When using a ColorChecker Video card in a multi-cam shoot (interview for example), once the lighting is set up do you want to place the card in one central location that all cameras can see and adjust exposure/white balance that way or do you want to aim the card to be parallel with each camera when making that cameras adjustments? I wasn't sure how the card was supposed to be used in consideration of multiple camera angles and key lighting. THANK YOU!
38:11 Davinci Resolve cant recognize your log, so you should have right click and choose color space input and tell Davinci, when using BRAW it happens automatically
Excellent demo. Just curious, I noticed in the FCP example, it appears you set the 90% luma line actually below the 90% reference line - like half way between the 90% and 75% line. I was just wondering why that is? Wasn't the 90% luma line supposed to match up exactly with the 90% reference level? Thanks.
Thank you for very nice webinar! Sometimes I have warmer key lights, put on place to create a warm atmosphere by purpose (classical music strings concerts for example). How do you deal with white balance in these situation? WIll you neutralize the color cast in camera by setting custom white balance in camera, and add the warm effect afterwards? Or which is your approach in these situations? Thank you for sharing. PS: I have a Panasonic GH5s and I normally shoot in VLOG-L. Exposure and white balance in camera with the help of a color checked video passport.
Around the 12 min mark you mention it is easy to find the 90% white equivalent on the canon website but I cannot find them at all. Any idea where to find for the Canon R8?
No, I don't believe so. The back is meant for white balance. RUclips won't let me paste a link but if you search for ColorChecker-Video-Guide_EN_0123 pdf it will show Calibrite's explanation of each section and side of the color checker. Here's their explanation THE WHITE BALANCE TARGET: The white balance target is a spectrally neutral target. This means it provides a neutral point of reference across the different types of lighting conditions you may encounter on a shoot. The white balance target reflects the light back evenly across the visible spectrum, so performing a custom white balance on the camera can properly compensate for lighting. This results in a more accurate representation of the subject in the clip
When using a ColorChecker Video card in a multi-cam shoot (interview for example), once the lighting is set up do you want to place the card in one central location that all cameras can see and adjust exposure/white balance that way or do you want to aim the card to be parallel with each camera when making that cameras adjustments? I wasn't sure how the card was supposed to be used in consideration of multiple camera angles and key lighting. THANK YOU!
awesome thank you!
38:11 Davinci Resolve cant recognize your log, so you should have right click and choose color space input and tell Davinci, when using BRAW it happens automatically
Excellent demo. Just curious, I noticed in the FCP example, it appears you set the 90% luma line actually below the 90% reference line - like half way between the 90% and 75% line. I was just wondering why that is? Wasn't the 90% luma line supposed to match up exactly with the 90% reference level? Thanks.
Thank you for very nice webinar! Sometimes I have warmer key lights, put on place to create a warm atmosphere by purpose (classical music strings concerts for example). How do you deal with white balance in these situation? WIll you neutralize the color cast in camera by setting custom white balance in camera, and add the warm effect afterwards? Or which is your approach in these situations? Thank you for sharing.
PS: I have a Panasonic GH5s and I normally shoot in VLOG-L. Exposure and white balance in camera with the help of a color checked video passport.
Around the 12 min mark you mention it is easy to find the 90% white equivalent on the canon website but I cannot find them at all. Any idea where to find for the Canon R8?
Is the back of this card also 90% like to top white piece on the front?
No, I don't believe so. The back is meant for white balance. RUclips won't let me paste a link but if you search for ColorChecker-Video-Guide_EN_0123 pdf it will show Calibrite's explanation of each section and side of the color checker. Here's their explanation THE WHITE BALANCE TARGET:
The white balance target is a
spectrally neutral target. This
means it provides a neutral point
of reference across the different
types of lighting conditions you
may encounter on a shoot. The
white balance target reflects
the light back evenly across the
visible spectrum, so performing
a custom white balance on the
camera can properly compensate
for lighting. This results in a more
accurate representation of the
subject in the clip
Where can I find the color values?
❤❤
'promo sm'
Jesus, Just show it
Too much downtime and the flow of information suffers