Настоящий, мировой бас! Мастер, исполнитель, художник! Богатый, сильный и при этом очень гибкий голос! Потрясающая техника, музыкальность, чувство стиля! Великий певец! Он останетца в истории!!!
2:22 Le Nozze di Faigaro overture 15:22 Non piu andrai -W.A.Mozart 19:42 Tutto e disposto…Aprite un po’ quegli occhi -W.A.Mozart *Don Quichotte à dulcinée-M.Ravel 32:55 Chanson romanesque 34:49 Chanson épique 37:33 Chanson à boire 42:30 Ave signor : Prologue -A.Boito 48:35 Ecco il mondo -A.Boito 52:03 Ella giammai m’amo -G.Verdi
penso sia stato in assoluto uno dei migliori bassi della storia, voce liquida, mai ostentata, pur avendo forza e volume a profusione, profondo ove occorreva senza perdere di stile e lungo di estensione sino ad acuti baritonali. Storico il suo don Giovanni, affiancato da Corena e Dermota. Ho letto in alcuni commenti che qualcuno lo definisce basso/baritono...direi proprio di no
A brilliant artist, elegant and aristocratic. Extraordinary technique and mastery of style. The recital, cruel and comprehensive, tests Siepi to the extreme. He tosses off difficulties with ease and aplomb. In a class with Alexander Kipnis. Magnificent.
Festival of performing arts Cesare Siepi 2:15 Mozart "Le nozze di Figaro" overture 7:00 Mozart "Mentre ti lascio, o figlia" K.513 14:58 Mozart "Non più andrai, farfallone amoroso" 19:08 Mozart "Aprite un po' quegli occhi" Festival orchestra conducted by Jean Morel 27:37 Lully "Il faut passer tôt ou tard" 31:56 Introducing the pianist 32:11 Ravel Chanson Romanesque de "Don Quichotte à Dulcinée" 34:45 Ravel Chanson Épique de "Don Quichotte à Dulcinée" 37:32 Ravel Chanson à Boire de "Don Quichotte à Dulcinée" Piano accompanied by Leo Taubmann 41:18 Boito "Ave, Signor" 48:30 Boito "Ecco il mondo" 51:29 Verdi "Ella giammai m'amò" Festival orchestra conducted by Jean Morel
C'est inexplicable! Toutes tessitures confondues, ils ne sont que quelques-uns/quelques-unes à distiller autant de beauté, d'élégance, de puissance et d'"apparente" facilité dans l'histoire du lyrique. C'est injuste pour les autres, mais son timbre et sa couleur sont hors-concours. Sans compter le charisme. Mon chanteur préféré, de très loin. A écouter, à savourer, encore et toujours. Merci mille fois pour cette archive live, c'est un véritable trésor.
Dear Norman - I can't tell you how many times I've watched this video and here I am again on the 100th anniversary of his birth to marvel in the majesty and vocal velvet of this incredible artist. Il Re dei Bassi, there will never be another voice quite like his. Thank you for posting this.
Monsieur Espinoza, merci!! Cette vidéo est un petit bijou. Elle date de 1956 la qualité sonore est exceptionnelle et la qualité visuelle est plus qu'acceptable.
Die Gesangskultur von Cesare Siepi ist geradezu von gediegener Eleganz und überirdischer Schönheit, die satte Fülle seiner Stimme erklingt auch in expressiven Phasen scheinbar mühelos. Seine künstlerische Ausstrahlung ist von enormer Ausdruckskraft. In seiner Paraderolle als Don Giovanni ist er unübertroffen.
Mozart - Ouverture de Le Nozze di Figaro Mozart - Mentre ti lascio o figlia Mozart - Non più andrai farfallone amoroso (Le Nozze di Figaro) Mozart - Aprite un po' quegli occhi (Le nozze di Figaro) Lully - Il faut passer tôt ou tard (Alceste) Ravel - Chanson Romanesque (Don Quichotte à Dulcinée) Ravel - Chanson Épique (Don Quichotte à Dulcinée) Ravel - Chanson à Boire (Don Quichotte à Dulcinée) Boito - Ave Signor (Mefistofele) Boito - Ecco il mondo (Mefistofele) Verdi - Ella giammai m'amò (Don Carlo)
Well that was an Ecco il mondo for all time! Ditto for Ella giammai m’amò. He had one of the most gorgeous bass voices in history. His recording of Cole Porter songs, in perfect English, is a real stunner. His Gurnemanz in Parsifal was the most incredible I ever heard.
F E N O M E NA L E !!! Siepi's World ! Fascino, vocalita', Rotondita', Bronzo, emissione, aproccio artistico, statura, arte scenica, bellezza vocale.... Bellezza vocale..... Bellezza vocale.......... Ci ha reso na vita piu ... vivibile! Questo e' Siepi !!
Il y a des gens qui ont de la chance. Il a la classe, de la prestance. Il est grand. Il a une voix. Il chante bien et il est beau comme tout. Il nous quitte à 87 ans. Pff! Ça m'énerve. Dans la vie, il y a 2 camps: ceux qui sont sur scène et ceux qui écoutent. There are people who are lucky. He has class, presence. He is tall. He has a voice. He sings well and he is handsome as anything. He leaves us at 87. Pfft! It annoys me. In life, there are 2 camps: those who are on stage and those who listen.
Yo tuve la inmensa fortuna de ver su interpretación de don Basilio del Figaro. Su voz era tan redonda y tan rotunda que en el concertante, cuando don Bartolo está "immobile come una statua" añadieron un "gag". Cuando Cesare entraba con la frase "freddo ed immobile" de pronto don Bartolo se movía asustado de la voz de Siepi
Siepi & Pinza are for me the supreme Italian basso cantante voices in my experience. I rate Pinza superior in some ways in terms of tonal production & overall splendor of tone although (& here I court controversy, I realize) in 2 great Mozart roles (FIGARO & GIOVANNI) I prefer Siepi in terms of musicianship & relative ease of vocal production. Both have charisma to spare as GIOVANNI but by the time he took on FIGARO, vocally at least, Pinza found the higher tessitura a bit problematic. Despite being of the cantante breed, Pinza & Siepi both had fabulous lower extensions to their instruments: Pinza down (at least) to low D & Siepi even one whole tone deeper. Despite there being a number of fine voices these days, IMO, these two giants remain unsurpassed. Pinza also in most of his repertoire was also a more imaginative interpreter than Siepi who could remain sometimes uninvolved drammatically except when singing Mozart.
They both had great agility in their voices that made them able to sing roles with higher tessitura then the average. Pinza had glorious pianissimo in both the lower and higher range of his voice, and siepi had that golden tone making him roar like a lion.
You are correct and have good taste! Pinza was my.1st bass hero, then Kipnis then Siepi and Tozzi. But if I had to pick one it would be Siepi. Tozzi is vastly underrated because Siepi was his competition and the did the same roles so its natural. They both always sang beautifully with taste and refinement. Amazing to think that Siepi was the fully.developed artist at age 21. His voice didn't change hardly at all in a long career
Cesare Siepi (Milano, 10 febbraio 1923 - Atlanta, 5 luglio 2010) è stato un basso italiano, attivo dagli anni quaranta agli ottanta del novecento e considerato uno dei maggiori del secolo. La notevole estensione, unitamente alla capacità di modulare una voce imponente secondo le caratteristiche del ruolo e alle doti d'interprete, gli hanno permesso di affrontare un repertorio particolarmente vasto ed eterogeneo, rendendone difficile l'attribuzione a una precisa tipologia vocale. Nella pubblicazione Le grandi voci (Garzanti - 1964) Rodolfo Celletti scrive di lui: "Siepi vanta una voce piena, risonante, omogenea e dal timbro assai pastoso. È tendenzialmente "basso cantabile", ma i suoni tondi e morbidi, il fraseggio ampio e aristocratico e la prestante figura scenica gli consentono di impersonare con grande prestigio anche parti regali e sacerdotali, che la tradizione vorrebbe appannaggio dei bassi profondi. Diversamente dai suoi colleghi dell'epoca, era molto restio ad apparire in tv e a concedere interviste. Scomparve all'età di 87 anni a causa di un ictus ad Atlanta, dove si era stabilito da tempo con la famiglia. digitalcollections.detroitpubliclibrary.org/islandora/object/islandora:197212/datastream/IMAGE/view
Only Maestro Siepi can produce this lovely lilting line in his interpretation and exceptional performance
Настоящий, мировой бас! Мастер, исполнитель, художник! Богатый, сильный и при этом очень гибкий голос! Потрясающая техника, музыкальность, чувство стиля! Великий певец! Он останетца в истории!!!
Perfection.
Yes,what an artist! Top of the top!
The chanson romanesque here is terrible dude
2:22 Le Nozze di Faigaro overture
15:22 Non piu andrai -W.A.Mozart
19:42 Tutto e disposto…Aprite un po’ quegli occhi -W.A.Mozart
*Don Quichotte à dulcinée-M.Ravel
32:55 Chanson romanesque
34:49 Chanson épique
37:33 Chanson à boire
42:30 Ave signor : Prologue -A.Boito
48:35 Ecco il mondo -A.Boito
52:03 Ella giammai m’amo -G.Verdi
penso sia stato in assoluto uno dei migliori bassi della storia, voce liquida, mai ostentata, pur avendo forza e volume a profusione, profondo ove occorreva senza perdere di stile e lungo di estensione sino ad acuti baritonali. Storico il suo don Giovanni, affiancato da Corena e Dermota. Ho letto in alcuni commenti che qualcuno lo definisce basso/baritono...direi proprio di no
He's a basso cantante, basse chantate, which is the equivalent of the lyric bass/low bass-baritone.
È un basso!!!! Punto!!!
A brilliant artist, elegant and aristocratic. Extraordinary technique and mastery of style. The recital, cruel and comprehensive, tests Siepi to the extreme. He tosses off difficulties with ease and aplomb. In a class with Alexander Kipnis. Magnificent.
Festival of performing arts
Cesare Siepi
2:15 Mozart "Le nozze di Figaro" overture
7:00 Mozart "Mentre ti lascio, o figlia" K.513
14:58 Mozart "Non più andrai, farfallone amoroso"
19:08 Mozart "Aprite un po' quegli occhi"
Festival orchestra conducted by Jean Morel
27:37 Lully "Il faut passer tôt ou tard"
31:56 Introducing the pianist
32:11 Ravel Chanson Romanesque de "Don Quichotte à Dulcinée"
34:45 Ravel Chanson Épique de "Don Quichotte à Dulcinée"
37:32 Ravel Chanson à Boire de "Don Quichotte à Dulcinée"
Piano accompanied by Leo Taubmann
41:18 Boito "Ave, Signor"
48:30 Boito "Ecco il mondo"
51:29 Verdi "Ella giammai m'amò"
Festival orchestra conducted by Jean Morel
Muchísimas gracias hacia falta.
Sabía que dentro de poco vendrían más fans de Siepi😊
Very helpful and time saving!! Grateful for this!!
👍👏👏👏👏
Thank you!
Thanks for the list
C'est inexplicable! Toutes tessitures confondues, ils ne sont que quelques-uns/quelques-unes à distiller autant de beauté, d'élégance, de puissance et d'"apparente" facilité dans l'histoire du lyrique. C'est injuste pour les autres, mais son timbre et sa couleur sont hors-concours. Sans compter le charisme. Mon chanteur préféré, de très loin. A écouter, à savourer, encore et toujours. Merci mille fois pour cette archive live, c'est un véritable trésor.
A diamond! Perfect,GREAT!!!!!!!!!👏👏👏👏👏👏👏👏
The greatest basso
Dear Norman - I can't tell you how many times I've watched this video and here I am again on the 100th anniversary of his birth to marvel in the majesty and vocal velvet of this incredible artist. Il Re dei Bassi, there will never be another voice quite like his. Thank you for posting this.
You are so very welcome! I am also a young Bass and he is my goto Bass to listen to! Il Re die Bassi, indeed!
@@Normanno.Espinoza I've enjoyed your videos, especially your incredibly enthusiastic rendition of Oh wie will ich triumphieren!
Monsieur Espinoza, merci!! Cette vidéo est un petit bijou. Elle date de 1956 la qualité sonore est exceptionnelle et la qualité visuelle est plus qu'acceptable.
Che bella voce che bel artista !!
Die Gesangskultur von Cesare Siepi ist geradezu von gediegener Eleganz und überirdischer Schönheit, die satte Fülle seiner Stimme erklingt auch in expressiven Phasen scheinbar mühelos. Seine künstlerische Ausstrahlung ist von enormer Ausdruckskraft. In seiner Paraderolle als Don Giovanni ist er unübertroffen.
Lo adoro, con quella “r” meravigliosa….
Belcanto! Bravo maestro!
Thank you for sharing this great artist.
Mozart - Ouverture de Le Nozze di Figaro
Mozart - Mentre ti lascio o figlia
Mozart - Non più andrai farfallone amoroso (Le Nozze di Figaro)
Mozart - Aprite un po' quegli occhi (Le nozze di Figaro)
Lully - Il faut passer tôt ou tard (Alceste)
Ravel - Chanson Romanesque (Don Quichotte à Dulcinée)
Ravel - Chanson Épique (Don Quichotte à Dulcinée)
Ravel - Chanson à Boire (Don Quichotte à Dulcinée)
Boito - Ave Signor (Mefistofele)
Boito - Ecco il mondo (Mefistofele)
Verdi - Ella giammai m'amò (Don Carlo)
Que calidad vocal y movimientos corporales elegantes y con sentido estético…..un maestro!
Bravo Maestro ❤
Well that was an Ecco il mondo for all time! Ditto for Ella giammai m’amò.
He had one of the most gorgeous bass voices in history. His recording of Cole Porter songs, in perfect English, is a real stunner. His Gurnemanz in Parsifal was the most incredible I ever heard.
Pure Class!
What a treasure!! Thank you for posting this.
Beautiful liquid voice and perfect technique! Delightful!
Thank you for this !!!
F E N O M E NA L E !!!
Siepi's World !
Fascino, vocalita', Rotondita', Bronzo, emissione, aproccio artistico, statura, arte scenica, bellezza vocale....
Bellezza vocale.....
Bellezza vocale..........
Ci ha reso na vita piu ... vivibile! Questo e' Siepi !!
Muchas gracias Norman por compartir esta Joya.
Il y a des gens qui ont de la chance. Il a la classe, de la prestance. Il est grand. Il a une voix. Il chante bien et il est beau comme tout. Il nous quitte à 87 ans. Pff! Ça m'énerve. Dans la vie, il y a 2 camps: ceux qui sont sur scène et ceux qui écoutent.
There are people who are lucky. He has class, presence. He is tall. He has a voice. He sings well and he is handsome as anything. He leaves us at 87. Pfft! It annoys me. In life, there are 2 camps: those who are on stage and those who listen.
Absolute perfection, this is how male singing is done
I agree hundred percent...
О, бельканто👍 замечательный бас кантанте
Настоящий бас. Какой бас кантанте...
Thank you for finding this!
Unequalled !!!
Nobody can sing this like he did !!!
He was the greatest of all !!!
Une gigantesque voix de basse ici en baryton IL FAUT LE VOIR PLUS JEUNE DANS DON GIOVANNI EN DVD UNE MERVEILLE
Gigantesco, favoloso, meraviglioso.
Grew up with all his recordings-lucky me!!🥰
A class act. Performance, presence, vocalism..
Hello, could you tell me who the director is please? Excellent sound document!!! Extraordinary bass
Awesome Thanks!
Some of the camera angles make him look enormous
Estupendo bajo , tuve el placer de verlo y oído en varias ocasiones!!!
Menudo privilegio. ¿Sería tan amable de decirnos cuándo, dónde y en qué obras?
@@Evvivaverdi y sobré todo cuál era la sensación al escucharlo en vivo. Wuoh que privilegio.
POR FAVOR
Yo tuve la inmensa fortuna de ver su interpretación de don Basilio del Figaro. Su voz era tan redonda y tan rotunda que en el concertante, cuando don Bartolo está "immobile come una statua" añadieron un "gag". Cuando Cesare entraba con la frase "freddo ed immobile" de pronto don Bartolo se movía asustado de la voz de Siepi
Che timbro Che voce
🧸🌿🇲🇬💞🇻🇦🌼🥰🌸💐🌿💒✝️🧸🦁🐯💞🇻🇦⛑🥰🌼🥰🌿💐🇻🇦💞✝️💞🇻🇦🥲🧸🌿💞💐🥰🌸🌼🌿🇻🇦🌼💞💐🥰🌸🌼💐💞🇲🇬💞💐💒🌿🙋♂️
He's also my favorite operatic bass.
33 anni aveva in quel momento... mamma mia!!!!
Siepi & Pinza are for me the supreme Italian basso cantante voices in my experience. I rate Pinza superior in some ways in terms of tonal production & overall splendor of tone although (& here I court controversy, I realize) in 2 great Mozart roles (FIGARO & GIOVANNI) I prefer Siepi in terms of musicianship & relative ease of vocal production. Both have charisma to spare as GIOVANNI but by the time he took on FIGARO, vocally at least, Pinza found the higher tessitura a bit problematic. Despite being of the cantante breed, Pinza & Siepi both had fabulous lower extensions to their instruments: Pinza down (at least) to low D & Siepi even one whole tone deeper. Despite there being a number of fine voices these days, IMO, these two giants remain unsurpassed. Pinza also in most of his repertoire was also a more imaginative interpreter than Siepi who could remain sometimes uninvolved drammatically except when singing Mozart.
They both had great agility in their voices that made them able to sing roles with higher tessitura then the average. Pinza had glorious pianissimo in both the lower and higher range of his voice, and siepi had that golden tone making him roar like a lion.
You are correct and have good taste! Pinza was my.1st bass hero, then Kipnis then Siepi and Tozzi. But if I had to pick one it would be Siepi. Tozzi is vastly underrated because Siepi was his competition and the did the same roles so its natural. They both always sang beautifully with taste and refinement. Amazing to think that Siepi was the fully.developed artist at age 21. His voice didn't change hardly at all in a long career
Perfezione
Tenes mas videos de el?
Si es asi subilos por favor
Que bello conciertto
Does anyone have the rep list for this recital?
Strepitoso❤
Масло !
И такое качество практически в начале карьеры...
Cesare Siepi (Milano, 10 febbraio 1923 - Atlanta, 5 luglio 2010) è stato un basso italiano, attivo dagli anni quaranta agli ottanta del novecento e considerato uno dei maggiori del secolo. La notevole estensione, unitamente alla capacità di modulare una voce imponente secondo le caratteristiche del ruolo e alle doti d'interprete, gli hanno permesso di affrontare un repertorio particolarmente vasto ed eterogeneo, rendendone difficile l'attribuzione a una precisa tipologia vocale. Nella pubblicazione Le grandi voci (Garzanti - 1964) Rodolfo Celletti scrive di lui: "Siepi vanta una voce piena, risonante, omogenea e dal timbro assai pastoso. È tendenzialmente "basso cantabile", ma i suoni tondi e morbidi, il fraseggio ampio e aristocratico e la prestante figura scenica gli consentono di impersonare con grande prestigio anche parti regali e sacerdotali, che la tradizione vorrebbe appannaggio dei bassi profondi. Diversamente dai suoi colleghi dell'epoca, era molto restio ad apparire in tv e a concedere interviste. Scomparve all'età di 87 anni a causa di un ictus ad Atlanta, dove si era stabilito da tempo con la famiglia.
digitalcollections.detroitpubliclibrary.org/islandora/object/islandora:197212/datastream/IMAGE/view
Heaven!
❤❤❤
A flawed treasure, not due to the great Siepi..Morel and musicians... but the technology.....the varying pitch !!!
Yes its especially annoying in Non pui andrai when orchestra changes key because of the varying pitch
멋지다!!!
I would consider me lucky if I could just speak the way he used to!
This is ‘Bel canto’
大哥作爲一個意大利人，意大利話太牛屄啦
Интересно
14:59 Speaking voice not as resonant as I last remembered lol.
Una lezione di belcancto
Bass barytone??? Clean your ears , people
Liam Neeson
He's only 33 here. He looks 53!
In opera, it’s not about looks, it’s about _the VOICE._
Mille,Mille Grazie!
BRAVISSIMO!!!!!