Pino Palladino made me fall in love with bass. I started playing bass strongly inspired by him, in 80's. Now, 40 years later, I finally bought the BOSS OC-5 (successor of the mythical OC-2) and get *THAT* sound.
In the UK, 'Wherever I Lay My Hat' was considered his breakthrough and calling card, but I don't think it was a hit in the US? Everyone has their own Pino track which they consider definitive. It's interesting watching the Questlove podcast interview on RUclips, because he considers 'Lady in Red' to be Pino's signature line
Playhouse was Paul Young at his funkiest. The bassline carries that song throughout all the “Bangs and Crashes” (sorry Go West). My favorite Paul Young cut.
For the longest time I thought it was a synth bass on Every Time, and was shocked to find out it was an actual bass. But yes Tear Your Playhouse Down’s bass lines was mind blowing!
For some reason they tend to miss out Go West which to me was deffo some of his most creative work glad I got to meet him in person after a Di Angelo gig in my hometown ❤
Questlove said this during a recent interview with the man himself, "If I only had one person to choose to play bass with for the rest of my days, I would choose Pino Palladino". Who am I to disagree? Gotta go listen to some Pino Palladino right now! Thanks for the reminder, Paul!
The entirety of The Secret of Association is what made Pino my all-time favourite bass player, and it was the perfect way for me to learn how to play fretless. I still regard this album as the magnum opus of Pino's bass work.
Nice follow-up to the Mick Karn episode, especially as both have a Gary Numan connection. MK played on Numan's 'Dance' and 23 year old PP played on the follow-up, 'I, Assassin'--with more amazing fretless work ('Music For Chameleons' being a great example).
You've got that very confident but mellow phrasing in your speech that reminds me of Levar Burton. Even some of your intonation. Great video too, Pino rules.
you really need to add Pino's work on Gary Numan's "I Assassin" release. That is what first introduced me to Pino and I saw him on that tour and was totally blown away.
Pino gave such a distinctive flavour to that album, incredible work! Too bad the English music critics of the time had it in for Numan at that point, regardless, Pino's talent still shines through.
Great video thanks mate. Fun fact: my younger brother worked for a while at Soho Soundhouse in London and sold Pino that Octaver! I was dead jealous as the job was offered to me first and I was a huge fan due to Pino's work with Gary Numan. Thanks again.
Got hooked up with one of the really good ones by a real generous dude, much higher up the chain than me... been something I just keep safe around the house, but after this I think the first thing I may do is swap it into my MXR Bass Octave Deluxe (which i love) spot on my pedalboard.
Saw Pino play with The Who on the 4th of July in 2002. It was just a week after John had passed. Unbelievable show. Oh and now I gotta go listen to an Ann Peebles marathon so THANK YOU for that!
Same here, in Chicago about 2 months after Entwistle died. Pino was stellar. No other bass player could have pulled that off so perfectly given the circumstances.
Everyone here is raving about "Tear your playhouse down"and it's bass lines but my favorite from that record is still "come back and stay". It's fitty years old almost and still one of my favorite songs.
Maaaaaate yes finally someone selling us the real Pino business. This line switched me onto bass man - and also check out his bass line on a Pete Townsend tune called give blood with the same sort of sound - banging .
Comes for my home town and his family still has their Italian Restaurant he grew up in. Was lucky enough to see Pino do an impromptu fusion gig at the local village hall nearby with stellar UK musicians Jason Rebello and the Stacey brothers.
@fusionfan6883. Have you ever met Pino’s brother Angelo? Angelo used to front his own band in the 1970’s (a neighbour of mine played lead guitar in The Angelo Palladino Band). I believe Angelo is still writing songs and gigging. Apparently years ago Mr. Palladino senior came to the East End of London and to hide his Italian/Welsh “accent” learnt Yiddish for business purposes. Stay safe and well.
I thought you were going to cover Paul Young’s “Come Back and Stay”! And his work on Joan Armatrading’s The Shouting Stage with Mark Knopfler is stellar. He’s just all over the 80s & 90s.
Pino rules and I absolutely love this song! Another great album Pino played on is Paul Rodgers' Tribute to Muddy Waters. Thanks so much for showcasing this amazing player.
I'm glad you gave Pino some attention, I remember being blown away by his fretless bass playing on Gary Numans I Assassin which along with MIck Karn on the Japan albums influenced me into taking up the fretless bass. My dream bass back then was the Wal fretless which I eventually got many moons ago when the fretless in pop music was coming to an end back in the late 80s.
You are spot on with this one, Pino is the very best... He is a true genius..., please listen to some of the work he did with Tears for Fears.., just out of this world.. Pino and Mick Karn are by far the greatest players of my lifetime. No one even comes close to the pair of them, but for different reasons, Mick, was a total one-off, nobody played fretless bass like Mick.., and equally, Pino is the very best from a technical standpoint and just pure originality..🙏
Same here. I never really noticed it at the time, but later on heard the reason. I think it's because advances in music devices enabled better sound and bass tone production.
I played this for my year 10 music performance. My defretted Aria bass through the OC-2 (I might have added the BF-2 Flanger) playing a cassette through my Tascam Porta1 with Pino and all the other music panned one side and me panned the other. The class loved it and I scored well 🙂
Your video presentations, attention to important nuances and presentation manor are always brilliant. Always enjoy and learn something new from your videos. Thank you.
There have been a lot of octave pedals released since the OC-2 but that thing has the magic sauce. It’s a pedal that pushes you to play differently and that glitchyness has a certain charm you can’t find in others. Thank you again for another great breakdown.
This video I think is about to make me swap out my MXR BO-Deluxe with an OG OC-2 I was practically gifted by a very generous friend. Hasn't made its way onto my main board yet but it indeed has the sauce
No question! The MXR is a great pedal but the OC-2 has a mojo you can’t find anywhere else. Check out the Boss OC-5 too. It can emulate the OC-2 and has more functionality but if you already have an OC-2 just go with it. Cheers!
@@Naniamania3 yeah man, I was very generously hooked up with a "good chip" original OC2 a while back, and have just kept it around the house. Had planned to build a mini-board around it just for that! But I'm definitely gonna swap them out I think and see how that goes. I've known about the "glitchyness" but that is just killer!
Love Pino! I discovered him in this Paul Young album with Playhouse and Every Time. Been a fan ever since. BTW the great Ralphe Armstrong uses fretless and an octave pedal amazingly well on Jean Luc Ponty's "Enigmatic Oceans" album.
Love your work celebrating these legendary bass players - the format is great - a little about the artist, the context of their work and of course their bass lines!
check out his amazing work with Gary Numan, on the I Assassin album. I read that he went to the audition, knowing Numan wanted fretless, had never played one, bought one en route, which had no strings on it at the time! and got the gig, and slayed.
I used to play that song as a DJ when it came out and as a bass player, it blew my mind! I used that song as a practice exercise. "Prolific" is the perfect word for Pino. Thanks for highlighting one of the modern greats!
One of, if not the most inspirational bassists I've ever heard. Him and Del Palmer and John Giblin. And he was very much the reason for me buying a Boss OC2 as well, LOLZ.
He was the first guy I ever saw with a music man bass with a fretless neck. That unique MM active pick up sound but with Jaco phrasing blow my mind. I still don't see anyone with that combo. Just based on your clips you can see how versatile he is, switching tones with each project he works on. He's also a fan of Michael Henderson which puts him high on my list of great bass players. Check out his "Notes With Attachments" album with Blake Mills. It shows a more esoteric side to his playing. Superb. Cheers PD.
When I was just starting out ( in the late 70's) my influences were Jack Bruce, Chris Squire, and...Peter Cetera. But in 1980 I bought a '78 fretless Precision and looked around for what I was supposed to do with this thing. Within 2 years I discovered the holy trinity of my true inspirations ( all of whom you have now spotlighted) Jaco, Mick Karn, and Pino. It was such an exciting time to learn with so much innovation in technique and sound. Thanks so much for this series.
I had a singer buddy of mine turn me on to this tune years ago! Thanks for reminding me how dope this is! I love this channel, brother! Please keep this up! 🙏🏾😌💯✊🏾
This is so killer, Pino got me playing the bass and I love clicking on my octaver to jam with this tune. I use the MXR bass octaver these days but in the 80's it was the OC2 for sure. I pulled the frets out of a Yamaha BB 1000s and used the OC2 to get close to the Pino vibe.. good times.
As soon as I saw that thumbnail pop up on My RUclips feed, I automatically knew what Bass Line was going to be discussed. And let's not forget that Young's rendition of "I'M GONNA TEAR YOUR PLAYHOUSE DOWN" had one of the best uses of the "Orchestral Strike" ever!!! I was a sucker for that sound effect when it was used right. Especially whenever hearing it during Clubbing phase all over New York City back in those days. But as far as "Prolific", I was going to debate that and give you Tony Levin. But then I had to realize that Pallidino has been more "all over the map" musically than Levin (to a degree). GREAT VIDEO! Short and to the Point.
Awesome video. I was a big fan of Pino in the 80’s (bass player magazine had him and Mark King in the cover as featured English gents of bass!). Later re discovered that he was the bass player behind the Soulquarians! There’s a really cool video of him taking to Quest love for his podcast.
This was a very touching tribute to Pino (I named my cat after him). It saddens me that his work on the Gary Numan album "I, Assassin" is almost never mentioned by reviewers, which was his first recording. Pino is a major influence on my playing, as was another of Gary Numan's fretless bassists, Mick Karn. I liked your video and assessment of his amazing playing on this song. When I first heard it on the radio as it was becoming a hit, I was able to recognize his playing because of how he played with Gary Numan, and if you like this, you owe it to yourself to investigate "I, Assassin" and Numan's previous album "Dance" (with Mick Karn).
I first heard him on David Gilmour's About Face and his solo on Murder is...just breathtaking and I had to learn it. I hadn't heard Playhouse, but damn, that is a groove. New thing to learn, I guess.
yeah using the octaver on bass became a staple later as it gave it that synth-i edge but didn't require actual synthesizer overdubbing and thus never have timing issues. Pino was the first who did it and both Tony Levin and Guy Pratt would credit Pino for this.
Back in 1987 I read an interview with Pino (I think it was in "Electronic Musician" mag) Anyway, Pino stated that he was actually a guitar player looking for a break. A friend told him that the then famous "Gary Numan" was holding auditions for a fretless bass player to replace Mick Karns. So Pino borrowed a fretless bass and headed to the try out and got the job ! I think he's on the "Music for Camelians" Album.
Damn man, I'd never heard this. Obv know of Pino, but your channel really brings out the gems! The kind of stuff I feel like as a bassist, I "should" know, but sometimes feel like a poser for being totally in the dark about. What a great channel and wealth of knowledge, and you are masterful at presenting it, and really covering a lot of ground in a pretty brief time. Also, REALLY loved your 'Aint No Mountain' video not long ago! (among all the rest I've seen) Thanks for what you do, professor! I need to just go back and start from the beginning...
I can not count on 1 hand with multiple unused fingers the number of people who can drop a fresh video on RUclips that I'll wake up at 245 am. est for... its Christmas when you post fr me sir!!!
Where you hear Jaco, I hear Rocco! Other than his beautiful melodic accompaniment on Gravity, live in LA, his playing on the Tears for Fears' tune "Badman's Song" is pure bliss! Especially that sick lick his does at the 6:30 mark, if anyone else has heard it!
Another excellent profile. Pino is definitely near the top on my fave of all time list. The subtle groove on Soldier's Things is another standout on this album.
Pino is the only musician, perhaps the only human being alive, that I've truly idolised. His playing is absolutely awe-inspiring. He cracked the octaver out again for 'I Wish It Would Rain Down' by Phil Collins, and Guy Pratt said Pino's use of that pedal was the inspiration for his work on Madonna's 'Like a Prayer' track. I know there's many musicians who admire his chicken grease style playing in the neo-soul genre with D-Angelo and Erykah Badu, but for me the 80s and early 90s fretless stuff is unassailable. Man, I could bore on about Pino ALL DAY 😂
I lived through the 80s (and the 70s, and the 60s for that matter). But I really couldn't get into gated drums and DX-7s and hair bands. OTOH D'Angelo is the real deal, and Pino's work with him since Voodoo has been absolute killer. THAT'S the sound and groove I strive to emulate.
Pino is one of my all time musicians for many of the reasons you highlight here. While I haven't been blessed to see him perform live, I was able to see his son Rocco with Yussef Dayes, which was killer.
Pino Palladino made me fall in love with bass. I started playing bass strongly inspired by him, in 80's. Now, 40 years later, I finally bought the BOSS OC-5 (successor of the mythical OC-2) and get *THAT* sound.
Most people would think of Every Time You Go Away's bassline, but I'm Gonna Tear This Playhouse Down is the real tour de force.
In the UK, 'Wherever I Lay My Hat' was considered his breakthrough and calling card, but I don't think it was a hit in the US? Everyone has their own Pino track which they consider definitive. It's interesting watching the Questlove podcast interview on RUclips, because he considers 'Lady in Red' to be Pino's signature line
Playhouse is my always answer to fave bass line
Playhouse was Paul Young at his funkiest. The bassline carries that song throughout all the “Bangs and Crashes” (sorry Go West).
My favorite Paul Young cut.
For the longest time I thought it was a synth bass on Every Time, and was shocked to find out it was an actual bass. But yes Tear Your Playhouse Down’s bass lines was mind blowing!
🤔Every Time You Go Away I would say is most Americans introduction to Pino
Gary Numan's record "I, Assassin" is a showcase of this man's talent.
One of my Favourite albums, Pino's playing on that is sublime. Made me buy a fretless bass
Yep. Much better than Paul Young. Mick Karn on 'Dance' is also epic!
Apparently Pino hadn't played fretless bass before that album and asked Joe Hubbard (who later played bass on "Warriors") for a few lessons.
He's an absolute groove master and now his son is laying sick grooves with Yussef Dayes as well, what a family.
Came here to say the same. Their stuff is great!
And don't forget his daughter Fabiana Palladino, check her out too. What a family indeed.
@@olvinjanoisin2255 Thanks for the recommendation, she's great!
But I thinks its his brother Rocco
Pino turned Paul Young into a background singer on his own track! Great episode.
Pino on the Go West album!! "Call Me", "Eye to Eye", "We Close Our Eyes"... WHEW!! Great work on that album.
Yes!!!!! My first experience hearing Pino!
That bassline on "Call Me" is massive. It really stands out on the remixes too!
Nice phrasing on "Goodbye Girl" and "Missing Persons" too, that man is an alien!
For some reason they tend to miss out Go West which to me was deffo some of his most creative work glad I got to meet him in person after a Di Angelo gig in my hometown ❤
I had no idea all this time who played bass on We Close Our Eyes. I've been playing/practicing it for DECADES!
Questlove said this during a recent interview with the man himself, "If I only had one person to choose to play bass with for the rest of my days, I would choose Pino Palladino". Who am I to disagree? Gotta go listen to some Pino Palladino right now! Thanks for the reminder, Paul!
Showing the OC-2 failing a bit in the isolated bass track was fascinating. Sometimes it's just those simple small mishaps that make things great.
That riff at 1:45 sounds so much like a classic Minimoog bass patch !
It's always amazing to me how accurately you can display any bassline you're talking about.
I eventually settled into classic & alternative rock but Paul Young was the first live concert I went to (without my folks). This song was why.
The entirety of The Secret of Association is what made Pino my all-time favourite bass player, and it was the perfect way for me to learn how to play fretless. I still regard this album as the magnum opus of Pino's bass work.
I had almost forgotten this song ,, ' playhouse ' The classic 70's funk meets 80's synth pop,, that bass ! whoah !!!
Nice follow-up to the Mick Karn episode, especially as both have a Gary Numan connection. MK played on Numan's 'Dance' and 23 year old PP played on the follow-up, 'I, Assassin'--with more amazing fretless work ('Music For Chameleons' being a great example).
You've got that very confident but mellow phrasing in your speech that reminds me of Levar Burton. Even some of your intonation. Great video too, Pino rules.
Yes. Now I realize from where that familiarity arose. Great ear.
you really need to add Pino's work on Gary Numan's "I Assassin" release. That is what first introduced me to Pino and I saw him on that tour and was totally blown away.
Pino gave such a distinctive flavour to that album, incredible work! Too bad the English music critics of the time had it in for Numan at that point, regardless, Pino's talent still shines through.
Great video thanks mate. Fun fact: my younger brother worked for a while at Soho Soundhouse in London and sold Pino that Octaver! I was dead jealous as the job was offered to me first and I was a huge fan due to Pino's work with Gary Numan. Thanks again.
Pino is a legend, I adore his playing on Paul Young’s songs the most and he will always be a favourite bass player of mine!! 😁👍
His bass playing on Wherever I Lay my Hat is absolutely killer.
I cry with that bass line!
💯 Still have my Boss Octave OC-2 pedal..!!!
Got hooked up with one of the really good ones by a real generous dude, much higher up the chain than me... been something I just keep safe around the house, but after this I think the first thing I may do is swap it into my MXR Bass Octave Deluxe (which i love) spot on my pedalboard.
My band runs a tuba through an OC-2 😂
Saw Pino play with The Who on the 4th of July in 2002. It was just a week after John had passed.
Unbelievable show.
Oh and now I gotta go listen to an Ann Peebles marathon so THANK YOU for that!
Same here, in Chicago about 2 months after Entwistle died. Pino was stellar. No other bass player could have pulled that off so perfectly given the circumstances.
Probably my favourite bass player of all time, he deserves way more recognition than he gets. Thanks for sharing 👍
Best bassline and sound in basshistory. Simply amazing and fun.
Everyone here is raving about "Tear your playhouse down"and it's bass lines but my favorite from that record is still "come back and stay". It's fitty years old almost and still one of my favorite songs.
Maaaaaate yes finally someone selling us the real Pino business. This line switched me onto bass man - and also check out his bass line on a Pete Townsend tune called give blood with the same sort of sound - banging .
Comes for my home town and his family still has their Italian Restaurant he grew up in. Was lucky enough to see Pino do an impromptu fusion gig at the local village hall nearby with stellar UK musicians Jason Rebello and the Stacey brothers.
Oh man where's this restaurant?! I know that's some good stuff if it's still family owned
@@JerboFotius yes indeed, it is in Whitchurch, a suburb of Cardiff, UK.
@fusionfan6883. Have you ever met Pino’s brother Angelo? Angelo used to front his own band in the 1970’s (a neighbour of mine played lead guitar in The Angelo Palladino Band). I believe Angelo is still writing songs and gigging. Apparently years ago Mr. Palladino senior came to the East End of London and to hide his Italian/Welsh “accent” learnt Yiddish for business purposes. Stay safe and well.
@@markmiwurdz2248 No sadly I didn't know him, but thanks for the information and interesting anecdote 🙂
I'd love to see you do a video showing your gear.
Artist: Joan Armatrading, Album: The Shouting Stage, made me a Pino Palladino Fan For LIFE!!! 🥰🥰🥰
I thought you were going to cover Paul Young’s “Come Back and Stay”!
And his work on Joan Armatrading’s The Shouting Stage with Mark Knopfler is stellar. He’s just all over the 80s & 90s.
Pino rules and I absolutely love this song! Another great album Pino played on is Paul Rodgers' Tribute to Muddy Waters. Thanks so much for showcasing this amazing player.
I'm glad you gave Pino some attention, I remember being blown away by his fretless bass playing on Gary Numans I Assassin which along with MIck Karn on the Japan albums influenced me into taking up the fretless bass.
My dream bass back then was the Wal fretless which I eventually got many moons ago when the fretless in pop music was coming to an end back in the late 80s.
You are spot on with this one, Pino is the very best... He is a true genius..., please listen to some of the work he did with Tears for Fears.., just out of this world.. Pino and Mick Karn are by far the greatest players of my lifetime. No one even comes close to the pair of them, but for different reasons, Mick, was a total one-off, nobody played fretless bass like Mick.., and equally, Pino is the very best from a technical standpoint and just pure originality..🙏
Don't forget Percy Jones!
That's a very good point...!, I guess you could throw in John Giblin too...?
@@colin_a I knew (as I typed Percy Jones) that there was one more! Babooshka sends me to heaven 🙏
I first heard Pino play for Nine Inch Nails on the 2013 Tension tour, there's an amazing video of that performance.
Yep, that’s what turned me onto Pino.
This bass line was what mad e me tear the frets out of my old Yamaha bass when I was 16. I was obsessed with learning this line and getting that tone
Finally someone noticed, that this is one of the best bass lines ever, ever, ever - THANK YOU for this breakdown!
Awesome video.
I had skipped over that song back in the day. I always wondered how he got that sound.
Nice job playing the “Jaco” part.
Same here. I never really noticed it at the time, but later on heard the reason.
I think it's because advances in music devices enabled better sound and bass tone production.
Pino on Paul Young's cover of Marvin Gayes "Wherever I Lay My Hat" is amazingly awesome!
Agreed, and Paul Young's version is pretty much the definitive one. A rare miss for Marvin Gaye, his version is missing out so much depth.
Jaco was using these too in live gigs, like around 5 minutes into ‘Black Market’ on his Live in Tokyo ‘83 album
Brother only you can showcase that bass line, what a treat. Thank you and now I'm going to listen to that belter and practice some more.
I played this for my year 10 music performance. My defretted Aria bass through the OC-2 (I might have added the BF-2 Flanger) playing a cassette through my Tascam Porta1 with Pino and all the other music panned one side and me panned the other. The class loved it and I scored well 🙂
Iconic and amazing … PINO 🙌🏽 Thanks, Paul !
Your video presentations, attention to important nuances and presentation manor are always brilliant. Always enjoy and learn something new from your videos. Thank you.
Awesome vid about one of the titans of modern music. Thank you greatly! Your own passion is infectious!
There have been a lot of octave pedals released since the OC-2 but that thing has the magic sauce. It’s a pedal that pushes you to play differently and that glitchyness has a certain charm you can’t find in others. Thank you again for another great breakdown.
This video I think is about to make me swap out my MXR BO-Deluxe with an OG OC-2 I was practically gifted by a very generous friend. Hasn't made its way onto my main board yet but it indeed has the sauce
No question! The MXR is a great pedal but the OC-2 has a mojo you can’t find anywhere else. Check out the Boss OC-5 too. It can emulate the OC-2 and has more functionality but if you already have an OC-2 just go with it. Cheers!
@@Naniamania3 yeah man, I was very generously hooked up with a "good chip" original OC2 a while back, and have just kept it around the house. Had planned to build a mini-board around it just for that! But I'm definitely gonna swap them out I think and see how that goes. I've known about the "glitchyness" but that is just killer!
Love Pino! I discovered him in this Paul Young album with Playhouse and Every Time. Been a fan ever since.
BTW the great Ralphe Armstrong uses fretless and an octave pedal amazingly well on Jean Luc Ponty's "Enigmatic Oceans" album.
Loves Pino, and Loves Ralphe!!!😄😄😄🥰🥰🥰
Love your work celebrating these legendary bass players - the format is great - a little about the artist, the context of their work and of course their bass lines!
WOW! I had forgotten about this Paul Young JAM! Pino Palladino was KILLIN' it! Thank you for sharing this 1980 FUNKY cut! 🤩👏🏾🎶🎸
check out his amazing work with Gary Numan, on the I Assassin album. I read that he went to the audition, knowing Numan wanted fretless, had never played one, bought one en route, which had no strings on it at the time! and got the gig, and slayed.
I used to play that song as a DJ when it came out and as a bass player, it blew my mind! I used that song as a practice exercise. "Prolific" is the perfect word for Pino. Thanks for highlighting one of the modern greats!
Thanks again, Pino, a fretless, and an OC-2, are a match made in heaven.
Yeah, that bass line is amazing. Thanks for this. I've always loved the sound of the bass in this song. Great version too.
Saw him play with Paul back in the day because of the way he played in “ Everytime You Go away”
One of, if not the most inspirational bassists I've ever heard. Him and Del Palmer and John Giblin. And he was very much the reason for me buying a Boss OC2 as well, LOLZ.
Well, I have learned something new. Thanks for the deep dive. 👍🏻
Your channel is excellent. I appreciate the details you notice and your ability to articulate them. And no tab: I appreciate that too!
He was the first guy I ever saw with a music man bass with a fretless neck. That unique MM active pick up sound but with Jaco phrasing blow my mind. I still don't see anyone with that combo. Just based on your clips you can see how versatile he is, switching tones with each project he works on. He's also a fan of Michael Henderson which puts him high on my list of great bass players.
Check out his "Notes With Attachments" album with Blake Mills. It shows a more esoteric side to his playing. Superb. Cheers PD.
Nice coverage of this bass line!
for me his best work, when he was with Paul Young !! very particular sound !!
When I was just starting out ( in the late 70's) my influences were Jack Bruce, Chris Squire, and...Peter Cetera. But in 1980 I bought a '78 fretless Precision and looked around for what I was supposed to do with this thing. Within 2 years I discovered the holy trinity of my true inspirations ( all of whom you have now spotlighted) Jaco, Mick Karn, and Pino. It was such an exciting time to learn with so much innovation in technique and sound. Thanks so much for this series.
@johnoestricher3508 Check out some of Percy Jones’ tasty fretless lines, from the band
Brand X
Bruce, Squire and Cetera are still great references tho
I had a singer buddy of mine turn me on to this tune years ago! Thanks for reminding me how dope this is! I love this channel, brother! Please keep this up! 🙏🏾😌💯✊🏾
This is so killer, Pino got me playing the bass and I love clicking on my octaver to jam with this tune. I use the MXR bass octaver these days but in the 80's it was the OC2 for sure. I pulled the frets out of a Yamaha BB 1000s and used the OC2 to get close to the Pino vibe.. good times.
Dude, your breakdowns RULE!
I finally watched his Tiny Desk with Blake Mills a couple weeks ago and it's a hell of a thing.
Thanks for remindung us this insane bassline!
First heard him on Mayer's trio album with Steve Jordan on drums. He's a killer bass player! Thks Paul
As soon as I saw that thumbnail pop up on My RUclips feed, I automatically knew what Bass Line was going to be discussed.
And let's not forget that Young's rendition of "I'M GONNA TEAR YOUR PLAYHOUSE DOWN" had one of the best uses of the "Orchestral Strike" ever!!!
I was a sucker for that sound effect when it was used right.
Especially whenever hearing it during Clubbing phase all over New York City back in those days.
But as far as "Prolific", I was going to debate that and give you Tony Levin.
But then I had to realize that Pallidino has been more "all over the map" musically than Levin (to a degree).
GREAT VIDEO!
Short and to the Point.
Only you have the taste and knowledge to highlight this amazing bassline. Thank you!!!
Awesome video. I was a big fan of Pino in the 80’s (bass player magazine had him and Mark King in the cover as featured English gents of bass!). Later re discovered that he was the bass player behind the Soulquarians! There’s a really cool video of him taking to Quest love for his podcast.
ruclips.net/video/k0Qe2yada_w/видео.htmlsi=crT3aKFBvIanmpZz
This was a very touching tribute to Pino (I named my cat after him). It saddens me that his work on the Gary Numan album "I, Assassin" is almost never mentioned by reviewers, which was his first recording. Pino is a major influence on my playing, as was another of Gary Numan's fretless bassists, Mick Karn. I liked your video and assessment of his amazing playing on this song. When I first heard it on the radio as it was becoming a hit, I was able to recognize his playing because of how he played with Gary Numan, and if you like this, you owe it to yourself to investigate "I, Assassin" and Numan's previous album "Dance" (with Mick Karn).
Masterfully done exposition on peno’s bass on this tune. You nailed it !!
Hell yes! Epic! Thanks a million for this content man. Super inspiring stuff. Keep on keeping on
I've always loved this and assumed it was synth bass with some doubled bits ... this is awesome!
I loved that bass line
Fretless bass with an octave pedal seems to be a popular video topic. Scott’s Bass Lessons just did Tony Levin’s line on Sledgehammer.
Yeah, I noticed that too! Another legendary bass sideman. Imo, the holy trinity is Pino, Tony and Leland Sklar.
The holy quartet would include Guy Pratt- Like A Prayer. C’mon.
@@andrewhigdon8346 Absolutely!
I first heard him on David Gilmour's About Face and his solo on Murder is...just breathtaking and I had to learn it. I hadn't heard Playhouse, but damn, that is a groove. New thing to learn, I guess.
I never heard of this dude until I happened to watch NIN live on austin city limits several years ago. been a fan of his playing since. NICE PICK!
Almost the same here. Saw him on RUclips with the NIN Tension Tour. I’ll make another comment t on THAT, above.
This channel is absolutely top tier. I learn so much from every video, thank you!
Wow! I actually remember this song. It's been decades since I heard it!
Thanks Paul i love the way you played it!!!!
What a treat to find your channel. Earned my subscription!!
Great job as always PDBass!! 😎
Yes, thank you for this video, sir! I always dug the bass line of that Paul Young Album.
Thanks!
Thank YOU! 🙏🏽
Great video, Paul.
One of Pino's greatest recordings is his work on Julia Fordham's "Porcelain". Just the right parts for each song. Fretless magic!
Sound also heard on tunes like Peter Gabriel’s “Sledgehammer”. Tony Levin 👌🏼💥
yeah using the octaver on bass became a staple later as it gave it that synth-i edge but didn't require actual synthesizer overdubbing and thus never have timing issues. Pino was the first who did it and both Tony Levin and Guy Pratt would credit Pino for this.
As always, thank you for a wonderful video. We have to talk about your voice on fretless. Insanely incredible! Whew...
Back in 1987 I read an interview with Pino (I think it was in "Electronic Musician" mag) Anyway, Pino stated that he was actually a guitar player looking for a break. A friend told him that the then famous "Gary Numan" was holding auditions for a fretless bass player to replace Mick Karns. So Pino borrowed a fretless bass and headed to the try out and got the job !
I think he's on the "Music for Camelians" Album.
"I, Assassin" 😁 A work of bass genuis.
Damn man, I'd never heard this. Obv know of Pino, but your channel really brings out the gems! The kind of stuff I feel like as a bassist, I "should" know, but sometimes feel like a poser for being totally in the dark about. What a great channel and wealth of knowledge, and you are masterful at presenting it, and really covering a lot of ground in a pretty brief time. Also, REALLY loved your 'Aint No Mountain' video not long ago! (among all the rest I've seen) Thanks for what you do, professor! I need to just go back and start from the beginning...
I can not count on 1 hand with multiple unused fingers the number of people who can drop a fresh video on RUclips that I'll wake up at 245 am. est for... its Christmas when you post fr me sir!!!
Where you hear Jaco, I hear Rocco! Other than his beautiful melodic accompaniment on Gravity, live in LA, his playing on the Tears for Fears' tune "Badman's Song" is pure bliss! Especially that sick lick his does at the 6:30 mark, if anyone else has heard it!
There is a wonderful interview with him on the Questlove podcast, which was released on RUclips recently.
Been listening to Pino for 40 Years....
Thank you for this!!
Another excellent profile. Pino is definitely near the top on my fave of all time list. The subtle groove on Soldier's Things is another standout on this album.
Pino is the only musician, perhaps the only human being alive, that I've truly idolised. His playing is absolutely awe-inspiring. He cracked the octaver out again for 'I Wish It Would Rain Down' by Phil Collins, and Guy Pratt said Pino's use of that pedal was the inspiration for his work on Madonna's 'Like a Prayer' track. I know there's many musicians who admire his chicken grease style playing in the neo-soul genre with D-Angelo and Erykah Badu, but for me the 80s and early 90s fretless stuff is unassailable. Man, I could bore on about Pino ALL DAY 😂
Yep. I strongly prefer that era of Pino and music in general.
I too saw the Guy Pratt video on his “Lockdown Licks” . Badass.
I lived through the 80s (and the 70s, and the 60s for that matter). But I really couldn't get into gated drums and DX-7s and hair bands. OTOH D'Angelo is the real deal, and Pino's work with him since Voodoo has been absolute killer. THAT'S the sound and groove I strive to emulate.
Pino is one of my all time musicians for many of the reasons you highlight here. While I haven't been blessed to see him perform live, I was able to see his son Rocco with Yussef Dayes, which was killer.
Rocco is featured on the track Rust from Dayes debut solo album Black Classical Music. That entire album is just an awesome experience!
Another great video. Pino is awesome.
Great video, thank you.
yeah this track blew my mind back in the day, and I'm a guitar player.
Beautiful tribute!