That was SPECTACULAR. The faster tempo worked very, very well. The conductor's phrasing was perfect. Perfect singing, perfect piano. Especially nice top notes by the piano player. I'm gonna remember you guys. Time to hit the replay button.
I don't accept the theory of pandiatonicism, because if you take, for example, an F chord and stick a Bb in the bass, all you've done is to add the tension of a natural eleven to the voicing, in a way that works. The root will remain F and the function will remain dominant, if the tonal center is Bb. It's always the presence of the THIRD in the voicing that determines harmonic structure, not what's in the bass. In quartal harmony, it's primarily the absence of the fifth that yields the quartal sound, but root and function still are determined by the presence of the third (though with enough notes there might be some duality). I doubt whether Eric was thinking in terms of pandiatonicism. Here's some useful info, from Eric himself: www.reddit.com/r/musictheory/comments/2gbzza/can_someone_explain_the_music_theory_behind_eric/ Because it's possible to think of harmony in more than one way, it would be unfair to say that Eric is thinking pandiatonically. On the above reddit page, Eric describes how he often favors a fifth and a tenth above a root note in the bass, with chord tones, tensions, and suspensions near or at the top. That's not pandiatonicism; that's just a particular type of voicing. If you analyze the melody of "The Seal Lullaby," you'll see that its diatonic notes are NOT "used freely in democratic equality" like a diatonic equivalent of Schoenberg's twelve-tone system.
Oh! hush thee, my baby, the night is behind us. And black are the waters that sparkled so green. The moon, o'er the combers, looks downward to find us. At rest in the hollows that rustle between. Where billow meets billow, then soft be thy pillow; Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, Asleep in the arms of the slow-swinging seas.
This giant choir does a really lovely version of this very lovely lullaby The parts are all heard , i would like to dedicate this divine song to all the people of the Ukraine xx LOL jANE X 💛💙
That was SPECTACULAR. The faster tempo worked very, very well. The conductor's phrasing was perfect. Perfect singing, perfect piano. Especially nice top notes by the piano player. I'm gonna remember you guys. Time to hit the replay button.
This is lovely beyond words. ❤
Stunning!
So very beautiful. You do your nation so very proud.❤❤❤
聽了很舒壓OAQ
全部都...太美了
I did It with my choir once It was beautiful 💓🥰💋
I think the tempo is acceptable. Very smooth and have the right mood.
氣氛好好 聽了好感動
beautiful!!! I thank you for introducing me to pandiatonicism, impressive.
I don't accept the theory of pandiatonicism, because if you take, for example, an F chord and stick a Bb in the bass, all you've done is to add the tension of a natural eleven to the voicing, in a way that works. The root will remain F and the function will remain dominant, if the tonal center is Bb. It's always the presence of the THIRD in the voicing that determines harmonic structure, not what's in the bass. In quartal harmony, it's primarily the absence of the fifth that yields the quartal sound, but root and function still are determined by the presence of the third (though with enough notes there might be some duality). I doubt whether Eric was thinking in terms of pandiatonicism.
Here's some useful info, from Eric himself:
www.reddit.com/r/musictheory/comments/2gbzza/can_someone_explain_the_music_theory_behind_eric/
Because it's possible to think of harmony in more than one way, it would be unfair to say that Eric is thinking pandiatonically. On the above reddit page, Eric describes how he often favors a fifth and a tenth above a root note in the bass, with chord tones, tensions, and suspensions near or at the top. That's not pandiatonicism; that's just a particular type of voicing. If you analyze the melody of "The Seal Lullaby," you'll see that its diatonic notes are NOT "used freely in democratic equality" like a diatonic equivalent of Schoenberg's twelve-tone system.
Bravo!!!
Prefer the slower tempo that mirrors the slow swinging seas. But still absolutely beautiful, have sung this several time with my choir, and I love it.
When I listen to the slower tempo I can picture going over the sea in the sunset and seeing baby seal’s swimming around happily.
Beautiful x
Oh! hush thee, my baby, the night is behind us.
And black are the waters that sparkled so green.
The moon, o'er the combers, looks downward to find us.
At rest in the hollows that rustle between.
Where billow meets billow, then soft be thy pillow;
Ah, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow-swinging seas.
Amazing. Beautiful.
This giant choir does a really lovely version of this very lovely lullaby The parts are all heard , i would like to dedicate this divine song to all the people of the Ukraine xx LOL jANE X 💛💙
Wow
竟然偷偷釋出>
It's just a bit fast 😁 could use some more time
這位指揮應該是想強調一種流暢感