Jesus why cant they make tracks like this these days? Tracks that create that instant euphoric high and have timeless sound? This was the heyday of progressive trance and most living who were blessed enough to experience that era would claim it was the pinnacle of the entire musical genre of electronic music!
I agree, this was before my time, born 1988, but the early-mid 90's seem like a very special time for electronic music. I'm so thankful that the internet exists, or I never would have heard this, or other masterpieces like "A Day On Our Planet."
It's clearly not the same at all. Just listen to the tracks side by side. At the 2:50 mark in this one, the breakdown is completely different. This version has a higher pitched synth pattern that is dropped at the breakdown and it's timber is completely different than the one in Sasha's version. Listen to the breakdown at the 1:00 mark in Sasha's version. The build up is longer, more ambientish and the synth pattern fades in slowly. There's also no point in this version in which Sasha could cut this version up to skip to that buildup. It's a different version that's been hard for me to find. So hard to find that I'm probably going to end up buying vinyl. It's not uncommon for CD's/websites to list the wrong version for songs. For example, Paul Oakenfold's New York GU lists the wrong version of Jamie Myerson's Rescue Me (it's the butcher radio edit) And by the way DJ's can't just selectively add echo and flange to a track. If it had echo, everything would be echoing. Even if they limited it to certain frequencies (like flange on the high end) it would be on everything in those frequencies (high hats, synths, sweeping noises, etc.). That's not how DJing works.
I guess I can see Sasha skipping the breakdown in this version at the 2:50 mark, adding a bunch of effects like he did at the very beginning of both CDs, and just fading this one back in to skip the annoying synth at the 2:50 mark. The rest of the track sounds about right except for the 4:22 mark sounds like Sasha skips to the 6:07 mark here. The synth at 6:07 fades in more here than in Sasha's but he has had another song mixed in for a while by the 4:22 mark. Do you think he did all this editing in software? Live would be extremely impressive.
It sounds different at around 4:22 point because that's when Sasha begin playing Twilo Thunder. Doesn't fade it in; just presses play and that it. He plays both tracks simultaneously for a good two minutes until that 6:07 mark where he begins to fade out Change Me. It's a master stroke.
@@NewtonGonzalez thank you 😊it's a gem. Takes me back to when fabric first opened with sasha and digweed doing 5 hour back to back sets , ah good times
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Jesus why cant they make tracks like this these days? Tracks that create that instant euphoric high and have timeless sound? This was the heyday of progressive trance and most living who were blessed enough to experience that era would claim it was the pinnacle of the entire musical genre of electronic music!
I agree, this was before my time, born 1988, but the early-mid 90's seem like a very special time for electronic music. I'm so thankful that the internet exists, or I never would have heard this, or other masterpieces like "A Day On Our Planet."
They do you just have to find them!
@@bg3007 i feel bad for you. I went to Twilo. but i can clue you into music like this.
Agree! A lot of the stuff coming out these days is over produced. There's genius in the simplicity of this track. 009
Here we are doing nothing but aging.
one of the first vinyls i bought
Omfg I love this tune so much.....
SnAp
Its sick. Just ordered the vinyl off discogs.
Quality tune I love this whole era
This Song reminds me on 1998 Hessentag HR3 Clubnight Talla 2xlc. Very Special Tune. Will Never forget this Awesome Moment in my life
Haunting Beauty.........from an amazing past
This is a holy song, straight from higher dimensions.
The only mix worth listening to
What a tune!
wow this is special love it
Absolutley evilly good this track
Get to redrocks this summer. First train home. Should be ready by then. Who you know who.
Is it ready now?
better than any drug or aphrodisiac lol, best track on Sasha GU009 SF
❤️
Agree with you there .
This and illumiatus hope.
100%
one of the best tracks ever amigo
Change me change me CHANGE NE.
Timeless
Life is so strange. Destination unknown.
This version sounds very close to the one on Sasha's GU San Fran but it's not the same. Anyone know what version that one is?
It's clearly not the same at all. Just listen to the tracks side by side. At the 2:50 mark in this one, the breakdown is completely different. This version has a higher pitched synth pattern that is dropped at the breakdown and it's timber is completely different than the one in Sasha's version. Listen to the breakdown at the 1:00 mark in Sasha's version. The build up is longer, more ambientish and the synth pattern fades in slowly. There's also no point in this version in which Sasha could cut this version up to skip to that buildup. It's a different version that's been hard for me to find. So hard to find that I'm probably going to end up buying vinyl. It's not uncommon for CD's/websites to list the wrong version for songs. For example, Paul Oakenfold's New York GU lists the wrong version of Jamie Myerson's Rescue Me (it's the butcher radio edit)
And by the way DJ's can't just selectively add echo and flange to a track. If it had echo, everything would be echoing. Even if they limited it to certain frequencies (like flange on the high end) it would be on everything in those frequencies (high hats, synths, sweeping noises, etc.). That's not how DJing works.
I guess I can see Sasha skipping the breakdown in this version at the 2:50 mark, adding a bunch of effects like he did at the very beginning of both CDs, and just fading this one back in to skip the annoying synth at the 2:50 mark. The rest of the track sounds about right except for the 4:22 mark sounds like Sasha skips to the 6:07 mark here. The synth at 6:07 fades in more here than in Sasha's but he has had another song mixed in for a while by the 4:22 mark. Do you think he did all this editing in software? Live would be extremely impressive.
I knew they weren't live from the club but I assumed they mixed them in studio on decks I suppose.
Point still stands. He heavily edited this version. He didn't just "pitch it down" and add "flange and echo".
It sounds different at around 4:22 point because that's when Sasha begin playing Twilo Thunder. Doesn't fade it in; just presses play and that it. He plays both tracks simultaneously for a good two minutes until that 6:07 mark where he begins to fade out Change Me. It's a master stroke.
Oh God sorry please change me change me CHANGE. ME.
👌👌
Change me. If one returns from the darkness with gold they will have many followers. What has happened to me. Stumbling in the dark.
🧨 🚀 ❤️🌒
This genre of music hence being HARD TRANCE can only be excuted by german talent.ICH BIN JETZT IN DIE WOLKEN!!!!!!!!!!!!!
This is progressive house/trance. Not hard trance.
Anjunadeep enters the chat
When was this track released?
Released: 1998
@@NewtonGonzalez thank you 😊it's a gem. Takes me back to when fabric first opened with sasha and digweed doing 5 hour back to back sets , ah good times
Progressive House Resounds In The Heavens. The Bells Echo Above. Polish and Crack The Prog Firmament.
009
I'm afraid if americans. Can't help it.