The Simple Portrait - Cinematography in a Single Shot
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- Опубликовано: 28 ноя 2024
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![Megan Thee Stallion - Roc Steady (feat. Flo Milli) [Official Video]](http://i.ytimg.com/vi/HozPPyqW0dY/mqdefault.jpg)
FULL SCREEN FROM FIRST ATTEMPT!!!! WOW
it would be dope if you could link the commercials you are analyzing in order to check them out before watching the breakthrough :)
Agreed. :) I found this one here: ruclips.net/video/Wc2uS5BZGEQ/видео.html (Keep up the great work- love this channel!)
@@revisionlife2846 Thanks, man!
I second
In every video, someones ask for this but he never does it, it might be a reason why he never links the videos :/
@@aimarocain apparently the production companies and ad agencies don't like that too much
I would love to see room tone technique - how to do it properly.
+1 for a room tone technique video 👌🏻
yes please!
+1
+1
Watch the first season of house of cards. Job done
without even realizing it, this channel has become my go-to source of filmmaking perspective and information. truly helpful for developing cinematographers. DISCLAIMER consistently watching these videos will make you the WORST person to watch TV with. But you’ll certainly enjoy commercials way more than anyone in the room lol
Haha same here. His no bs attitude keeps me hooked for days
I’m going to ad that disclaimer at the start of every video
@@wanderingdp the cost of knowing🧠🎬 (thanks for replying, made my day🤘🏼)
Its the best.
Top 3 breakdowns:
Tom Brady’s Timepiece Commercial.
ASAP Rocky’s Mercedes Commercial.
Cadillac Commercial.
First of, I can’t believe these breakdowns are free. The only thing I would ask for is if you would and actual behind the scenes and see how the lighting set up looks better on set
It would also be dope if you could flick the false colour on and off for each different shot to see the difference in levels
Excellent breakdown thank you. I've worked on set for commercials and music music videos, totally different from feature films. I'm learning more about camera work and lighting my own stuff finally and really appreciate guys like you taking the time to explain things. Cheers happy new year!
This is like taking Wolfcrowes stuff to the next level! Awesome work man!
So much of valuable insight in this one. As a starting filmmaking enthusiast, your channels gives so much material to learn from!
Patrick, I'm doing the best I can to learn, I'm super new to this, and so this next question might upset you, but how are you lighting your talking head/studio shot?
Absolutely loving your breakdowns! It's great finding someone who knows their stuff and really breaks it down to the technicals. Awesome lighting in your space too, dig the slash of light with the purple ambience.
12:43 I think the close up version of this shot is recreated. You can see that the sandwich has slightly two different tones in the medium shot, the sun side is a little warmer, whereas the close up has identical tones between the sides and little bit colder (7:13).
Probably true. That's what happen when you make a close-up - you get an opportunity to get closer with your lighting gear and refining the picture
@@AvizStudio yes, what I meant is that he seemed to think in both cases the left side was the sun, in which I would say in the close up it wasn’t.
Killer tip here: Black out lights out of frame near talent. . . .man I forget sometimes that if the camera can't see it, you can kill it with duvetyne.
Can you explain that further for a beginner? I dont understand what you mean
@@Milan-cf1xe if there’s house lights or unwanted lights at your location, you may not want those contributing to your exposure, especially if it’s near your talent. Depending on the fixture, it can cast unwanted hues if they aren’t colour accurate. Duvetyne is a black fabric that you can wrap lights or block them off with, almost like flagging.
@@TwaynePereira oh yes thx for the tip. On my One-man-band short films i always flirtet things like that
so happy i found your channel. so educational and informative. definitely deserves more subs!
This is such an informative video. I love how much I feel like I'm learning when I watch your videos. Thank you Wandering DP for your outstanding content.
the trick is to make it appear as though you are learning without actually teaching anything.
My pleasure
Your breakdown is amazing - thank you.
👍🏼
could you include what focal lengths may have been used on certain shots.
This was a great choice and an amazing job breaking it down! Keep it up my man!
Thank you so much! Your videos are an absolute treasure trove of information on cinematic lighting. Like literally all those very particular questions I have about how to achieve a certain look are being answered. Please keep it coming :-)
yes to your other question as well. Always wash your hands
@@wanderingdp ??? :-D
Thank You for all these cinematic breakdown videos man, very informative video.
you are welcome
At 7:40, the level in there, the way the shadows are controlled so that just enough of it is seen, that would be done by distancing the neg just to the point where we see some detail in the dark, no?
Thanks for putting this out there. I learn much from your content.
At 2:06-2:19 you mention that the flare probably isn't real. Isn't it a dead giveaway that this is true because the flare is composited on top of the central figure (meaning the flare extends unbroken behind her even though the Leko (or similar) is shining on her front and the flare would be in shadow and broken)?
let's say there's a window which we're then exposing the faces to match, roughly how long would the light outside stay consistent for?
wow a lot of reeeal good looking shots! Perfect as always :D
Wonderful breakdown thanks for this, could you also include links to the ads.
Maravilloso, muchas gracias ! Saludos desde Perú
Great breakdown man!
Man, you make amazing content. Thank you!
Amazing breakdown as always! Can we get some insight to the size of the crew for each shot (how many people you would recommend) ?
This is all... litt
*Finding this commercial online to look at is "MISSION IMPOSSIBLE" Jesus :(*
If you believe you can achieve.
have you done a desk setup? im curious about your pen setup :D
I want to see some framework analysis done on some high key style lighting like that which is popular in asian commercials.
which camera do you use to record you videos?... looks so great.
Thanks, really appreciate it.
These are awesome videos! Thank you
I would like to appriciate ur way of presentation & the way u explain everything, this channel is one of the best, thank you for such beautiful videos
I would like to also know about optical filters used by DPs, buts its not discussed , pls let me know which are the filters which are popular among dps to make it look like film
I know few ones like black magic , radiant soft, fx, Pearlescent etc
Can u make a video on this ?
Could you show us YOUR lighting setup
If those warehouse lights at 9:00 had a flourescent green tint would you plus-green your key light to balance?
This is where a good light meter comes in. Take the reading on what those lights are putting out, and then dial or gel your key to match that temperature.
Great content thanks!
does anyone know what software does he use to create pencil explanations?
Could you please break down some work of Paul Meyers
Who is that?
@@wanderingdp A very talented cinematographer
Do you think it’s excusable that the fella doing book work in the library looks more lit bcos you can easily explain that he sitting under a desk lamp. I do and thus, I think the lighting is very appropriate
damn ur channel is great love it
Any comercial made with an a7sII or any cheap camera so we could try to recreate it.
Cheap cameras are usually used for spec ads, since most companies often rely on agencies, which can afford renting proper (meaning: reliable and well-known) gear. But this shouldn't discourage you.
A camera only captures what you put in front of it. If you have a shitty content, recording it with Alexa won't make it any better.
The key to getting a good looking image is:
- an interesting location (avoid bare walls, especially white ones - invest in some props, set design, etc.),
- lighting that creates depth,
- not casting your closest friends - go for someone more convincing.
Don't focus on the gear so much, it won't up the production value as much as you think.
And as an example, here are some links to a great looking stuff captured with consumer tools:
ruclips.net/video/1oR3awvrQ6I/видео.html
ruclips.net/video/-VOOOTDU834/видео.html
ruclips.net/video/Q_mFkmtJVOw/видео.html
ruclips.net/video/btbO7CxH4hs/видео.html
ruclips.net/video/1iXVk7oVKOc/видео.html
@@heartless1572 it may make the shit more detailed
Use the techniques here, and the camera and lenses matter less. Proper lighting and framing will have the most impact on what you shoot. Many of these shots, except for the depth of field, would look nearly the same whether they were shot on Alexa, Sony, Canon, or cell phone.
I've seen plenty terrible movies (imho) that were beautifully choreographed
Story always trumps dancing. 100%
BPM Filters on this one also.
Hahhaaahaa ...that Ted talk - yes they definately do not look like that there XD!
❤️❤️❤️
❤
You probably answer third a hundred times but
How are you scribbling on the Screen in real time???????
* Insert title of the commercial * or 'How to get away with short side key'.
Can you breakdown fight club? Or just do a whole video or series on David Fincher??? That would be awesome. Like, how does he create his style? Is it the set design? The lighting? The greens in the shadows or hightlights? I'd love to learn what he did/does.
Cadillac - Don’t You Dare
I won’t
@@wanderingdp same)
Yo man! I have seriously learned so much from you in the past few months. I’ve been posting my results on my IG (@ngrutas) if you had time to throw in some critiques/tips.
Every time I’m setting up I always tell myself, “L of the room and salt and pepper!” 😂
What is salt and pepper?
“Salt and pepper” is a way to layer your image with light to get good depth. Salt and pepper = light, dark, light, dark etc.
@@noligrutas oh nice
I’ve just visiting your Instagram, good to know you pal
@@noligrutas I heard someone else called it "The checkmate effect" (Eric Thayne)