Great voice - I think operatic renditions of popular songs are a great reference point for judging individual voices and versions. And in many cases they show what makes a popular rendition unique. The more, the merrier.
Was auch alle sagen moegen ...fuer mich bist du eine der Beseten und mit Weill mein beliebteste Kuenstlerin. Vor allem mit Youkaly. Du hast eine warme Stimme
As far as the operaic interpretation is correct or not, I would like to refer to Lotte Lenya's statement that Weill never wrote a single song for cabart, and that he loved the classically trained operatic voice. Perhaps this was exactly the way Weill wanted his songs to be rendered
There's a really interesting interview to this effect on the back of Teresa Stratas' (hello, iconic) Unknown Kurt Weill. Sojat's interpretation is enjoyable.
Doesn't it have a Russian-Gypsy-hussaren-touch? (till approx. 3:10). Served with some sauerkraut? Sorry, I like it and K. Weill very much! But still...
Great voice - I think operatic renditions of popular songs are a great reference point for judging individual voices and versions. And in many cases they show what makes a popular rendition unique. The more, the merrier.
En trevlig video. Fantastisk föreställning. Jag vill tacka för uppladdningen.
I love it!
Maravilhosa!!!
Yes, very expressive, sensitive, poignant, lovely voice, interesting and not overdone presentation.
Eine wunderbare Version
Was auch alle sagen moegen ...fuer mich bist du eine der Beseten und mit Weill mein beliebteste Kuenstlerin. Vor allem mit Youkaly. Du hast eine warme Stimme
wow I'm speechless :o
As far as the operaic interpretation is correct or not, I would like to refer to Lotte Lenya's statement that Weill never wrote a single song for cabart, and that he loved the classically trained operatic voice. Perhaps this was exactly the way Weill wanted his songs to be rendered
Since the Logo of RAI (the italian pubcaster) looks like to be the onld one I think it's 1986
There's a really interesting interview to this effect on the back of Teresa Stratas' (hello, iconic) Unknown Kurt Weill.
Sojat's interpretation is enjoyable.
Is this in "Three Penny" or an independent lied?
Its from the three penny but here she is singing it at a recital independently...
Lenia Kallis since when is nanna’s lied part of the three penny opera??? I think this might be misinformation but maybe can you reference the source?
Doesn't it have a Russian-Gypsy-hussaren-touch?
(till approx. 3:10). Served with some sauerkraut?
Sorry, I like it and K. Weill very much! But still...
Splendid...also Teresa Stratas is magnificent (but very different) in this.
"Mais ou sont les neiges d'antan?" - F. Villon