Turnarounds on the low holes
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- Опубликовано: 28 сен 2024
- Bars 11 and 12 in a twelve-bar blues are of crucial importance. They finish off the chorus you're on and set up the chorus you're about to play. Here are a handful of ways you can play those two bars, relying primarily on 1 and 2 hole draw. With Adam Gussow of Modern Blues Harmonica.
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Thank you Maestro
Siempre un placer escucharte y aprender 😊
You've got a great handle, BlueSnake. Stay cool!
Enjoyed this
Thank you Adam. Another great lesson. Happy Father’s Day as well 🤙
The 'bar 11' part about 12:20 in is reminiscent of the Canned Heat song"On The Road Again". Thanks very much for all the help you are giving.
Thanks for another great lesson. I gotta listen to more versions of these classic blues songs. There's so much more to do on "Got my Mojo"
Very helpful, many thanks.
I feel like the turn around is not much different than any other telegraphing an upcoming chord change, or am I thinking it wrongly.
It also seems to me that the turn around can be some kind of management of timing. If I think about a song like Juke, Little Walter seems to hit the first bar of each chorus fast and the turn arounds really allow you to get ready for that somehow. One specific of that is the 4th chorus split which leads into a series in the 5th.
Am I over thinking this?
Prof Gussow
For some reason I always lose my Bbs. I know I just bought a LO to replace the one I lost but I can't find it. I'm playing along on a Paddy Richter Baby Fat so I don't have my bends on the three. Still sounding cool though. It actually harmonizes nicely with what you are doing.
Saludos desde Argentina... y gracias por compartir. Salud.
`Next time` be closer please :^)
Thanks Gus 😂🎶😮
Adam stays Goosin! Thanks for the lesson Master
This is a great lesson. I dont know why but my bends just seem to be much easier today (playing this with an A harp) coming from the throat rather than the mouth. Its just like its switched on automatically. 😉 👍