00:32:39 Etudes, Op. 25: II. Etude in F Minor. Presto 00:38:17 Etudes, Op. 25: V. Etude in E Minor. Vivace 00:51:33 Etudes, Op. 25: IX. Etude in G-Flat Major “Butterfly”. Allegro assai
This is really a unique interpretation of Chopin's etudes. After listening to 10/1,4,12 and 25/11,12 I was completely blown away by your immense expression and extensive use of rubato. your voicing especially at 10/4 was astonishing and pleasantly surprising. Bravo and thank you for sharing this amazing interpretation with us
What power, both elegant and majestic! I have never taken the opportunity to listen to Chopin's Etudes given as a whole, but have from time to time always enjoyed his Preludes for many, many years. Alessandro Deljavan's interpretations here are absolutely magnificent - bravo, sir, bravo!!!
Nobody has ever made so much music in Chopins Etudes! Every note to fall in love with! He should reinterpret the three great Piano Concert by Brahms Nr.1, (protest agains Schumanns death), Schumanns: (passion instead of sentimentality) and Tschaikowsky, (pure and exuberant happiness), that nobody has understood up to our days inhibited by Academism! The most evident musicianship!
This is very special. Very creative! Deljavan brings out some lines, some melodies that are "hidden". I am a fan of him since the Cliburn (when he didn't make to the finals! LOL). He was the only pianist trying to make some real music, others were traying to win the prize..
Thanks so much for posting! Lorti has always been my favorite recording of the etudes. But these I tell you! My my. Deljavan just brings out so much color and brilliance, and that rubato. Just unbelievably beautiful. I will be listening to this again.
I loved this performance, especially 25 no 2. The lightness in the left hand is something I've never seen before, and it is such an amazing touch to the song. I also enjoyed 25 no 12 and Andantino in F minor
but why does all pianists play the wrong rythm in the right hand? Chopin did not write this . the accent should be on every third note. it changes all the character of the etude.
Excellent sound! Inner maturity! Masterly elaborated skills, reflecting high-degree-discipline, rigor and fragility of ascetic, by no means non-common, great artists!
I confess that I was planning to skip through this -- looking for how he interprets my favorite passages -- but I ended up listening to every minute of this. Sure, he's certainly unique and sometimes surprising, but I enjoyed it -- more in some places than in others, but I must say his 10/12 made me think "finally! someone got the left hand tempo right!" Also enjoyed 25/8 and 25/9.
When you're a non musician and a casual listener to classical music and you have no idea what anyone means about a musician's interpretations and the musical terminologies used. I'm just here for the color of the sound.
SURE you are....No Problem! But don't you think that, for instance, a professional architect might view a cathedral or landmarked edifice DIFFERENTLY than you would? [Greetings from San Agustinillo]
@@michieldolfing Interesting how varied the experiences of pianists are - my opinion is completely opposite to yours; compared to 10/4, I found 10/1 a breeze! I'm having a hard time managing the tiny hand configurations needed in 10/4, to play them up to speed...
@@regvar8468 That is indeed interesting but I have to admit, I gave up on 10/4 as well when I realised my technique wasn't there yet. I still believe 10/1 is more challenging though :)
@@michieldolfing Update - As of 3 weeks ago, 10/4 is fully in my fingers! Now working on getting tempo up. Currently in 95-102 range, hoping to get to 120bpms by end of Jan!
@@regvar8468 damn, good stuff! I found it very difficult because my left hand is underdeveloped. My update: i've spent about 2 months on 10/1 and i can play most of the piece at 150bpm which is the pace i want to play it at. Just need to polish it but im making progress!
Just want to add you nailed in the description when you mentioned this performance being unique. I can't imagine how relaxed his hands look while performing this
Some of the Etudes are do-able if you can play some nocturnes. Op. 10 nr. 6, 9 and op. 25 nr. 1, 2, 7. And the first 2 of the methode des methodes etudes also. Practice as slow as you need. Speed will come later. Music is not about arrriving at the end of the composition, it's about the journey. Good luck😃
Chopin gave us plenty melodies in Op. 10 and Op. 25. Mr. Deljavan adds a handful amount of his own, derived from Chopin's fabric. Mesmerizing performances.
I think there is a reading mistake at Etude no. 3 time 5:28 if the pianist can see this comment please double check. at the second time you kept the higher duet notes as major and it should be minor in both higher notes and lower notes.
ce control de sonorité ce phrasé et legato fait de ces etudes tout un univers de nouvelle decouvertes. nous pouvons mettre aux oubliettes la plupart des enregistrements de ces etudes du passé. alessandro deljavan n' a pas seulment une technique parfaite et une musicalité exceptionelle mais aussi un gout tres delicat pour interpreter ces etudes.
Una registrazione memorabile: la superlativa tecnica è soltanto un mezzo al servizio dell'intelligenza e della sensibilità dell'interprete che ci permette di riscoprire sotto nuova luce la monumentale architettura degli Studi - A memorable recording: the superlative technique is only a means at the service of the intelligence and sensitivity of the interpreter that allows us to rediscover the monumental architecture of the Studios in a new light
In this album he is so amazingly expressing such a deep sadness and fragillity, the highest energy one can imagine, even manically hilarious joy and purely majestetic fury.
25.11 is also known as Winter Wind, but none of these subtitles were actually given to these pieces by Chopin, rather, by other people. Ditto for the preludes. "Raindrop" was not assigned as a title to Prdlude 15 by Chopin. I'm fine with however one calls these pieces, by their numbers, keys, or subtitles, but there are some people who are such purists that they throw fits over it, saying we shouldn't use the subtitles. Personally I think they actually help to learn the pieces. If you think of Etude 25.12 as an ocean, you're going to have an image in your head that you'll work to convey. Just a FYI. :)
wrong descriptions, should be: 1. Great Gate of kijov 2. Lisa Minelli 3. Titanic 4. second war 5. lang-lang 6. soire on Paris 7. mama mia 8. polskie pierogi 9. Einstein 10. winter flowers 11. eric clapton 12. neron- fire on Rome
Avec cette intégrale, Deljavan, se situe aux niveau des plus grands. Malgré quelques fautes de texte parfois, ici, on es vraiment au sommet : Technique-Imagination-rigueur-Authenticité-Emotion-Humanité. La n.11 op.25 est extraordinaire de brio et de fluidité. Ce piano, c’est le Contraire de ...Lang Lang et son ’’cinema’’ par exemple.
is no one going to mention the completely wrong chords at 5:30 and 5:37? i wonder why he chose to alter the notes here instead of playing as written because he does the same alteration both times.
i watch the video just now and when i hear the mistake i immediately search through the comment section xd and this is the only one that point out that thing, but maybe he intentionally change it because he like it that way? who knows
The problem with these etudes isn't the fact that no one can play them, but the fact that SOMEONE can play them, and it's probably some 5 year old blind folded asian kid, that just makes everyone else feel horrible about themselves.
"Chopin's scherzi are like the tasty fat of a lamb chop. His polonaises and etudes are the meat itself. The sonatas and the ballads are the vegetables. The preludes are the salt and pepper. The waltzes and nocturnes are the gravy. The sonatas and concerti are the plates and cutlery." - Albert Einstein
I have been listening to these studies since boyhood 80 years ago and have never heard better.
00:32:39 Etudes, Op. 25: II. Etude in F Minor. Presto
00:38:17 Etudes, Op. 25: V. Etude in E Minor. Vivace
00:51:33 Etudes, Op. 25: IX. Etude in G-Flat Major “Butterfly”. Allegro assai
This is really a unique interpretation of Chopin's etudes. After listening to 10/1,4,12 and 25/11,12 I was completely blown away by your immense expression and extensive use of rubato. your voicing especially at 10/4 was astonishing and pleasantly surprising. Bravo and thank you for sharing this amazing interpretation with us
What power, both elegant and majestic! I have never taken the opportunity to listen to Chopin's Etudes given as a whole, but have from time to time always enjoyed his Preludes for many, many years. Alessandro Deljavan's interpretations here are absolutely magnificent - bravo, sir, bravo!!!
I think Chopin would be delighted to hear this
This guy beat me in wii boxing
Underrated comment 🤣🤣🤣🤣
69th like
Its white Matt
Yeah, he’s that annoying guy😂😂😂
Bro he was my trainer
Incredibly beautiful. A piece of heaven! Wish there was a video of the playing...not just the audio.
I cannot get over how well he plays op 25 no 6, never heard a better rendition
Nobody has ever made so much music in Chopins Etudes! Every note to fall in love with! He should reinterpret the three great Piano Concert by Brahms Nr.1, (protest agains Schumanns death), Schumanns: (passion instead of sentimentality) and Tschaikowsky, (pure and exuberant happiness), that nobody has understood up to our days inhibited by Academism! The most evident musicianship!
This is very special. Very creative! Deljavan brings out some lines, some melodies that are "hidden". I am a fan of him since the Cliburn (when he didn't make to the finals! LOL). He was the only pianist trying to make some real music, others were traying to win the prize..
Rodolfo Thedy if he entered the competition only to ‘make music’ and not win the prize at all then that’s completely false
Isn't it a bit of Bach influence, the hidden melodies? Deljavan is a Bach player I think.
@@magicourtney1280 lol
His sound is so fluid. The legato in the first etude is unlike anything I have ever heard.
00:56:55 Etudes, Op. 25: XI. Etude in A Minor “Winter Wind”. Lento
I also love that piece of Chopin Elena💕💕 . It is very exciting 😁
His playing has no showy feeling , but sounds as if he truly enjoys playing for himself. This is how Chopin should be.
You got it totally right....
@@IvarsBezdechi -- True....except for....FIALKOWSKA!
I think he shows a different patern of feeling, but it´s interesting how he briefly stops in some places of the works. I like it.
Thanks so much for posting! Lorti has always been my favorite recording of the etudes. But these I tell you! My my. Deljavan just brings out so much color and brilliance, and that rubato. Just unbelievably beautiful. I will be listening to this again.
The sound you produce is impeccable. I love how all your etudes' interpretation.
I really enjoyed his interpretation of Etudes, Op. 10: III. Etude in E Major “Tristesse”. Bravo!
Impossibly lovely! I'm 3:00 in and failing to grasp just how many thousands of notes have been played perfectly.
Superlativo!!!!! Amazing
Opus 10
1. Waterfall
2. Chromatique
3. Tristesse
4. Torrent
5. Black Keys
6. Lament
7. Toccata
8. Sunshine
9. ???
10. ???
11. Arpeggio
12. Revolutionary
Opus 25
1. Aeolian Harp
2. The Bees
3. The Horseman
4. Paganini
5. Wrong Note
6. Thirds
7. Cello
8. Sixths
9. Butterfly
10. Octaves
11. Winter Wind
12. Ocean
Nicknames people gave to these études
Caro, Arpeggio esta em italiano, não em ingles.
@@arandomperson274 Could you match with their times, please?
I heard op.10 no.10 is called "The Hard One"
Can't believe the level of rich bass and mid captured in this version. Plus, a fantastic interpretation. What a treat!
great piano and recording indeed
I loved this performance, especially 25 no 2. The lightness in the left hand is something I've never seen before, and it is such an amazing touch to the song. I also enjoyed 25 no 12 and Andantino in F minor
but why does all pianists play the wrong rythm in the right hand? Chopin did not write this . the accent should be on every third note. it changes all the character of the etude.
agree , being this guy a very good pianist, I prefer Arrau,just because que read the music as it was written@@christiankircher369
Excellent sound! Inner maturity! Masterly elaborated skills, reflecting high-degree-discipline, rigor and fragility of ascetic, by no means non-common, great artists!
Most unique interpretation I've heard. It's wonderful. He brings out notes I didn't know existed
Thanks maestro! Your etudes are marvellous; that was like hearing them for the first time. I could almost imagine that Chopin was playing himself.
I confess that I was planning to skip through this -- looking for how he interprets my favorite passages -- but I ended up listening to every minute of this. Sure, he's certainly unique and sometimes surprising, but I enjoyed it -- more in some places than in others, but I must say his 10/12 made me think "finally! someone got the left hand tempo right!" Also enjoyed 25/8 and 25/9.
the way he payed op 10 no 2 at 2:24 those accents are amazing!
Absolutely! Was thinking the same thing 💯
When you're a non musician and a casual listener to classical music and you have no idea what anyone means about a musician's interpretations and the musical terminologies used.
I'm just
here for the color of the sound.
You described me perfectly
We are too, but we have jargon to describe technical stuff. I swear that not all of us have forgotten how to just listen to music.
SURE you are....No Problem! But don't you think that, for instance, a professional architect might view a cathedral or landmarked edifice DIFFERENTLY than you would? [Greetings from San Agustinillo]
@stephen noonan fair enough
Etude means Study
It's my dream to play all complete etudes. Learning harp and revolutionary right now. Hopefully one day that I will be able to play all of them.
It's a beautiful dream don't give up ! One day i'll be happy to listen to you on RUclips :)
I love winterwind so much.
Amazing and so difficult
Wow... just started number 1, I can say this is so special and different, played fully from the heart.
let me know how it went. im working on 10/4 right now and i can tell you 10/1 is much harder than 10/4 against most expectations
@@michieldolfing Interesting how varied the experiences of pianists are - my opinion is completely opposite to yours; compared to 10/4, I found 10/1 a breeze! I'm having a hard time managing the tiny hand configurations needed in 10/4, to play them up to speed...
@@regvar8468 That is indeed interesting but I have to admit, I gave up on 10/4 as well when I realised my technique wasn't there yet. I still believe 10/1 is more challenging though :)
@@michieldolfing Update - As of 3 weeks ago, 10/4 is fully in my fingers! Now working on getting tempo up. Currently in 95-102 range, hoping to get to 120bpms by end of Jan!
@@regvar8468 damn, good stuff! I found it very difficult because my left hand is underdeveloped. My update: i've spent about 2 months on 10/1 and i can play most of the piece at 150bpm which is the pace i want to play it at. Just need to polish it but im making progress!
Just want to add you nailed in the description when you mentioned this performance being unique. I can't imagine how relaxed his hands look while performing this
This is the best music ever created by anyone. And thanks for recapturing it.
By his playing Deljavan simply tells us what it means to be a human being.
Very very creative...I have never herad before someone plays etudes this way...It is very very crestive interpretation
Thought of moving on to etude after mastering 3 of chopin's nocturne.
Annndddd back to nocturne I go
Some of the Etudes are do-able if you can play some nocturnes. Op. 10 nr. 6, 9 and op. 25 nr. 1, 2, 7. And the first 2 of the methode des methodes etudes also. Practice as slow as you need. Speed will come later. Music is not about arrriving at the end of the composition, it's about the journey. Good luck😃
25 1 only seems to be an easy task. It is as demanding as 25-12
@@vladislavmoshkanov6145 I find Op. 25 No. 12 FAR harder, but to each their own.
This is the best rendition of my favourite Etude in F-Minor op.10 I've heard. So intense!
écouter aussi l'incroyable interprétation de Solomon......
Chopin gave us plenty melodies in Op. 10 and Op. 25. Mr. Deljavan adds a handful amount of his own, derived from Chopin's fabric. Mesmerizing performances.
One of the best I have ever heard. Thank you.
Very nice interpretations Not overly fast, and very fluid flowing feeling 👍 Very nice voicing too, bringing out the different melodies :)
I think there is a reading mistake at Etude no. 3 time 5:28 if the pianist can see this comment please double check. at the second time you kept the higher duet notes as major and it should be minor in both higher notes and lower notes.
Yes, you're right. There are some mistakes in that part. (at least I've never seen it notated as in the performance)
As you make the last 3 pieces somehow immature ones together to make this album fully, I give you 5 stars.
Wow, I have never heard that Op. 25 no. 6 like that before.
absolutely magical! une profondeur presque déjà surréelle! ravissant!
21:57 found Scriabin’s inspiration for his op. 8 no. 12 Etude, lol
ce control de sonorité ce phrasé et legato fait de ces etudes tout un univers de nouvelle decouvertes. nous pouvons mettre aux oubliettes la plupart des enregistrements de ces etudes du passé. alessandro deljavan n' a pas seulment une technique parfaite et une musicalité exceptionelle mais aussi un gout tres delicat pour interpreter ces etudes.
Beautiful. If Chopin heard, he would be very proud and happy ❤❤❤❤
op.10-3の途中、音が違うような？
5:25 ~ 5:41 の部分です。
The sound is wrong?
Que importa se a musica tem 5 segundos mais ou menos? É vc que esta tocando? toca tão bem assim?
Interesting interpretation. Thanks for sharing
omg kkkk
when are you gonna drop the next album doing a collab with lil liszt, chopin?
Chopin and this pianist melt me!
waterfall is one of my favorite songs from chopin
it's not a song
Piece...
Love Chopin....beautiful...I'm learning his Nocturne...
1 ? 2 ? 20 ?
@@jojoletyran447 Nocturn 9, Op 2
Una registrazione memorabile: la superlativa tecnica è soltanto un mezzo al servizio dell'intelligenza e della sensibilità dell'interprete che ci permette di riscoprire sotto nuova luce la monumentale architettura degli Studi - A memorable recording: the superlative technique is only a means at the service of the intelligence and sensitivity of the interpreter that allows us to rediscover the monumental architecture of the Studios in a new light
Leaving a note which pieces to add to my playlist:
Op.10
1. 3. 4.5. 9. 12.
Op.25:
1. 2. 6. 7. 11.
Creepiest album cover I've ever seen lol
Great playing though
ikr that scared the hell outa meh
😄
I checked the comments just for this. 😂
sophiciaction at its finest, typos included. Joe bless you!
😂😂😂😂.....that look scares the classical music outta ya soul
Lo escucharía siempre ,,Maravillosa música Chopin ,,excelente interpretación ,,
個性的な解釈、新鮮です。ブーニン、最近では反田さん。共に好きです。
Gentle breeze rather than fire. It sounds like Cortot equipped with great technique.
I really enjoyed this performance. I become a big fan of him.
I am speechless. Thank you alessandro
Interprétation très musicale, originale. Elle a sa place parmi les grandes interprétations.
In this album he is so amazingly expressing such a deep sadness and fragillity, the highest energy one can imagine, even manically hilarious joy and purely majestetic fury.
I have never heard 10/2 played like this before omg so amazing
in the description, etude op. 25 no. 12 in C Minor should be called "Ocean".
Chopin himself never gave thematic titles to his instrumental works
25.11 is also known as Winter Wind, but none of these subtitles were actually given to these pieces by Chopin, rather, by other people. Ditto for the preludes. "Raindrop" was not assigned as a title to Prdlude 15 by Chopin. I'm fine with however one calls these pieces, by their numbers, keys, or subtitles, but there are some people who are such purists that they throw fits over it, saying we shouldn't use the subtitles. Personally I think they actually help to learn the pieces. If you think of Etude 25.12 as an ocean, you're going to have an image in your head that you'll work to convey. Just a FYI. :)
One of the greatest renditions of all times.
unique interpretation. much rubato. so emotional. so dramatic. I feel like jazz.
Chopin's so good that I'm like 13 and I am so obsessed with playing and listening to it so yes and no ok bye
This guy wins
anyone heard the Nahre Sol parody? 2:03 definitely gave me those feels
She based nearly the entire thing on that one etude, using the 5-4-3 chromatics like in this etude all over the place.
this is interesting, there is an emphasis on certain notes that normally is not highlighted, giving this some new interpretation.
Brilliant sound! Fantastic play!
I love his interpretation of op.10 no 2
5:36 never heard anyone play d in stead of dis in the right hand, bar 34. Now the contrast with bar 35 is gone.
wrong descriptions, should be:
1. Great Gate of kijov
2. Lisa Minelli
3. Titanic
4. second war
5. lang-lang
6. soire on Paris
7. mama mia
8. polskie pierogi
9. Einstein
10. winter flowers
11. eric clapton
12. neron- fire on Rome
Vlad Tepes
How did you come up with those titles?
Take a bow already!!!
well somehow youncan picture this words when the music plays, especially now that he mentioned it...xD
Salute to you Sir!
Wonderful music
Thanks for uploading!
Avec cette intégrale, Deljavan, se situe aux niveau des plus grands. Malgré quelques fautes de texte parfois, ici, on es vraiment au sommet : Technique-Imagination-rigueur-Authenticité-Emotion-Humanité. La n.11 op.25 est extraordinaire de brio et de fluidité. Ce piano, c’est le Contraire de ...Lang Lang et son ’’cinema’’ par exemple.
....et le contraire absolu d'un Pollini ce parfait assassin de Chopin. Mon avis,voilà tout.
is no one going to mention the completely wrong chords at 5:30 and 5:37? i wonder why he chose to alter the notes here instead of playing as written because he does the same alteration both times.
i watch the video just now and when i hear the mistake i immediately search through the comment section xd and this is the only one that point out that thing, but maybe he intentionally change it because he like it that way? who knows
perfekt now i got etudes for practicing thank you. know time to practice 40 hours a day
Thanks for share this wonderful CD ;)
52:44 It's my favorite one
51:30 favorite
立派です！すばらしい演奏！
HOLY SHIT!!! IT'S MAT FROM WII SPORTS!!!
0:01 8:01 19:52 27:17 36:32 38:17 44:17 56:55 1:10:23
I started out skeptical, but op. 10 No. 3 convinced me he has something to contribute. Did he use a Bösendorfer there ?
The problem with these etudes isn't the fact that no one can play them, but the fact that SOMEONE can play them, and it's probably some 5 year old blind folded asian kid, that just makes everyone else feel horrible about themselves.
3:08 nice also
unique interpretation, I like it!
WT..; It's awesome! Could you tell me who played this Chopin Etude?!??!?
Chopin etude seems to be a fantastic song... Do you have more of these great composers?!
유한새 if you like Chopin, then I’d recommend Franz Liszt
I'd like to see this guy play in the coming Chopin Competition, he will be the next Pogorelich
I had a white belt in karate, but I pissed on it, so now I have a yellow belt.
Los pianíssimos son exquisitos!!!!
"Chopin's scherzi are like the tasty fat of a lamb chop. His polonaises and etudes are the meat itself. The sonatas and the ballads are the vegetables. The preludes are the salt and pepper. The waltzes and nocturnes are the gravy. The sonatas and concerti are the plates and cutlery." - Albert Einstein
Perfect thanks
...why chopin never made etudes in A major and D major?
well...actually in the middle section of op25 no1, it has modulates from A-flat to A major. Check 31:13
Because he probably didn'f want to.
because he didn't feel like? =P
Because he was A major D
I love Chopin etude no 11 op 25 winter wind.🙂❤️❤️🧡💛💚💙💜
Etude op 10 n2 reminds me to Flight of the Bumblebee.
2:24 nice
Excellent!!! 🏆
🤝
Das ist fantastisch!
Checked the tempo in #3. Lovely 🤓
I really love it!!