This is the music of the beauty and sadness of life mixed into one singularity. Nothing else fills me with such strong feelings of both enlightenment and fulfillment emotionally and intellectually while giving me such despair and tragedy to the point that I can come back to this work every day and feel like my heart and soul merge with my body and mind so perfectly every time, like some form of twisted ecstasy…nothing compares to Mahler’s heavenly music.
I've once heard this symphony live - it is undeniably one of a lifetime expirience. The level of exexcitement was so extreme, that I couldn't make myself stand up and applause, my body felt so numb and exhausted, that I couldn't even breathe properly and my vision went black for a couple of seconds. So yeah, Mahler is pretty dangerous to listen live😎
I just got back from Boston listening to the 8th, performed by the Boston Symphony Orchestra and Andris Nelsons. Was worth flying from Canada for this. Also had the joy of listening to this in Teatro alla Scala (Riccardo Chailly) back on May 2023 and in the Royal Albert Hall on October 2022 (that time, Petrenko & Royal Philharmonic)!
I agree the 1'st movement with the waves of rising scales is impressive. The recordings I've heard somehow never seem to make a satisfying thump on the very last note.
Vienna's University Philharmonic is performing this in Vienna in May 2024, I'm so excited to be part of it! It hasn't been performed in Vienna in 7 years. Our choir teacher always says it's not done often anymore because it's too expensive to do with professionals and too difficult to do with amateurs. And we're somewhere in the middle 😄 we did Mahler 2nd 4 years ago and it was my favourite piece that we ever performed. I have Mahler stuck in my head 24/7 and I'm not even mad about it any more 😂
Until now I had only heard Mahler 8 from the stage (boy's choir to be exact), so this recording really showed me how it sounds from the hearer's perspective.
I have no words to express what I have just listened to. It trascends the concept of beauty, it shakes you in the wholeness of your soul and you realize it only when the music has gone silent.
🟦 I. Hymnus: Veni, creator spiritus ◾Exposition 2:05 Main section, First main theme 🔸[Veni creator spiritus] 🔸{Come, Holy Ghost, Creator Come} 2:44 Second main theme 🔸[Spiritus; O creator veni] 3:02 Transition 🔸[Mentes tuorum visita] 🔸{From Thy bright heavenly throne} 3:32 Secondary section, rondo-like 🔸[Imple superna gratia, Quae tu creasti pectora] 🔸{Come, take possession of our souls, And make them all Thine own} 5:16 🔸[Qui Paraclitus diceris, Donum Dei altissimi] 🔸{Thou who art called the Paraclete, Best gift of God above} 5:48 🔸[Fons vivus, ginis, caritas, Et spiritalis unctio] 🔸{The Living Spring, The Living Fire, Sweet Unction, and True Love} 6:34 Intermezzo: layering of texts [Veni creator imple quae tu creasti pectora superna gratia] 7:05 Orchestral interlude 7:53 Closing section 🔸[Infirma nostri corporis, Virtute firmans perpeti] 🔸{With Thy strength which ne'er decays, Confirm our mortal frame} ◾Development 9:45 First section; orchestral interlude: music from far away, shadow like, primarily development of the Veni theme. 11:11 Second section: new composition of verse III [Infirma...] 12:10 🔸[lumen accende sensibus, infunde amorem codibus] 🔸{And guide our minds with Thy blest light, With love our hearts inflame} 14:10 Transition 14:32 Third section; Accende theme [Accende lumen sensibus...]; march like character 15:20 Fourth section: dramatic scene above a basso obstinate 🔸[Hostem repellas longius, Pacemque dones protinus] 🔸{Far from us drive our hellish foe, True peace unto us bring} 15:57 Fifth section: double fugue on the two main themes, marchlike 🔸[Ductore sic te praevio, Vitemus omne pessimum] 🔸{And through all perils guide us safe Beneath Thy sacred wing} 16:24 🔸[Tu septiformis munere, Dextrae paternae digitus] 🔸{Thou who art seven-fold in Thy grace, Finger of God's right hand} 17:03 🔸[Per te sciamus da patrem, Noscamus filium, spiritum Credamus omni tempore] 🔸{Through Thee may we the Father know, Through the Eternal Son, the Spirit of them both thrice-blessed Three in One} 17:36 Sixth section; Accende theme [Accende...]; ◾Recapitulation 19:16 First main theme [Veni...] 20:00 Sections from the secondary section @5:16 [Qui Paraclitus... 20:27 🔸[Da gratiarum munera, Da gaudiorum praemia] 🔸{Give unto us the joy of heaven, Give us Thy grace divine} 20:57 🔸[Dissolve litis vincula, Adstringe pacis foedera] 🔸{And may the fetters of our strife In pacts of peace combine} 21:38 [Pacemque dones protinus] 22:07 Final section [ductore sic te Praevio, Vitemus omne pessimum] 22:44 Orchestral Interlude ◾Coda 23:57 Statements of almost all themes of the movement 🔸[Gloria Patri Domino, Natoque, qui a mortuis, Surrexit, ac Paraclito In saeculorum saecula] 🔸{All glory to the Father be, And to the risen Son; The same to Thee, O Paraclete, While endless ages run} 🟦 II. Final Scene from Faust 27:29 Instrumental arioso 36:11 Four-line chorale (instrumental version of the choir of the younger angels @ 53:09) 37:01 Instrumental arioso as foundation of the choir (and echoes) of the holy anchorites 41:48 Pater ecstaticus - Ewiger Wonnebrand (Eternal flame of rapture); hymn in five verses 43:21 love theme 43:30 Pater profundis - Arioso followed by hymnlike transition 47:59 Choir of angels and later choir of blessed young boys, largely borrowed from 14:32 48:38 Transition (trumpet and horn announce Faust's spiritual reincarnation and anticipate a theme from the choir of blessed young boys that is to follow later) 49:03 Scherzando - Choir of the younger angels (Jene Rosen) 50:25 Intermezzo 50:48 Introduction and choir of the more perfected angels, borrowing from 7:29 53:09 Choir of the younger angels: chorale of several lines + glock; entry of Doctor Marianus (53:43) 53:52 Choir of blessed young boys and Doctor Marianus: Faust's reincarnation ~ 48:42 54:21 Praise of the Mater Gloriosa by Doctor Marianus 58:20 Intermezzo modulating from E-flat major to E major 58:57 Floating on high of the Mater Gloriosa: mixed choir and choir of the penitent women 1:02:48 Magna Peccatrix 1:03:41 Mulier Samaritana 1:04:52 Intermezzo 1:05:07 Maria Aegyptiaca (borrowed from Rose chorus @ 49:34) 1:06:02 Trio of three women in deep sin, at first in the form of a cannon, borrowed from Rose chorus @ 49:03 1:07:25 Prelude and song of the Una Poenitentium with mandolin solo; Theme of the Mater Gloriosa 1:08:28 Choir of the blessed young boys (theme of the Mater Gloriosa) 1:09:21 Choir of the blessed young boys (with Glock), later Una Poenitentium. Return to music from 53:52 1:09:49 Una Poenitentium. quotation from 3:32 and 6:34 1:11:30 Love theme treated imitatively by horns and trumpets 1:12:04 Mater Gloriosa docissimo (very slow) 1:13:25 Doctor Marianus and choir (hymnlike) 1:16:52 Flowing Postlude using the Blicket auf motif (glock/tam-tam); at the end dimm 1:18:27 Transition (with harmonium, celesta, piano, and harps) 1:19:40 Chorus mysticus 1:24:39 Postlude, with the Veni theme ◾notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)
Avevo poco più di 14 anni, ero in platrea con mio padre. Alla fine fui colto dalla classica sindrome di Stendhal e durante gli applausi mi accasciai sulla seggiola e piansi a dirotto!
@@fiandrhi Of course, this symphony is for everyone, but I have only written what lies on the surface: Veni Creator Spiritus (Latin for “Come, Creator Spirit”) is a traditional Christian hymn. And if you go further down the structure of the composition, there are Christian motifs everywhere. In form and content, simply everything points to it. But yes, Love is for everyone =)
The funny part is, that hermann prey was a popular singer of volkslieder and even sang some really trashy german schlager in television shows "for old people". But i always wondered because there were some really serious Lied recordings from wellknown composers and always found him outstanding , really emotional, always involved in what he was doing. So that he is doing so well here, is - on the one hand no surprise for me, but than again it is a real suprise he had that artistic range.
I find the 8th far more affecting, particularly in the last section, beginning with Doctor Marianus' solo Blichet Auf. It seals the impression for me that this is unequivocally Mahler's greatest work. Remarkable that it was composed in only two months.
1st heard the 2nd at. the Saratoga Performing Arts Center in 1970 , Ormandy conducting the Philadelphia Orchestra with the Capitol District Choral Arts Society. Another favorite.
I've sung the Mahler 2nd with Bernstein in 1967 and Levine in 1981. Doing it with Bernstein was life-altering, with Levine, much less so. I've never sung the 8th Symphony and have only heard it on video and audio recordings.I hope to hear it in live performance with a truly great conductor before I pass on. If I had to choose between the two works, I'd have to pick the 8th Symphony because of it's comprehensive character. Needless to say, both works are an essential part of the classical music compendium.
Has this version been released anywhere in commercial format? Or is this footage the only thing featuring it? The hunt has been driving me mad for years so just asking out of curiosity.
Yes - all Mahler's symphonies have been commercially released by DG in 2005 - the source behind this upload.The film transfers were shoddily done and the sound quality isn't up to much - I did what I could in this upload, but ultimately someone needs to go back to the original prints and transfer them properly. I'd say this has little chance of happening, but a man can wish...
I did a little checking. It looks like the Konzerthaus Vienna; it's definitely not the Grösser Musikvereinsaal where the Vienna Philharmonic usually plays.
This is the music of the beauty and sadness of life mixed into one singularity. Nothing else fills me with such strong feelings of both enlightenment and fulfillment emotionally and intellectually while giving me such despair and tragedy to the point that I can come back to this work every day and feel like my heart and soul merge with my body and mind so perfectly every time, like some form of twisted ecstasy…nothing compares to Mahler’s heavenly music.
The depth of Mahler's work and the way he encapsulates life itself into his music, it is an emotional and exhilarating experience every time.
love to see my father playing the violin 👏🏼, wonderful footage
ooh who's your father here?
2nd "pult" of Violin 2, dark glasses, curly dark hair... in front of the conductor.
Congratulations! That is such a honour!
@@WolfgangWeihs "the conductor" Like he was a nameless, ordinary conductor.
@@adamdraskoczi6071 If I had known that there was someone here who needed to be told who the conductor was, I would have done it ...
I've once heard this symphony live - it is undeniably one of a lifetime expirience.
The level of exexcitement was so extreme, that I couldn't make myself stand up and applause, my body felt so numb and exhausted, that I couldn't even breathe properly and my vision went black for a couple of seconds.
So yeah, Mahler is pretty dangerous to listen live😎
IMAGINE GETTING TO SING IT IN A GORGEOUS CATHEDRAL - STILL BRINGS ME TO TEARS TO THINK ABOUT IT. ONE OF THE MOST MOVING EXPERIENCES OF MY LIFE.
I am soon going to watch the wiener philarmonic play the 9th. I can't wait for it !!!
@@Nermalton77the Vienna university orchestra is apparently playing this, the 8th, soon, check the comments
Saw it perforrned by the Philadelphia Orchestra at Carnegie Hall in around 2008. Breathtaking.
I just got back from Boston listening to the 8th, performed by the Boston Symphony Orchestra and Andris Nelsons. Was worth flying from Canada for this. Also had the joy of listening to this in Teatro alla Scala (Riccardo Chailly) back on May 2023 and in the Royal Albert Hall on October 2022 (that time, Petrenko & Royal Philharmonic)!
The ending of the whole thing deservedly gets talked about the most, what what about that ending of the 1st movement!!
Yeah it just sounds so overly explosive, and I like the ending of the 1st movement better than the ending of the whole thing
The entire 1st movement is exhausting. Powerful, moving, emotiional. AWESOME. Leaves even the listener drained!
I agree the 1'st movement with the waves of rising scales is impressive. The recordings I've heard somehow never seem to make a satisfying thump on the very last note.
That first movement is a whole piece in itself.
Gloria Patri Domino
Gustav Mahler (1860-1911)
Symphony No. 8 (1906)
00:01 _Opening Credits_
Part 1️⃣
Hymnus: Veni, Creator Spiritus
01:47 _Veni, creator spiritus!_
03:13 _Imple superna gratia [7]_
07:15 _Infirma nostri sensibus [19]_
09:14 *Tempo | (Allegro, etwas hastig)*
_[23]_
10:36 _Infirma nostri corporis [30]_
13:39 _Accende lumen_ sensibus [37]
18:04 _Veni, creator spiritus [61]_
19:11 _Qui Paraclitus diceris [69]_
23:16 *Wieder frisch* _[81]_
24:00 _Gloria Patri Domino [84]_
Part 2️⃣
Final Scene from Goethe's "Faust"
_A wilderness of forest and rock, with holy_ _anchorites living in clefts up and down_ _the mountainside._
0:26:41 *Poco adagio [1]*
0:33:00 *Più mosso (Allegro moderato)*
_[14]_
0:36:10 _Waldung, sie schwankt heran [24]_
0:40:12 _Ewiger Wonnebrand [32] • PE_
0:42:10 _Wie Felsenabgrund mir_
_zu Füßen [38] • PP_
0:46:30 _Geretet ist das edle Glied [55]_
0:47:38 _Jene Rosen, aus den Händen [63]_
0:49:45 _Uns bleibt ein Erdenrest [76]_
0:50:37 _Kein Engel trennte [78]_
0:51:45 _Ich spur' soeben [81]_
0:52:23 _Hier ist die Aussicht frei [84]_
0:53:05 _Höchste Herrscherin der Welt_
_[89] • DM_
0:57:29 *Äußert langsam. Adagissimo*
_[106]_
0:58:47 _Dir, der Unberührbaren [109]_
1:01:12 _Bei der Liebe, die den Füßen_
_[117] • MP_
1:02:00 _Bei dem Bronn, zu dem_
_schon weiland [121] • MS_
1:03:29 _Bei dem hoch geweihten Orten_
_[128] • MA_
1:04:29 _Die du großen Sünderinnen_
_[136] • MP/MS/MA_
1:05:56 _Neige, neige du Ohnegleiche_
_[149] • UP_
1:07:01 _Er überwächst uns schon [154]_
1:08:17 _Vom edlen Geisterchor umgeben_
_[164] • UP_
1:10:34 _Komm! Komm! Hebe dich zu_
_höheren Sphären [172] • MG_
1:12:05 _Blicket auf [176] • DM_
1:16:35 *Langsam [199]*
1:17:49 _Alles Vergängliche [202]_
1:23:53 *Applause*
*Edda Moser, Soprano 1* • _Magna Peccatrix_
*Judith Blegen, Soprano 2* • _Una poenitentium_
*Gerti Zeumer, Soprano* • _Mater gloriosa_
*Ingrid Mayr, Alto 1* • _Mulier Samaritana_
*Agnes Baltsa, Alto 2* • _Maria Aegyptiaca_
*Kenneth Riegel, Tenor* • _Doctor Marianus_
*Hermann Prey, Baritone* • _Pater ecstaticus_
*José van Dam, Bass* • _Pater profundus_
_Chorus:_ *Konzertvereinigung Wiener* *Staatsopernchor, Wiener Singverein,*
*Wiener Sängerknaben*
*Wiener Philharmoniker*
*Leonard Bernstein, conductor*
_Wiener Konzerthaus_
_Vienna, Austria 🇦🇹 1975_
_Video Director: Humphrey Burton_
One of the oldest videos, but surely one of the most authentic and emotional ever. Bravo to Bernstein!
one of the oldest videos?? Hardly... lol
@@louisee7339Right? There are MUCH older videos!
Vienna's University Philharmonic is performing this in Vienna in May 2024, I'm so excited to be part of it! It hasn't been performed in Vienna in 7 years. Our choir teacher always says it's not done often anymore because it's too expensive to do with professionals and too difficult to do with amateurs. And we're somewhere in the middle 😄 we did Mahler 2nd 4 years ago and it was my favourite piece that we ever performed. I have Mahler stuck in my head 24/7 and I'm not even mad about it any more 😂
It is regularly performed in Vienna. I have seen it e.g. 2019 live, will also be given again in November.
Mahler was head of the Vienna opera for years.
I have heard the 8th symphony in so many recordings, but this is my favorite- breathtaking!
Check Sir Simon Rattle with the Youth Orchestra of Great Brritain at Sir Albert Hall during Proms. Rivals this - on you tube also.
My goodness, now there's a recording that should've been put on a commercial DVD. Utterly, utterly sublime.
Until now I had only heard Mahler 8 from the stage (boy's choir to be exact), so this recording really showed me how it sounds from the hearer's perspective.
I have no words to express what I have just listened to. It trascends the concept of beauty, it shakes you in the wholeness of your soul and you realize it only when the music has gone silent.
As Mahler said, “these are no longer human voices.” Here is the Universe sounding and resonating its harmony, its power.
Spettacolare, un Capolavoro.❤❤ Grandissimo Bernstein , Meravigliosi tutti.❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Muchas Gracias por compartir esta grabación histórica.
the pinnacle of human music
🟦 I. Hymnus: Veni, creator spiritus
◾Exposition
2:05 Main section, First main theme
🔸[Veni creator spiritus]
🔸{Come, Holy Ghost, Creator Come}
2:44 Second main theme
🔸[Spiritus; O creator veni]
3:02 Transition
🔸[Mentes tuorum visita]
🔸{From Thy bright heavenly throne}
3:32 Secondary section, rondo-like
🔸[Imple superna gratia, Quae tu creasti pectora]
🔸{Come, take possession of our souls, And make them all Thine own}
5:16
🔸[Qui Paraclitus diceris, Donum Dei altissimi]
🔸{Thou who art called the Paraclete, Best gift of God above}
5:48
🔸[Fons vivus, ginis, caritas, Et spiritalis unctio]
🔸{The Living Spring, The Living Fire, Sweet Unction, and True Love}
6:34 Intermezzo: layering of texts [Veni creator imple quae tu creasti pectora superna gratia]
7:05 Orchestral interlude
7:53 Closing section
🔸[Infirma nostri corporis, Virtute firmans perpeti]
🔸{With Thy strength which ne'er decays, Confirm our mortal frame}
◾Development
9:45 First section; orchestral interlude: music from far away, shadow like, primarily development of the Veni theme.
11:11 Second section: new composition of verse III [Infirma...]
12:10
🔸[lumen accende sensibus, infunde amorem codibus]
🔸{And guide our minds with Thy blest light, With love our hearts inflame}
14:10 Transition
14:32 Third section; Accende theme [Accende lumen sensibus...]; march like character
15:20 Fourth section: dramatic scene above a basso obstinate
🔸[Hostem repellas longius, Pacemque dones protinus]
🔸{Far from us drive our hellish foe, True peace unto us bring}
15:57 Fifth section: double fugue on the two main themes, marchlike
🔸[Ductore sic te praevio, Vitemus omne pessimum]
🔸{And through all perils guide us safe Beneath Thy sacred wing}
16:24
🔸[Tu septiformis munere, Dextrae paternae digitus]
🔸{Thou who art seven-fold in Thy grace, Finger of God's right hand}
17:03
🔸[Per te sciamus da patrem, Noscamus filium, spiritum Credamus omni tempore]
🔸{Through Thee may we the Father know, Through the Eternal Son, the Spirit of them both thrice-blessed Three in One}
17:36 Sixth section; Accende theme [Accende...];
◾Recapitulation
19:16 First main theme [Veni...]
20:00 Sections from the secondary section @5:16 [Qui Paraclitus...
20:27
🔸[Da gratiarum munera, Da gaudiorum praemia]
🔸{Give unto us the joy of heaven, Give us Thy grace divine}
20:57
🔸[Dissolve litis vincula, Adstringe pacis foedera]
🔸{And may the fetters of our strife In pacts of peace combine}
21:38 [Pacemque dones protinus]
22:07 Final section [ductore sic te Praevio, Vitemus omne pessimum]
22:44 Orchestral Interlude
◾Coda
23:57 Statements of almost all themes of the movement
🔸[Gloria Patri Domino, Natoque, qui a mortuis, Surrexit, ac Paraclito In saeculorum saecula]
🔸{All glory to the Father be, And to the risen Son; The same to Thee, O Paraclete, While endless ages run}
🟦 II. Final Scene from Faust
27:29 Instrumental arioso
36:11 Four-line chorale (instrumental version of the choir of the younger angels @ 53:09)
37:01 Instrumental arioso as foundation of the choir (and echoes) of the holy anchorites
41:48 Pater ecstaticus - Ewiger Wonnebrand (Eternal flame of rapture); hymn in five verses
43:21 love theme
43:30 Pater profundis - Arioso followed by hymnlike transition
47:59 Choir of angels and later choir of blessed young boys, largely borrowed from 14:32
48:38 Transition (trumpet and horn announce Faust's spiritual reincarnation and anticipate a theme from the choir of blessed young boys that is to follow later)
49:03 Scherzando - Choir of the younger angels (Jene Rosen)
50:25 Intermezzo
50:48 Introduction and choir of the more perfected angels, borrowing from 7:29
53:09 Choir of the younger angels: chorale of several lines + glock; entry of Doctor Marianus (53:43)
53:52 Choir of blessed young boys and Doctor Marianus: Faust's reincarnation ~ 48:42
54:21 Praise of the Mater Gloriosa by Doctor Marianus
58:20 Intermezzo modulating from E-flat major to E major
58:57 Floating on high of the Mater Gloriosa: mixed choir and choir of the penitent women
1:02:48 Magna Peccatrix
1:03:41 Mulier Samaritana
1:04:52 Intermezzo
1:05:07 Maria Aegyptiaca (borrowed from Rose chorus @ 49:34)
1:06:02 Trio of three women in deep sin, at first in the form of a cannon, borrowed from Rose chorus @ 49:03
1:07:25 Prelude and song of the Una Poenitentium with mandolin solo; Theme of the Mater Gloriosa
1:08:28 Choir of the blessed young boys (theme of the Mater Gloriosa)
1:09:21 Choir of the blessed young boys (with Glock), later Una Poenitentium. Return to music from 53:52
1:09:49 Una Poenitentium. quotation from 3:32 and 6:34
1:11:30 Love theme treated imitatively by horns and trumpets
1:12:04 Mater Gloriosa docissimo (very slow)
1:13:25 Doctor Marianus and choir (hymnlike)
1:16:52 Flowing Postlude using the Blicket auf motif (glock/tam-tam); at the end dimm
1:18:27 Transition (with harmonium, celesta, piano, and harps)
1:19:40 Chorus mysticus
1:24:39 Postlude, with the Veni theme
◾notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)
@@olyaddewo2379 Wow, thank you! Can I use that on the video description, please?
@@glagolitic Sure I got it from another video anyway
the finale is probably what you hear when you enter the heaven
😂
1:22:56 ohh that's it Mahler baby......hang it out Mahler!....ohh soul, that is soul...ride on baby!!
Highest achievement of any human artist. All praise to the Creator ❤
Good grief! How many ads can they squeeze in at awful moments in this wonderful video. Completely ruins the arc of the entire production.
Avevo poco più di 14 anni, ero in platrea con mio padre. Alla fine fui colto dalla classica sindrome di Stendhal e durante gli applausi mi accasciai sulla seggiola e piansi a dirotto!
Thank you so much for this!!!
Bernstein for ever
I had to watch 18 ads in the duration of this symphony! A disgrace for setting ads on this video! A big shame!!!!!
First time- that was insane
Spectacular Bernstein!
This Jewish composer understood the german romantic soul more than any other artist! i LOVE THIS SYMPHONY...
this is a Christian symphony.
Mahler was from Austria.
@@SymphonyBrahmshe was Austrian-Bohemian
@@helbeck4237 nonsense. This symphony is for everyone, its text notwithstanding.
@@fiandrhi Of course, this symphony is for everyone, but I have only written what lies on the surface: Veni Creator Spiritus (Latin for “Come, Creator Spirit”) is a traditional Christian hymn. And if you go further down the structure of the composition, there are Christian motifs everywhere. In form and content, simply everything points to it. But yes, Love is for everyone =)
Hermann Prey is the best Pater Ecstaticus I have ever heard - such power
Hermann Prey is simply magnificent here. He gets it.
😎🎹
The funny part is, that hermann prey was a popular singer of volkslieder and even sang some really trashy german schlager in television shows "for old people". But i always wondered because there were some really serious Lied recordings from wellknown composers and always found him outstanding , really emotional, always involved in what he was doing. So that he is doing so well here, is - on the one hand no surprise for me, but than again it is a real suprise he had that artistic range.
ive sung both the 8th at San Franscisco Symphony and the 2nd with Philadephia Orchestra---by far the most emotional and moving is the 2nd!
I find the 8th far more affecting, particularly in the last section, beginning with Doctor Marianus' solo Blichet Auf. It seals the impression for me that this is unequivocally Mahler's greatest work. Remarkable that it was composed in only two months.
2nd has too much phoney-baloney religion to suit me.
1st heard the 2nd at. the Saratoga Performing Arts Center in 1970 , Ormandy conducting the Philadelphia Orchestra with the Capitol District Choral Arts Society. Another favorite.
I've sung the Mahler 2nd with Bernstein in 1967 and Levine in 1981. Doing it with Bernstein was life-altering, with Levine, much less so. I've never sung the 8th Symphony and have only heard it on video and audio recordings.I hope to hear it in live performance with a truly great conductor before I pass on. If I had to choose between the two works, I'd have to pick the 8th Symphony because of it's comprehensive character. Needless to say, both works are an essential part of the classical music compendium.
Thx for HQ videos...
The start around 27:00 reminds me of a part of his fourth symphony, third movement.
Same
Thank you
1:48. II 26:45. 28:30
incredible; O to have sung that with them.
Has this version been released anywhere in commercial format? Or is this footage the only thing featuring it? The hunt has been driving me mad for years so just asking out of curiosity.
Yes - all Mahler's symphonies have been commercially released by DG in 2005 - the source behind this upload.The film transfers were shoddily done and the sound quality isn't up to much - I did what I could in this upload, but ultimately someone needs to go back to the original prints and transfer them properly. I'd say this has little chance of happening, but a man can wish...
@@glagoliticGreetings! Any chance to remaster rest of the symphonies in this Mahler cycle?
これは、グラモフォンでCD化された1975年8月31日のザルツブルグ音楽祭の名演の直後、9月に行われた演奏を録画したもの。
バーンスタインのパフォーマンスはザルツブルグで完全燃焼した後だけに、最上のコンディションとは言いがたい。得意の指揮台の上でのジャンプも演奏とタイミングが合わなかったり、第一部のクライマックス近くで、ソプラノが一小節遅れで歌っていたり(スコアがないのできちんと確認できていないが)、どうも締まらない。ウィーン・フィルのことなので、多分ザルツブルグの時とは団員の面子はかなり入れ替わっているのだろうが、音楽祭の時と比べるとオーケストラの音のテンションが段違いに低いと感じてしまう。
もし、ザルツブルグ音楽祭での演奏の映像が残せたなら、ロンドン交響楽団との「復活」より見応えのあるものになっただろうに。
I didn't know he conducted this one too
번스타안과 말러는 죽이 척척맞는 천재로 밖에 볼수없다
Last time i saw this recording it had over 1mil views what happened?
I doubt I'm the only person to ever upload it, but I'm quite confident mine is the best quality.
Jose’s got deleted
Could they cram any more ads into this video? Don't bother with the symphony. Just show the ads!
Certo che la pubblicità che interrompe ogni 5 minuti è una gran porcheria!
Bravo Bernstein
25:16
1:11:58
huh
01:06:12 Wow!
In which concert hall is this performance? Any body?
I did a little checking. It looks like the Konzerthaus Vienna; it's definitely not the Grösser Musikvereinsaal where the Vienna Philharmonic usually plays.
@@jochanaan58 Thank you!
I realize that the title is an exaggeration. But has the symphony ever actually been performed by 1000 people?
Tes
Yes
No its like 980
@@leemonke2692 …
950 on the premiere that Mahler conducted I’m pretty sure
40:31
57:05
🤍🤍🤍
Metro goldwyn mayer pictures inc PRESENTS an TURNER ENTERPRISES PRODUCTION INC the MAHLER SYMPHONY 8 show tm
This is the ultimate "sing"-phony!
Awesome. But boy is that organ out of tune!
How so?
@@iwasglad122 where?
Thats true
1:15:20
25:51