How to Read SCORES, Professional Conductor explains!

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  • Опубликовано: 24 ноя 2024

Комментарии • 15

  • @georgH
    @georgH 8 месяцев назад +4

    As a horn player, learned very early to use clefs to transport, as it's common to have different transpositions even within a single movement!

  • @yannnique17
    @yannnique17 Год назад +19

    One thing worth mentioning: Wehn talking to a musician with transposing instrument, talk in his key and not concert pitch. Thank you!

  • @marichristian
    @marichristian 2 месяца назад +1

    It's not easy for musicians, either.I'm a cellist and the only way to avoid panic when changing from the bass to the treble clef, is to transpose and practice until my fingers have a permanent groove from the strings.

  • @hoangkimviet8545
    @hoangkimviet8545 Год назад +2

    Now I understand more the role of clefs.

    • @Carl-FriedrichWelker
      @Carl-FriedrichWelker  Год назад +1

      I hope it was helpful. The role is, that for example a bassoon, when it plays very high, the bass clef is just not very pretty to look at, because it would be way over the fifth clef. Could have mentioned that.🙌🏻

  • @leworthin
    @leworthin Год назад +1

    I'm curious about why scores using F Trumpets and F Horns write those instruments with no key signature. For example, the Wagner's Vorspiel in Parsifal starts in A-flat, and the instruments at concert pitch indicate their key as such, the B-flat instruments are written in their key of B-flat, and the cor anglais (in F) is in E-flat. Even when the concert key changes, the horns and trumpets still have no key signature. It seems to be a convention followed nearly universally in older music. (I don't have access to many modern scores.) Tchaikovsky, Mahler, Brucker all follow this convention. I would like to understand those parts from the performers' perspectives; do they not normally have key signatures?

  • @caelum02
    @caelum02 8 месяцев назад +1

    The video is awesome!!! I'm just getting familiar with orchestral scores and was confused with transposed instruments 😂 Your explanation resolves all my confusion with them
    p.s. in 3:37 "Instrument in d" should be "instrument in d flat" right?

  • @willbrooksy478
    @willbrooksy478 7 месяцев назад +1

    So in order to be a conductor or at least a successful one, you have to instantly hear the work in your head as if it was playing in real life?

    • @taylorbrownfield2073
      @taylorbrownfield2073 7 месяцев назад +2

      Yep!

    • @johnbjorgenson5481
      @johnbjorgenson5481 7 месяцев назад

      @@taylorbrownfield2073wow I see.
      I can compose in my head but looking at a score definitely doesn’t happen in real time. That’s too bad lol

    • @taylorbrownfield2073
      @taylorbrownfield2073 7 месяцев назад +1

      @@johnbjorgenson5481 yes, it is something every aspiring conductor strives to achieve. It’s called developing your “inner ear”. Being able to read the music and hearing it in your head without a pitched source/reference.

    • @willbrooksy478
      @willbrooksy478 2 месяца назад

      @@taylorbrownfield2073how is that possible in a 30 stave score with multiple transposing instruments. Your eyes can’t intake all that in real time can they

  • @HelloooThere
    @HelloooThere 9 месяцев назад

    THE BROSS SECTION

  • @curtpiazza1688
    @curtpiazza1688 4 месяца назад

    😊

  • @DumbWaiters
    @DumbWaiters Год назад

    Mister, you just got one more subscriber! 🤗