Celebrity Guests at the Wallace Collection | Portrait Artist of the Year | Banijay Home and Garden
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- Опубликовано: 25 авг 2024
- Nine new contestants must impress the judges with their take on celebrity sitters Sue Perkins, Richard E Grant, and Nina Sosanya.
Hosted by UK TV personalities Joan Bakewell and Frank Skinner; an esteemed group of judges travel across Europe in search of a new star in the art world. Each episode features a regional competition where artists are shortlisted and challenged to produce a portrait of one of three famous sitters. The finalists will have their work displayed at the world-famous National Portrait Gallery in London and the winner will receive a £10,000 commission to paint a portrait which will become part of the permanent collection at the British Library.
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that dot portrait was amazing in my opinion, it captured sue personality
You have a way better personality than those "other guys". That's what makes your channel unique. Plus, don't let these know-it-alls keep you from sharing your opinion about your finds, they are armchair quarterbacks ..you're out there! Cheers, you're great!
Ty ☺️
It always bothers me that they seem to not like traditional good painting.
Yes I would agree but the winner today was an excellent portrait and a fabulous likeness.
@@ForceFreeTrainergirl06 I would agree
“Good” is subjective, always has been, always will be
Throughout history many great artists have ignored "tradition". Tradition can sometimes restrict creativity and subject us to the same old, same old.
I can feel his disappointment that they worked off photographs instead of looking at him and engaging with him
I was surprised with the final.. really
Degas used photos and tracing.
Nice❤
I would not use a camera or iPad, I look at the model and paint, seems right.
That’s because you’re the best… not everyone is as great as you. If I may… I think many people who aren’t used to portraits take pictures to use as reference when the sitter moves… and I’ve seen other people take pictures if they know the sitter is older, has a bad back, or is new to sitting, so they again refer to the sitter in the optimum spot. This show is heavily edited and you barely see any of their process, so judging them based on this small exposure is ridiculous and elitist. Art is art and there is no right or wrong way. The old masters often used multiple aids to help with proportions, to make their lives easier, etc.. The idea that you can’t use reference, can’t grace, can’t make your life easier is what gate keepers think. Taking yourself and your artistic endeavours too seriously will leave every feeling and looking stilted and artificial. But, you’re a pro and these poor souls are garbage I guess. One day, if they take themselves too seriously and stop having fun, they might be inclined to not take pictures and force themselves to redo, repaint, modify their art to accommodate the sitter. In all seriousness, I find taking a picture most important when trying to capture the spirit and mood of the sitter. I get a snapshot of how they are feeling, I can analyze their features that were captured and compare how they look similar or different live, and it usually gives me insight into their personality
@@Jealod24 I do not object to using a photo or an iPad what I object to is having a live model in front of you and not looking at them. Why bother to have them sit there for hours? Seems rude.
you shouldn't use an iPad, use a phone with at least 70mm lens to recreate a more natural reproduction of the subject, and avoid distortion with a certain "social media look" because most people take portraits with their wide angle camera module!
When does the next episode out then? 43:09
Why does this Sue person volunteer for a 4 hour sitting if she is constantly fidgeting and changing her pose?
How annoying for the artists who are trying to get a likeness.
I can see the need for the photographs!
@37:52 So which planet’s aliens have arms that twist like that portrait?
Artificial photography. I would like to see the artists use their own skill. They are very talented.
Degas used photos and tracing.
Reposting old episodes. Frustrating to find something recent
agreed. Was excited, and now I'm disappointed.
@@marthas8108I understand your disappointment. But I'm in Canada and these are all new to me. I think the newer episodes are on another page.
Fair enough. Thanks. @@martinelanglois3158
Frank Skinner tries to be humorous... and how is the small-talk "chat" not distracting to the artists who need to concentrate?
they're all doing grids?? LOL. ok. time for me to move on. ugh
It seems to me that some participants don’t really know how to draw. They rely heavily on electronic devices and grids to get the drawing down on the canvas. This amounts to”treating “ to me. They only know rendering. Pathetic!
Go ahead, show the world how you would do it!
@@Wirbelwind116 Sounds like you never seen someone can get the likeness without the help of the grid ?
Degas used photos and tracing.
I am not sure how i feel about this video. I clicked on it because i like Sue Perkins and it is about art. I was a bit dismayed when i realized that Ms. Perkins did not have a bigger role; then, the format of the program,isn't engaging, for a reason that I can not completely fathom; all of the artists are very talented and the portraits are excellent, yet the show itself seems rather flat. The first time I encountered this format (the informal, chatty competition) was "The Great British Bake-off" and liked it immediately because of Sue, Mel and Mary Berry, but maybe that is it- there is a certain seriousness about the episode, perhaps if Sue Perkins, along with Mel, had been a commentator... I will say Richard E. Grant's issue with age is very annoying; he comes on set and starts asking everyone's age, which used to be considered quite rude, but apparently, in today's world, is ok. Then, through out the filming he makes references to age. Perhaps that is why I am not really enjoying this video.Who knows, and other than me, who cares? Comments on RUclips, as in life, say as much about the person making the comment (often even more) than about the subject.