Best Master Techniques on oil painting on RUclips you can find and Luis is thorough like only a master would want teaching to be. Good Quality video production as well. Thank You Luis very generous of you and I look up to your standards and forward to the next lessons.
The grinding stone slab and the muller stone at 1:32 look amazing. Porphyry isn't it, as described in "The Craftsman's Handbook"? It's a challenge to get one, it is difficult to find. You are using great materials with a lot of knowledge and talent. What a great inspiration for others, for (hobby) artists, who want to learn about traditional techniques, tools, pigments, oils, resins, mediums, etc.
This is very good information and quite interesting. Students of the Old Masters love to know more about the methods and materials used by the top painters. However, for me, I always come back to one foremost realization. And that is that the reason certain artists rise to the top of art history is because of their innate vision, personal expression, and inborn talents, which are really quite separate matters from their canvas ground, medium, and other particulars of the materials. For example, had Picasso been stranded in a location with only a half dozen colors, a couple of brushes, and only cheap cardboard to paint on, he still would have created an incredible and extremely valuable oeuvre of masterpiece after masterpiece.
i absolutly am in love with your videos .it would be awsome to take classes but i have been painting so very long .i have now retired and live on minimum income ,i spend my money on art supplies and have more than i ever could use ,im blessed ,i have a large container under my bed with m graham oils that were given to me years ago that alizarin crimson calls my name lol
I love Prussian blue was using it today in a painting.. The red ochre is gorgeous compliment with it will have to try that combination…. Loved this demonstration and learning about what Goya and other masters used, amazing… Thank you so much ❤
I signed up for your Udemy courses and I’m waiting for my materials from Amazon. 😄 I’m very excited to start this art journey and thankful I’m learning from the best!
Hello MJ: Thank you for purchasing my courses. It’s great to welcome you to my community of students. I look forward to seeing your artworks in the future. Best wishes!
Very interesting, thank you! Prussian blue has a very notable tinting power. It is available to use a different grinding slab (or the other side of the usual grinding slab) because the pigment has a way of getting in every pore and it is difficult to wash.
Hello and thankyou so much for sharing your experience with painting. Do you have a video starting from the beginning where you add the sand and explaining what imposto is?
Hello Laurie: Thank you for visiting my channel. I have a Udemy course that focuses on Rembrandt’s impasto techniques and the preparation of a sand ground. You can find the course here👉🏻www.udemy.com/course/oil-painting-techniques-rembrandt/
Love your content but from everything I have read and have experienced, Prussian Blue is not a fugitive pigment and is rated as having the highest permanence and light fast rating by most places. Maybe it's possible there are different formulations of the pigment. I did read that when in contact with alkali it can fade but that would mean its coming into contact with something corrosive such as lime. EDIT: Looks like the lead white mixed with Prussian blue can cause fading since lead white is alkali.
Best Master Techniques on oil painting on RUclips you can find and Luis is thorough like only a master would want teaching to be. Good Quality video production as well. Thank You Luis very generous of you and I look up to your standards and forward to the next lessons.
Hello Albert: Thank you for commenting. I really appreciate your feedback and support.
The grinding stone slab and the muller stone at 1:32 look amazing. Porphyry isn't it, as described in "The Craftsman's Handbook"? It's a challenge to get one, it is difficult to find. You are using great materials with a lot of knowledge and talent. What a great inspiration for others, for (hobby) artists, who want to learn about traditional techniques, tools, pigments, oils, resins, mediums, etc.
Great sharing. Thanks 👍
This is very good information and quite interesting. Students of the Old Masters love to know more about the methods and materials used by the top painters. However, for me, I always come back to one foremost realization. And that is that the reason certain artists rise to the top of art history is because of their innate vision, personal expression, and inborn talents, which are really quite separate matters from their canvas ground, medium, and other particulars of the materials. For example, had Picasso been stranded in a location with only a half dozen colors, a couple of brushes, and only cheap cardboard to paint on, he still would have created an incredible and extremely valuable oeuvre of masterpiece after masterpiece.
What a great presentation! Excellent! Thank you!
i absolutly am in love with your videos .it would be awsome to take classes but i have been painting so very long .i have now retired and live on minimum income ,i spend my money on art supplies and have more than i ever could use ,im blessed ,i have a large container under my bed with m graham oils that were given to me years ago that alizarin crimson calls my name lol
I love Prussian blue was using it today in a painting.. The red ochre is gorgeous compliment with it will have to try that combination…. Loved this demonstration and learning about what Goya and other masters used, amazing… Thank you so much ❤
You knock it out of the park
Thank you
Thanks a lot for sharing your knowledge here.
I signed up for your Udemy courses and I’m waiting for my materials from Amazon. 😄 I’m very excited to start this art journey and thankful I’m learning from the best!
Hello MJ: Thank you for purchasing my courses. It’s great to welcome you to my community of students. I look forward to seeing your artworks in the future. Best wishes!
Very interesting, thank you! Prussian blue has a very notable tinting power. It is available to use a different grinding slab (or the other side of the usual grinding slab) because the pigment has a way of getting in every pore and it is difficult to wash.
Greetings from Zapopan, Jalisco. Mèxico
Great!
Thank you!!🙏🏻
❤❤❤
Look up upholstery fabrics. I know I have seen that pattern before. Many of the fabrics come in natural fibers.
🙏🙏🙏🙏
Hello and thankyou so much for sharing your experience with painting. Do you have a video starting from the beginning where you add the sand and explaining what imposto is?
Hello Laurie: Thank you for visiting my channel. I have a Udemy course that focuses on Rembrandt’s impasto techniques and the preparation of a sand ground. You can find the course here👉🏻www.udemy.com/course/oil-painting-techniques-rembrandt/
Love your content but from everything I have read and have experienced, Prussian Blue is not a fugitive pigment and is rated as having the highest permanence and light fast rating by most places. Maybe it's possible there are different formulations of the pigment. I did read that when in contact with alkali it can fade but that would mean its coming into contact with something corrosive such as lime. EDIT: Looks like the lead white mixed with Prussian blue can cause fading since lead white is alkali.
Can i apply the oil ground over an already primed acrylic canvas or panel and still get the benefits of working with the old masters ground?
Hello Pedro: Yes you could apply oil grounds over acrylic.