This has helped so much - technically and er, philosophically! One of the best LR tutorials out there. So helpful for photographers/editors at all levels!
Thanks so much Janine, very informative! This is the first of your videos I've seen & I love it! I just subscribed & am looking forward to more videos!
Thank you Janine for another informative post. With the latest releases of Lightroom Classic the use of the "masks" have become very powerful. The use of Lightroom as a raw editor has it's limitations. However, it is all that is needed for 90% of my work. This is good because it takes me as long to complete 1 image in Photoshop as it does to complete 9 images in Lightroom. In addition, photoshop and other pixel editors output files other than the original raw file and add time, complexity and the duplication of files to the export/import processes. Awesome table! BTW.
You pretty much summed it up... while it has its limitations I don't think we need much more either - and on top of it you can always use photoshop as a secondary editor... cheers Janine
Thank you Janine, I have also figured out how to deemphasise the background but have never been comfortable with gradient masks. I will now try those to make the abrupt changes more realistic.
Hi J anine: What a great video and instructional lesson in editing..... When I saw the Masking took innovation, I was excited, but the more I use it, especially in combination with brushes etc, it took my work to another level. Great work, and big hugs to all you guys. Take care and be safe out there...😊
I really have to thank you, Janine, and all of Pangolin for your wonderful videos. New to Lightroom, your beginner's course really has helped me get started. I have found one situation that I'm unsure of how to handle, though. Sometimes I have an image for which I'd like to use more than one editing approach, and would like to be able to save the editing history for each separately. I've also found that sometimes I may edit an image up to a point and then want to take it in 2 varying directions from that same point to create different effects that I may want to return to for additional editing or exports. Do you have any recommendations?
I’m a National Geographic Yourshot photographer-I was thought to take your best shot an add very little editing as nationalgeographic will only accept these images. I don’t think I’ll ever get to this level of editing as I love the challenge of taking a great shot.
That should be the goal of every photographer.... but as you must know very well... nature is often rather uncooperative irrespective of the photographic skills. This was just a tutorial to show people what can be done... but I command your discipline and goal. cheers Janine
Hi Janine, please can you help, I see that you do most of your editing on laptops, what sort of calibration do you use or is there an angle of the screen that you know is calibrated. I tend to edit then the next day look at it and re edit as it is dark or too contrasty.
Thanks Janine but I still cant get my Pics from my hard Drive to Light Room >> goes straight to Camera RAW then to Photoshp when opening after preliminary RAW conversion stuff in Camera RAW?? I need a Private Teacher just for 2 hours to sort all this out once Covid is Gone
Hi Peter, Camera Raw is connected straight to photoshop... you would have to use Lightroom for your organisation and prelminary RAW conversion. Maybe check out my tutorial that is for free on lightroom? cheers Janine
Thanks Janine, really useful. Previously I’ve been doing masking / brushes etc in PhotoShop - it looks like you are using mostly Lightroom; which parts of the workflow do you still do in PhotoShop? Thanks
Hey David, the dodging tool and if need be (only for prints / not for competitions) the healing brush is a lot more advanced in photoshop. If you need to do stacking for astro photography photoshop is great and if you need to get rid of artefacts from Topaz you can use it with different layers in photoshop. But generally I just don't have the time of the day to spare to go into so much depth... if a image cannot be edited in 5 min, I usually get rid of it. cheers Janine
Am a better photographer after every video I watch from the wonderful Pangolin photo hosts!
Thank you Christine.
This has helped so much - technically and er, philosophically! One of the best LR tutorials out there. So helpful for photographers/editors at all levels!
Newest bucket list item is to go on Safari with Pangolin- this channel is great
Thank you. I have learned much from your videos.
Great stuff.
Thanks Janine & Pangolin team for these lovely tips and tricks. Kudos to you guys. 🤩🥰😘
thanks Deva - cheers Janine
Excellent, as always!
Great thank you Janine !
Great video Janine, all your tutorials are just great 👍
Lovely and brilliant as always.
Thank you Janine! Love the new Lightroom tools. It has helped my workflow tremendously.
It makes things so much quicker - despite my initial hesitation I am hooked on it now
Fantastic !!
Thanks, Janine! We appreciate your insights and ideas!
Thanks Jon for the great feedback - cheers Janine
Outstanding, thanks very much!!
So glad it is helpful and useful to you Keith - cheers Janine
Thank you Janine for this excellent tutorial😀
You’re welcome 😊 we miss you here
Thank you yet again for this video and continued success
thanks so much
Thanks so much Janine, very informative! This is the first of your videos I've seen & I love it! I just subscribed & am looking forward to more videos!
thanks so much for your subscription - have fun browsing our channel - cheers Janine
Thanks Janine…. These top 10 tips are amazing !
Thanks so much Nancy - I am glad it helped
Thanks, great video and very helpful suggestions.
Thanks Gary - glad it is helpful - cheers Janine
Bedankt, heel goed en duidelijk te vlogen voor iedereen😃
thanks a lot
Thank you Janine for another informative post. With the latest releases of Lightroom Classic the use of the "masks" have become very powerful. The use of Lightroom as a raw editor has it's limitations. However, it is all that is needed for 90% of my work. This is good because it takes me as long to complete 1 image in Photoshop as it does to complete 9 images in Lightroom. In addition, photoshop and other pixel editors output files other than the original raw file and add time, complexity and the duplication of files to the export/import processes.
Awesome table! BTW.
You pretty much summed it up... while it has its limitations I don't think we need much more either - and on top of it you can always use photoshop as a secondary editor... cheers Janine
Thanks , very useful .
Hi Sergio, very glad it is helpful - cheers Janine
Perfect !
Glad it was useful - cheers Janine
Thank you Janine, I have also figured out how to deemphasise the background but have never been comfortable with gradient masks. I will now try those to make the abrupt changes more realistic.
Yes, it makes a big difference to smooth things out a bit - cheers Janine
Great video. Thank you.
Thanks for your feedback Tia, cheers Janine
Hi J anine: What a great video and instructional lesson in editing..... When I saw the Masking took innovation, I was excited, but the more I use it, especially in combination with brushes etc, it took my work to another level.
Great work, and big hugs to all you guys. Take care and be safe out there...😊
Yes, I was very hesitant at first but it is actually amazing - cheers
I really have to thank you, Janine, and all of Pangolin for your wonderful videos. New to Lightroom, your beginner's course really has helped me get started. I have found one situation that I'm unsure of how to handle, though. Sometimes I have an image for which I'd like to use more than one editing approach, and would like to be able to save the editing history for each separately. I've also found that sometimes I may edit an image up to a point and then want to take it in 2 varying directions from that same point to create different effects that I may want to return to for additional editing or exports. Do you have any recommendations?
Hey Janine, hope you're all very well down under & thanks for your useful tips & tricks. I also enjoyed to see some very well known images. 😎😂
Yep... we miss you here Cedric... have you send some images in for our social media? I would love to see some
Very nice instruction.
Thanks so much Stephen - really appreciate your feedback
Great video thanks
You are very welcome - glad it helps - cheers Janine
Great samples Janine 🙂
Thanks a lot Richard
I’m a National Geographic Yourshot photographer-I was thought to take your best shot an add very little editing as nationalgeographic will only accept these images. I don’t think I’ll ever get to this level of editing as I love the challenge of taking a great shot.
That should be the goal of every photographer.... but as you must know very well... nature is often rather uncooperative irrespective of the photographic skills. This was just a tutorial to show people what can be done... but I command your discipline and goal. cheers Janine
Voice and mouth were off on my iPad. If you can fix the timing will be beneficial for it is a really good video.
Thanks
Sorry about that - i never detached the audio from the imaging...so I am not sure what happened there
Hi Janine, please can you help, I see that you do most of your editing on laptops, what sort of calibration do you use or is there an angle of the screen that you know is calibrated. I tend to edit then the next day look at it and re edit as it is dark or too contrasty.
Thanks for another very helpful video, would you be able to do a tutorial on editing for a high quality print ? ........please
Hi Mike, that is very individual based on each printer and screen so a very difficult tutorial to make - cheers Janine
Thanks Janine but I still cant get my Pics from my hard Drive to Light Room >> goes straight to Camera RAW then to Photoshp when opening after preliminary RAW conversion stuff in Camera RAW?? I need a Private Teacher just for 2 hours to sort all this out once Covid is Gone
Hi Peter, Camera Raw is connected straight to photoshop... you would have to use Lightroom for your organisation and prelminary RAW conversion. Maybe check out my tutorial that is for free on lightroom? cheers Janine
Thanks Janine, really useful. Previously I’ve been doing masking / brushes etc in PhotoShop - it looks like you are using mostly Lightroom; which parts of the workflow do you still do in PhotoShop? Thanks
Hey David, the dodging tool and if need be (only for prints / not for competitions) the healing brush is a lot more advanced in photoshop. If you need to do stacking for astro photography photoshop is great and if you need to get rid of artefacts from Topaz you can use it with different layers in photoshop. But generally I just don't have the time of the day to spare to go into so much depth... if a image cannot be edited in 5 min, I usually get rid of it. cheers Janine
Janine, are demonstrating in Lightroom CC or Classic?, Thanks, Marty
Hey Marty, this is in Classic - Bridge has updated equivalently ... cheers
J'aime cette chaîne mais.. Mais la langue