@@RockbertoRocks the goal was to respect the performance and sound as is .. but I did add in his two Tom stomp near the fade at the end .. he only does it live as on the LP it’s just two kicks while he plays the ride .. but I like the stomp as he made it a part of the song live, and maybe I’m just used to it bc I listened to Exit stage left so much.🥁👍🏼
Having played TS countless times in the 80s and 90s, I can say that once again, it’s reaffirmed - Brian is the man. He is also one of the few that can play Bonham grooves well.
Best of the season and best of the drums! I'd love to see Brian play the classics and new music with Geddy and Alex. Big shoes to fill but that would be wild!
@@shawnbruce6934 Yes, Brian is very technical but plays with soul. Too may of these modern phenoms play too much like machines and lack feel. Best wishes to you Shawn!
Brian you are starting to creep up to be my fav. Drummer!!! Ever since "Love Will Set You Free" (Awesome drumming on that one) Plus I love your style of playing.
Caught it! Learned from it! And loved it! Always a pleasure to watch / listen to your mastery on this awesome instrument we play. Even greater to see your talent honor The Professor in such a beautiful way - note for note with all the nuances and dynamics. As I mentioned “I learned” today that you are more of a wrist player than manipulating the sticks with just the fingers. I can hear the weight this adds to the impact on the drums. So many great comments but if I can add to the mix Brian, EVERY SINGLE TIME I see you behind the kit, you are playing with an awareness that others wished they had your gifts and you perform in such a way as one of us rather than above us. A lot of guys with your ability would sort of project almost a rightful arrogance. Not the end of the world really, but you just have always been the real deal. And I’ll say it for all of us: YOU inspire US still because YOU are still on your journey. You love this instrument like it’s your first time behind the kit always when you perform and you respect your fans and your craft by playing like it’s your last time behind the kit whenever you perform. My top three rock drummers that have made an impact and inspire EVERY time I hear them: Neil Peart, Pat Torpey, and you man. Thank you for this great performance Brian. My wife is making me clean the house and part of it is moving these heavy cast bronze R50 snare drums I have to honor Neil. If you ever need to borrow one for your work or shows, just hit me up. It’ll cost you a cup of coffee lol. It would be an honor to hear how you are inspired by these drums. I didn’t see any companies or organizations doing anything about the 50th Anniversary for Rush, so I made them myself. Hit me up if you ever need to borrow one - I’m in Orange County and can deliver them to Los Angeles no problem. It would be an honor to compliment your sound. All the best and wishing you and your Family an amazing 2025! Anthem Gun Aether THE SNARE DRUMS 1. R(UTSEY)50 GOLDEN AGE 2. R50 SILVER SURFER 3. R50 GOLD LEGACY r50snaredrum.weebly.com
Thank you for all the kind words! It means a lot! I always strive to get better and know there’s always tons more room above you. I’m on a constant path to get to where dreams lead you, and if I don’t ever get there, at least I tried and had fun while trying. No need for arrogance, as there’s so many colors in the crayon box you just hope your color is chosen! I have a long friggin’ way to go and I’m now about 25 years behind schedule! But all we can do is try and hope solid effort takes you to the next plateau and give you new opportunities that create whatever success is to you, and be able to pay the damn bills so you focus on being creative. Now, a bit older, and definitely older than younger, I can honestly say … life is far too short…. There’s too much amazing stuff to experience and never enough time. And then there’s the extremely rare occurrence like Rush, who create something so unique that only those 3 could have done, you see life has extremely high potential and is virtually limitless, and when it’s over, it’s over, so make the most of it as much as possible! And .. Drum On! 🥁👍🏼
Thank you for all the kind words! It means a lot! I always strive to get better and know there’s always tons more room above you. I’m on a constant path to get to where dreams lead you, and if I don’t ever get there, at least I tried and had fun while trying. No need for arrogance, as there’s so many colors in the crayon box you just hope your color is chosen! I have a long friggin’ way to go and I’m now about 25 years behind schedule! But all we can do is try and hope solid effort takes you to the next plateau and give you new opportunities that create whatever success is to you, and be able to pay the damn bills so you focus on being creative. Now, a bit older, and definitely older than younger, I can honestly say … life is far too short…. There’s too much amazing stuff to experience and never enough time. And then there’s the extremely rare occurrence like Rush, who create something so unique that only those 3 could have done, you see life has extremely high potential and is virtually limitless, and when it’s over, it’s over, so make the most of it as much as possible! And .. Drum On! 🥁👍🏼
You always have such dedication and respect on these drum cover videos - appreciate the work you put into this! Yours is the only drum channel I faithfully watch.
1981. I remember hearing Tom Sawyer like in 6th or 7th grade grammar school and was mesmerized as a kid! Brian.....Nailed it to Tee !! Note for note man. Snare replicating the Professors. Kit sounds great. Excellent job !!! 👋
Neil never made things easy for himself. That spirit of pushing his boundaries all the time, really cool. Nice playing matching his intensity through the breakdown. Thanks for sharing!
everything sounds incredible B! perfect tom tuning, I'm loving that 2002 16" but that snare is sheer perfection. I can't recall hearing anything similar in a very long time. Very nice work.
Thank you very much! I did put considerable time into the tuning, gaffing and mixing of the snare. I bugged out for a couple days recording it trying to tune to his pitch. Then it was too ringy and when you add gaff tape that changes the dominant harmonics and that’s when I got closer and could hear it clearer. But , then there is eq and compression , and the overheads picking it up and the bottom snare mic, (which I gated to get a super quick decay). Neil’s snare tone is very elusive on Moving Pictures. And there’s also a healthy amount a reverb added on, which I don’t hear on the rest of his kit .. anyhow, I geek out pretty hard because the impact of the sound is all part of the final effect you want to have on the listener ! Drum on! 🥁👍🏼
Yes!! Finally another who got the third of the four drum fills correct... FIVE 32nds before the left-handed crash. So many YT covers of TS are missing that. Doing those 'weak' hand crashes was something Neil was very into, particularly on Permanent Waves and Moving Pictures. Almost every song seems to have one at some point. Well done B! 👍
Thanks! Yes, the left crash on 3rd BIG FILL. I noticed that as a kid becuase he did it so much, but yes, lots of people miss that. Also skipping over the 12” Tom to the 13” in Fill 1. That’s something I didn’t know until much later , like less than 10 years ago when I started digging into his drumming a bit more since high school..
@@BrianH020 yes it’s one of his coolest parts of the kit. He treats his concert as their own entity .. and he cranks the closed 12” up higher than the 12” concert , and it just rages when he plays it .. I used to think he was going up to the 10” when I was a kid and practiced the parts like that! So , anyhow , to keep a roll descending in pitch , a la fill 3 in YYZ, and fill 1 in TS, he has to skip the closed 12”! Love it !!🥁👍🏼
Ha.. thanks .. I love playing it all and digging in, but it envelops me and gives me high anxiety !! I know I can do it , but I keep doing it until I know I can’t kick anything out about it ! I’m a worse critic than anyone out there! There are 2-3 things I did or didn’t do in this take that no one will bring up .. and they aren’t important enough for me to not accept this take .. well , it does bother me that I didn’t nail the rim shot on the first snare of the end fill of part 2 of the gtr solo, … there’s a couple hidden things in this track that you only hear when listening to the isolated track .. and if they are played too prominently , it actually sounds wrong, so I chose to leave out because it’s small .. anyhow…. With that kind of thought prices to respect The details , it just starts to take over my days .. and then I start asking myself “why am I doing this. I need a life “ ha … But I do like trying to nail something that inspired me and greatly affected me from the first time heard it and still does to this day! But , it’s not my world , not my drum parts, not my band , I’m just a fan .. so to sit in that chair is a tall order , to me , even if it’s just a little cover version… it’s means a lot to me .. and it does inspire me to get my shit together and get my music done .. so right now , no, ht I could change my mind .. 👍🏼🥁
Neil’s drum parts were compositions. I noticed this early on when I was a kid. Fills developing every chorus into sections etc. I still think about his concept when coming up with parts.
Yup, I always noticed that especially like in the open hi hat B section “the world is…” where he busies it up the second time with additional kick drum syncopations and leaves more holes the first time. I made note of this as a kid and think like that whenever I’m recording and it makes sense, which is quite often! Neil rules!
Lots of Neil Peart covers on YT. But if there was a drummer we could count on, to do it justice, it would be BrianT! Hadn't noticed until recent years, the tempo is slightly picked up after the big drum fills. Gotta give credit to anyone who has the mojo to attempt a NP cover 👍. Nice job once again Brian
@@malinwj1167 thanks! Yes, regarding the tempo pick up; that’s the beauty of NOT playing to a click and allowing the musicians to react to the song and its intensities and dynamics. The drummer, back in the day, was on a tightrope without a net while being recorded and he had to make it feel good. Neil pushed and pulled all the time based on the emotion of the song. I love it. I always thought that was the drummer’s job, to keep time.. on his own! Ha …👍🏼🥁
@@Briantichydrums Wonder if Neil wanted to try another take, but was convinced that it was good enough. I also love this tune, because other than "Take Five", doesn't seem to be another hit song with major drum fills
I always mess with the filters just to see what happens. I had to film this in the daytime cuz the lighting by this kit isn’t good and I had curtains and blankets around me to tighten up the sound so that also made it darker around the kit. One of the blankets behind me is white and when filtered it starts to resemble a window with snow. Combine that with a little sunlight and filters and to me, it’s a little reminiscent of the Moving pictures vids they put from Le Studio, as you see the snow through the window and similar color tints …. So yea , a happy accident !
It’s the first time I’ve had this kit up since 2017, but, all the heads are the same …. Haha.. but first some reason, the 13, when tunes close to Neil’s pitch, was ringing under the mic a bit much , I wanted to get closer to his sounds which is lovely, but just a little less ring .. and same with the closed 12” , so I added some gaff… snare drum too.. but I’m thinking he used those Evans heads back then and maybe Rey we’re a little thicker / deader than the clear emperors I use ..???
Thanks! It’s a Leedy 5.5x14 from the 60’s “Slingerleedy” era, so the shells for Slingerland and Leedy were the same as Sling bout Leedy. Only the hardware was different. But I’m a Leedy guy and like Leedy hardware better …👍🏼🥁
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
There’s nothing this guy can’t do. Awesome 😮
AWESOME JOB !!!!! KEEP UP THE AMAZING-WORK !!!!
Love how Brian plays it the way it is accurately... no overplaying, no extra hits... just perfect 🤘
@@RockbertoRocks the goal was to respect the performance and sound as is .. but I did add in his two Tom stomp near the fade at the end .. he only does it live as on the LP it’s just two kicks while he plays the ride .. but I like the stomp as he made it a part of the song live, and maybe I’m just used to it bc I listened to Exit stage left so much.🥁👍🏼
@@Briantichydrums 4:18 I caught that and smiled like a fool.
Having played TS countless times in the 80s and 90s, I can say that once again, it’s reaffirmed - Brian is the man. He is also one of the few that can play Bonham grooves well.
Freaking awesome. Great job dude💪✌️😎
Fantastic!
wicked job
Awesome Brian.
If Rush ever decides to do a few more shows they should hire Brian!
Yeah, Brian is on another level. Brian is definitely a drummers drummer
1,000 covers of this on RUclips. THIS is the way it should be played. Broon, are you watching?
Best of the season and best of the drums! I'd love to see Brian play the classics and new music with Geddy and Alex. Big shoes to fill but that would be wild!
This is the guy who could do it.
@@shawnbruce6934 Yes, Brian is very technical but plays with soul. Too may of these modern phenoms play too much like machines and lack feel. Best wishes to you Shawn!
@@JanPatrickLucas I agree. Brian balances things very nicely.
Brian you are starting to creep up to be my fav. Drummer!!! Ever since "Love Will Set You Free" (Awesome drumming on that one) Plus I love your style of playing.
Much appreciated! 🥁👍🏼
Awesome cover, loved it so much!! Reminds me how much I need to practice!!!
Nice play through.
Brian, I love it to see and hear you drumming Pearts parts. So perfectly!!!
This guy is the Whiz and nobody beats The Whiz!!!!!🤘
Caught it! Learned from it! And loved it!
Always a pleasure to watch / listen to your mastery on this awesome instrument we play. Even greater to see your talent honor The Professor in such a beautiful way - note for note with all the nuances and dynamics. As I mentioned “I learned” today that you are more of a wrist player than manipulating the sticks with just the fingers. I can hear the weight this adds to the impact on the drums.
So many great comments but if I can add to the mix Brian, EVERY SINGLE TIME I see you behind the kit, you are playing with an awareness that others wished they had your gifts and you perform in such a way as one of us rather than above us. A lot of guys with your ability would sort of project almost a rightful arrogance. Not the end of the world really, but you just have always been the real deal. And I’ll say it for all of us: YOU inspire US still because YOU are still on your journey. You love this instrument like it’s your first time behind the kit always when you perform and you respect your fans and your craft by playing like it’s your last time behind the kit whenever you perform.
My top three rock drummers that have made an impact and inspire EVERY time I hear them: Neil Peart, Pat Torpey, and you man.
Thank you for this great performance Brian. My wife is making me clean the house and part of it is moving these heavy cast bronze R50 snare drums I have to honor Neil. If you ever need to borrow one for your work or shows, just hit me up. It’ll cost you a cup of coffee lol. It would be an honor to hear how you are inspired by these drums. I didn’t see any companies or organizations doing anything about the 50th Anniversary for Rush, so I made them myself.
Hit me up if you ever need to borrow one - I’m in Orange County and can deliver them to Los Angeles no problem. It would be an honor to compliment your sound.
All the best and wishing you and your Family an amazing 2025!
Anthem Gun Aether
THE SNARE DRUMS
1. R(UTSEY)50 GOLDEN AGE
2. R50 SILVER SURFER
3. R50 GOLD LEGACY
r50snaredrum.weebly.com
Thank you for all the kind words! It means a lot! I always strive to get better and know there’s always tons more room above you. I’m on a constant path to get to where dreams lead you, and if I don’t ever get there, at least I tried and had fun while trying.
No need for arrogance, as there’s so many colors in the crayon box you just hope your color is chosen! I have a long friggin’ way to go and I’m now about 25 years behind schedule!
But all we can do is try and hope solid effort takes you to the next plateau and give you new opportunities that create whatever success is to you, and be able to pay the damn bills so you focus on being creative.
Now, a bit older, and definitely older than younger, I can honestly say … life is far too short…. There’s too much amazing stuff to experience and never enough time.
And then there’s the extremely rare occurrence like Rush, who create something so unique that only those 3 could have done, you see life has extremely high potential and is virtually limitless, and when it’s over, it’s over, so make the most of it as much as possible!
And .. Drum On! 🥁👍🏼
Thank you for all the kind words! It means a lot! I always strive to get better and know there’s always tons more room above you. I’m on a constant path to get to where dreams lead you, and if I don’t ever get there, at least I tried and had fun while trying.
No need for arrogance, as there’s so many colors in the crayon box you just hope your color is chosen! I have a long friggin’ way to go and I’m now about 25 years behind schedule!
But all we can do is try and hope solid effort takes you to the next plateau and give you new opportunities that create whatever success is to you, and be able to pay the damn bills so you focus on being creative.
Now, a bit older, and definitely older than younger, I can honestly say … life is far too short…. There’s too much amazing stuff to experience and never enough time.
And then there’s the extremely rare occurrence like Rush, who create something so unique that only those 3 could have done, you see life has extremely high potential and is virtually limitless, and when it’s over, it’s over, so make the most of it as much as possible!
And .. Drum On! 🥁👍🏼
The Master does it again! Perfect!!
Best cover version. And I’ve seen many. Good job.
Hell yea nice,keep up the badass work.
Whatever he touches turns to gold...
What a solid play... And love that kit sounds.. The concert tom's sounds so good..
🤜❤️🥁❤️🤛
Love ya Bro 🥁 ❤
You always have such dedication and respect on these drum cover videos - appreciate the work you put into this! Yours is the only drum channel I faithfully watch.
Absolutely perfect. Great job Brian.
Nice.
1981. I remember hearing Tom Sawyer like in 6th or 7th grade grammar school and was mesmerized as a kid! Brian.....Nailed it to Tee !! Note for note man. Snare replicating the Professors. Kit sounds great. Excellent job !!! 👋
Thank you!👍🏼🥁
Big part of our childhood. ❤❤
Neil never made things easy for himself. That spirit of pushing his boundaries all the time, really cool. Nice playing matching his intensity through the breakdown. Thanks for sharing!
Lethal job Brian 👌😎🥁🇮🇪
When watching Brian play on That Metal Show was real cool, but watching him do Bonham, to me?? So damn close and good....Peart, great job too!!!!
Nailed it was perfect .Excellent job ..Happy Holidays
Nailed it. Great playing brother
As always Brian you knocked out of the park
One more nailed. You´re the goat man! ✊
Absolutely awesome, as usual.
Best drummer today BrianTichey
Brian, The Best!!!! 🤩
That's why you're one of my favorite drummers
Great piece. Those after solo drum fills are classic as heck!
The most overlooked and sneaky!
I CAUGHT IT!!!! 🤲
Ha! I’ve seen this comment written a few times here and on FB, and am just now realizing it’s a response! Haha… I forgot I wrote “catch the spit”…!
@ Haha!! 😂 You absolutely killed the track by the way. I just love your drumming skills. Merry Christmas and Happy New Year!!
@@geraldhartley thx! Merry Xmas and happy new year !🎊 🥁
The number one reason I absolutely love kits like this is where it puts my ride cymbal, off to the right, NOT front and close
Perfect cover. And a beautiful sounding kit.
So damn good!! Love watching you play! Wishing for another Bonzo celebration in the future, still rewatch Bonzo Bashes from days past!
Awesome!
Killer job!
everything sounds incredible B! perfect tom tuning, I'm loving that 2002 16" but that snare is sheer perfection. I can't recall hearing anything similar in a very long time. Very nice work.
Thank you very much! I did put considerable time into the tuning, gaffing and mixing of the snare. I bugged out for a couple days recording it trying to tune to his pitch. Then it was too ringy and when you add gaff tape that changes the dominant harmonics and that’s when I got closer and could hear it clearer. But , then there is eq and compression , and the overheads picking it up and the bottom snare mic, (which I gated to get a super quick decay). Neil’s snare tone is very elusive on Moving Pictures. And there’s also a healthy amount a reverb added on, which I don’t hear on the rest of his kit .. anyhow, I geek out pretty hard because the impact of the sound is all part of the final effect you want to have on the listener ! Drum on! 🥁👍🏼
Love it Brian !!!
Ok someone who plays it in the right way like our drummer…not many. Nice playing!
Incredible performance! 🥁
Love it Bri..More pls...
Excellent Job! Loving the gi-normous sound of the kit too!
Yes!! Finally another who got the third of the four drum fills correct... FIVE 32nds before the left-handed crash. So many YT covers of TS are missing that. Doing those 'weak' hand crashes was something Neil was very into, particularly on Permanent Waves and Moving Pictures. Almost every song seems to have one at some point. Well done B! 👍
Thanks! Yes, the left crash on 3rd BIG FILL. I noticed that as a kid becuase he did it so much, but yes, lots of people miss that.
Also skipping over the 12” Tom to the 13” in Fill 1. That’s something I didn’t know until much later , like less than 10 years ago when I started digging into his drumming a bit more since high school..
@@Briantichydrums Because of the double 12" drums, another one people miss. Enjoy and love your playing Brian, keep it up!
@@BrianH020 yes it’s one of his coolest parts of the kit.
He treats his concert as their own entity .. and he cranks the closed 12” up higher than the 12” concert , and it just rages when he plays it .. I used to think he was going up to the 10” when I was a kid and practiced the parts like that! So , anyhow , to keep a roll descending in pitch , a la fill 3 in YYZ, and fill 1 in TS, he has to skip the closed 12”! Love it !!🥁👍🏼
Smooooooth!
You’re so awesome ❤
The cymbals sound full and beautiful.
Perfect!!!!!
Sounds great!
Love it! Thanks Brian! Happy New Year!
Incredible!
Nice ‼️very clean ,amazing
Thanks Brian! Beautiful playing as usual! Happy New Year 🎊
Beautiful!!! 🤘🏼 ✌🏼
NOICE!!!!
very good , Brian
Bravo 👏🏼👏🏼👏🏼🤘🏻💯💯💯
Thank You B!!!! The Playing The Tuning, Everything just AWESOME!!!! How about Red Barchetta or Vital Signs next?
Ha.. thanks .. I love playing it all and digging in, but it envelops me and gives me high anxiety !! I know I can do it , but I keep doing it until I know I can’t kick anything out about it !
I’m a worse critic than anyone out there!
There are 2-3 things I did or didn’t do in this take that no one will bring up .. and they aren’t important enough for me to not accept this take ..
well , it does bother me that I didn’t nail the rim shot on the first snare of the end fill of part 2 of the gtr solo, … there’s a couple hidden things in this track that you only hear when listening to the isolated track .. and if they are played too prominently , it actually sounds wrong, so I chose to leave out because it’s small .. anyhow…. With that kind of thought prices to respect
The details , it just starts to take over my days ..
and then I start asking myself “why am I doing this. I need a life “ ha …
But I do like trying to nail something that inspired me and greatly affected me from the first time heard it and still does to this day! But , it’s not my world , not my drum parts, not my band , I’m just a fan .. so to sit in that chair is a tall order , to me , even if it’s just a little cover version… it’s means a lot to me ..
and it does inspire me to get my shit together and get my music done ..
so right now , no, ht I could change my mind .. 👍🏼🥁
If I was to go for another one, it would probably be something off of exit stage left as I love his sound on that.
Neil’s drum parts were compositions. I noticed this early on when I was a kid. Fills developing every chorus into sections etc. I still think about his concept when coming up with parts.
Yup, I always noticed that especially like in the open hi hat B section “the world is…” where he busies it up the second time with additional kick drum syncopations and leaves more holes the first time. I made note of this as a kid and think like that whenever I’m recording and it makes sense, which is quite often! Neil rules!
@ yes little extra things added in second and third time around. Developing
well THAT'S gonna be my entrance music - if they ever let me enter someplace i mean / =
Damn, one might tend to think you were almost gearing up to go out on the road with Geddy and Alex.
Holy shit!!!!👍😎🥁
Not an easy task keeping those 16th notes going almost the whole entire song!
insert "I lik it alot" meme here, nailed it!
Great job bro ....snare is great !!!!! Tich Sawyer 😂
but of course your an amazing drummer in your own right love your work on Sass Jordans record from years ago. High Road Easy so wicked
Thank you kindly! 👍🏼🥁
Lots of Neil Peart covers on YT. But if there was a drummer we could count on, to do it justice, it would be BrianT! Hadn't noticed until recent years, the tempo is slightly picked up after the big drum fills. Gotta give credit to anyone who has the mojo to attempt a NP cover 👍. Nice job once again Brian
@@malinwj1167 thanks! Yes, regarding the tempo pick up; that’s the beauty of NOT playing to a click and allowing the musicians to react to the song and its intensities and dynamics.
The drummer, back in the day, was on a tightrope without a net while being recorded and he had to make it feel good. Neil pushed and pulled all the time based on the emotion of the song. I love it. I always thought that was the drummer’s job, to keep time.. on his own! Ha …👍🏼🥁
@@Briantichydrums Wonder if Neil wanted to try another take, but was convinced that it was good enough. I also love this tune, because other than "Take Five", doesn't seem to be another hit song with major drum fills
Killer cover, and that replica kit is awesome!
It looks like you have a filter on this video for a retro look too. Nice touch or a happy accident?
I always mess with the filters just to see what happens. I had to film this in the daytime cuz the lighting by this kit isn’t good and I had curtains and blankets around me to tighten up the sound so that also made it darker around the kit. One of the blankets behind me is white and when filtered it starts to resemble a window with snow. Combine that with a little sunlight and filters and to me, it’s a little reminiscent of the Moving pictures vids they put from Le Studio, as you see the snow through the window and similar color tints …. So yea , a happy accident !
Oh, and thank you! 🥁👍🏼
I noticed you taped the 13” Tom by the mic. Were you getting weird harmonics ? I always have an issue with my 13 inch Tom’s for some reason. 🤷🏻♂️
It’s the first time I’ve had this kit up since 2017, but, all the heads are the same …. Haha.. but first some reason, the 13, when tunes close to Neil’s pitch, was ringing under the mic a bit much , I wanted to get closer to his sounds which is lovely, but just a little less ring .. and same with the closed 12” , so I added some gaff… snare drum too..
but I’m thinking he used those Evans heads back then and maybe Rey we’re a little thicker / deader than the clear emperors I use ..???
ニールテッシー！素晴らしい！😆👍🥁
This is Fantastic Brian! Is that a Slingerland 5.5 snare? It sounds Amazing.
Thanks! It’s a Leedy 5.5x14 from the 60’s “Slingerleedy” era, so the shells for Slingerland and Leedy were the same as Sling bout Leedy. Only the hardware was different. But I’m a Leedy guy and like Leedy hardware better …👍🏼🥁
@@Briantichydrums Thanks Brian. What song is next?
@@Briantichydrumsis it like the old slinger Leedys with the coffer rings on them?
@@shawnbruce6934 oh, I’m not sure … I don’t really have a plan to do any more at the moment ..
@ I don’t think so .. it’s just a standard 60’s wood slingerleedy .. u can pretty much make it out in the vid
PRIMUS DRUMMER PLEASE!!!
🤘🤘🤘🤘🤘🤘🤘🤘
nice job - especially with the attention to detail
with a snare sound like that you should consider playing drums or something?
check out sina-drums