Many thanks! So can the S4 apply synthesis/fx to incoming audio which can then be modulated live while playing guitar for example or must audio be recorded and played back order to access the fx and granular synthesis?
That machine sounds pretty neat, I wonder if all this animation from the screen can be switched off as I found it pretty distracting. Thanks for sharing.
@@samuelyang1140 Alright, I think I was always more interested in appreciating those changes by listening, and then making my own visuals if needed. All good :)
![My Favorite Uses of the Torso S-4 Sculpting Sampler [ Demo pt2 ]](http://i.ytimg.com/vi/anx1bRjvYq8/mqdefault.jpg)
Amazing to see how this machine transforms sound. You could make entire tracks from just this one sample!
the sample itself was so good that i couldnt focus on demo... thx for the demos
This looks worth it for the ring modulation alone; have you used it much as a 'straight' FX unit with live input?
Some of its functions remind me of that plugin from NI called " the mouth"
I was similarly thinking that some of the tape stuff sounds very similar to NI’s ‘The Finger’
Such tactile sound
I love this one
Many thanks! So can the S4 apply synthesis/fx to incoming audio which can then be modulated live while playing guitar for example or must audio be recorded and played back order to access the fx and granular synthesis?
yes it can
That machine sounds pretty neat, I wonder if all this animation from the screen can be switched off as I found it pretty distracting. Thanks for sharing.
That visual feedback is needed there to show the modulation on the filter, as well as the audio spectrum
@@samuelyang1140 Alright, I think I was always more interested in appreciating those changes by listening, and then making my own visuals if needed. All good :)