Great prints. It was fun to watch how you tweaked your setup and procedures. I especially enjoyed how you put in the filter before the lens. Thank you David for sharing.
So inspirational, David. And very timely too - I'm right now in the process to setup my darkroom. Thank you for sharing & warm greetings from Switzerland!
What red light are you using? I have more one of the modern ones using the acrylic amber over an incandescent bulb. In order to prevent fogging, I have it placed so that it is so dark I cannot see pencil writing on the back of my paper while at the easel and cannot see the details of the print in the developer. The availability of good red lights is next to none these days. Would love to see a detailed tour of your darkroom.
this is not photography, this is magic! Love all the process
Great prints. It was fun to watch how you tweaked your setup and procedures. I especially enjoyed how you put in the filter before the lens. Thank you David for sharing.
Lovely stuff David.
I enjoyed all 3 videos very much, the results look pretty good and the 3 photographs together are a real fine artwork!
Thank you David. A very interesting three videos on the process. The Linhoff is such an elegant looking camera.
So inspirational, David. And very timely too - I'm right now in the process to setup my darkroom. Thank you for sharing & warm greetings from Switzerland!
Really enjoyed the trilogy very inspiring and thanks for sharing 🙏
Really enjoyed this series, David, I look forward to seeing more.
Glad you enjoyed it
The prints simply look stunning, even on my laptop.
Why did you use a 10x8 enlarger when you have a 504 with colour head in shot?
great video . . how do you keep your darkroom so clean?
Do you really need a 5 4 to get those results? Have been taking photographs and printing for 50 years.
What red light are you using? I have more one of the modern ones using the acrylic amber over an incandescent bulb. In order to prevent fogging, I have it placed so that it is so dark I cannot see pencil writing on the back of my paper while at the easel and cannot see the details of the print in the developer. The availability of good red lights is next to none these days. Would love to see a detailed tour of your darkroom.
I use flourescent red light tubes which I bought from process supplies in london
You can get a beautiful safelight from Jurgen Heiland I have one and highly recommended it
What happened to the selfie you took also on that day? 🙂
good question -will dig it out
thanks for watching