Chaconne J.S.Bach transcribed by Karl Scheit,supplemented by Maya Kimura koto
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- Опубликовано: 5 сен 2024
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木村麻耶オリジナルアルバムCD 2023年12月25日発売
Maya Kimura's original album CD will be released on December 25, 2023
〈光る空 Noche Azul〉発売記念による MV公開 第三弾
Third release of music video to commemorate the release of "Hikaru sora Noche Azul”
収録曲：シャコンヌ
作曲：J.S.バッハ / 編曲 カール・シャイト / 補 木村麻耶
Chaconne
Composed by J.S.Bach
Transcribed by Karl Scheit,supplemented by Maya Kimura
▷Maya Kimura
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沢山のご視聴、誠にありがとうございます。
10年程前に、イツァーク・パールマンさんのシャコンヌをお聴きし、心を奪われました。原曲は、ヴァイオリンソロですので、二十五絃箏での演奏は無謀な箇所が多々ございますが、私も演奏してみたい一心で、何とか、収録させて頂きました。
あまりにも有名で、素晴らしい作品のため、様々な解釈があると思います。
生涯、演奏し続けたい作品です。
Thank you very much for watching.
About 10 years ago, I heard Itzhak Perlman's Chaconne and was fascinated by it. The original piece is a solo violin piece, so there are quite a few parts that would be reckless to play on the koto, but I wanted to play it myself, so I managed to record it.
It is a very famous and wonderful piece, and I am sure there are many interpretations.
It is a piece that I would like to continue performing throughout my life.
正直に、息を忘れました！
まさか、琴でシャコンヌを…
小生は、ギターを囓っていましたが、弾くだけでも数年かかったのに、木村さんは原曲をも凌駕する演奏をなさっておられる。
驚愕そのものです…
素晴らしい、実に素晴らしい‼️
@@user-ge6dw5yr3s
「琴」→「箏」
両方とも読みは「こと」ですが、厳密には相違点が多い楽器です。
詳しくはご自身でお調べください。
ワシントン近郊に住む日本人のバイオリニストです。もう何十年も前に日本からアメリカに移り此方のオーケストラで長い事弾き最近リタイアしました。
シャコンヌはバイオリンのレパートリーの中で最も難しい曲の一つです。私も学生時代に何回も挑戦しましたが、その度に余りの難しさに諦めた事が何度もありました。 このヴィデオは夫の友人が送ってくれ、彼が聴いてる部屋に入った時はハープか？と思いましたが貴女の姿と楽器を見て、本当に驚いてしまいました。 自分が親と言うのも気が引けますが、ロサンジェルスでロックバンドでベースギターを弾いていた息子が、最近突然バッハに懲り始め、チェロソナタから始め、今はバイオリンソナタ、パルティータを編曲したりして頑張って練習してる様です。親が音楽家なので(夫はフレンチホルン)完璧に弾ける様になるまで、と聴かせてくれませんでしたが、3年前に、訪ねて来た時やっと説得して弾いてくれたのがシャコンヌでした。アマチュアなので完璧とは言えませんでしたが、最初に弾いてくれたのが、シャコンヌとは驚きました。 私の1番尊敬しているピアニストの Glenn Gould がバッハの曲はどんな楽器でも弾ける、と言ってました。まさしくその通りですね。 琴でのシャコンヌは初めて聴きましたが、ダイナミックの変化や、フレーズの作り方、音質が見事です。 Brava..!!
❤
この先が見たい❗
This work by Bach is just one of the highest points of human achievement, and this performance shows that. Humans do terrible things, but a few of them can also do things like this, this woman is a marvel. This is just unreal virtuosity and musicianship.
Bach sat down and wrote this entire piece in his head! Let that sink in.
One of?? What is higher than this?
@@marcossidoruk8033 I absolutely LOVE this piece by Bach, and this particular interpretation of it on the koto. Nonetheless, I think there are human achievements which might rival it, e.g. Einstein's theory of relativity or Rembrandt's paintings or some works by Shakespeare or Tolkien, Brahm's piano concerto no. 1 in D, ......
@@bilbodw None of those things come even close to 1% of this. Especially the works of Shakespeare and Tolkien wich are MASSIVELY overrated, there are far, far better writiers out there.
And seriously, did you just compare this with Brahms concerto 😂😂😂. Don't make me laugh.
@@marcossidoruk8033 You could argue that some Bach pieces are even higher, the Matthaeus Passion, the Art of Fugue, a few cantata movements... after all Bach was at most 35 when he wrote the Ciaccona. He still had 30 years to live and he kept learning and researching... but who are we to judge, we humble mortals? I don't blame you, however. As a rule, the Bach piece I just heard is almost always the greatest of all.
I cannot imagine how deeply you need to know the music to be able to retune the instrument on the fly. Amazing.
I can't speak for her, but as a koto player, what we normally do if we have to quickly change the bridge position during a piece, is during setting up, make a small chalk mark (on the sound board) at the point we need to move the bridge to. It is surprisingly accurate, because even if the strings tighten or slacken due to temperature, as they are all the same thickness, they all adjust by the same amount.
@@IfUfindthisURlost That's fine once, but all the time?
She isn't retuning all the time, most of the time she is simply string bending. The string is supported by a bridge, which divides it in to a playing side and an untuned side. When she pushes the string down, she is doing that on the untuned side, in order to tighten it. This can be done in half or whole steps in order to gain two more tones from the same string. When released, the sting returns to its previous tuned note. This is not retuning the instrument, but is equivalent to a guitar player bending a string.
@@IfUfindthisURlost At 4:40 she's moving the bridges around though, not just bending the string.
@@orsonpeters That's right, please read the original reply which covers this.
I'm a Violinist and this is the best performance I ever heard. I never heard such a deep understanding and performance before, not even Old School violinists, whose I'm a huge admirer btw. You're incredible!
This is so impressive on many levels. To interpret, you have to know the piece intimately, and there is a lot to remember, lots.
And the sheer physicality of it. That instrument seems designed to wreck a person's back, yet she danced around it with lightness and focus.
Thank you for your work and dedication. And thank you for sharing with us.
I’ve heard this many times on many different instruments. This is the most beautiful and moving version I’ve ever heard.
Fantastisch - intoniert, gespielt... das ist schon mehr als meisterhafte Beherrschung diese Instrumentes. Schade, dass Bach das nicht hören und sehen konnte :) Mir fehlen die Worte... das ist gleichermaßen beeindruckend wie berührend 💖
私もイツァーク・パールマンさんのシャコンヌに魅了された一人ですが、木村さんの演奏に巡り会えて、また大きな喜びが加わりました。
バッハの音楽は高次元から降りる光だと思いますが、木村さんの演奏は、この光に新たな輝きや煌めき、艶を乗せて届けてくれています。魂が浄化されます。
♥
Lovingly performed and faithful to the original. Your technical mastery of the koto is on full display. I really enjoyed the performance. Thank you for sharing this video.
The rhythm at the beginning already is far from what Bach wrote.
A little too free with the rubato
@@dcc70A musician can't interpret a song? If she can't be too rubato, I guess she shouldn't be playing it on a koto, either.
I mean if one were trying to be pedantic about it, it seems the tempo would be the least of one's concerns.
I felt that the Chaconne was fully adapted to the koto and to your playing. Bach would be proud of how well you brought out the core intent of the composition!
I bet Bach would absolutely have loved this, so interesting hearing what the instrument does for example in the broken chords and bringing out the harmonies so beautifully.
Many thanks to the cameraman for cutting out of the scene, for most of the time, the most interesting things to see. What a genius.
If the performer's facial expressions are not the highest priority for you, then may I humbly suggest that you may not have a very interesting perspective on the musical arts.
@@dzhaughnne he means what she is actually doing when she is playing the instrument...
@@dzhaughnne You are insane. Watching her perform on the instrument is what's important - not her facial expressions. Not her dress.
shut up and enjoy
@@alvarobelevan Hey calm down ok? Take a cold shower
Just Wow - never would have thought this piece would have ever been considered as playable on a Koto..
Amazing effort!
Brava! What a beautiful interpretation. Moved me to tears. Bach would be so proud.
♥
Sublime! Bach transcends all boundaries, your artistry commands the utmost respect, Bravo!
This is the most extraordinary thing I've seen. Not just the superb performance, but the knowledge and mastery of one's instrument. Tuning on the fly! And what a beautiful sound! Knock out performance of this wonderful Bach piece. Just wow! Thabk you for sharing and thank you introducing me to this instrument. Wow! ❤❤❤
You said what I wanted to say! Spot on.
She is amazing! Wow!😮 Moving the bridges while playing would be so hard to master.
Yes, imagine any other instrument, other than the human voice, that you can tune and re-tune on the fly, so to speak. Truly mind boggling virtuosity, that.
Unbelievable beautiful - she is not only able to play this complicated piece - she can also tune the instrument while performing, just beyond this world. I have heard this chaconne being played by many artists and also on unimaginable instruments and all of them where up to this monumental piece of music. I got to know this chaconne not before I was in my 80s - I am thankful that I didn't die before that happened,
When you say 'tuning' are you referring to Ms. Kimura placing her fingers on the other side of the bridge and pressing the string down?
That would just be temporarily bending the string to get chromatics.
That is often done to get vibrato, but in this case, it allows her to tune the 25 strings to a single key, and then bend the notes for any chromatics needed in the score.
UPDATE: Sorry, you are correct, I see that she is moving the bridges as the piece progresses!
@@OrpheusSonOfCalliopepay attention at 5:15
This remains one of the few most amazing things I have seen ever.
Bach wrote music - he left it to us to play it - even on instruments he never knew about (and even those we still haven't invented...)
This is impossibility!!! For an instrument like koto to faithfully make music of Bach's time one needs to constantly retune, repurposes strings while constantly augmenting intonation on the fly, and on top of all these, project the great musical thoughts and emotional depth the work itself carries. I refuse to believe any human can do it, unless it is a miracle....It must have been a miracle!
Maestra Kimura Maya-san has opened a whole new world of beauty in her stunning, incredibly expressive and heart-felt performance of this epic Bach classic on the Japanese koto.
It seemed like the music organically came up from the earth itself through her koto.
Bravo!!!!!!!!!! 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻 💖💖💖💖💖
This piece sounds so natural. Like it was made for it. Sounds a lot like the baroque lute
The runs of 16th notes are handled beautifully. Masterfully nuanced playing. Changing key on the fly by depressing the string of shifting the bridge is also a wonderful demonstration of proficiency of the musician.
my goodness… this is breathtaking, it’s that you have to constantly tune all the strings while keeping the musical phrase flowing! It’s comparable to playing it on timpani…
昔バイオリンの先生に「次はどの曲を弾きたい？」と問われ、「シャコンヌ」と答えたら、「あなたにはまだ早い」と拒否されたものの、ひと月後先生は私にその楽譜を残して亡くなりました。それ以来何度この曲を弾いたことでしょう。今日は他の動画を流していたら、偶然この動画に切り替わり、その神々しい音色や容姿、そして美しい手の動きに魅せられて結局４回見てしましました。👍×1000倍！
Who knew the traditional koto could play such amazing classical music. Maya Kimura is a true master of her instrument. Bravo!!
Mesmerizing. Hypnotic. Magical, Beautiful.
Thank you.
Applause!
I am surprised that it is possible to play Bach on the Koto.
Kimura-san is truly a high master of her kind.
Why? His music is transcribed by now to almost all kind of instruments, this by the way actually written originally for violin, may even be known for most people as either a classical guitar or piano showcase piece. I wouldn't even be surprised, if I saw a kazoo transcription by now!
@@1corinthians15.1-4kjvHe is surprised because the koto has technical challenges when playing polyphonic music like Bach. You may notice her moving tuning blocks frequently so that she is set up for certain passages. She is also bending strings to get certain pitches. Yes, everybody knows this is part of Bach’s Sonatas and Partitas for solo violin. It’s literally one of the most famous violin pieces in the repertoire. Playing it on classical guitar is a much more straightforward matter because the guitar has fixed frets - you can just about play it on guitar right off the violin score.
Incredible performance on an instrument that is incredibly difficult to play.
I'm floored .She makes you feel like the piece was written for the Koto.
木村麻耶さんの
この音楽に対する
計り知れない尊敬の念を
偉大なバッハへの限り無い愛を
感じ取りました
素晴らしい
270年以上前の音楽が
作曲家が
こうして
現在の音楽家を
インスパイアし続ける
有りえないことなのに
心揺さぶられた人の気持ちが
こうして繋げていき
新しい地平を開いていく
これこそ芸術の力
美の存在証明
今ここに
この瞬間に
私は生きているという
刻印を得られた
listened to a talk discussing how Bach is 'about' the harmony achieved by the combination of differing voices, something easy to understand in a string quartet or orchestra, but harder perhaps on a single instrument. But here there are so many different textures, tempi, dynamics one can really hear different voices brought vividly to life.
Yes, to me that's one of the amazing geniuses of Bach, that he can make a single instrument sound like many.
Yes. There is clear yet subtle dividing line between the mere virtuoso and the consummated musician. Sound is music's matter, not its living form or soul.
@@klausehrhardt4481 virtuosity leaves you with admiration for the skill of the player, while consummate playing admiration for the piece and sometimes a feeling that the piece has a life independent of its playing or the piece or yet music but has become a quality of your thought.
シャコンヌはいろいろな楽器で聴いてきましたが、木村さんのこの箏の演奏が最も魂を揺さぶられました。
音色自体が凛としていて、素晴らしい世界を作り上げていると感じました。
この演奏に出会えて幸せです。ありがとうございます。
...a trip to God. Thanks to Johann Sebastian and to you for this great rendering..
Wow, what a treat! Knowing Bach's fondness for experimentation, I am sure he would have been delighted not only by the technical challenge of performing such a chromatic piece on an instrument best suited for pentatonic music, but the really beautiful and compelling phrasing and musicality of Ms. Kimura's playing. I heard this piece performed on the harp before, but the Koto adds a dynamic bite that just brings another dimension to those dramatic melody lines.
One of the greatest Bach interpretations. Very deep, passionate and very baroque. Rhythm and Notes inégales are marvelous.
バッハが貴女のこの演奏を聴いたら、何を感じただろう。
私は崇高な魂の深淵を覗いているような気持ちななりました。ありがとう！
Se habría maravillado que algo tan extraño pudiese existir y dar un timbre tan distinto a su partitura.
Lo habría motivado a estudiarlo y componer una pieza especial.
Hace una semana oí a Bach interpretado con bandoneón y por algunos compases parecía un tango o una milonga. Pero era el mismo Bach de SIEMPRE.
Al oír esto, me dan ganas de beber té verde y luego un sake, mientras improviso versos.😮💞 20.7.2024
大変興味深い見方ですね。
バッハの生きていた時代の価値観や与えられていた情報の内容、技術、そして何より彼自身の宗教観を推察しながらいろいろな想像をしてみるのは時代を越えた愉悦の体験です。
I was waiting for a standing ovation of the crowd at the end of the video... You deserve one, Maya!
Wonderful. Very moving. Bach himself would be amazed. Greetings and love from Korea.
Amazing, one is transported to a recollection of Lute and Harpsichord timbres... yet this is unique. Your rubato and dynamic sense are superb, even invoking the ponticello and tasto of the original violin manuscript (BWV 1004). Your roaming intonation and tuning changes/string depressions are a sight to behold! Bravo Maestra.
Not only was the interpretation beautiful, the mastery of the instrument and the dificulty of playing bent over it just blew my mind.
Thank you so much for sharing your talent with us.
How much beauty in this piece of art.. How much of life the artists give into this piece which is so deep and complex.. why? It must be the spirit of Bach, his intuition and effortless talent to express emotion with pure mathematical structure of harmony.
ここ最近一番の音楽的感動です。言葉も出ない。素晴らしすぎます。
Just amazing! Your performance and creative artistry brought me to tears. Thank you.
Bach is universal.
That was magnificent on every level!
I can't believe what I just saw 😮🙏
Yes!!!! When the last measure was about to sound, the single D note was the greatest one of them all, and especially the way it sounds on this instrument. And I think it summarises the singularity Bach experienced. The divinity he was so commited and thankful to. That this whole piece with its extraordinary grandiosity, just ending on a single whole note. Beautiful rendition!
Way beyond marvelous!!! Excellent performance and deep ingenuity on the instrument management. I'm amazed. Thank you Maya Kimura!
Absolutely brilliant, technically and musically. A true master capable of performing this absolute premium master piece by JSB.
Splendid ! Very impressive indeed. I would never have thought Bach's Chaconne to be in the reach of the koto. Also very musical and moving performance.
日曜の朝から涙と鼻水でボロボロです。聴き終えてかなり経つのにまだ止まらない。素晴らしい演奏でした、一生忘れられないでしょう。ありがとうございます。いつの日か実演を聴かせていただきたいです。
Absolutelly wonderful! one of the best musicians ever listened. Thank you, thank you, thank you.
Very impressive. Not only from a technical point of view, but also in terms of musical and spiritual sense. Congratulations!
まさか・・と目を見張り、聴き入りました。
イツァーク・パールマンのシャコンヌを聴いて、演奏を決められたとのこと。小生もパールマンの演奏するシャコンヌには深いものを感じることがあい、大好きです。
しかし、冒頭のように、まさかと思う演奏です。素晴らしい！！様々な楽器で演奏される難曲ですが、映像にある通り駒を移動させながらでもあり、恐らく琴でシャコンヌを演奏されるのは木村さんしかこの世にはおられないと思います。まさしく、琴線に触れるすごい・・素晴らしい演奏です。ますますの、ご活躍を期待致します。
ありとうございます。長生きするものです。
What else are we going to see ?! Chaconne moved all kinds of instruments, viol,a cello, double bass, piano, cembalo, harp, 2 cellos, 4 violas, violin-cello, mandolin, guitar, some unknown homemade instruments, and now this ! That is what I call eternal music. Maya is doing great , I wonder why can't she adjust it so she can play it sitting. Hope her back does not hurt.
Thats what i saw too her back is gonna hurt, anyway amazing instrument
All you need is Bach, artists in love with music, complex instruments they play and ears to listen.
Your soul connects with its homeland and a new life begins ❤
악기의 종류를 떠나 내가 들어본 샤콘느 중 손에 꼽을 훌륭한 연주입니다. 바로크적인 악곡 분석에 더해 풍부한 감정을 음악적 상식에 벗어나지 않은 선에서 자유롭게 노래부르는 멋진 연주. 찬사!
すごい…
鳥肌が止まりません。
こんなに引き込まれるシャコンヌは初めてです。
Unbelievable. Such an achievement for you and your instrument.
Planet earth has millions of guitarists who need to watch this. lol
Si no lo hubiera visto con mis ojos no creería lo que haces. Es imposible de creer lo que haces. Cambios de posición de los puentes, reafinación de las cuerdas tensando y destacando😱 Llevas las capacidades humanas al límite. Porque además de complicación técnica le das un sentimiento propio. Y esa postura reclinada en una obra de Bach ya es la guinda del pastel. Me he enamorado de tu música. Gracias por el amor que me diste❤️
現在72歳ですが、20歳から取り組んでいる曲で、演奏に感動しました。
楽器はギターとピアノに現在取り組んでいますが、作曲は「日本の音」を追求する作曲集団「たにしの会」に所属しています。
箏を含む楽曲も発表していますが、この演奏はとても素晴らしいです。
「和」の分野から「洋」のチャレンジ、とても素晴らしいです。
後、どれくらい生きられるか分からないジイサンですが、勇気を与えられ、まだまだ挑戦するぞ！って思いました。
ありがとう！
cellistです。バッハも貴女の解釈も感性も飛び抜けています。素晴らしい。有難うございます。
😢this performance had me crying. so touching so so beautiful
琴でシャコンヌ・・・・尺八でジャズのを奏でてる人、三味線でブルーグラスをやってた人、皆、凄い‼️と思ってる。 この奏者はこの時の年齢を加味して考えても、琴の演奏は勿論、シャコンヌをこれだけ完璧に理解してい奏でている事を察すると・・・何も言う事はなし・・ただ驚きと、感激と、感動です 非常に素晴らしい‼️
Words in any language cannot describe the amount of beauty in this performance. I imagine anything by Bach is quite difficult to arrange for Koto let alone performing it, and yet you did both flawlessly. You are a wonder my dear, bravissima 💐🌺❤️🌺💐
A flawless performance of one of the greatest masterpieces in musical history!
how could this not be an example of Peace on Earth?
not just a great rendition but really passionate too
The last phrase and last note are perfect, and soul piercing.
Spellbinding adaptation and performance. Brava!
Amazing. It never occurred to me that something like this could exist but I'm so glad it does. Thank you!
WOW! Once again, proof of the universality of Bach's creations. A piece originally written for violin or lute now played on an instrument native to a land on the other side of the world from Bach's homeland.
テンポ感、リズム感、Bachに迫ろうという意欲に脱帽です。
one of the greatest versions iv'e ever seen, OMG
数十年前（私は10代だったと思います）にパールマンのシャコンヌの演奏をテレビで見て、あれ？本当に1人で弾いているの？出てくる音楽の壮大に衝撃を受けたことを思い出しましたが、今回それ以上のものを頂きました。ヴァイオリン、ギター（独奏・2重奏・ギター合奏）、マンドリン、ピアノ、フルオーケストラなど、様々な演奏形態でシャコンヌを体験しましたが、正直その楽器でも演奏できますよ感がぬぐえず演奏に没入できないこともあったのですが、今回は違いました。私の実家にも箏があり、さらに職場でも接する機会は少なくないのですが西洋音楽を箏で聴くときの違和感は常にありました。ところが木村様の演奏はシャコンヌを箏で演奏することに何の違和感も感じず自然さを感じました。バッハもあったし、箏もありました。いやこれは上手に演奏できているとかうまく表現できているからとかというよりもバッハ（のシャコンヌ）に向き合う木村様のひたむきさに心を動かされたのだと思います。本当にありがとうございました。私も1年に数度はギターで演奏し、体験させていただいていますが、演奏の意味をもう一度深めていきたいと思いました。生きていく元気が出ました。
Felicitaciones 🎉20.7.2024
Sin duda un Ser Superior personificado en Maya. Amor en su❤extendido a sus manos. Logra combinar ejecución, expresión, sentimiento, esfuerzo. Soberbia manifiesta🎶 🎩GRACIAS♡♡♡
She is a national treasure❤❤❤
Marvelous what you have played here. Thank the Great Spirit that you heard Perlman’s recording of this - so that you have made this great work part of yourself. That you have shared your current vision of it with us now. Please keep growing with it and share with us your rediscoveries of it as you keep learning. May the wind be ever at your back. 🙏🏼🪷☮️🪷
素晴らしい演奏でした。シャコンヌは大好きな特別な曲です。この難曲を箏で弾けるのか、という興味もあって
視聴しましたが予想をはるかに超えていました。箏は以前かじったことがあるのでシャコンヌを箏で弾くことが
いかに難しいことかわかります。ときどき琴柱の位置を変えながらの演奏、音程も正確だったと思います。
シャコンヌはピアノ、チェロ、ギター、ハープなどでも聴きますがこの箏版はヴァイオリン演奏と並んで大好きな
演奏になりました。また演奏の姿が美しく迫力がありました。アルペジオがきれいでした。
Love ❤ love ❤ love this! Thank you for the hard work and inner beauty that moves through your playing. Arigatou gozaimas ❤
Extraordinary and quite unique. Maya, the solemnity and virtuosity with which you interpret this pinnacle of musical creation is simply outstanding. I had the great privilege of meeting you in Mexico City some years ago. You have certainly developed into an accomplished artist. Congratulations.
You are a true inspiration What you did with this piece is absolutely amazing
We all Love Bach just like you do !
トランスクリプトは大変難しいと思います。
これ程の有名な名曲であればなおさらでしょう。
原曲の良さを損なう例も少なくないと思いますが、まさか筝でこんな素晴らしい表現が出来るとは。
原曲から別の魅力を引き出した名演を堪能いたしました。
Erstaunlich, Bach auf diesem Instrument zu hören, aber es klingt wunderbar und ist hervorragend gespielt. Viele Grüße aus Deutschland.
I've been watching this video for many times now but still can't find the words to express my feelings. Doesn't matter, others already have said everything what possibly could be said. I just want to add, it was a great occasion when a great piece, a great artist and a great instrument met each other. And the most important thing: the devotion to the piece was unsurpassable.
Bach sits in heaven listening to you nodding and smiling to you!
素晴らしい！２５弦箏は初めて聴きましたが、深く多彩な音色はハープでは出せないものです。
圧倒されました。
It’s more than wonderful, perfect mastery and above all heavenly musicality !!!! Bravissimo !!!!!
It's totally worth to listen til the last note, simply mesmerizing!! Well done....bravo!!!
Una performance veramente da brividi la Chaconne e’ meravigliosa con qualsiasi strumento violino piano chitarra arpa ma con questo particolare strumento e’ anche affascinante e lei è di una bravura incredibile
箏でバッハを弾くんじゃなくて、バッハを箏で弾く。その真摯な態度が伝わってきます。音の先にある演奏者に最後は行きつくのがクラシック音楽の醍醐味だと思っています。この演奏から木村摩耶さんと言う演奏家の成長をずっと見守りたいと思いました。素晴らしいです！
!!!!!!!
Esecuzione strabiliante appassionante ed incantevole..Da' pace e serenità allo spiroto,elevando il cuore e la mente umana verso il trascendente e l'infinito. Grazie
Simply astounding! Bravissimo! You have added a most worthy version into the canon of the eternal Chaconne.
Wow! I am speechless!
Vôtre virtuosité vient de l'âme vous êtes une grande artiste ! Merci
箏のことは全くわかりませんが、昔クラシックギターでシャコンヌに挑戦したことがあったので、どの楽器にとってもものすごい難曲であるのはわかります。ましてや箏で演奏されるのは全く神業としか言いようがありません。さらに驚嘆するのは最高のバッハが降臨していることです。
You are so talented. What an original and inspired performance!