I suppose it's because even if you reach the high f on the bigger drums, the skin is more strained and thus not giving the most sonorous tone. Smaller drums serve the high notes better. I hope this answered your question 🙂
@@martinwest2538 I personally would say that's the reason TO use the 26". The tighter the head, the quicker the response of the tone. You end up with less dissonant overtones (which in this case, where muting is not possible and multiple drums are being played, would make it sound less muddy) and the drums are also just closer together making it easier to play. Sometimes that warmer tone from playing in the middle/low end of a drum's range is what you want, but imo that's not the sound I would go for for this excerpt.
I'm surprised you mention Sibelius, as I've played quite a lot as a mediocre amateur percussionist in my days, and love his music. What in your opinion makes his timpani parts especially difficult? Any examples? Sibelius often uses timpani in ingenious and original ways@@Kwak-Pauker
Ok, nice but Why aren’t you muting the drums on the 8th notes in the first 8 measures. They’re 8th notes not dotted 4ters. My teacher would be on me for that.
Yeah, well, let's be musical rather than a strictly doing what the paper says. Let the beautiful timpani resonate😊 my teacher would say, unless you're in the way of something
@@YaYa-ds3mo you didn’t read my rebuttal. Mute is not the word I should Have used. I meant a slight shorter note instead of letting them bleed into the next, which for me muddies up the part. Maybe when you’re playing with a full ensemble it doesn’t matter, but in this instance (alone playing to a recording) I can’t hear the definition of the notes.
![[BLACKSWAN] ‘Roll Up’ Official Music Video](http://i.ytimg.com/vi/ulvCwyKrwqw/mqdefault.jpg)
Thank you for 20,000 views! A new video has been uploaded.🧡
ruclips.net/video/0XE4XR-y5qA/видео.htmlsi=wsN5dm5zDntYIbf9
That is the coolest thing I have seen all week. Awesome.
Bad week then?
Imagine watching it from inside the orchestra as I have done.
Still a pain in the neck. Lovely playing. I remember making it through this one lol
Thanks you so much I needed so much help for my excerpt and this helped me out a lot ❤❤🙌🙌
チャイ4のティンパニーでサウンドもビジュアルもcoolな部分❗
ティンパニがいいとオケが締まる❤339から。頭打ちが裏拍に聞こえるトリッキーな部分。春の祭典にもあるけど、ここはどの楽器も難しそう。迷いなく打ててるうp主に敬意。
Are there any other listeners of this passage having trouble placing the beat on the silent "one" from 0:33 onward? 😛
this elegance wow
우와….!!!!😮😊
지나가다 잘 보고 갑니다.
wow~~
언제 말러 교향곡 5번 5악장 마지막에 나오는 팀파니도 해주시면 좋을 것 같습니다~!
Request Shostakovich
Symphony No. 10 in E Minor, Op. 93 Andante - Allegro
Bro i feel so weird, idk what note is higher or lower but i can recognize the note 💀
Where is the roll
he is rollin.......sorry, I dont get that question
Asia
What mallets are you using at the beginning?
Kato Tchaikovsky L
random asian guy doing music love it
Just wondering what the reason was for you to play the high F on the 20" piccolo timpano rather than 24" or 26"?
I suppose it's because even if you reach the high f on the bigger drums, the skin is more strained and thus not giving the most sonorous tone. Smaller drums serve the high notes better. I hope this answered your question 🙂
@@martinwest2538 I personally would say that's the reason TO use the 26". The tighter the head, the quicker the response of the tone. You end up with less dissonant overtones (which in this case, where muting is not possible and multiple drums are being played, would make it sound less muddy) and the drums are also just closer together making it easier to play. Sometimes that warmer tone from playing in the middle/low end of a drum's range is what you want, but imo that's not the sound I would go for for this excerpt.
OK, thanks for the information! This is more detailed know-how than I ever had in my days as a percussion student. I Appreciate!@@nxyuu
톨비 포탑 캐리
I find the German configuration of the drums odd. The American configuration is much more sensible as it follows all mallet instruments
말렛 정보 알 수 있을까요?
카토 차이코프스키 모델 L 입니다.
Mr. Kwak: which composer would you say wrote the most difficult timpani parts?
Probably Nielsen and Sibelius
I'm surprised you mention Sibelius, as I've played quite a lot as a mediocre amateur percussionist in my days, and love his music. What in your opinion makes his timpani parts especially difficult? Any examples? Sibelius often uses timpani in ingenious and original ways@@Kwak-Pauker
Ok, nice but Why aren’t you muting the drums on the 8th notes in the first 8 measures. They’re 8th notes not dotted 4ters. My teacher would be on me for that.
Yeah, well, let's be musical rather than a strictly doing what the paper says. Let the beautiful timpani resonate😊 my teacher would say, unless you're in the way of something
@@Boe1771 mute I guess is the wrong word. I don’t mean staccato, but a slightly shorter note.
Yes and no. Personally, I make decisions like that based off how the group is playing/ phrasing in the music.
it would sound dry and bad if each was muted
@@YaYa-ds3mo you didn’t read my rebuttal. Mute is not the word I should
Have used. I meant a slight shorter note instead of letting them bleed into the next, which for me muddies up the part. Maybe when you’re playing with a full ensemble it doesn’t matter, but in this instance (alone playing to a recording) I can’t hear the definition of the notes.