@@maskaudioelectronics5994 Yeah That would be cool. Other ideas for pedals that should exist but for some reason don't: distortion tremolo - like a tremolo but instead of volume modulation it is gain / amount of distortion modulation. So volume would stay the same but level of distortion would modulate modulated compression - modulated compression. It would modulate the amount of compression, going from just a bit of compression to a lot of compression and so forth distorted reverb/delay - initial sound with no distortion, but the delay/reverb trails would be distorted
So, this means we are going to get a new version of the Maybe, Maybe?
There is plans to do a bigger version of MAYBE? I probably won't be able to start developing it until sometime in 2025
Thats the best sounding octave fuzz I've ever heard
Thanks so much!!
That guitar tho.....that bridge pup tho....❤
It’s such a ripper!!
you should do a dissonant version, where, instead of an octave (12 semitones) up, it is 11 semitones up
That's definitely a cool idea! A fun thing to do is to play that type of flat octave chord with this fuzz - It's chaos and madness!
@@maskaudioelectronics5994 Yeah That would be cool. Other ideas for pedals that should exist but for some reason don't:
distortion tremolo - like a tremolo but instead of volume modulation it is gain / amount of distortion modulation. So volume would stay the same but level of distortion would modulate
modulated compression - modulated compression. It would modulate the amount of compression, going from just a bit of compression to a lot of compression and so forth
distorted reverb/delay - initial sound with no distortion, but the delay/reverb trails would be distorted
@@maskaudioelectronics5994 or have a dial where you can control the amount of semitones the octave effect is
This rocks so freakin hard!!
🤘🤘🤘🤘
Reminder on phone set for 3:25PM!! ❤
🤘🤘🤘
Rips like a zvex machine
Love to hear it!