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Phyllida Barlow: An Age of Fallen Monuments
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- Опубликовано: 16 авг 2024
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I am fascinated with this work and the artist. I think it is, as most art is, important to be experienced in the real, perhaps several times, in order to bring it into perspective. I love the artist's description of her work in the context of British art history, and the way she describes time and gravity as "stuff".
I love this artist’s articulation of the sculptural experience, of walking around it; of “invading a space”, and her comment about bronze sculpture, the consideration of a certain pretence, and acceptance / realization of that
: the notion of the vast darkness at the centre of a hollow bronze ! Also, what she said about cave art had me seeing it in an entirely different *light*, I had never really recognized that the way I am now able to, after this film.
I wish I had 'seen' (experienced, rather) this exhibit!
Your works makes me think of scafolding that surrounds it}s baby then is taken down. With scafolding in mind, your work then takes me to the far east where they build fabulous buildings with bamboo and how architectual a grass can be. Thank you. My works is about converting the decoration into structure.
Such a beautiful mind❤
With a bronze the sculpture is the mold or whatever they use to make it, the statue itself if is born from fire, the sculpture burns away, a reverse skeleton of the mold.
❤
how much did this cost to build?
my art and my AI is different. Amstelman.
13:23 ~ 16:00. 💭🤍