Mike doesn't get the credit he deserves with vocal coaching. He basically helped Chester find his identity as a singer. Took out all the 90s grunge from his voice and made him the modern icon that he is now. Every metalcore artist now tries to sound like Chester.
I feel I have to quote Mike himself here.. “Nobody really knows how or why, he works so hard, seems like he’s never got time, because he writes every note, and he writes every line, and I’ve seen him at work when that light goes on in his mind..” Absolutely brilliant. Good stuff!
Feels so weird. I've been a fan of LP since 13 (in my 30's now). I never know what to say since "that time". I've always appreciated Mike's ingenuity and talent. It was Chaz and his passion that brought me to LP. I was watching an amv someone made with LP and DBZ. Since then I've tried to follow everything these guys have been doing. Grey daze. Dead by sunrise. Fort minor. Even backtracking to the HT days. All of this to say it's been a journey. Things are clearly different now but we're gonna keep going. Your fans grew up to. We're not just the emo kid in the back of the class anymore. We get the pain. We feel the frustration too. And we know you're not a super hero even though you were a motivational force in the lives of most of us. Long read but thanks for listening. One of my biggest regrets is never coming to a tour or anything to meet the band when I can.
@@chrisb4944 bro I can't believe I forgot all about And One. Also how many versions of By Myself are there now? Haha I'm not complaining hope they do an AI remake or something tbh. Cheers friend 🐝
It’s amazing how much goes in to a song and the collaboration is amazing. It reflects that Mike and Kaylee know the mechanics behind singing and Mike knows how to get the sound he wants for a song. Pretty wild.
I’d been curious for the longest time to see more of Mike’s home studio, so it’s neat to see his art pieces (I think I spy a Futura2000 piece off to the side of his main playback position + the OG post traumatic painting outside of the vocal booth area equipped with the secondary playback area), and it’s awesome to see more of his studio layout. It’s wild though. It also proves that there’s no wrong way to set up a studio: it’s about what your ears are used to + your ability. Mike’s playback/control room area is FULL of bright and reflective surfaces. Like, I don’t see a single piece of acoustic treatment (diffusion or absorption) anywhere in his playback/control room. It’d be awesome to have a monitoring, equipment selection, layout, whatever you like day on a live stream at some point. Tools don’t make the person: the person makes the tools. Despite the grandeur surrounding music and film? It’s like plumbing or electrical work or any other trade: you pick the tools that suits what you’re working on. You don’t get stuff because it’s, ‘cool.’ That’s why I’d care to hear him go over gear selection and configuration, just to hear his decision making process, and what he personally has noticed about certain tools for solving (or creating) given problems. It’s great just getting to hear pronunciation, tonality, and word smithing again 🤔 The last time I remember a video going over this would’ve been LPTV episodes for A Thousand Suns and A Light That Never Comes. Just like gear selection and configuration: it’s about what works, and not worrying about how it looks. If you make awesome stuff no one will notice how you look. And, Mike’s right: capture everything even if you think an iteration was, ‘wrong,’ because you can always delete what doesn’t work. Keeping a, ‘bone pile,’ is important whether you write novels, make music, make music videos, whatever your thing might be. It’s also important to show Mike talking about changing your mental framing while you work or else you run into, ‘The Candle Problem,’ as Dan Pinkman calls it in his TedTalk. Mike’s pointing out, ‘think you’re projecting to a room full of people, to the people in the back,’ was the top level in this case, but the underlying importance in the decision making is being sure to change your mental framing of things while you work if you hit a snag. … Oh, and In My Head is fuckin GAS 😝 🙌🏼 I’ve sequenced it into my personal Post Traumatic playlist after, “Hold It Together,” and moved, “Crossing A Line,” directly after, “In My Head.” And, I couldn’t have needed the song more when it dropped (hell I still do now). It’s serendipity: every time Mike related music drops it ties in to whatever darkness is happening in my life. Thank you for the behind the scenes Mike 🙃❤️
I also love focusing on his home studio in these videos 😄 there may be a little more to that acoustics thing though; I've been thinking about this a lot too. He's got reflective surfaces for sure, *but that room looks HUGE. He's not in a bedroom or even living room size thing, where acoustic panels become way more important (note the smaller vocal booth where it is definitely needed). I obv don't know your particular space, but if it's not enormous, then this may not be the best thing to use as an example. Also consider what we don't see - it's very possible that Mike had this place built knowing ahead of time it was going to be a studio, and in that case would've had the chance to put a lot of the acoustic treatment *behind the walls, floors, ceiling instead, which is a more commercial studio kind of thing to do that typical consumers can't really afford, so we're stuck buying/building panels. And he does have a cloud up there above his listening position...And again there doesn't seem to be very many parallel surfaces for them to go bouncing around and getting crazy; it's probably a very controlled space on its own, acoustically. I could be completely wrong about all this as well lol; hard to say off these quick little clips we get over the years - but maybe he'll do a studio tour one of these days and we'll find out!
@@soulchorea For starters what an awesome conversation this is! =] Nice to meet you man! 🤝❤️ I’m glad someone else appreciates focusing on his home studio 😅 You’ve got a really good point as far as being mindful of how high he made the ceilings, how long, and how wide he made the roof + how few parallel surfaces there are. Dennis Foley is an amazing, middle aged engineer here on RUclips, and the amount of information he releases for free on the laws of physics and their impact on audio engineering and acoustic treatment is.. frankly astounding. His channel is called, “acoustic fields.” So, I’ve been studying his material. Back during the first wave of COVID I’d started that journey, and life exploded for awhile interrupting that journey.. Now I’m back on it! Mr. Foley’s worked with everything from professional recording studios, to churches who saw their elderly attendees leaving because they couldn’t hear well in the back, to DIY home studios where he offers a free, 30 minute phone consultation (he asks for photos of the room you’ll work in whether it’s for playback/monitoring or recording + he asks for you to measure as many dimensions and surfaces in the room as are applicable), and he sells DIY build plans after diagnostically looking at what you’re working with + what your intent for the space is. EDIT: likewise, if you have the money? He sells custom built, super clean solutions whether you need diaphragmatic absorption, 2D or 3D diffusion, and so on. Something you said here is something I’ve heard him stress thus far in videos: you’ve both stressed room height and the amount of parallel surfaces. Speaking of which: keen eye! Honestly, I hadn’t clocked the Acoustic Cloud over Mike’s monitoring position. Something else you mentioned sticks out. I’m glad you stated it. It’s important to remember this is Mike, and he’s got a chunk of change to work with 🤣👏🏼 His Acoustic Treatment would likely be inside of the walls, you’re right. This room was specifically built judging by the ceiling height, massive room dimensions, and the fact he has a port above his monitoring position to view inside of his vocal booth. 🤔 And, I’m fairly sure I’ve heard Mr. Foley talk about how more professional environments have things built into the walls and even the floors (for instance the floor of the room may actually be floating on pucks). Given that framing and what you pointed out? I’d almost be more interested to hear Mike explain the contrast between this and his last home studio space i.e. the one we saw him use in the behind the scenes/making of for, “A Thousand Suns,” and, “A Light That Never Comes,” vs this space, what choices he made, and why. Lastly I appreciated your humble character, “I could be completely wrong about all this as well,” but I think you’re on to something! And I can say the same for your music: I clicked your icon, saw you had a channel, and music, so I gave it a spin. In less than a minute I said, “Oh hell yeah,” I bounced to Spotify and found you. A couple of your tracks are now added to three (3) of my, “Chill Work Music,” playlists. There’s several I have to suit the mood whether things are more dire, more tame, more nihilistic, more upbeat, whatever the situation. Keep it up man! 🤝❤️
Such a clear voice. Love this song! Thank you guys for another beautiful duet! Heavy was a dream come true and this one is the dream continued. Hugs from Germany
If only i could get in a room with Mike and just watching him work and obsorb every nugget. I really love these behind the scenes footage of the recording process.
Mann luv you soo much!!!! You are the guy who has till date keeping Linkin Park alive!! And NOW THIS SONG!!!! I hope one day i will too get a chance to work with you!!! I am a Drummer here!!🥁😎🔥
This video felt like mentorship to me! 2 minutes of video but I already feel like there was a lot to learn from this video as a producer/musician myself!
Mike is a great musician, producer and visionary, he's also great hunter of new talents. Big legend Mike Shinoda and this is a great collab that I really love
since the formation of LP way back in 2000's, i knew something is going good in these band and i foreknew Mike's potentials and after their band's success's and his formatiin of FM, he never stopped there to produce and create music he loves and he is passionate about!!!! there is something more in Mike's inner virtuosity that makes him a real genius in making music and a great success!!! they soar high above making waves together with C.B.!!!!! not until the unexpected happened....i hope M.Shinoda can come up and create more music and and formation of a band that can fly again!!!! make some noise, make a great story of the band and the success!!!! i love these masterpiece M.Shinoda creates!!!
I try to rather live in the present instead of thinking about the things that could be, but if theres one thing its that id love to do (sounds kinda weird) is to meet you one day Mike, whatever you do I just like it because youre in it and youre a great inspiration for me. Its going to be a long journey, but its my dream to at least be some kind of musician, like at least have a song released or something and youre an insane help for me in not just that but especially that.
I love studio work. Thank you so much for giving us an insight on a recording session. :D I´ve alsmost finished building my own recording studio. So excited.
The word head is a difficult word to structure in a song especially if it is a finisher. I've heard it used in such interesting ways. Some break it down into two syllables some focus more on the he a d or the h e ad. I love how they are playing with the word with variations. Mike is a very talented producer and a huge influence its awesome to see him still at it and not just swinging but still holding his own. Post traumatic was brilliant and f anyone who thinks it was to capitalize off the tragedy. That album was about growth and I'm so glad Mike put it out there this is what rap was truly about. Not the bs that fills in the majority of the industry.
Feels good to have been singing for only two years and understand what they’re talking about with phrases like “a little more nasal” and “out the top of your head.” 😂 It’s weird but it makes sense
He is such a great coach. He pays attention to your strengths. Stays open to any type of ideas you wanna try out and gives you tips to improve any way you wanna go. Just a great down to earth guy. Your music brought generations together and your persona inspires us all to do better. Chester would be proud, my friend.
“Sometimes I” “I had nothing to say” “I look exactly like you had always” “Wondering what I think of you” “Something has been taken” “That everyone can see these scars” “'Cause from the infinite words I could say/I” “The battle always choose” “Get back up on my feet” “With these non-stop lyrics of life living” “I've become so numb” Happy 20 years of Meteora! 🤟🏾🪨🎤🎧🎼🎹🥁🎸💿📀
FUCK YES!!!! Cant wait for the vid man.. Your a savage Producer you always have been , from the get go man , So much Love - I know When We don't hear from you , I know your Working Hard as Fuck .. Love this tune
Только сейчас боль от утраты Честера стала проходить. и могу вернутся к вашим голосам. Спасибо, что не оставил музыку. Спасибо за твой позитив! это очень радует!
@@Weydson-Silva. Я раньше когда видела Майка, всегда вспоминала Честера. Слезы сразу проступали. Но сейчас как слышу Майка, его голос как мягкое покрывало, покрывающее боль от утраты. Хочется все больше и больше его слышать.
Mike Shinoda is an artistic and very creative singer/rapper/songwriter and producer. A pure genius of a musician and is the Creative Director at Warner Music 🎶 🎵 Keep on making amazing music and collaborating with great artists Mike!
![In My Head [Inside The Studio Part 3] - Mike Shinoda](http://i.ytimg.com/vi/-xpKD2tFA58/mqdefault.jpg)
![In My Head [Inside The Studio Part 3] - Mike Shinoda](/img/tr.png)
![In The End [Official HD Music Video] - Linkin Park](http://i.ytimg.com/vi/eVTXPUF4Oz4/mqdefault.jpg)
Mike is such a great producer.
And great rapper and singer
Period
Mike is a Genius of the music!
I agree 👍
👍😎
No, I don't think so. Music is a Genius of Mike I think.
Mike doesn't get the credit he deserves with vocal coaching. He basically helped Chester find his identity as a singer. Took out all the 90s grunge from his voice and made him the modern icon that he is now. Every metalcore artist now tries to sound like Chester.
I feel I have to quote Mike himself here.. “Nobody really knows how or why, he works so hard, seems like he’s never got time, because he writes every note, and he writes every line, and I’ve seen him at work when that light goes on in his mind..” Absolutely brilliant. Good stuff!
The fact that this quote comes from a song almost 20 years old is mindblowing! This man has been a legend at work for decades!👏
This man can literally do no wrong. He could talk about literal garbage for an hour and I’d listen to it 😂
I need more music of this guy, please Mike Shinoda, we need another album 🥺
Feels so weird. I've been a fan of LP since 13 (in my 30's now). I never know what to say since "that time". I've always appreciated Mike's ingenuity and talent. It was Chaz and his passion that brought me to LP. I was watching an amv someone made with LP and DBZ. Since then I've tried to follow everything these guys have been doing. Grey daze. Dead by sunrise. Fort minor. Even backtracking to the HT days. All of this to say it's been a journey. Things are clearly different now but we're gonna keep going. Your fans grew up to. We're not just the emo kid in the back of the class anymore. We get the pain. We feel the frustration too. And we know you're not a super hero even though you were a motivational force in the lives of most of us. Long read but thanks for listening. One of my biggest regrets is never coming to a tour or anything to meet the band when I can.
Same here. Found LP through a DBZ amv with In the end
I hope you checked out Hybrid Theory EP!
@@hammad8766 yeah that one with Gohan. It's probably been like 20 years now but whoever made that is a legend.
@@chrisb4944 bro I can't believe I forgot all about And One. Also how many versions of By Myself are there now? Haha I'm not complaining hope they do an AI remake or something tbh. Cheers friend 🐝
@@hammad8766 also Money Heist is such a gem dude
What Mike is showing,and I find this very cool is his creative process. How he does what he does. It's pretty cool
Mike is the best!
When it's all said and done Shinoda deserves to be remembered with the likes of Quincy Jones, Dr. Dre, Trent Reznor, and many others. Shinoda = GOAT
I think I could watch an entire hour of these two working in the studio together.
It’s amazing how much goes in to a song and the collaboration is amazing. It reflects that Mike and Kaylee know the mechanics behind singing and Mike knows how to get the sound he wants for a song. Pretty wild.
Always love seeing these behind the scenes, please keep 'em coming Mr Shinoda 🙏🏾
we love you mike! thank you for sharing. what a song❤
Man. Mike is too cool...I can see his intelligence reflected in the music of LP, along with Chester
The best❤❤❤ Michael Kenji Mike Shinoda multi talented in music❤🤘🔥
Sending ya'll love
Yey nice i would like to see it more, working behind scene, good job !
The amount of fun they have is the best about this.
I’d been curious for the longest time to see more of Mike’s home studio, so it’s neat to see his art pieces (I think I spy a Futura2000 piece off to the side of his main playback position + the OG post traumatic painting outside of the vocal booth area equipped with the secondary playback area), and it’s awesome to see more of his studio layout. It’s wild though. It also proves that there’s no wrong way to set up a studio: it’s about what your ears are used to + your ability. Mike’s playback/control room area is FULL of bright and reflective surfaces. Like, I don’t see a single piece of acoustic treatment (diffusion or absorption) anywhere in his playback/control room. It’d be awesome to have a monitoring, equipment selection, layout, whatever you like day on a live stream at some point.
Tools don’t make the person: the person makes the tools. Despite the grandeur surrounding music and film? It’s like plumbing or electrical work or any other trade: you pick the tools that suits what you’re working on. You don’t get stuff because it’s, ‘cool.’ That’s why I’d care to hear him go over gear selection and configuration, just to hear his decision making process, and what he personally has noticed about certain tools for solving (or creating) given problems.
It’s great just getting to hear pronunciation, tonality, and word smithing again 🤔 The last time I remember a video going over this would’ve been LPTV episodes for A Thousand Suns and A Light That Never Comes. Just like gear selection and configuration: it’s about what works, and not worrying about how it looks. If you make awesome stuff no one will notice how you look. And, Mike’s right: capture everything even if you think an iteration was, ‘wrong,’ because you can always delete what doesn’t work. Keeping a, ‘bone pile,’ is important whether you write novels, make music, make music videos, whatever your thing might be. It’s also important to show Mike talking about changing your mental framing while you work or else you run into, ‘The Candle Problem,’ as Dan Pinkman calls it in his TedTalk. Mike’s pointing out, ‘think you’re projecting to a room full of people, to the people in the back,’ was the top level in this case, but the underlying importance in the decision making is being sure to change your mental framing of things while you work if you hit a snag.
… Oh, and In My Head is fuckin GAS 😝 🙌🏼 I’ve sequenced it into my personal Post Traumatic playlist after, “Hold It Together,” and moved, “Crossing A Line,” directly after, “In My Head.” And, I couldn’t have needed the song more when it dropped (hell I still do now). It’s serendipity: every time Mike related music drops it ties in to whatever darkness is happening in my life.
Thank you for the behind the scenes Mike 🙃❤️
I also love focusing on his home studio in these videos 😄 there may be a little more to that acoustics thing though; I've been thinking about this a lot too. He's got reflective surfaces for sure, *but that room looks HUGE. He's not in a bedroom or even living room size thing, where acoustic panels become way more important (note the smaller vocal booth where it is definitely needed). I obv don't know your particular space, but if it's not enormous, then this may not be the best thing to use as an example. Also consider what we don't see - it's very possible that Mike had this place built knowing ahead of time it was going to be a studio, and in that case would've had the chance to put a lot of the acoustic treatment *behind the walls, floors, ceiling instead, which is a more commercial studio kind of thing to do that typical consumers can't really afford, so we're stuck buying/building panels. And he does have a cloud up there above his listening position...And again there doesn't seem to be very many parallel surfaces for them to go bouncing around and getting crazy; it's probably a very controlled space on its own, acoustically. I could be completely wrong about all this as well lol; hard to say off these quick little clips we get over the years - but maybe he'll do a studio tour one of these days and we'll find out!
@@soulchorea I think he made a video of a studio tour in 2014 or 2010. It's in LPTV .
@@soleiltounsi6754 really!! That's awesome I'll look for it, thanks!
@@soulchorea Oh man! 🤝❤️ I’ve got much more to reply back when I’ve got a moment, but for now I’ll say what you added here was gold.
@@soulchorea For starters what an awesome conversation this is! =] Nice to meet you man! 🤝❤️ I’m glad someone else appreciates focusing on his home studio 😅 You’ve got a really good point as far as being mindful of how high he made the ceilings, how long, and how wide he made the roof + how few parallel surfaces there are.
Dennis Foley is an amazing, middle aged engineer here on RUclips, and the amount of information he releases for free on the laws of physics and their impact on audio engineering and acoustic treatment is.. frankly astounding. His channel is called, “acoustic fields.” So, I’ve been studying his material. Back during the first wave of COVID I’d started that journey, and life exploded for awhile interrupting that journey.. Now I’m back on it!
Mr. Foley’s worked with everything from professional recording studios, to churches who saw their elderly attendees leaving because they couldn’t hear well in the back, to DIY home studios where he offers a free, 30 minute phone consultation (he asks for photos of the room you’ll work in whether it’s for playback/monitoring or recording + he asks for you to measure as many dimensions and surfaces in the room as are applicable), and he sells DIY build plans after diagnostically looking at what you’re working with + what your intent for the space is. EDIT: likewise, if you have the money? He sells custom built, super clean solutions whether you need diaphragmatic absorption, 2D or 3D diffusion, and so on.
Something you said here is something I’ve heard him stress thus far in videos: you’ve both stressed room height and the amount of parallel surfaces. Speaking of which: keen eye!
Honestly, I hadn’t clocked the Acoustic Cloud over Mike’s monitoring position. Something else you mentioned sticks out. I’m glad you stated it. It’s important to remember this is Mike, and he’s got a chunk of change to work with 🤣👏🏼 His Acoustic Treatment would likely be inside of the walls, you’re right. This room was specifically built judging by the ceiling height, massive room dimensions, and the fact he has a port above his monitoring position to view inside of his vocal booth. 🤔 And, I’m fairly sure I’ve heard Mr. Foley talk about how more professional environments have things built into the walls and even the floors (for instance the floor of the room may actually be floating on pucks).
Given that framing and what you pointed out? I’d almost be more interested to hear Mike explain the contrast between this and his last home studio space i.e. the one we saw him use in the behind the scenes/making of for, “A Thousand Suns,” and, “A Light That Never Comes,” vs this space, what choices he made, and why. Lastly I appreciated your humble character, “I could be completely wrong about all this as well,” but I think you’re on to something! And I can say the same for your music: I clicked your icon, saw you had a channel, and music, so I gave it a spin. In less than a minute I said, “Oh hell yeah,” I bounced to Spotify and found you. A couple of your tracks are now added to three (3) of my, “Chill Work Music,” playlists.
There’s several I have to suit the mood whether things are more dire, more tame, more nihilistic, more upbeat, whatever the situation. Keep it up man! 🤝❤️
This track has been IN MY HEAD all week long and I love it. Let’s gooooooooo!
Such a clear voice. Love this song! Thank you guys for another beautiful duet! Heavy was a dream come true and this one is the dream continued. Hugs from Germany
Kailee is so cute 😍😍😍
loving this so much on design videos
Thank you Mike for part ✌
I love this so much kailee is adorable and love this bts thank you Mike❤
If only i could get in a room with Mike and just watching him work and obsorb every nugget.
I really love these behind the scenes footage of the recording process.
Thank you
Love the behind the scenes
So interesting
Mann luv you soo much!!!! You are the guy who has till date keeping Linkin Park alive!! And NOW THIS SONG!!!! I hope one day i will too get a chance to work with you!!! I am a Drummer here!!🥁😎🔥
Wow. Gold. I could watch hours and hours and hours of this stuff
Awesome!
Great producer Mike!
Mike has a best studio.
Love the song
This video felt like mentorship to me! 2 minutes of video but I already feel like there was a lot to learn from this video as a producer/musician myself!
Thank you for everything, Mike! 🥰
cool insight into method behind great music, thanks.
Always interesting to see some of the small, specific decisions made to really nail the sound of the song
I love to see these backstage clips ❤️
Mike is a great musician, producer and visionary, he's also great hunter of new talents. Big legend Mike Shinoda and this is a great collab that I really love
Duuuuuuudee you set it as "part 12" 🤣
This is fantastic by the way👀👀
Please I need a Netflix show about this. LOVE IT ❤
In my head ❤
since the formation of LP way back in 2000's, i knew something is going good in these band and i foreknew Mike's potentials and after their band's success's and his formatiin of FM, he never stopped there to produce and create music he loves and he is passionate about!!!! there is something more in Mike's inner virtuosity that makes him a real genius in making music and a great success!!! they soar high above making waves together with C.B.!!!!! not until the unexpected happened....i hope M.Shinoda can come up and create more music and and formation of a band that can fly again!!!! make some noise, make a great story of the band and the success!!!! i love these masterpiece M.Shinoda creates!!!
NICE MIKE..WE LOVE YOU
Hey, Mike. Thank you for everything! It's awesome! ☺️
To think Mike has been making music for so long, and still to this day releasing new tracks! Thank you Mike, We love you.
I try to rather live in the present instead of thinking about the things that could be, but if theres one thing its that id love to do (sounds kinda weird) is to meet you one day Mike, whatever you do I just like it because youre in it and youre a great inspiration for me. Its going to be a long journey, but its my dream to at least be some kind of musician, like at least have a song released or something and youre an insane help for me in not just that but especially that.
I love studio work. Thank you so much for giving us an insight on a recording session. :D
I´ve alsmost finished building my own recording studio. So excited.
MASTERPIECE
We love you Mike!
What an awesome coach!!!
Thank you for sharing the process :D
Been listening to you since 2000. Great job man!
The word head is a difficult word to structure in a song especially if it is a finisher. I've heard it used in such interesting ways. Some break it down into two syllables some focus more on the he a d or the h e ad. I love how they are playing with the word with variations. Mike is a very talented producer and a huge influence its awesome to see him still at it and not just swinging but still holding his own. Post traumatic was brilliant and f anyone who thinks it was to capitalize off the tragedy. That album was about growth and I'm so glad Mike put it out there this is what rap was truly about. Not the bs that fills in the majority of the industry.
They work so well together!
Mike as a singing coach! Wow he's got everything
Once again, this is pure gold!
Thanks for sharing this!
No artist does it perfect without redos in the studio. Ur doing great :)
0:49❤
Love this videos. Love Mike's happiness. He makes me his energy. Love u ❤
Saw this on twitter .. Thanks for sharing here Mike .Love seeing new music studio video's in 2023 ❤❤
I miss you for the experience created
Que maestro Mike, excelente trabajo. Debe ser toda una experiencia cantar frente a una leyenda.
Mike still young creating and producing music. It's good to hear a vocal coach telling how to do it in a correct way. I'll try to follow it!🙏
LETS GOOOOOO 🔥🔥🔥🔥
Feels good to have been singing for only two years and understand what they’re talking about with phrases like “a little more nasal” and “out the top of your head.” 😂 It’s weird but it makes sense
Thank you for this new song!
Loving all these new songs coming
He is such a great coach. He pays attention to your strengths. Stays open to any type of ideas you wanna try out and gives you tips to improve any way you wanna go. Just a great down to earth guy. Your music brought generations together and your persona inspires us all to do better. Chester would be proud, my friend.
Your awesome MIKE ALL THE TALENT YOU ARE SHOWING JUST BEING YOUR SELF
I love Mike!!!!! Fucking genius!!!! 😊
Ssssweet footage of Mike cuz it shows off his awesome tradecraft!
Майк, талант от Бога. Спасибо за Твоё творчество.
“Sometimes I”
“I had nothing to say”
“I look exactly like you had always”
“Wondering what I think of you”
“Something has been taken”
“That everyone can see these scars”
“'Cause from the infinite words I could say/I”
“The battle always choose”
“Get back up on my feet”
“With these non-stop lyrics of life living”
“I've become so numb”
Happy 20 years of Meteora! 🤟🏾🪨🎤🎧🎼🎹🥁🎸💿📀
I like this. We need more of Mike recording tho haha
My fav song
Wow that's a big professional. Nice creation guys👏
FUCK YES!!!! Cant wait for the vid man.. Your a savage Producer you always have been , from the get go man , So much Love - I know When We don't hear from you , I know your Working Hard as Fuck .. Love this tune
It’s already out.
Love you Mike !!!
This track is amazing. So good and so catchy.
Yes part 2!!! 🎉 ❤
Like it
The new music en Mike shinoda
Только сейчас боль от утраты Честера стала проходить. и могу вернутся к вашим голосам. Спасибо, что не оставил музыку. Спасибо за твой позитив! это очень радует!
Comigo tá sendo assim também.
Eu vou precisar de mais tempo para conseguir ouvir linkin park sem sentir a dor imensurável de perder o chester.
@@Weydson-Silva. Я раньше когда видела Майка, всегда вспоминала Честера. Слезы сразу проступали. Но сейчас как слышу Майка, его голос как мягкое покрывало, покрывающее боль от утраты. Хочется все больше и больше его слышать.
I love seeing studio vids
mike, you saved my life, thank you,❤i'm from Argentina
Mike Shinoda is an artistic and very creative singer/rapper/songwriter and producer. A pure genius of a musician and is the Creative Director at Warner Music 🎶 🎵
Keep on making amazing music and collaborating with great artists Mike!
Mike is so great in music,thats why love him ❤️
Todo lo que hace Mike es magia💕
Random shout out to Mike and Hahn for being underappreciated geniuses.
keep going!!!
❤❤❤❤❤ mike... 🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉 u r really a legend.....
Masterpiece ❤
Отличная песня, спасибо Майк что продолжаешь писать музыку.
She is extremely talented...
We need a shinoda collaboration album
Shinoooo keep it up man always ahead of the curve
WE'RE GETTING AWAY FROM THE KILLER WITH THIS ONE💯💯💯🏃🏃🏃🔊🔊🔊
Круто, как и всегда!
Hell yeah man ! 🤟