow's canvas. Your comment just made my day. Again, thank you. ☺️
i love this programme, many people think that this kind of music is too heave and it is contrary to Mao's style, somehow i found mao is capable of present the spirit of the "dark" , "strong" music. and isn't this what's called expressive. show sth that is not what one is born to be.
I am delighted to say here Mao Asada proved me wrong! At the beginning of the season I really didn't like her two programs. I loved light, ballet, gentle Mao SO much in 2007/08 2008/09. I wasn't sure about "Bells of Moscow" or the SP but this performance is GENIUS, BEAUTIFUL! The step sequence has PASSION and techicallly SO hard. She certainly stepped up here. WELL DONE!!!!!!
浅田真央選手の演技を見ると魂が揺さぶられる。彼女のスパイラルは劇的で強烈な印象を受ける。
３Ａ2回の快挙の衝撃、スピンの素晴らしいポジショニングと手の表現、そして圧巻のステップ！観客
に息もつかせぬこの演技に誰もが、彼女を崇拝する。ジャッジは関係ない。浅田選手の声が聞こえる
ようだった。私は完璧な「鐘」をフィギアスケートで表現したい。彼女は氷上の芸術家なのだから。
批評家は時代の流れで変わる。どんな芸術家も最初から評価されない。しかし大衆を魅了出来る
のは、真の表現者だけだ。
何年も経って後、「ああ、あの演技がもう一度みたい」と思える。そして、何度みても私の期待を裏切らず、色褪せず、芸術性を感じる。このプログラムはそう言う演技です。つまり、この演技は芸術性が高いということであり、まさに芸術そのものであったという事。
3:44 - 4:51 --- No one does footwork like that! Mao is amazing! THATS truly talent!
いつ見てもいい演技。
難しいこの曲に合わせて果敢に演技に挑んだ真央ちゃんは、最高の選手です！
この会心の演技ですら130点も行かずにフリー2位なんて、何度見ても未だに信じられない。
Omg this program is just incredible. The music selection and choreo are amazing. She skates for her life in that step sequence. My god.
I am not a huge fan of skating but when I saw this program, I was stunned. I think skating is boring most of the time because skaters pick boring music in major chords and they're always safe and boring (redundant, I know). Mao picked such a dramatic piece and filled the room with her fire. She melds the rise and fall of the music perfectly with her artistic expression and her power moves. I really appreciate this piece. Signed, not an ice skating fan.
exactly! this is why people don't watch FS. it's ISU's fault. no more plushenkos no more maos then no more audiences.
goodY Plushenko wasn’t even that good at artistry. Not like Yagudin
I see where you're coming from. I'm a figure skating fan DESPITE the music, not because of it; coaches usually choose the same 10 pieces of music, almost always with horrible cuts and terrible editing. That said, there are some skaters who bring music to life, and have the rare gift of making their performances memorable. Mao was the best of them IMHO.
フィギュアスケートで映画音楽やオペラ楽曲が使用されその主人公になりきり既定路線のストーリーをなそるプロが多い。それはそれで悪いことでない。
演者は演じやすい、観客は理解しやすい、審判は評価しやすい。
ここで振付のタラソワ女史と浅田選手やってのけたのはそれと真逆なこと。
既にある物語に依存することなく純粋にフィギュアスケートを通し一つの世界観を表現するという離れ業。浅田のどの所作をとっても無駄が無いだけでなくドラマを感じさせられる。まさに革命的プロ。二人の天才に感謝。
This program is incomparable. It is deep music with courageous choreography and mind blowing skating by Mao.Technically only the judges knew why her score did not shoot up the roof but the overall affect in the eyes of skating fans is that it is impressive in a HUGE way.
ほんとかっこいくて芸術的なプログラム。終わった後の”やった！”のポーズがめっちゃ男前でかっこえー！
I watch Yuna for her jumps. But Mao, I watch for the elegance, her triple axels, her spins, her spirals and her intense footwork sequences. Mao will forever be my favorite skater in the world.
Mao is a living legend. Truly one of the best performances ever. Stunning, smooth & strong!
Best skate of all time. This is a masterpiece. The drama and passion, perfection of execution, difficulty and uniqueness is unequaled by any other skater ever. This powerfully delivers the message to never give up but fight to the death through life's difficulties until you succeed and it inspired me unbelievabIy. I jumped out of my chair and watched in amazement the first time I saw this history making performance on TV, wondering who was this ninja, warrior queen. Now I am Mao Asada's biggest fan.
I totally agree 👏
In 2019 this would be a 150+ free skate. Amazing program amazing skater amazing performance.
Simply breathtaking, the final one-handed biellmann is just out of this world!!!
久しぶりにこれ見た。何十回も見ているのにやっぱり感動しました。
There are some wonderful skaters in the world.
But there are not so many those who could touch my heart by the performance.
Whenever I see Mao’s performance , tears form in my eyes.
Incredible, graceful and soulful!!
You are the queen in figure skating .
Simply the best I have seen her skated! Brilliant
she deserved more than 129.5 points...beautiful skater and wonderful performance! bravo Mao...
私もこれが一番好き！！
ラフマニノフと真央ちゃんが一体になってる！！
魂が見える。
This is one of my favorite programs, not just by Mao but of all time :-)
努力も才能の一つだが、努力することに惜しみもなく取り組んだ浅田選手の精神力は金メダルものだと思う。こんな重厚的に演技できるなんて今いますか？真央ちゃんはえらい‼️
this deserved more than 140. technicly impressive and so strong in artistry! the components score is a shame!this choreohraphy is a dramatic masterpiece!
Sorry but even though Mao didn’t make any mistakes at this LP, Yuna took more points than Mao even she did two mistakes on Jumps.
@@user-xk3jt6sr8t didn't people call it bribery back then. then why keep on complaining Sochi? This is much worse flagrant scandal here. Yuna fell twice.
SPの仮面舞踏会では貴族の華やかな面を表現し、その裏で重税に苦しむ民の姿を表現したFS。
これが真の表現力ではないのか？
Mitsuki. T
その様な解釈のシーズンだったのですね！
子供だったとは言え、見なかった自分が憎いです（笑）
時が戻ればいいのに。
I was there 10 Years ago watching my hero skating and now i'm here watching this video and i think that nobody will take her place in my heart As the best figure skater in the world . I hope she's fine and that she knows how important she was , she is for me :)
真央さんは音楽を表現するもうまいから、音楽が私の頭にすら残る。
いろんな音楽に挑戦してくださったおかげで、私も音楽を楽しめた。
もちろん、ジャンプ、ステップ、シークエンス、スピン、すべてが素晴らしい。
真央さん、今も忙しそうですが、幸せでいてくださいね。
この時の演技は神の領域に達していたと思う。
勇気を出したい時にいつも見ています。
来期で引退してしまうのが悲しいです。
演技は良いのだけど、ジャンプ構成が弱い。(^^;)
@@bnao430 出たとこ勝負でた（笑）
@@user-zp3pw3dd4v 今の時代の選手と比較して、3Lzと3Sがなく、3-3のコンビネーションジャンプもない構成など考えられないでしょ。(;^_^A アセアセ・・・
ほらふきさんが サルコウ と3回転3回転を跳んでいないと非難していますが
2023年の世界選手権で ショートフリートで トリプルアクセルを3回も飛んだ選手はいなかったよね
The problem here is that back in 2010 the IJS simply did not place that much importance on the triple axel in terms of point content. As is evident, this jump has only been landed by one other lady besides Mao Asada since the 2010 Olympics Games, which is a testament to its extreme difficulty --- even in comparison to a good triple lutz, which 80 % of the senior ladies can do successfully; only fewer than 1% of them can do the triple axel. Thus, I believe that the triple axel, if landed successfully, should garner at least a base point of 10 in the women's competition. :)
I don't think skaters will put the triple axel in unless Elizavetta and Mao start landing them consistently and winning because of it. Right now it's almost the Achilles heel of their programs because they focus so much on the one jump that the rest of the program falls flat if they miss it. For the others, it's a big risk to take and not worth it if you can win without it. I believe many of them train it though in case the time comes.
Mao Asada was a genius on the ice. Most skaters would have been overpowered by this music, with such "gravitas", but not Mao. An interpretive genius ...
バンクーバーの迫力のあるステップも鳥肌ものでしたが、このノーミスの演技も本当に圧巻です。
そして何より、演技終了後の真央ちゃんの晴れやかな表情に涙が出ます。
I love this performance, so powerful, strong and dramatic, just perfect. Mao is most talented skater, God bless she!
Mao's best performance ever.
I don't get how this could possibly get scored lower than her Vancouver free skate... This was flawless!!
Because triple axel was lack a rotations
nsjsns jdjdd it wasn’t. She was clearly robbed!!!
62 for her pcs ??? Really? That’s a crime! Her TES was higher than in Vancouver even with the unfair downgrade on her axel
마오타새끼들 6년이나 지난 밴쿠번데 정신승리 씹오지죠? 그래봤자 소치 프리컷 간신히 그리고 10위권도 못든게 마오다 느그마오 후반부 점프 2개이상 날려먹었는데 점수가 낮다 ㅇㅈㄹ
@@user-we8xl7xu3i ♓♑🚱
I have doo much respect for Moa. Even though she didn't win gold at the olympics she shows she still is a fighter a wont give up with out a fight.
Wonderful performance. Loved it.
I love this performance. Mao at her best. Dark heavy music suits her defiant stubborn nature.
14年経っても見応えのあるプログラムと迫力。
フィギュアスケートにおける最高傑作！いつ見ても素晴らしい！
She is the best.
She's got everything,...jumps, spins, flexibility, artistry...you name it!
凄い気迫！これを超えるプロは、真央ちゃん自身によるラフマニノフしかない！
Surely she deserved more than 129.5 points. Perfect performance, Great music!
Excellent Mao!
Dramatic! Sultry! Perfect!
Still the best step sequence ever in 2020
This show that was said to be dark and not fit for Mao is now complete! She finally ruled this song! Fantastic!!!
129?! loooool. she has been so underated oftenly!
Brilliant girl,can't wait for her to come back!
i love this program and this performance i find her shining with confidence, there simply is no hesitation and she really shows great attack. love how she does every element so perfectly makes it look so easy and her one handed biellman spin was exquisite, and she really has some guts by doing not one but TWO 3A..
これで197とか（笑）真央ちゃんの今回の見てると210はいくね！
曲の解釈もとても良くなってる。振り付けを自分の色をつけて滑ってる。公平なジャッジが下されないといけないよ。
技術点の70パーセント程度はジャンプです。
このプロは3Lzと3Sと3-3のコンビネーションジャンプもありませんから、
高得点は難しいでしょう。(；・∀・)
love her so much,from 2:15~2:30 is so dramatic,perfect with the music
my fave program ever
The judges were always tough on full rotation as this was the period that they added a technical expert to the judging panel. Watch Sarah Hughes during her gold and you can see some jumps in her double doubles that didn’t land with full rotation, ( still deserved gold). As a choreographed piece this was bold, brooding, dramatic, and completely unique. This was a Russian piece of art and the diva in Mao rose to the occasion with fierce mastery.
There is a reason why Mao is my favorite
Mao's best performance ever. Amazing!
SHE IS THE BEST SKATER EVER!!!
her technicality are really great like her biellman spiral. she's the most flexible among the competitors..congrats MaO i hope you will aim high next year and be the world's figure skating champion again!
マスカレードワルツと合わせてみると、全く表現が違う。バレエの基礎があり素晴らしいフィギュアのお手本のような表現力です。
真央ちゃんお疲れさまでした
真央ちゃんの引退を知り、真っ先に観たくなったのはこの世界選手権の鐘です。バンクーバーもソチも良いけれど、個人的にはこの鐘が一番好きです。
Let's put on end to the meaningless augment, determining who is superior to its competitor. she is definitely one of the most talented players, who made history.
A couple of days ago, when you cried just after long program, i did together cuz i could sense how massive pressure you had been carrying. Thanks, Asada Mao for such an excellent skating. 아사다 선수, 수고 했습니다. :)
I really love this program, the music is exquisite, the performance just perfection. A masterpiece from the most gifted skater....It's Art on ice!!!!!!!!!!
I cry seeing this repeatedly.
This is impressed.
Why is it lower than her score at the Olympics? That’s strange
ピアノで言えばラフマニノフのピアノ協奏曲3番を女子が弾くレベル
単にトリプルアクセルだけじゃない
凄まじいflexibilityを要求されるコンビネーションスピンやスパイラル、ステップの数々は男子ではほぼ不可能、
人間の限界を追求したプログラムだと思います
She's the best skater in the world!!!!!!!!!! No matter what people say :)))
フィギュア史に残る伝説のスケーター、そしてプログラム。
This was such a great program for her.
Best program ever...
Wow, are you both blind?
Tanvi Kulkarni
I agree with the other two..best program IMO
So dramatic and technically difficult
this show her vancouver score was way over-scored. but no one gave a damn coz yuna beat her.
sp she never break 66 marks since 2007 outside home after growth spurt.
lol she got what 74?.
clean here 129? and 132 after 2 major mistake? Don't forget 09 teb! less mistake and she got 115!
since when mao break 200 mark after 2 major mistake?
just watch her gpf 2007 which is lot better she got 132! of course 2x UR and 1x 2- foot landing never caught.
138 with small mistake at 2014 world which is based on her infamous home record. Which shows 142 is already way too generous. If You judge 142 on 2010 scoring system, mao would be lucky break 135 mark.
*****
you gotta be kidding..
Yuna was perfect, but Mao had some errors on this performance.
FYI, she didn't take first place in Sochi FS because she had several URs and other errors.
girolle01
why is it Kim's fault? she had no chance in Sochi when they were rigging the scores any way they can just to keep Kim down even she skated clean. Kim's technicality should be higher than Adelina and the rest actually. She was the only one who skated flawlessly, meaning no errors in her performance. Mao, Caro and Adelina all had errors in their jumps. Just check the score sheets.
YES SHES QUEEN!!!!!
2:17 - 2:37 The spiral sequence gives me chills 💕
Sooner or later, many female skaters will carry out 3A or quads. Then Mao Asada will have true glory. Of course she was a top athlete, but it's not important only results but challenge and courage.
The day has come.
なんでこれが女子歴代最高得点じゃないの？
Oh my god !!! Amazing....
やっぱり真央ちゃんは素晴らしい😊世界一だわ❣️大好き😘
スポーツだから仕方ないのかもしれないけれど、真央ちゃんの演技は私にとってそういうもので測れない芸術の宝です。最近の選手もこの当時ライバルと言われた選手たちも、ユナも好きだし、二人の対決は女子フィギュアスケート全体を盛り上げてくれた黄金期だと思う。みんなそれぞれに個性があって綺麗だったりダイナミックだったりスポーツやパフォーマンスとしてワクワクさせてくれる。ただ私にとって真央ちゃんだけは、彼女の音楽性や美しさが芸術的な心の感性に触れてくる
Absolutely the best performance of her.
フィギュアスケートの採点なんてカラオケみたいなもの。点数を伸ばすにはコツがあって、キム・ヨナはそれが上手いだけ。いろんな意味でね。でもそんな物で人の心に残る感動や芸術、演技は、生み出せない。
私は浅田真央のプログラムが大好きよ。
生まれてきてくれてありがとう。氷の上で踊る貴方が誰より美しくて私は嬉しい。そしてお疲れ様。貴方のこれからの旅路に幸多からんことを祈って。
オーサーコーチが新採点システムの攻略に長けていた。(^^;)
Daisuke Takahashi recently said in an interview Mao's step is so good and he respects her. We usually think Daisuke's step is the greatest, however, "Mediocrity knows nothing higher than itself, but talent instantly recognizes genius." Tara also loves her step sequence.
I love this...
Wow that was beautiful!
i could not help but cry during the step sequence... and then nearly smashed my laptop when the commentators mentioned kim. this is mao's program, for god's sake!!!! what is with american commentators!!
Who else can perform this difficult program? This is the sport figure skating not a show.
no one bother even mao admit it . program was mistake it tara's fault.
Figure skating is also a show. Otherwise, why is there music? Just jump without accompaniment. lol
i cant believe..you are perfect mao...thank you all do for figure scating..when you stop skating i will stop watching figure skating...i will always love you..good luck sochi.....
She´s the best skater of the world. Amazing.
Gives me chills every time!
She deserved that gold medal. She so amazing!
ＦＩＧＨＴＥＲ ＭＡＯってリビンスキーさんが言ってる！
１年経った今見てもこの演技は素晴らしすぎて涙が出てくるよ。
リビンスキーさんの声ってすごいかわいいですね＾＾
My god, this is art!!!
この時のジャッジ、恥を知れ！って思いませんか？真央ちゃんの点数の低さに会場からブーイングが。当然ですよね。
ジャンプの種類や回転数、回転不足などをコールするテクニカルスペシャリストが天野さんですから、厳しかったのではないでしょうか。(;^_^A
@@bnao430 様、貴方真央ちゃんのジャッジに関するコメントにはどこにでも出て来て、批判的なコメントを残してますね……。
@@user-zp3pw3dd4v 「批判的なコメント」というけど、僕ちゃんは公式結果肯定者ですから、採点結果を肯定しているだけです。つまり、公式結果に批判的なコメントに対して、公式結果を肯定することを書いているだけです。(∩´∀｀)∩
この時だけではありませんよね バンクーバー オリンピック も ひどかったですよね
Stunning performance. Should judges give her more 150+ with two 3A, geprgious spiral. Beautiful step and one hand spin! Mao's going to another level.
I don't mind her not getting 150+ here. She should have beaten the WR in Sochi though, winning the free skate. That was the travesty of the ladies event.
Noooop!!! Mao asada most jumps were undderrotations
@@nsjsnsjdjdd7757 lol
Only two of her jumps were officially underotated
In this peerless performance, the innocent princess transforms into a desperate, nimble angel firing wildly rotating lightning bolts from gyrating limbs during her dire step sequence (1). She is bewitching and beguiling in her cat-like agility, as she springs into the air with a twin attack of triple axels, and an exquisite flurry of spinning rotations that are synonymous with feline finesse. She strikes bizarre behind-the back, peek-a-boo and mask-like poses through black gloves with her arms and hands like figures out of Picasso’s modernist paintings: Les Demoiselles d’Avignon and Three Women. Her sultry spiral sequence begins with the prima ballerina performing a beautifully limber cross grab one-handed Biellman, followed by a nimble transition into a picturesque arabesque: with her legs stretched almost fully perpendicular to the ice, just as they are when she leans far back into a statuesque fan spiral. In this sequence, her black gloved hands reach desperately to the sky, as if to ask the Almighty why someone so young and vital must fight so hard to stay alive.
As for spins, she drops into a crouching position, crosses one leg on her knee, fully extends her arms upward and locks her hands far above her head, before rising upright and extending her legs up 90 degrees to the ice in a rapidly revolving leg extension. During this spin, she places her black gloved hand just above her head, which is prostrate to the sky, like an ill-omened halo pronouncing her dark fate in life. Then, she wraps her head and leg sideways around her back in a doughnut, drops into a sit spin with her legs extended lower than parallel to the sitting position, before fully extending her head and right leg all the way up behind her back in a one-handed Bielmann. During this spin, she pulls her black gloved hand in flush against her chest, cups her finger tips upward and opens her mouth to the sky, as if entreating the Almighty for a drink from the River of Life. For me, these are the most dramatic, elegant and flexible spins and spirals I have ever seen. The poses she strikes are like great modernist art works.
In my opinion, the heavy, plodding, desperate and dirge-like drone of Bells of Moscow (Prelude in C Sharp Minor) has a profoundly somber and masculine tone that contrasts sharply with Mao's highly feminine, ethereal and tender nature, thus offending the sensibilities of those accustomed to her Fantasie Impromptu, Czardas or Clare de Lune performances. It is such a sharp break that many of her fans can’t take it; it undermines her effervescent image, almost as if they are witnessing the Fall of Mankind (or in this case Eve not Adam) in the Garden of Eden.
In addition, her heavy make-up, the black gloves and her blood red and black costume further enhances this sense of lost innocence, with her prodigal passion and dark abandon fully on display in her alluring poses and contortionism in the spins and step sequences. She stalks the rink stealthily like a wild cat on the prowl that hungers for life. Furthermore, the fact that her performance and skating seethes slowly like burning coal with no ultimate climax and release as in Sochi further frustrates the viewer’s expectations. The tension that builds is never really released; it seems to just grow heavier and heavier like Atlas bearing the whole weight of the world on his shoulders; until abruptly at the end the entire weight is dropped like a lead ball with the deep gong of the bell. Throughout the performance, a sense of apprehension mounts into smoldering anxiety that ends in interminable desperation, impeccably matching the sense of entrapment in the music. She powerfully portrays Rachmaninoff's inspiration for the composition- his nightmare of being buried alive at such a young age, as he gazes in horror into the depths of a coffin at a funeral and imagines himself the deceased desperately fighting for life as he pounds on the lid for release. Seen in this sense, the choker she wears around her neck displays entrapment.
To me, her stunning costume and performance of the choreography is pure genius: a revolutionary artistic and dramatic “prelude,” no pun intended, to the tragic grandeur we see in Sochi. In other words, to experience the rich beauty of tragedy and redemption, there first needs to be a fall, and Bells for me is Mao’s first descent into tasting the fruits of the darker side of artistic expression. Besides, she is so very beautiful here: the quintessential Dark Angel.
Her skating in Bells is a consummate Modern Art performance: her beautifully bizarre poses and movements combined with her desperate expressions are a moving representation of the Cubism found in Picasso's paintings.
This performance is also one of the greatest examples I have seen of synchronicity, or a series of meaningful coincidences. Mao skated to Bells of Moscow on March 27, 2010: the eve of the anniversary for Rachmaninoff's death which was on March 28, 1943 and the composition is about a young person desperately seeking to escape death. Furthermore, Mao skated to Rachmaninoff's 2nd concerto on March 29, after breaking the record in the SP on March 27, 2014. These are also Mao's most resounding victories in the World Championships, and in my opinion her two greatest overall performances (SP and LP).
1. Sincere thanks to the posting by evw34287 who gave me the idea for this imagery. They wrote, " image of angry angel throwing lightning here and there." at this website.
Ted Jackson This comment deserves a lot of appreciation. Thank you so much for sharing this essay. I thought this was one of Mao's worse programs because the tone of the music is so heavy and does not match up to her soft and souffle-like personality and image. Your interpretation of this program made me realize a lot of things such as Mao's amazingly unconventional artistry on Bells of Moscow's canvas.
Your comment just made my day. Again, thank you. ☺️
What are the judges doing?
amazing combination jumps.....I can believe one can do a combination with triple axel
***** NOT in competitions!
This should still hold the world record.
i love this programme, many people think that this kind of music is too heave and it is contrary to Mao's style, somehow i found mao is capable of present the spirit of the "dark" , "strong" music. and isn't this what's called expressive. show sth that is not what one is born to be.
oh my gosh. That was amazing. You go, Mao.
INCREDDDDDDDIBLE!!!!! 🖤❤️🔥🖤❤️🔥🖤❤️🔥🖤❤️🔥🖤❤️🔥🖤❤️🔥🖤
これこそ芸術！
キムヨナは3A抜きでもこのプログラムを滑る技術も表現力もないのだ。
????
難しすぎて無理だと思うｗ
あげひばりってた時のステップでさえしんどいって言ってたのにこんな鬼ステップの時点でｗｗｗ
つかこの実況キムキムうるさいよなｗ
I am delighted to say here Mao Asada proved me wrong! At the beginning of the season I really didn't like her two programs. I loved light, ballet, gentle Mao SO much in 2007/08 2008/09. I wasn't sure about "Bells of Moscow" or the SP but this performance is GENIUS, BEAUTIFUL! The step sequence has PASSION and techicallly SO hard. She certainly stepped up here. WELL DONE!!!!!!
すごい迫力！はやり、真央ちゃんは、華がありますね
真央ちゃんとキムヨナの演技を、見比べてみたら失敗してないのに点数は２位・・・どういう事なんでしょう。摩訶不思議ですよね～今年のソチではキム・ヨナの銀はおかしいとISUに不服申し立てて２００万人以上の署名を集めたとか・・・これこそメダル取るような演技だったかと思うくらいなのにね。笑えますよね。
6年前のコメントにすみません。さすがにソチのキムヨナの演技をメダル取れないと判断するのはフィギュア見る目無いです
@@tom-ll3df キムヨナ 演技の内容ってジュニア イカですよ
スピン ステップ なんて 本当に ひどくて よく オリンピックで演技できたな と思うぐらいです
@@user-il7dz7je8j スピンステップも及第点ですし、何より最も得点比率の高いジャンプの完成度が違いますね
ルッツ・トゥをあの質で跳べるジュニアの選手はいないことはほんの少しフィギュアを見てる人なら誰でも分かると思います